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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00D95B it is the complementary color #FF26A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00D95B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00D95B shade: #05D956, #16EB69, #27FD7C, #38FF8F and #49FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00D95B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00D95B shade: #00D95B, #00C748, #00B535, #00A322 and #00910F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00D95B shade: #00DB5B, #00DB20, #1ADB00, #55DB00 and #90DB00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00D95B shade: #00DB5B, #00DB97, #00DBD2, #00A9DB and #006EDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00D95B shade matches the following richer shades: #00DB5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00D95B shade: #00DB5B, #11C95E, #23B761, #35A664 and #469467

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00D95B shade: #19DB00, #00DB20, #00DB5B, #00DB95 and #00DBD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00D95B shade: #008839, #00B24A, #00DB5B, #05FF6E and #2EFF86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00D95B shade: #00D95B, #0054DB and #DB0300

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00D95B shade: #00D95B, #5B00DB and #DB5B00

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00D95B shade: #00D95B, #0054DB, #DB007F and #DB8700

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00D95B shade: #00D95B, #0012DB, #DB007F and #DBC900

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 58 / 15

HEX #00D95B

RGB 0 217 91

HSL 145.16, 1%, 0.43%

LAB 76.3, -70.39, 48.94

 

Complementary color

CMYK 0 / 85 / 36 / 0

HEX #FF26A4

RGB 255 38 164

HSL 325.16, 1%, 0.57%

LAB 57.39, 83.57, -13.59

 

CMYK 98 / 0 / 60 / 15

HEX #05D956

RGB 5 217 86

HSL 142.92, 0.95%, 0.44%

LAB 76.27, -70.85, 51.14

 

CMYK 91 / 0 / 55 / 8

HEX #16EB69

RGB 22 235 105

HSL 143.38, 0.84%, 0.5%

LAB 82.17, -73.18, 49.55

 

CMYK 85 / 0 / 51 / 1

HEX #27FD7C

RGB 39 253 124

HSL 143.83, 0.98%, 0.57%

LAB 88.03, -74.98, 47.93

 

CMYK 78 / 0 / 44 / 0

HEX #38FF8F

RGB 56 255 143

HSL 146.23, 1%, 0.61%

LAB 89.08, -71.06, 40.24

 

CMYK 71 / 0 / 36 / 0

HEX #49FFA2

RGB 73 255 162

HSL 149.34, 1%, 0.64%

LAB 89.65, -65.6, 31.66

 

CMYK 100 / 0 / 58 / 15

HEX #00D95B

RGB 0 217 91

HSL 145.16, 1%, 0.43%

LAB 76.3, -70.39, 48.94

 

CMYK 100 / 0 / 64 / 22

HEX #00C748

RGB 0 199 72

HSL 141.71, 1%, 0.39%

LAB 70.4, -67.31, 50.56

 

CMYK 100 / 0 / 71 / 29

HEX #00B535

RGB 0 181 53

HSL 137.57, 1%, 0.35%

LAB 64.41, -63.95, 51.86

 

CMYK 100 / 0 / 79 / 36

HEX #00A322

RGB 0 163 34

HSL 132.52, 1%, 0.32%

LAB 58.33, -60.25, 52.53

 

CMYK 100 / 0 / 90 / 43

HEX #00910F

RGB 0 145 15

HSL 126.21, 1%, 0.28%

LAB 52.16, -56.09, 51.99

 

CMYK 100 / 0 / 58 / 14

HEX #00DB5B

RGB 0 219 91

HSL 144.93, 1%, 0.43%

LAB 76.93, -70.99, 49.68

 

CMYK 100 / 0 / 85 / 14

HEX #00DB20

RGB 0 219 32

HSL 128.77, 1%, 0.43%

LAB 76.54, -76, 69.87

 

CMYK 88 / 0 / 100 / 14

HEX #1ADB00

RGB 26 219 0

HSL 112.88, 1%, 0.43%

LAB 76.61, -75.61, 74.31

 

CMYK 61 / 0 / 100 / 14

HEX #55DB00

RGB 85 219 0

HSL 96.71, 1%, 0.43%

LAB 77.63, -66.69, 75.56

 

CMYK 34 / 0 / 100 / 14

HEX #90DB00

RGB 144 219 0

HSL 80.55, 1%, 0.43%

LAB 79.95, -49.04, 78.37

 

CMYK 100 / 0 / 58 / 14

HEX #00DB5B

RGB 0 219 91

HSL 144.93, 1%, 0.43%

LAB 76.93, -70.99, 49.68

 

CMYK 100 / 0 / 31 / 14

HEX #00DB97

RGB 0 219 151

HSL 161.37, 1%, 0.43%

LAB 77.81, -60.5, 21.11

 

CMYK 100 / 0 / 4 / 14

HEX #00DBD2

RGB 0 219 210

HSL 177.53, 1%, 0.43%

LAB 79.22, -45.48, -8.19

 

CMYK 100 / 23 / 0 / 14

HEX #00A9DB

RGB 0 169 219

HSL 193.7, 1%, 0.43%

LAB 64.56, -18.65, -35.4

 

CMYK 100 / 50 / 0 / 14

HEX #006EDB

RGB 0 110 219

HSL 209.86, 1%, 0.43%

LAB 47.32, 16.1, -62.77

 

CMYK 100 / 0 / 58 / 14

HEX #00DB5B

RGB 0 219 91

HSL 144.93, 1%, 0.43%

LAB 76.93, -70.99, 49.68

 

CMYK 100 / 0 / 58 / 14

HEX #00DB5B

RGB 0 219 91

HSL 144.93, 1%, 0.43%

LAB 76.93, -70.99, 49.68

 

CMYK 92 / 0 / 53 / 21

HEX #11C95E

RGB 17 201 94

HSL 145.11, 0.84%, 0.43%

LAB 71.35, -64.31, 41.63

 

CMYK 81 / 0 / 47 / 28

HEX #23B761

RGB 35 183 97

HSL 145.14, 0.68%, 0.43%

LAB 65.82, -56.34, 33.29

 

CMYK 68 / 0 / 40 / 35

HEX #35A664

RGB 53 166 100

HSL 144.96, 0.52%, 0.43%

LAB 60.74, -46.83, 25.19

 

CMYK 53 / 0 / 30 / 42

HEX #469467

RGB 70 148 103

HSL 145.38, 0.36%, 0.43%

LAB 55.54, -34.83, 16.64

 

CMYK 89 / 0 / 100 / 14

HEX #19DB00

RGB 25 219 0

HSL 113.15, 1%, 0.43%

LAB 76.6, -75.68, 74.3

 

CMYK 100 / 0 / 85 / 14

HEX #00DB20

RGB 0 219 32

HSL 128.77, 1%, 0.43%

LAB 76.54, -76, 69.87

 

CMYK 100 / 0 / 58 / 14

HEX #00DB5B

RGB 0 219 91

HSL 144.93, 1%, 0.43%

LAB 76.93, -70.99, 49.68

 

CMYK 100 / 0 / 32 / 14

HEX #00DB95

RGB 0 219 149

HSL 160.82, 1%, 0.43%

LAB 77.78, -60.94, 22.1

 

CMYK 100 / 0 / 5 / 14

HEX #00DBD0

RGB 0 219 208

HSL 176.99, 1%, 0.43%

LAB 79.17, -46.05, -7.21

 

CMYK 100 / 0 / 58 / 47

HEX #008839

RGB 0 136 57

HSL 145.15, 1%, 0.27%

LAB 49.38, -49.42, 33.28

 

CMYK 100 / 0 / 58 / 30

HEX #00B24A

RGB 0 178 74

HSL 144.94, 1%, 0.35%

LAB 63.62, -60.61, 41.88

 

CMYK 100 / 0 / 58 / 14

HEX #00DB5B

RGB 0 219 91

HSL 144.93, 1%, 0.43%

LAB 76.93, -70.99, 49.68

 

CMYK 98 / 0 / 57 / 0

HEX #05FF6E

RGB 5 255 110

HSL 145.2, 1%, 0.51%

LAB 88.29, -79.15, 54.57

 

CMYK 82 / 0 / 47 / 0

HEX #2EFF86

RGB 46 255 134

HSL 145.26, 1%, 0.59%

LAB 88.84, -73.52, 44.23

 

CMYK 100 / 0 / 58 / 15

HEX #00D95B

RGB 0 217 91

HSL 145.16, 1%, 0.43%

LAB 76.3, -70.39, 48.94

 

CMYK 100 / 62 / 0 / 14

HEX #0054DB

RGB 0 84 219

HSL 216.99, 1%, 0.43%

LAB 40.34, 33, -74.15

 

CMYK 0 / 99 / 100 / 14

HEX #DB0300

RGB 219 3 0

HSL 0.82, 1%, 0.43%

LAB 45.81, 71.15, 59.95

 

CMYK 100 / 0 / 58 / 15

HEX #00D95B

RGB 0 217 91

HSL 145.16, 1%, 0.43%

LAB 76.3, -70.39, 48.94

 

CMYK 58 / 100 / 0 / 14

HEX #5B00DB

RGB 91 0 219

HSL 264.93, 1%, 0.43%

LAB 32.57, 72.93, -86.83

 

CMYK 0 / 58 / 100 / 14

HEX #DB5B00

RGB 219 91 0

HSL 24.93, 1%, 0.43%

LAB 54.6, 46.96, 64.02

 

CMYK 100 / 0 / 58 / 15

HEX #00D95B

RGB 0 217 91

HSL 145.16, 1%, 0.43%

LAB 76.3, -70.39, 48.94

 

CMYK 100 / 62 / 0 / 14

HEX #0054DB

RGB 0 84 219

HSL 216.99, 1%, 0.43%

LAB 40.34, 33, -74.15

 

CMYK 0 / 100 / 42 / 14

HEX #DB007F

RGB 219 0 127

HSL 325.21, 1%, 0.43%

LAB 47.74, 76.83, -6.63

 

CMYK 0 / 38 / 100 / 14

HEX #DB8700

RGB 219 135 0

HSL 36.99, 1%, 0.43%

LAB 63.66, 24.57, 69.48

 

CMYK 100 / 0 / 58 / 15

HEX #00D95B

RGB 0 217 91

HSL 145.16, 1%, 0.43%

LAB 76.3, -70.39, 48.94

 

CMYK 100 / 92 / 0 / 14

HEX #0012DB

RGB 0 18 219

HSL 235.07, 1%, 0.43%

LAB 28.24, 66.94, -94.18

 

CMYK 0 / 100 / 42 / 14

HEX #DB007F

RGB 219 0 127

HSL 325.21, 1%, 0.43%

LAB 47.74, 76.83, -6.63

 

CMYK 0 / 8 / 100 / 14

HEX #DBC900

RGB 219 201 0

HSL 55.07, 1%, 0.43%

LAB 80.09, -10.27, 80.76

 

Description

Color code: HEX #00D95B | qconv.com Color code: HEX #00D95B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 217 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 217 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 58 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 58% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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