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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #009EDC it is the complementary color #FF6123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #009EDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #009EDC shade: #059ED7, #16B0EA, #27C2FD, #38D4FF and #49E6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #009EDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #009EDC shade: #009EDC, #008CC9, #007AB6, #0068A3 and #005690

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #009EDC shade: #009DDB, #0062DB, #0027DB, #1300DB and #4F00DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #009EDC shade: #009DDB, #0062DB, #0027DB and #0000DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #009EDC shade matches the following richer shades: #009DDB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #009EDC shade: #009DDB, #1195C9, #238EB7, #3586A6 and #467E94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #009EDC shade: #00DBA0, #00DBDB, #00A0DB, #0066DB and #002BDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #009EDC shade: #006288, #007FB2, #009DDB, #05B8FF and #2EC4FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #009EDC shade: #009EDC, #6600DB and #DBBE00

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #009EDC shade: #009EDC, #DB00A0 and #A0DB00

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #009EDC shade: #009EDC, #6600DB, #DB3A00 and #74DB00

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #009EDC shade: #009EDC, #A800DB, #DB3A00 and #33DB00

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 28 / 0 / 14

HEX #009EDC

RGB 0 158 220

HSL 196.91, 1%, 0.43%

LAB 61.33, -12.32, -41

 

Complementary color

CMYK 0 / 62 / 86 / 0

HEX #FF6123

RGB 255 97 35

HSL 16.91, 1%, 0.57%

LAB 61.59, 57.59, 62.39

 

CMYK 98 / 27 / 0 / 16

HEX #059ED7

RGB 5 158 215

HSL 196.29, 0.95%, 0.43%

LAB 61.13, -13.99, -38.54

 

CMYK 91 / 25 / 0 / 8

HEX #16B0EA

RGB 22 176 234

HSL 196.42, 0.83%, 0.5%

LAB 67.4, -16.39, -39.2

 

CMYK 85 / 23 / 0 / 1

HEX #27C2FD

RGB 39 194 253

HSL 196.54, 0.98%, 0.57%

LAB 73.61, -18.39, -39.79

 

CMYK 78 / 17 / 0 / 0

HEX #38D4FF

RGB 56 212 255

HSL 192.96, 1%, 0.61%

LAB 79.13, -25.52, -32.3

 

CMYK 71 / 10 / 0 / 0

HEX #49E6FF

RGB 73 230 255

HSL 188.24, 1%, 0.64%

LAB 84.6, -32.45, -23.9

 

CMYK 100 / 28 / 0 / 14

HEX #009EDC

RGB 0 158 220

HSL 196.91, 1%, 0.43%

LAB 61.33, -12.32, -41

 

CMYK 100 / 30 / 0 / 21

HEX #008CC9

RGB 0 140 201

HSL 198.21, 1%, 0.39%

LAB 55.04, -9.23, -40.23

 

CMYK 100 / 33 / 0 / 29

HEX #007AB6

RGB 0 122 182

HSL 199.78, 1%, 0.36%

LAB 48.63, -5.98, -39.48

 

CMYK 100 / 36 / 0 / 36

HEX #0068A3

RGB 0 104 163

HSL 201.72, 1%, 0.32%

LAB 42.07, -2.56, -38.77

 

CMYK 100 / 40 / 0 / 44

HEX #005690

RGB 0 86 144

HSL 204.17, 1%, 0.28%

LAB 35.34, 1.09, -38.09

 

CMYK 100 / 28 / 0 / 14

HEX #009DDB

RGB 0 157 219

HSL 196.99, 1%, 0.43%

LAB 60.98, -12.13, -40.99

 

CMYK 100 / 55 / 0 / 14

HEX #0062DB

RGB 0 98 219

HSL 213.15, 1%, 0.43%

LAB 44.02, 23.87, -68.13

 

CMYK 100 / 82 / 0 / 14

HEX #0027DB

RGB 0 39 219

HSL 229.32, 1%, 0.43%

LAB 30.8, 59.24, -89.91

 

CMYK 91 / 100 / 0 / 14

HEX #1300DB

RGB 19 0 219

HSL 245.21, 1%, 0.43%

LAB 27.44, 70.72, -95.5

 

CMYK 64 / 100 / 0 / 14

HEX #4F00DB

RGB 79 0 219

HSL 261.64, 1%, 0.43%

LAB 31.29, 72.29, -88.98

 

CMYK 100 / 28 / 0 / 14

HEX #009DDB

RGB 0 157 219

HSL 196.99, 1%, 0.43%

LAB 60.98, -12.13, -40.99

 

CMYK 100 / 55 / 0 / 14

HEX #0062DB

RGB 0 98 219

HSL 213.15, 1%, 0.43%

LAB 44.02, 23.87, -68.13

 

CMYK 100 / 82 / 0 / 14

HEX #0027DB

RGB 0 39 219

HSL 229.32, 1%, 0.43%

LAB 30.8, 59.24, -89.91

 

CMYK 100 / 100 / 0 / 14

HEX #0000DB

RGB 0 0 219

HSL 240, 1%, 0.43%

LAB 27.06, 70.6, -96.15

 

CMYK 100 / 28 / 0 / 14

HEX #009DDB

RGB 0 157 219

HSL 196.99, 1%, 0.43%

LAB 60.98, -12.13, -40.99

 

CMYK 100 / 28 / 0 / 14

HEX #009DDB

RGB 0 157 219

HSL 196.99, 1%, 0.43%

LAB 60.98, -12.13, -40.99

 

CMYK 92 / 26 / 0 / 21

HEX #1195C9

RGB 17 149 201

HSL 196.96, 0.84%, 0.43%

LAB 57.88, -13.68, -35.78

 

CMYK 81 / 22 / 0 / 28

HEX #238EB7

RGB 35 142 183

HSL 196.62, 0.68%, 0.43%

LAB 55.2, -14.98, -29.74

 

CMYK 68 / 19 / 0 / 35

HEX #3586A6

RGB 53 134 166

HSL 196.99, 0.52%, 0.43%

LAB 52.46, -14.08, -24.18

 

CMYK 53 / 15 / 0 / 42

HEX #467E94

RGB 70 126 148

HSL 196.92, 0.36%, 0.43%

LAB 49.93, -12.01, -17.55

 

CMYK 100 / 0 / 27 / 14

HEX #00DBA0

RGB 0 219 160

HSL 163.84, 1%, 0.43%

LAB 77.99, -58.48, 16.64

 

CMYK 100 / 0 / 0 / 14

HEX #00DBDB

RGB 0 219 219

HSL 180, 1%, 0.43%

LAB 79.49, -42.86, -12.6

 

CMYK 100 / 27 / 0 / 14

HEX #00A0DB

RGB 0 160 219

HSL 196.16, 1%, 0.43%

LAB 61.87, -13.79, -39.59

 

CMYK 100 / 53 / 0 / 14

HEX #0066DB

RGB 0 102 219

HSL 212.05, 1%, 0.43%

LAB 45.11, 21.27, -66.36

 

CMYK 100 / 80 / 0 / 14

HEX #002BDB

RGB 0 43 219

HSL 228.22, 1%, 0.43%

LAB 31.45, 57.34, -88.83

 

CMYK 100 / 28 / 0 / 47

HEX #006288

RGB 0 98 136

HSL 196.76, 1%, 0.27%

LAB 38.75, -9.69, -27.84

 

CMYK 100 / 29 / 0 / 30

HEX #007FB2

RGB 0 127 178

HSL 197.19, 1%, 0.35%

LAB 49.97, -10.45, -35.06

 

CMYK 100 / 28 / 0 / 14

HEX #009DDB

RGB 0 157 219

HSL 196.99, 1%, 0.43%

LAB 60.98, -12.13, -40.99

 

CMYK 98 / 28 / 0 / 0

HEX #05B8FF

RGB 5 184 255

HSL 197.04, 1%, 0.51%

LAB 70.55, -13.81, -45.68

 

CMYK 82 / 23 / 0 / 0

HEX #2EC4FF

RGB 46 196 255

HSL 196.94, 1%, 0.59%

LAB 74.37, -18.24, -39.68

 

CMYK 100 / 28 / 0 / 14

HEX #009EDC

RGB 0 158 220

HSL 196.91, 1%, 0.43%

LAB 61.33, -12.32, -41

 

CMYK 53 / 100 / 0 / 14

HEX #6600DB

RGB 102 0 219

HSL 267.95, 1%, 0.43%

LAB 33.86, 73.64, -84.65

 

CMYK 0 / 13 / 100 / 14

HEX #DBBE00

RGB 219 190 0

HSL 52.05, 1%, 0.43%

LAB 77.21, -4.64, 78.71

 

CMYK 100 / 28 / 0 / 14

HEX #009EDC

RGB 0 158 220

HSL 196.91, 1%, 0.43%

LAB 61.33, -12.32, -41

 

CMYK 0 / 100 / 27 / 14

HEX #DB00A0

RGB 219 0 160

HSL 316.16, 1%, 0.43%

LAB 49.01, 80.08, -24.64

 

CMYK 27 / 0 / 100 / 14

HEX #A0DB00

RGB 160 219 0

HSL 76.16, 1%, 0.43%

LAB 80.81, -43.15, 79.41

 

CMYK 100 / 28 / 0 / 14

HEX #009EDC

RGB 0 158 220

HSL 196.91, 1%, 0.43%

LAB 61.33, -12.32, -41

 

CMYK 53 / 100 / 0 / 14

HEX #6600DB

RGB 102 0 219

HSL 267.95, 1%, 0.43%

LAB 33.86, 73.64, -84.65

 

CMYK 0 / 74 / 100 / 14

HEX #DB3A00

RGB 219 58 0

HSL 15.89, 1%, 0.43%

LAB 49.6, 60.4, 61.49

 

CMYK 47 / 0 / 100 / 14

HEX #74DB00

RGB 116 219 0

HSL 88.22, 1%, 0.43%

LAB 78.68, -58.35, 76.83

 

CMYK 100 / 28 / 0 / 14

HEX #009EDC

RGB 0 158 220

HSL 196.91, 1%, 0.43%

LAB 61.33, -12.32, -41

 

CMYK 23 / 100 / 0 / 14

HEX #A800DB

RGB 168 0 219

HSL 286.03, 1%, 0.43%

LAB 43.42, 80.24, -68.58

 

CMYK 0 / 74 / 100 / 14

HEX #DB3A00

RGB 219 58 0

HSL 15.89, 1%, 0.43%

LAB 49.6, 60.4, 61.49

 

CMYK 77 / 0 / 100 / 14

HEX #33DB00

RGB 51 219 0

HSL 106.03, 1%, 0.43%

LAB 76.9, -72.99, 74.67

 

Description

Color code: HEX #009EDC | qconv.com Color code: HEX #009EDC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 158 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 158 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 28 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 28% 0% 14% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

61% - DeMa Tech
Link: http://dematech.in

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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