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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00C38D it is the complementary color #FF3C72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00C38D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00C38D shade: #05C388, #16D59B, #27E7AE, #38F9C1 and #49FFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00C38D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00C38D shade: #00C38D, #00B17A, #009F67, #008D54 and #007B41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00C38D shade: #00C18C, #00C157, #00C123, #10C100 and #44C100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00C38D shade: #00C18C, #00C1C0, #008EC1, #005AC1 and #0026C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00C38D shade matches the following richer shades: #00C18C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00C38D shade: #00C18C, #0FB285, #1FA27E, #2F9277 and #3E8370

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00C38D shade: #00C123, #00C157, #00C18A, #00C1BE and #0091C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00C38D shade: #006F50, #00986E, #00C18C, #00EBA9 and #15FFBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00C38D shade: #00C38D, #0010C1 and #C13D00

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00C38D shade: #00C38D, #8A00C1 and #C18A00

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00C38D shade: #00C38D, #0010C1, #C10036 and #C1B100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00C38D shade: #00C38D, #2900C1, #C10036 and #97C100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 28 / 24

HEX #00C38D

RGB 0 195 141

HSL 163.38, 1%, 0.38%

LAB 70.14, -53.87, 15.8

 

Complementary color

CMYK 0 / 76 / 55 / 0

HEX #FF3C72

RGB 255 60 114

HSL 343.38, 1%, 0.62%

LAB 57.76, 74.34, 16.47

 

CMYK 97 / 0 / 30 / 24

HEX #05C388

RGB 5 195 136

HSL 161.37, 0.95%, 0.39%

LAB 70.06, -54.84, 18.37

 

CMYK 90 / 0 / 27 / 16

HEX #16D59B

RGB 22 213 155

HSL 161.78, 0.81%, 0.46%

LAB 76.15, -56.59, 16.71

 

CMYK 83 / 0 / 25 / 9

HEX #27E7AE

RGB 39 231 174

HSL 162.19, 0.8%, 0.53%

LAB 82.18, -57.95, 15.19

 

CMYK 78 / 0 / 22 / 2

HEX #38F9C1

RGB 56 249 193

HSL 162.59, 0.94%, 0.6%

LAB 88.18, -58.98, 13.8

 

CMYK 71 / 0 / 17 / 0

HEX #49FFD4

RGB 73 255 212

HSL 165.82, 1%, 0.64%

LAB 90.64, -54.97, 7.52

 

CMYK 100 / 0 / 28 / 24

HEX #00C38D

RGB 0 195 141

HSL 163.38, 1%, 0.38%

LAB 70.14, -53.87, 15.8

 

CMYK 100 / 0 / 31 / 31

HEX #00B17A

RGB 0 177 122

HSL 161.36, 1%, 0.35%

LAB 64.04, -51.44, 17.62

 

CMYK 100 / 0 / 35 / 38

HEX #009F67

RGB 0 159 103

HSL 158.87, 1%, 0.31%

LAB 57.82, -48.93, 19.54

 

CMYK 100 / 0 / 40 / 45

HEX #008D54

RGB 0 141 84

HSL 155.74, 1%, 0.28%

LAB 51.48, -46.3, 21.54

 

CMYK 100 / 0 / 47 / 52

HEX #007B41

RGB 0 123 65

HSL 151.71, 1%, 0.24%

LAB 45.01, -43.51, 23.62

 

CMYK 100 / 0 / 27 / 24

HEX #00C18C

RGB 0 193 140

HSL 163.52, 1%, 0.38%

LAB 69.49, -53.34, 15.43

 

CMYK 100 / 0 / 55 / 24

HEX #00C157

RGB 0 193 87

HSL 147.05, 1%, 0.38%

LAB 68.63, -63.51, 41.67

 

CMYK 100 / 0 / 82 / 24

HEX #00C123

RGB 0 193 35

HSL 130.88, 1%, 0.38%

LAB 68.21, -68.73, 61.59

 

CMYK 92 / 0 / 100 / 24

HEX #10C100

RGB 16 193 0

HSL 115.03, 1%, 0.38%

LAB 68.2, -69.15, 67.55

 

CMYK 65 / 0 / 100 / 24

HEX #44C100

RGB 68 193 0

HSL 98.86, 1%, 0.38%

LAB 69.02, -62.02, 68.54

 

CMYK 100 / 0 / 27 / 24

HEX #00C18C

RGB 0 193 140

HSL 163.52, 1%, 0.38%

LAB 69.49, -53.34, 15.43

 

CMYK 100 / 0 / 1 / 24

HEX #00C1C0

RGB 0 193 192

HSL 179.69, 1%, 0.38%

LAB 70.83, -39.29, -10.96

 

CMYK 100 / 26 / 0 / 24

HEX #008EC1

RGB 0 142 193

HSL 195.85, 1%, 0.38%

LAB 55.27, -13.34, -35.34

 

CMYK 100 / 53 / 0 / 24

HEX #005AC1

RGB 0 90 193

HSL 212.02, 1%, 0.38%

LAB 39.85, 18.72, -59.94

 

CMYK 100 / 80 / 0 / 24

HEX #0026C1

RGB 0 38 193

HSL 228.19, 1%, 0.38%

LAB 27.4, 51.46, -80.42

 

CMYK 100 / 0 / 27 / 24

HEX #00C18C

RGB 0 193 140

HSL 163.52, 1%, 0.38%

LAB 69.49, -53.34, 15.43

 

CMYK 100 / 0 / 27 / 24

HEX #00C18C

RGB 0 193 140

HSL 163.52, 1%, 0.38%

LAB 69.49, -53.34, 15.43

 

CMYK 92 / 0 / 25 / 30

HEX #0FB285

RGB 15 178 133

HSL 163.44, 0.84%, 0.38%

LAB 64.67, -48.6, 12.5

 

CMYK 81 / 0 / 22 / 36

HEX #1FA27E

RGB 31 162 126

HSL 163.51, 0.68%, 0.38%

LAB 59.56, -42.6, 9.19

 

CMYK 68 / 0 / 18 / 43

HEX #2F9277

RGB 47 146 119

HSL 163.64, 0.51%, 0.38%

LAB 54.55, -35.2, 6.05

 

CMYK 53 / 0 / 15 / 49

HEX #3E8370

RGB 62 131 112

HSL 163.48, 0.36%, 0.38%

LAB 50.01, -26.73, 3.64

 

CMYK 100 / 0 / 82 / 24

HEX #00C123

RGB 0 193 35

HSL 130.88, 1%, 0.38%

LAB 68.21, -68.73, 61.59

 

CMYK 100 / 0 / 55 / 24

HEX #00C157

RGB 0 193 87

HSL 147.05, 1%, 0.38%

LAB 68.63, -63.51, 41.67

 

CMYK 100 / 0 / 28 / 24

HEX #00C18A

RGB 0 193 138

HSL 162.9, 1%, 0.38%

LAB 69.45, -53.81, 16.45

 

CMYK 100 / 0 / 2 / 24

HEX #00C1BE

RGB 0 193 190

HSL 179.07, 1%, 0.38%

LAB 70.77, -39.89, -9.96

 

CMYK 100 / 25 / 0 / 24

HEX #0091C1

RGB 0 145 193

HSL 194.92, 1%, 0.38%

LAB 56.19, -15, -33.91

 

CMYK 100 / 0 / 28 / 56

HEX #006F50

RGB 0 111 80

HSL 163.24, 1%, 0.22%

LAB 41.13, -35.37, 9.74

 

CMYK 100 / 0 / 28 / 40

HEX #00986E

RGB 0 152 110

HSL 163.42, 1%, 0.3%

LAB 55.67, -44.58, 12.66

 

CMYK 100 / 0 / 27 / 24

HEX #00C18C

RGB 0 193 140

HSL 163.52, 1%, 0.38%

LAB 69.49, -53.34, 15.43

 

CMYK 100 / 0 / 28 / 8

HEX #00EBA9

RGB 0 235 169

HSL 163.15, 1%, 0.46%

LAB 83.06, -62.34, 18.99

 

CMYK 92 / 0 / 25 / 0

HEX #15FFBE

RGB 21 255 190

HSL 163.33, 1%, 0.54%

LAB 89.58, -64.34, 17.27

 

CMYK 100 / 0 / 28 / 24

HEX #00C38D

RGB 0 195 141

HSL 163.38, 1%, 0.38%

LAB 70.14, -53.87, 15.8

 

CMYK 100 / 92 / 0 / 24

HEX #0010C1

RGB 0 16 193

HSL 235.03, 1%, 0.38%

LAB 24.39, 60.46, -85.43

 

CMYK 0 / 68 / 100 / 24

HEX #C13D00

RGB 193 61 0

HSL 18.96, 1%, 0.38%

LAB 45.19, 50.8, 56.65

 

CMYK 100 / 0 / 28 / 24

HEX #00C38D

RGB 0 195 141

HSL 163.38, 1%, 0.38%

LAB 70.14, -53.87, 15.8

 

CMYK 28 / 100 / 0 / 24

HEX #8A00C1

RGB 138 0 193

HSL 282.9, 1%, 0.38%

LAB 36.47, 71.77, -65.04

 

CMYK 0 / 28 / 100 / 24

HEX #C18A00

RGB 193 138 0

HSL 42.9, 1%, 0.38%

LAB 61.23, 11.57, 66.35

 

CMYK 100 / 0 / 28 / 24

HEX #00C38D

RGB 0 195 141

HSL 163.38, 1%, 0.38%

LAB 70.14, -53.87, 15.8

 

CMYK 100 / 92 / 0 / 24

HEX #0010C1

RGB 0 16 193

HSL 235.03, 1%, 0.38%

LAB 24.39, 60.46, -85.43

 

CMYK 0 / 100 / 72 / 24

HEX #C10036

RGB 193 0 54

HSL 343.21, 1%, 0.38%

LAB 40.58, 66.15, 28.22

 

CMYK 0 / 8 / 100 / 24

HEX #C1B100

RGB 193 177 0

HSL 55.03, 1%, 0.38%

LAB 71.41, -9.34, 73.47

 

CMYK 100 / 0 / 28 / 24

HEX #00C38D

RGB 0 195 141

HSL 163.38, 1%, 0.38%

LAB 70.14, -53.87, 15.8

 

CMYK 79 / 100 / 0 / 24

HEX #2900C1

RGB 41 0 193

HSL 252.75, 1%, 0.38%

LAB 24.71, 64.75, -84.86

 

CMYK 0 / 100 / 72 / 24

HEX #C10036

RGB 193 0 54

HSL 343.21, 1%, 0.38%

LAB 40.58, 66.15, 28.22

 

CMYK 22 / 0 / 100 / 24

HEX #97C100

RGB 151 193 0

HSL 73.06, 1%, 0.38%

LAB 72.71, -35.13, 73

 

Description

Color code: HEX #00C38D | qconv.com Color code: HEX #00C38D | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 195 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 195 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 28 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 28% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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