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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00CB11 it is the complementary color #FF34EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00CB11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00CB11 shade: #05CB0C, #16DD1F, #27EF32, #38FF45 and #49FF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00CB11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00CB11 shade: #00CB11, #00B900, #00A700, #009500 and #008300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00CB11 shade: #00CC11, #25CC00, #5CCC00, #93CC00 and #CACC00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00CB11 shade: #00CC11, #00CC48, #00CC7F, #00CCB6 and #00AACC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00CB11 shade matches the following richer shades: #00CC11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00CB11 shade: #00CC11, #10BB1E, #21AA2C, #319A3A and #428948

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00CB11 shade: #5BCC00, #25CC00, #00CC11, #00CC47 and #00CC7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00CB11 shade: #00790A, #00A20D, #00CC11, #00F514 and #1FFF32

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00CB11 shade: #00CB11, #0092CC and #CC0040

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00CB11 shade: #00CB11, #1000CC and #CC1100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00CB11 shade: #00CB11, #0092CC, #CC00BB and #CC3900

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00CB11 shade: #00CB11, #0054CC, #CC00BB and #CC7700

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 92 / 20

HEX #00CB11

RGB 0 203 17

HSL 125.02, 1%, 0.4%

LAB 71.39, -72.22, 68.13

 

Complementary color

CMYK 0 / 80 / 7 / 0

HEX #FF34EE

RGB 255 52 238

HSL 305.02, 1%, 0.6%

LAB 61.56, 89.55, -49.42

 

CMYK 98 / 0 / 94 / 20

HEX #05CB0C

RGB 5 203 12

HSL 122.12, 0.95%, 0.41%

LAB 71.4, -72.14, 68.81

 

CMYK 90 / 0 / 86 / 13

HEX #16DD1F

RGB 22 221 31

HSL 122.71, 0.82%, 0.48%

LAB 77.27, -75.65, 70.77

 

CMYK 84 / 0 / 79 / 6

HEX #27EF32

RGB 39 239 50

HSL 123.3, 0.86%, 0.55%

LAB 83.12, -78.41, 71.52

 

CMYK 78 / 0 / 73 / 0

HEX #38FF45

RGB 56 255 69

HSL 123.92, 1%, 0.61%

LAB 88.35, -79.94, 70.85

 

CMYK 71 / 0 / 65 / 0

HEX #49FF58

RGB 73 255 88

HSL 124.95, 1%, 0.64%

LAB 88.75, -75.99, 64.46

 

CMYK 100 / 0 / 92 / 20

HEX #00CB11

RGB 0 203 17

HSL 125.02, 1%, 0.4%

LAB 71.39, -72.22, 68.13

 

CMYK 100 / 0 / 100 / 27

HEX #00B900

RGB 0 185 0

HSL 120, 1%, 0.36%

LAB 65.51, -67.72, 65.36

 

CMYK 100 / 0 / 100 / 35

HEX #00A700

RGB 0 167 0

HSL 120, 1%, 0.33%

LAB 59.56, -62.77, 60.59

 

CMYK 100 / 0 / 100 / 42

HEX #009500

RGB 0 149 0

HSL 120, 1%, 0.29%

LAB 53.49, -57.73, 55.72

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 100 / 0 / 92 / 20

HEX #00CC11

RGB 0 204 17

HSL 125, 1%, 0.4%

LAB 71.71, -72.49, 68.41

 

CMYK 82 / 0 / 100 / 20

HEX #25CC00

RGB 37 204 0

HSL 109.12, 1%, 0.4%

LAB 71.95, -70.44, 70.63

 

CMYK 55 / 0 / 100 / 20

HEX #5CCC00

RGB 92 204 0

HSL 92.94, 1%, 0.4%

LAB 73.19, -59.86, 72.15

 

CMYK 28 / 0 / 100 / 20

HEX #93CC00

RGB 147 204 0

HSL 76.76, 1%, 0.4%

LAB 75.69, -41.6, 75.17

 

CMYK 1 / 0 / 100 / 20

HEX #CACC00

RGB 202 204 0

HSL 60.59, 1%, 0.4%

LAB 79.47, -19.07, 79.67

 

CMYK 100 / 0 / 92 / 20

HEX #00CC11

RGB 0 204 17

HSL 125, 1%, 0.4%

LAB 71.71, -72.49, 68.41

 

CMYK 100 / 0 / 65 / 20

HEX #00CC48

RGB 0 204 72

HSL 141.18, 1%, 0.4%

LAB 72, -68.79, 52.34

 

CMYK 100 / 0 / 38 / 20

HEX #00CC7F

RGB 0 204 127

HSL 157.35, 1%, 0.4%

LAB 72.71, -60.19, 26.72

 

CMYK 100 / 0 / 11 / 20

HEX #00CCB6

RGB 0 204 182

HSL 173.53, 1%, 0.4%

LAB 73.91, -46.97, -0.97

 

CMYK 100 / 17 / 0 / 20

HEX #00AACC

RGB 0 170 204

HSL 190, 1%, 0.4%

LAB 64.25, -24.38, -27.57

 

CMYK 100 / 0 / 92 / 20

HEX #00CC11

RGB 0 204 17

HSL 125, 1%, 0.4%

LAB 71.71, -72.49, 68.41

 

CMYK 100 / 0 / 92 / 20

HEX #00CC11

RGB 0 204 17

HSL 125, 1%, 0.4%

LAB 71.71, -72.49, 68.41

 

CMYK 91 / 0 / 84 / 27

HEX #10BB1E

RGB 16 187 30

HSL 124.91, 0.84%, 0.4%

LAB 66.32, -66.56, 61.18

 

CMYK 81 / 0 / 74 / 33

HEX #21AA2C

RGB 33 170 44

HSL 124.82, 0.67%, 0.4%

LAB 61.01, -59.01, 51.84

 

CMYK 68 / 0 / 62 / 40

HEX #319A3A

RGB 49 154 58

HSL 125.14, 0.52%, 0.4%

LAB 56.16, -49.59, 40.88

 

CMYK 52 / 0 / 47 / 46

HEX #428948

RGB 66 137 72

HSL 125.07, 0.35%, 0.4%

LAB 51.29, -36.7, 28.1

 

CMYK 55 / 0 / 100 / 20

HEX #5BCC00

RGB 91 204 0

HSL 93.24, 1%, 0.4%

LAB 73.16, -60.13, 72.11

 

CMYK 82 / 0 / 100 / 20

HEX #25CC00

RGB 37 204 0

HSL 109.12, 1%, 0.4%

LAB 71.95, -70.44, 70.63

 

CMYK 100 / 0 / 92 / 20

HEX #00CC11

RGB 0 204 17

HSL 125, 1%, 0.4%

LAB 71.71, -72.49, 68.41

 

CMYK 100 / 0 / 65 / 20

HEX #00CC47

RGB 0 204 71

HSL 140.88, 1%, 0.4%

LAB 71.99, -68.9, 52.75

 

CMYK 100 / 0 / 39 / 20

HEX #00CC7D

RGB 0 204 125

HSL 156.76, 1%, 0.4%

LAB 72.67, -60.59, 27.71

 

CMYK 100 / 0 / 92 / 53

HEX #00790A

RGB 0 121 10

HSL 124.96, 1%, 0.24%

LAB 43.79, -49.23, 45.74

 

CMYK 100 / 0 / 92 / 36

HEX #00A20D

RGB 0 162 13

HSL 124.81, 1%, 0.32%

LAB 57.91, -61.02, 57.33

 

CMYK 100 / 0 / 92 / 20

HEX #00CC11

RGB 0 204 17

HSL 125, 1%, 0.4%

LAB 71.71, -72.49, 68.41

 

CMYK 100 / 0 / 92 / 4

HEX #00F514

RGB 0 245 20

HSL 124.9, 1%, 0.48%

LAB 84.67, -83.27, 78.89

 

CMYK 88 / 0 / 80 / 0

HEX #1FFF32

RGB 31 255 50

HSL 125.09, 1%, 0.56%

LAB 87.99, -83.47, 76.05

 

CMYK 100 / 0 / 92 / 20

HEX #00CB11

RGB 0 203 17

HSL 125.02, 1%, 0.4%

LAB 71.39, -72.22, 68.13

 

CMYK 100 / 28 / 0 / 20

HEX #0092CC

RGB 0 146 204

HSL 197.06, 1%, 0.4%

LAB 56.99, -11.51, -38.86

 

CMYK 0 / 100 / 69 / 20

HEX #CC0040

RGB 204 0 64

HSL 341.18, 1%, 0.4%

LAB 43.07, 69.22, 25.58

 

CMYK 100 / 0 / 92 / 20

HEX #00CB11

RGB 0 203 17

HSL 125.02, 1%, 0.4%

LAB 71.39, -72.22, 68.13

 

CMYK 92 / 100 / 0 / 20

HEX #1000CC

RGB 16 0 204

HSL 244.71, 1%, 0.4%

LAB 25.17, 67.05, -90.59

 

CMYK 0 / 92 / 100 / 20

HEX #CC1100

RGB 204 17 0

HSL 5, 1%, 0.4%

LAB 43.12, 65.97, 57.03

 

CMYK 100 / 0 / 92 / 20

HEX #00CB11

RGB 0 203 17

HSL 125.02, 1%, 0.4%

LAB 71.39, -72.22, 68.13

 

CMYK 100 / 28 / 0 / 20

HEX #0092CC

RGB 0 146 204

HSL 197.06, 1%, 0.4%

LAB 56.99, -11.51, -38.86

 

CMYK 0 / 100 / 8 / 20

HEX #CC00BB

RGB 204 0 187

HSL 305, 1%, 0.4%

LAB 47.53, 80.66, -43.11

 

CMYK 0 / 72 / 100 / 20

HEX #CC3900

RGB 204 57 0

HSL 16.76, 1%, 0.4%

LAB 46.66, 55.99, 58.52

 

CMYK 100 / 0 / 92 / 20

HEX #00CB11

RGB 0 203 17

HSL 125.02, 1%, 0.4%

LAB 71.39, -72.22, 68.13

 

CMYK 100 / 59 / 0 / 20

HEX #0054CC

RGB 0 84 204

HSL 215.29, 1%, 0.4%

LAB 39.07, 27.12, -67.59

 

CMYK 0 / 100 / 8 / 20

HEX #CC00BB

RGB 204 0 187

HSL 305, 1%, 0.4%

LAB 47.53, 80.66, -43.11

 

CMYK 0 / 42 / 100 / 20

HEX #CC7700

RGB 204 119 0

HSL 35, 1%, 0.4%

LAB 58.07, 26.76, 64.94

 

Description

Color code: HEX #00CB11 | qconv.com Color code: HEX #00CB11 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 203 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 203 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 92 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 92% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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