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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00C445 it is the complementary color #FF3BBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00C445. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00C445 shade: #05C440, #16D653, #27E866, #38FA79 and #49FF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00C445. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00C445 shade: #00C445, #00B232, #00A01F, #008E0C and #007C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00C445 shade: #00C144, #00C10F, #24C100, #58C100 and #8CC100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00C445 shade: #00C144, #00C178, #00C1AC, #00A2C1 and #006EC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00C445 shade matches the following richer shades: #00C144

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00C445 shade: #00C144, #0FB248, #1FA24D, #2F9252 and #3E8356

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00C445 shade: #23C100, #00C110, #00C143, #00C177 and #00C1AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00C445 shade: #006F27, #009835, #00C144, #00EB52 and #15FF67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00C445 shade: #00C445, #0057C1 and #C10009

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00C445 shade: #00C445, #4300C1 and #C14300

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00C445 shade: #00C445, #0057C1, #C1007D and #C16A00

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00C445 shade: #00C445, #001DC1, #C1007D and #C1A400

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 65 / 23

HEX #00C445

RGB 0 196 69

HSL 141.12, 1%, 0.38%

LAB 69.41, -66.75, 50.73

 

Complementary color

CMYK 0 / 77 / 27 / 0

HEX #FF3BBA

RGB 255 59 186

HSL 321.12, 1%, 0.62%

LAB 59.83, 81.22, -22.65

 

CMYK 97 / 0 / 67 / 23

HEX #05C440

RGB 5 196 64

HSL 138.53, 0.95%, 0.39%

LAB 69.39, -67.08, 52.8

 

CMYK 90 / 0 / 61 / 16

HEX #16D653

RGB 22 214 83

HSL 139.06, 0.81%, 0.46%

LAB 75.38, -69.57, 51.46

 

CMYK 83 / 0 / 56 / 9

HEX #27E866

RGB 39 232 102

HSL 139.59, 0.81%, 0.53%

LAB 81.35, -71.44, 49.97

 

CMYK 78 / 0 / 52 / 2

HEX #38FA79

RGB 56 250 121

HSL 140.1, 0.95%, 0.6%

LAB 87.29, -72.81, 48.45

 

CMYK 71 / 0 / 45 / 0

HEX #49FF8C

RGB 73 255 140

HSL 142.09, 1%, 0.64%

LAB 89.31, -69.38, 42.04

 

CMYK 100 / 0 / 65 / 23

HEX #00C445

RGB 0 196 69

HSL 141.12, 1%, 0.38%

LAB 69.41, -66.75, 50.73

 

CMYK 100 / 0 / 72 / 30

HEX #00B232

RGB 0 178 50

HSL 136.85, 1%, 0.35%

LAB 63.4, -63.35, 51.97

 

CMYK 100 / 0 / 81 / 37

HEX #00A01F

RGB 0 160 31

HSL 131.63, 1%, 0.31%

LAB 57.31, -59.58, 52.5

 

CMYK 100 / 0 / 92 / 44

HEX #008E0C

RGB 0 142 12

HSL 125.07, 1%, 0.28%

LAB 51.12, -55.34, 51.69

 

CMYK 100 / 0 / 100 / 51

HEX #007C00

RGB 0 124 0

HSL 120, 1%, 0.24%

LAB 44.82, -50.53, 48.77

 

CMYK 100 / 0 / 65 / 24

HEX #00C144

RGB 0 193 68

HSL 141.14, 1%, 0.38%

LAB 68.43, -65.96, 50.08

 

CMYK 100 / 0 / 92 / 24

HEX #00C10F

RGB 0 193 15

HSL 124.66, 1%, 0.38%

LAB 68.15, -69.56, 65.69

 

CMYK 81 / 0 / 100 / 24

HEX #24C100

RGB 36 193 0

HSL 108.81, 1%, 0.38%

LAB 68.4, -67.4, 67.79

 

CMYK 54 / 0 / 100 / 24

HEX #58C100

RGB 88 193 0

HSL 92.64, 1%, 0.38%

LAB 69.62, -57.06, 69.28

 

CMYK 27 / 0 / 100 / 24

HEX #8CC100

RGB 140 193 0

HSL 76.48, 1%, 0.38%

LAB 72.04, -39.48, 72.2

 

CMYK 100 / 0 / 65 / 24

HEX #00C144

RGB 0 193 68

HSL 141.14, 1%, 0.38%

LAB 68.43, -65.96, 50.08

 

CMYK 100 / 0 / 38 / 24

HEX #00C178

RGB 0 193 120

HSL 157.31, 1%, 0.38%

LAB 69.11, -57.73, 25.58

 

CMYK 100 / 0 / 11 / 24

HEX #00C1AC

RGB 0 193 172

HSL 173.47, 1%, 0.38%

LAB 70.26, -45.1, -0.88

 

CMYK 100 / 16 / 0 / 24

HEX #00A2C1

RGB 0 162 193

HSL 189.64, 1%, 0.38%

LAB 61.39, -24.05, -25.85

 

CMYK 100 / 43 / 0 / 24

HEX #006EC1

RGB 0 110 193

HSL 205.8, 1%, 0.38%

LAB 45.64, 5.73, -50.61

 

CMYK 100 / 0 / 65 / 24

HEX #00C144

RGB 0 193 68

HSL 141.14, 1%, 0.38%

LAB 68.43, -65.96, 50.08

 

CMYK 100 / 0 / 65 / 24

HEX #00C144

RGB 0 193 68

HSL 141.14, 1%, 0.38%

LAB 68.43, -65.96, 50.08

 

CMYK 92 / 0 / 60 / 30

HEX #0FB248

RGB 15 178 72

HSL 140.98, 0.84%, 0.38%

LAB 63.68, -60.16, 42.91

 

CMYK 81 / 0 / 52 / 36

HEX #1FA24D

RGB 31 162 77

HSL 141.07, 0.68%, 0.38%

LAB 58.67, -52.69, 34.51

 

CMYK 68 / 0 / 44 / 43

HEX #2F9252

RGB 47 146 82

HSL 141.21, 0.51%, 0.38%

LAB 53.78, -43.35, 25.77

 

CMYK 53 / 0 / 34 / 49

HEX #3E8356

RGB 62 131 86

HSL 140.87, 0.36%, 0.38%

LAB 49.41, -32.63, 17.84

 

CMYK 82 / 0 / 100 / 24

HEX #23C100

RGB 35 193 0

HSL 109.12, 1%, 0.38%

LAB 68.39, -67.51, 67.77

 

CMYK 100 / 0 / 92 / 24

HEX #00C110

RGB 0 193 16

HSL 124.97, 1%, 0.38%

LAB 68.15, -69.53, 65.55

 

CMYK 100 / 0 / 65 / 24

HEX #00C143

RGB 0 193 67

HSL 140.83, 1%, 0.38%

LAB 68.42, -66.08, 50.49

 

CMYK 100 / 0 / 38 / 24

HEX #00C177

RGB 0 193 119

HSL 156.99, 1%, 0.38%

LAB 69.09, -57.93, 26.08

 

CMYK 100 / 0 / 11 / 24

HEX #00C1AB

RGB 0 193 171

HSL 173.16, 1%, 0.38%

LAB 70.23, -45.37, -0.37

 

CMYK 100 / 0 / 65 / 56

HEX #006F27

RGB 0 111 39

HSL 141.08, 1%, 0.22%

LAB 40.44, -43.61, 31.81

 

CMYK 100 / 0 / 65 / 40

HEX #009835

RGB 0 152 53

HSL 140.92, 1%, 0.3%

LAB 54.78, -55.14, 41.43

 

CMYK 100 / 0 / 65 / 24

HEX #00C144

RGB 0 193 68

HSL 141.14, 1%, 0.38%

LAB 68.43, -65.96, 50.08

 

CMYK 100 / 0 / 65 / 8

HEX #00EB52

RGB 0 235 82

HSL 140.94, 1%, 0.46%

LAB 81.85, -76.75, 59.1

 

CMYK 92 / 0 / 60 / 0

HEX #15FF67

RGB 21 255 103

HSL 141.03, 1%, 0.54%

LAB 88.28, -79.5, 57.62

 

CMYK 100 / 0 / 65 / 23

HEX #00C445

RGB 0 196 69

HSL 141.12, 1%, 0.38%

LAB 69.41, -66.75, 50.73

 

CMYK 100 / 55 / 0 / 24

HEX #0057C1

RGB 0 87 193

HSL 212.95, 1%, 0.38%

LAB 39.01, 20.71, -61.3

 

CMYK 0 / 100 / 95 / 24

HEX #C10009

RGB 193 0 9

HSL 357.2, 1%, 0.38%

LAB 40.18, 65.05, 51.27

 

CMYK 100 / 0 / 65 / 23

HEX #00C445

RGB 0 196 69

HSL 141.12, 1%, 0.38%

LAB 69.41, -66.75, 50.73

 

CMYK 65 / 100 / 0 / 24

HEX #4300C1

RGB 67 0 193

HSL 260.83, 1%, 0.38%

LAB 26.86, 65.68, -81.22

 

CMYK 0 / 65 / 100 / 24

HEX #C14300

RGB 193 67 0

HSL 20.83, 1%, 0.38%

LAB 46.11, 48.3, 57.12

 

CMYK 100 / 0 / 65 / 23

HEX #00C445

RGB 0 196 69

HSL 141.12, 1%, 0.38%

LAB 69.41, -66.75, 50.73

 

CMYK 100 / 55 / 0 / 24

HEX #0057C1

RGB 0 87 193

HSL 212.95, 1%, 0.38%

LAB 39.01, 20.71, -61.3

 

CMYK 0 / 100 / 35 / 24

HEX #C1007D

RGB 193 0 125

HSL 321.14, 1%, 0.38%

LAB 42.49, 71.19, -13.83

 

CMYK 0 / 45 / 100 / 24

HEX #C16A00

RGB 193 106 0

HSL 32.95, 1%, 0.38%

LAB 53.65, 29.07, 61.42

 

CMYK 100 / 0 / 65 / 23

HEX #00C445

RGB 0 196 69

HSL 141.12, 1%, 0.38%

LAB 69.41, -66.75, 50.73

 

CMYK 100 / 85 / 0 / 24

HEX #001DC1

RGB 0 29 193

HSL 230.98, 1%, 0.38%

LAB 25.95, 55.74, -82.83

 

CMYK 0 / 100 / 35 / 24

HEX #C1007D

RGB 193 0 125

HSL 321.14, 1%, 0.38%

LAB 42.49, 71.19, -13.83

 

CMYK 0 / 15 / 100 / 24

HEX #C1A400

RGB 193 164 0

HSL 50.98, 1%, 0.38%

LAB 67.94, -2.51, 70.99

 

Description

Color code: HEX #00C445 | qconv.com Color code: HEX #00C445 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 196 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 196 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 65 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 65% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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