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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00AD7C it is the complementary color #FF5283. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00AD7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00AD7C shade: #05AD77, #16BF8A, #27D19D, #38E3B0 and #49F5C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00AD7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00AD7C shade: #00AD7C, #009B69, #008956, #007743 and #006530

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00AD7C shade: #00AD7C, #00AD4D, #00AD1E, #0FAD00 and #3EAD00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00AD7C shade: #00AD7C, #00ADAB, #0080AD, #0052AD and #0023AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00AD7C shade matches the following richer shades: #00AD7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00AD7C shade: #00AD7C, #0E9F76, #1C9170, #2A836A and #387563

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00AD7C shade: #00AD1F, #00AD4E, #00AD7C, #00ADAA and #0082AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00AD7C shade: #005A41, #00845E, #00AD7C, #00D699 and #00FFB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00AD7C shade: #00AD7C, #000EAD and #AD3600

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00AD7C shade: #00AD7C, #7C00AD and #AD7C00

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00AD7C shade: #00AD7C, #000EAD, #AD0031 and #AD9E00

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00AD7C shade: #00AD7C, #2500AD, #AD0031 and #87AD00

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 28 / 32

HEX #00AD7C

RGB 0 173 124

HSL 163.01, 1%, 0.34%

LAB 62.8, -49.44, 14.81

 

Complementary color

CMYK 0 / 68 / 49 / 0

HEX #FF5283

RGB 255 82 131

HSL 343.01, 1%, 0.66%

LAB 60.72, 68.45, 10.62

 

CMYK 97 / 0 / 31 / 32

HEX #05AD77

RGB 5 173 119

HSL 160.71, 0.94%, 0.35%

LAB 62.72, -50.4, 17.45

 

CMYK 88 / 0 / 28 / 25

HEX #16BF8A

RGB 22 191 138

HSL 161.18, 0.79%, 0.42%

LAB 68.94, -52.1, 15.76

 

CMYK 81 / 0 / 25 / 18

HEX #27D19D

RGB 39 209 157

HSL 161.65, 0.69%, 0.49%

LAB 75.12, -53.37, 14.24

 

CMYK 75 / 0 / 22 / 11

HEX #38E3B0

RGB 56 227 176

HSL 162.11, 0.75%, 0.55%

LAB 81.24, -54.28, 12.85

 

CMYK 70 / 0 / 20 / 4

HEX #49F5C3

RGB 73 245 195

HSL 162.56, 0.9%, 0.62%

LAB 87.32, -54.93, 11.58

 

CMYK 100 / 0 / 28 / 32

HEX #00AD7C

RGB 0 173 124

HSL 163.01, 1%, 0.34%

LAB 62.8, -49.44, 14.81

 

CMYK 100 / 0 / 32 / 39

HEX #009B69

RGB 0 155 105

HSL 160.65, 1%, 0.3%

LAB 56.55, -46.95, 16.69

 

CMYK 100 / 0 / 37 / 46

HEX #008956

RGB 0 137 86

HSL 157.66, 1%, 0.27%

LAB 50.17, -44.36, 18.66

 

CMYK 100 / 0 / 44 / 53

HEX #007743

RGB 0 119 67

HSL 153.78, 1%, 0.23%

LAB 43.65, -41.62, 20.74

 

CMYK 100 / 0 / 52 / 60

HEX #006530

RGB 0 101 48

HSL 148.51, 1%, 0.2%

LAB 36.97, -38.65, 22.9

 

CMYK 100 / 0 / 28 / 32

HEX #00AD7C

RGB 0 173 124

HSL 163.01, 1%, 0.34%

LAB 62.8, -49.44, 14.81

 

CMYK 100 / 0 / 55 / 32

HEX #00AD4D

RGB 0 173 77

HSL 146.71, 1%, 0.34%

LAB 62.02, -58.59, 38.53

 

CMYK 100 / 0 / 83 / 32

HEX #00AD1E

RGB 0 173 30

HSL 130.4, 1%, 0.34%

LAB 61.64, -63.38, 56.85

 

CMYK 91 / 0 / 100 / 32

HEX #0FAD00

RGB 15 173 0

HSL 114.8, 1%, 0.34%

LAB 61.64, -63.63, 62.3

 

CMYK 64 / 0 / 100 / 32

HEX #3EAD00

RGB 62 173 0

HSL 98.5, 1%, 0.34%

LAB 62.43, -56.75, 63.26

 

CMYK 100 / 0 / 28 / 32

HEX #00AD7C

RGB 0 173 124

HSL 163.01, 1%, 0.34%

LAB 62.8, -49.44, 14.81

 

CMYK 100 / 0 / 1 / 32

HEX #00ADAB

RGB 0 173 171

HSL 179.31, 1%, 0.34%

LAB 64.02, -36.56, -9.55

 

CMYK 100 / 26 / 0 / 32

HEX #0080AD

RGB 0 128 173

HSL 195.61, 1%, 0.34%

LAB 50.04, -12.91, -32.06

 

CMYK 100 / 53 / 0 / 32

HEX #0052AD

RGB 0 82 173

HSL 211.56, 1%, 0.34%

LAB 36.08, 15.87, -54.3

 

CMYK 100 / 80 / 0 / 32

HEX #0023AD

RGB 0 35 173

HSL 227.86, 1%, 0.34%

LAB 24.38, 46.36, -73.52

 

CMYK 100 / 0 / 28 / 32

HEX #00AD7C

RGB 0 173 124

HSL 163.01, 1%, 0.34%

LAB 62.8, -49.44, 14.81

 

CMYK 100 / 0 / 28 / 32

HEX #00AD7C

RGB 0 173 124

HSL 163.01, 1%, 0.34%

LAB 62.8, -49.44, 14.81

 

CMYK 91 / 0 / 26 / 38

HEX #0E9F76

RGB 14 159 118

HSL 163.03, 0.84%, 0.34%

LAB 58.22, -44.72, 11.76

 

CMYK 81 / 0 / 23 / 43

HEX #1C9170

RGB 28 145 112

HSL 163.08, 0.68%, 0.34%

LAB 53.67, -39.25, 8.76

 

CMYK 68 / 0 / 19 / 49

HEX #2A836A

RGB 42 131 106

HSL 163.15, 0.51%, 0.34%

LAB 49.21, -32.55, 5.91

 

CMYK 52 / 0 / 15 / 54

HEX #387563

RGB 56 117 99

HSL 162.3, 0.35%, 0.34%

LAB 44.89, -24.51, 3.9

 

CMYK 100 / 0 / 82 / 32

HEX #00AD1F

RGB 0 173 31

HSL 130.75, 1%, 0.34%

LAB 61.64, -63.32, 56.58

 

CMYK 100 / 0 / 55 / 32

HEX #00AD4E

RGB 0 173 78

HSL 147.05, 1%, 0.34%

LAB 62.03, -58.44, 38.06

 

CMYK 100 / 0 / 28 / 32

HEX #00AD7C

RGB 0 173 124

HSL 163.01, 1%, 0.34%

LAB 62.8, -49.44, 14.81

 

CMYK 100 / 0 / 2 / 32

HEX #00ADAA

RGB 0 173 170

HSL 178.96, 1%, 0.34%

LAB 63.99, -36.87, -9.04

 

CMYK 100 / 25 / 0 / 32

HEX #0082AD

RGB 0 130 173

HSL 194.91, 1%, 0.34%

LAB 50.67, -14.04, -31.08

 

CMYK 100 / 0 / 28 / 65

HEX #005A41

RGB 0 90 65

HSL 163.33, 1%, 0.18%

LAB 33.34, -30.31, 7.94

 

CMYK 100 / 0 / 29 / 48

HEX #00845E

RGB 0 132 94

HSL 162.73, 1%, 0.26%

LAB 48.65, -40.5, 12.01

 

CMYK 100 / 0 / 28 / 32

HEX #00AD7C

RGB 0 173 124

HSL 163.01, 1%, 0.34%

LAB 62.8, -49.44, 14.81

 

CMYK 100 / 0 / 29 / 16

HEX #00D699

RGB 0 214 153

HSL 162.9, 1%, 0.42%

LAB 76.31, -58.23, 17.98

 

CMYK 100 / 0 / 28 / 0

HEX #00FFB7

RGB 0 255 183

HSL 163.06, 1%, 0.5%

LAB 89.36, -66.47, 20.54

 

CMYK 100 / 0 / 28 / 32

HEX #00AD7C

RGB 0 173 124

HSL 163.01, 1%, 0.34%

LAB 62.8, -49.44, 14.81

 

CMYK 100 / 92 / 0 / 32

HEX #000EAD

RGB 0 14 173

HSL 235.14, 1%, 0.34%

LAB 21.32, 55.47, -78.62

 

CMYK 0 / 69 / 100 / 32

HEX #AD3600

RGB 173 54 0

HSL 18.73, 1%, 0.34%

LAB 40.45, 46.74, 52.25

 

CMYK 100 / 0 / 28 / 32

HEX #00AD7C

RGB 0 173 124

HSL 163.01, 1%, 0.34%

LAB 62.8, -49.44, 14.81

 

CMYK 28 / 100 / 0 / 32

HEX #7C00AD

RGB 124 0 173

HSL 283.01, 1%, 0.34%

LAB 32.49, 66.25, -59.77

 

CMYK 0 / 28 / 100 / 32

HEX #AD7C00

RGB 173 124 0

HSL 43.01, 1%, 0.34%

LAB 55.38, 10.28, 61.29

 

CMYK 100 / 0 / 28 / 32

HEX #00AD7C

RGB 0 173 124

HSL 163.01, 1%, 0.34%

LAB 62.8, -49.44, 14.81

 

CMYK 100 / 92 / 0 / 32

HEX #000EAD

RGB 0 14 173

HSL 235.14, 1%, 0.34%

LAB 21.32, 55.47, -78.62

 

CMYK 0 / 100 / 72 / 32

HEX #AD0031

RGB 173 0 49

HSL 343.01, 1%, 0.34%

LAB 36.19, 61.05, 25.05

 

CMYK 0 / 9 / 100 / 32

HEX #AD9E00

RGB 173 158 0

HSL 54.8, 1%, 0.34%

LAB 64.43, -8.32, 67.63

 

CMYK 100 / 0 / 28 / 32

HEX #00AD7C

RGB 0 173 124

HSL 163.01, 1%, 0.34%

LAB 62.8, -49.44, 14.81

 

CMYK 79 / 100 / 0 / 32

HEX #2500AD

RGB 37 0 173

HSL 252.83, 1%, 0.34%

LAB 21.62, 59.73, -78.09

 

CMYK 0 / 100 / 72 / 32

HEX #AD0031

RGB 173 0 49

HSL 343.01, 1%, 0.34%

LAB 36.19, 61.05, 25.05

 

CMYK 22 / 0 / 100 / 32

HEX #87AD00

RGB 135 173 0

HSL 73.18, 1%, 0.34%

LAB 65.78, -32.41, 67.3

 

Description

Color code: HEX #00AD7C | qconv.com Color code: HEX #00AD7C | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 173 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 173 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 28 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 28% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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