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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00C8D7 it is the complementary color #FF3728. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00C8D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00C8D7 shade: #05C8D2, #16DAE5, #27ECF8, #38FEFF and #49FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00C8D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00C8D7 shade: #00C8D7, #00B6C4, #00A4B1, #00929E and #00808B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00C8D7 shade: #00C7D6, #008DD6, #0053D6, #0019D6 and #1F00D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00C8D7 shade: #00C7D6, #008DD6, #0053D6, #0019D6 and #0000D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00C8D7 shade matches the following richer shades: #00C7D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00C8D7 shade: #00C7D6, #11B8C4, #22A9B3, #339AA2 and #458B90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00C8D7 shade: #00D672, #00D6AB, #00C7D6, #008ED6 and #0055D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00C8D7 shade: #007A83, #00A0AC, #00C7D6, #00EDFF and #29F0FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00C8D7 shade: #00C8D7, #3900D6 and #D68E00

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00C8D7 shade: #00C8D7, #D600C7 and #C7D600

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00C8D7 shade: #00C8D7, #3900D6, #D60E00 and #9DD600

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00C8D7 shade: #00C8D7, #7900D6, #D60E00 and #5CD600

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 7 / 0 / 16

HEX #00C8D7

RGB 0 200 215

HSL 184.19, 1%, 0.42%

LAB 73.68, -35.43, -19.19

 

Complementary color

CMYK 0 / 78 / 84 / 0

HEX #FF3728

RGB 255 55 40

HSL 4.19, 1%, 0.58%

LAB 56.23, 72.45, 55.9

 

CMYK 98 / 5 / 0 / 18

HEX #05C8D2

RGB 5 200 210

HSL 182.93, 0.95%, 0.42%

LAB 73.54, -36.86, -16.69

 

CMYK 90 / 5 / 0 / 10

HEX #16DAE5

RGB 22 218 229

HSL 183.19, 0.82%, 0.49%

LAB 79.6, -38.79, -17.76

 

CMYK 84 / 5 / 0 / 3

HEX #27ECF8

RGB 39 236 248

HSL 183.44, 0.94%, 0.56%

LAB 85.6, -40.4, -18.74

 

CMYK 78 / 0 / 0 / 0

HEX #38FEFF

RGB 56 254 255

HSL 180.3, 1%, 0.61%

LAB 91.21, -45.14, -13.96

 

CMYK 71 / 0 / 0 / 0

HEX #49FFFF

RGB 73 255 255

HSL 180, 1%, 0.64%

LAB 91.76, -43.91, -13.12

 

CMYK 100 / 7 / 0 / 16

HEX #00C8D7

RGB 0 200 215

HSL 184.19, 1%, 0.42%

LAB 73.68, -35.43, -19.19

 

CMYK 100 / 7 / 0 / 23

HEX #00B6C4

RGB 0 182 196

HSL 184.29, 1%, 0.38%

LAB 67.61, -32.95, -18.02

 

CMYK 100 / 7 / 0 / 31

HEX #00A4B1

RGB 0 164 177

HSL 184.41, 1%, 0.35%

LAB 61.42, -30.41, -16.83

 

CMYK 100 / 8 / 0 / 38

HEX #00929E

RGB 0 146 158

HSL 184.56, 1%, 0.31%

LAB 55.1, -27.82, -15.62

 

CMYK 100 / 8 / 0 / 45

HEX #00808B

RGB 0 128 139

HSL 184.75, 1%, 0.27%

LAB 48.64, -25.17, -14.38

 

CMYK 100 / 7 / 0 / 16

HEX #00C7D6

RGB 0 199 214

HSL 184.21, 1%, 0.42%

LAB 73.35, -35.28, -19.15

 

CMYK 100 / 34 / 0 / 16

HEX #008DD6

RGB 0 141 214

HSL 200.47, 1%, 0.42%

LAB 55.99, -4.89, -46.06

 

CMYK 100 / 61 / 0 / 16

HEX #0053D6

RGB 0 83 214

HSL 216.73, 1%, 0.42%

LAB 39.65, 31.71, -72.41

 

CMYK 100 / 88 / 0 / 16

HEX #0019D6

RGB 0 25 214

HSL 232.99, 1%, 0.42%

LAB 28.25, 63.44, -91.27

 

CMYK 86 / 100 / 0 / 16

HEX #1F00D6

RGB 31 0 214

HSL 248.69, 1%, 0.42%

LAB 27.15, 69.65, -93.09

 

CMYK 100 / 7 / 0 / 16

HEX #00C7D6

RGB 0 199 214

HSL 184.21, 1%, 0.42%

LAB 73.35, -35.28, -19.15

 

CMYK 100 / 34 / 0 / 16

HEX #008DD6

RGB 0 141 214

HSL 200.47, 1%, 0.42%

LAB 55.99, -4.89, -46.06

 

CMYK 100 / 61 / 0 / 16

HEX #0053D6

RGB 0 83 214

HSL 216.73, 1%, 0.42%

LAB 39.65, 31.71, -72.41

 

CMYK 100 / 88 / 0 / 16

HEX #0019D6

RGB 0 25 214

HSL 232.99, 1%, 0.42%

LAB 28.25, 63.44, -91.27

 

CMYK 100 / 100 / 0 / 16

HEX #0000D6

RGB 0 0 214

HSL 240, 1%, 0.42%

LAB 26.32, 69.38, -94.5

 

CMYK 100 / 7 / 0 / 16

HEX #00C7D6

RGB 0 199 214

HSL 184.21, 1%, 0.42%

LAB 73.35, -35.28, -19.15

 

CMYK 100 / 7 / 0 / 16

HEX #00C7D6

RGB 0 199 214

HSL 184.21, 1%, 0.42%

LAB 73.35, -35.28, -19.15

 

CMYK 91 / 6 / 0 / 23

HEX #11B8C4

RGB 17 184 196

HSL 184.02, 0.84%, 0.42%

LAB 68.3, -33.34, -16.95

 

CMYK 81 / 6 / 0 / 30

HEX #22A9B3

RGB 34 169 179

HSL 184.14, 0.68%, 0.42%

LAB 63.32, -30.38, -15.04

 

CMYK 69 / 5 / 0 / 36

HEX #339AA2

RGB 51 154 162

HSL 184.32, 0.52%, 0.42%

LAB 58.44, -26.24, -12.79

 

CMYK 52 / 3 / 0 / 44

HEX #458B90

RGB 69 139 144

HSL 184, 0.35%, 0.42%

LAB 53.75, -20.5, -9.44

 

CMYK 100 / 0 / 47 / 16

HEX #00D672

RGB 0 214 114

HSL 151.96, 1%, 0.42%

LAB 75.64, -65.99, 37.18

 

CMYK 100 / 0 / 20 / 16

HEX #00D6AB

RGB 0 214 171

HSL 167.94, 1%, 0.42%

LAB 76.7, -53.93, 8.97

 

CMYK 100 / 7 / 0 / 16

HEX #00C7D6

RGB 0 199 214

HSL 184.21, 1%, 0.42%

LAB 73.35, -35.28, -19.15

 

CMYK 100 / 34 / 0 / 16

HEX #008ED6

RGB 0 142 214

HSL 200.19, 1%, 0.42%

LAB 56.29, -5.48, -45.6

 

CMYK 100 / 60 / 0 / 16

HEX #0055D6

RGB 0 85 214

HSL 216.17, 1%, 0.42%

LAB 40.17, 30.4, -71.56

 

CMYK 100 / 7 / 0 / 49

HEX #007A83

RGB 0 122 131

HSL 184.12, 1%, 0.26%

LAB 46.39, -24.84, -13.07

 

CMYK 100 / 7 / 0 / 33

HEX #00A0AC

RGB 0 160 172

HSL 184.19, 1%, 0.34%

LAB 60, -30.09, -16.16

 

CMYK 100 / 7 / 0 / 16

HEX #00C7D6

RGB 0 199 214

HSL 184.21, 1%, 0.42%

LAB 73.35, -35.28, -19.15

 

CMYK 100 / 7 / 0 / 0

HEX #00EDFF

RGB 0 237 255

HSL 184.24, 1%, 0.5%

LAB 85.9, -40.13, -21.99

 

CMYK 84 / 6 / 0 / 0

HEX #29F0FF

RGB 41 240 255

HSL 184.21, 1%, 0.58%

LAB 87, -40.01, -20.3

 

CMYK 100 / 7 / 0 / 16

HEX #00C8D7

RGB 0 200 215

HSL 184.19, 1%, 0.42%

LAB 73.68, -35.43, -19.19

 

CMYK 73 / 100 / 0 / 16

HEX #3900D6

RGB 57 0 214

HSL 255.98, 1%, 0.42%

LAB 28.71, 70.25, -90.45

 

CMYK 0 / 34 / 100 / 16

HEX #D68E00

RGB 214 142 0

HSL 39.81, 1%, 0.42%

LAB 64.68, 18.66, 69.84

 

CMYK 100 / 7 / 0 / 16

HEX #00C8D7

RGB 0 200 215

HSL 184.19, 1%, 0.42%

LAB 73.68, -35.43, -19.19

 

CMYK 0 / 100 / 7 / 16

HEX #D600C7

RGB 214 0 199

HSL 304.21, 1%, 0.42%

LAB 50, 83.98, -46.05

 

CMYK 7 / 0 / 100 / 16

HEX #C7D600

RGB 199 214 0

HSL 64.21, 1%, 0.42%

LAB 81.97, -25.2, 81.41

 

CMYK 100 / 7 / 0 / 16

HEX #00C8D7

RGB 0 200 215

HSL 184.19, 1%, 0.42%

LAB 73.68, -35.43, -19.19

 

CMYK 73 / 100 / 0 / 16

HEX #3900D6

RGB 57 0 214

HSL 255.98, 1%, 0.42%

LAB 28.71, 70.25, -90.45

 

CMYK 0 / 93 / 100 / 16

HEX #D60E00

RGB 214 14 0

HSL 3.93, 1%, 0.42%

LAB 45.1, 68.91, 59.05

 

CMYK 27 / 0 / 100 / 16

HEX #9DD600

RGB 157 214 0

HSL 75.98, 1%, 0.42%

LAB 79.19, -42.12, 78.09

 

CMYK 100 / 7 / 0 / 16

HEX #00C8D7

RGB 0 200 215

HSL 184.19, 1%, 0.42%

LAB 73.68, -35.43, -19.19

 

CMYK 43 / 100 / 0 / 16

HEX #7900D6

RGB 121 0 214

HSL 273.93, 1%, 0.42%

LAB 35.83, 74.1, -78.42

 

CMYK 0 / 93 / 100 / 16

HEX #D60E00

RGB 214 14 0

HSL 3.93, 1%, 0.42%

LAB 45.1, 68.91, 59.05

 

CMYK 57 / 0 / 100 / 16

HEX #5CD600

RGB 92 214 0

HSL 94.21, 1%, 0.42%

LAB 76.29, -63.32, 74.59

 

Description

Color code: HEX #00C8D7 | qconv.com Color code: HEX #00C8D7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 200 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 200 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 7 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 7% 0% 16% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

32% - WeMited Innovations ...
Link: http://wemited.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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