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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00F947 it is the complementary color #FF06B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00F947. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00F947 shade: #05F942, #16FF55, #27FF68, #38FF7B and #49FF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00F947. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00F947 shade: #00F947, #00E734, #00D521, #00C30E and #00B100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00F947 shade: #00F947, #00F903, #3FF900, #82F900 and #C6F900

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00F947 shade: #00F947, #00F98A, #00F9CE, #00E2F9 and #009EF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00F947 shade matches the following richer shades: #00F947

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00F947 shade: #00F947, #14E54F, #28D158, #3CBD61 and #50A96A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00F947 shade: #3EF900, #00F904, #00F946, #00F989 and #00F9CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00F947 shade: #00A72F, #00D03B, #00F947, #24FF62 and #4DFF80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00F947 shade: #00F947, #0081F9 and #F9001D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00F947 shade: #00F947, #4600F9 and #F94600

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00F947 shade: #00F947, #0081F9, #F900B3 and #F97800

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00F947 shade: #00F947, #0036F9, #F900B3 and #F9C300

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 71 / 2

HEX #00F947

RGB 0 249 71

HSL 137.11, 1%, 0.49%

LAB 86.11, -81.7, 67.77

 

Complementary color

CMYK 0 / 98 / 28 / 0

HEX #FF06B8

RGB 255 6 184

HSL 317.11, 1%, 0.51%

LAB 56.93, 89.16, -25.96

 

CMYK 98 / 0 / 73 / 2

HEX #05F942

RGB 5 249 66

HSL 135, 0.96%, 0.5%

LAB 86.09, -81.95, 69.46

 

CMYK 91 / 0 / 67 / 0

HEX #16FF55

RGB 22 255 85

HSL 136.22, 1%, 0.54%

LAB 88.14, -81.39, 64.78

 

CMYK 85 / 0 / 59 / 0

HEX #27FF68

RGB 39 255 104

HSL 138.06, 1%, 0.58%

LAB 88.42, -78.26, 57.38

 

CMYK 78 / 0 / 52 / 0

HEX #38FF7B

RGB 56 255 123

HSL 140.2, 1%, 0.61%

LAB 88.82, -74.14, 49.41

 

CMYK 71 / 0 / 44 / 0

HEX #49FF8E

RGB 73 255 142

HSL 142.75, 1%, 0.64%

LAB 89.34, -69.06, 41.11

 

CMYK 100 / 0 / 71 / 2

HEX #00F947

RGB 0 249 71

HSL 137.11, 1%, 0.49%

LAB 86.11, -81.7, 67.77

 

CMYK 100 / 0 / 77 / 9

HEX #00E734

RGB 0 231 52

HSL 133.51, 1%, 0.45%

LAB 80.4, -78.17, 68.27

 

CMYK 100 / 0 / 85 / 16

HEX #00D521

RGB 0 213 33

HSL 129.3, 1%, 0.42%

LAB 74.63, -74.33, 67.94

 

CMYK 100 / 0 / 93 / 24

HEX #00C30E

RGB 0 195 14

HSL 124.31, 1%, 0.38%

LAB 68.8, -70.13, 66.38

 

CMYK 100 / 0 / 100 / 31

HEX #00B100

RGB 0 177 0

HSL 120, 1%, 0.35%

LAB 62.88, -65.53, 63.25

 

CMYK 100 / 0 / 71 / 2

HEX #00F947

RGB 0 249 71

HSL 137.11, 1%, 0.49%

LAB 86.11, -81.7, 67.77

 

CMYK 100 / 0 / 99 / 2

HEX #00F903

RGB 0 249 3

HSL 120.72, 1%, 0.49%

LAB 85.89, -84.6, 81.46

 

CMYK 75 / 0 / 100 / 2

HEX #3FF900

RGB 63 249 0

HSL 104.82, 1%, 0.49%

LAB 86.41, -79.9, 82.34

 

CMYK 48 / 0 / 100 / 2

HEX #82F900

RGB 130 249 0

HSL 88.67, 1%, 0.49%

LAB 88.21, -65.09, 84.52

 

CMYK 20 / 0 / 100 / 2

HEX #C6F900

RGB 198 249 0

HSL 72.29, 1%, 0.49%

LAB 91.58, -41.64, 88.58

 

CMYK 100 / 0 / 71 / 2

HEX #00F947

RGB 0 249 71

HSL 137.11, 1%, 0.49%

LAB 86.11, -81.7, 67.77

 

CMYK 100 / 0 / 45 / 2

HEX #00F98A

RGB 0 249 138

HSL 153.25, 1%, 0.49%

LAB 86.79, -73.24, 39.64

 

CMYK 100 / 0 / 17 / 2

HEX #00F9CE

RGB 0 249 206

HSL 169.64, 1%, 0.49%

LAB 88.07, -58.83, 6.85

 

CMYK 100 / 9 / 0 / 2

HEX #00E2F9

RGB 0 226 249

HSL 185.54, 1%, 0.49%

LAB 82.5, -36.93, -23.99

 

CMYK 100 / 37 / 0 / 2

HEX #009EF9

RGB 0 158 249

HSL 201.93, 1%, 0.49%

LAB 62.75, -1.6, -54.73

 

CMYK 100 / 0 / 71 / 2

HEX #00F947

RGB 0 249 71

HSL 137.11, 1%, 0.49%

LAB 86.11, -81.7, 67.77

 

CMYK 100 / 0 / 71 / 2

HEX #00F947

RGB 0 249 71

HSL 137.11, 1%, 0.49%

LAB 86.11, -81.7, 67.77

 

CMYK 91 / 0 / 66 / 10

HEX #14E54F

RGB 20 229 79

HSL 136.94, 0.84%, 0.49%

LAB 80.04, -74.6, 58.35

 

CMYK 81 / 0 / 58 / 18

HEX #28D158

RGB 40 209 88

HSL 137.04, 0.68%, 0.49%

LAB 74.03, -65.86, 47.71

 

CMYK 68 / 0 / 49 / 26

HEX #3CBD61

RGB 60 189 97

HSL 137.21, 0.52%, 0.49%

LAB 68.18, -54.84, 36.37

 

CMYK 53 / 0 / 37 / 34

HEX #50A96A

RGB 80 169 106

HSL 137.53, 0.36%, 0.49%

LAB 62.61, -40.96, 24.6

 

CMYK 75 / 0 / 100 / 2

HEX #3EF900

RGB 62 249 0

HSL 105.06, 1%, 0.49%

LAB 86.39, -80.05, 82.32

 

CMYK 100 / 0 / 98 / 2

HEX #00F904

RGB 0 249 4

HSL 120.96, 1%, 0.49%

LAB 85.89, -84.59, 81.38

 

CMYK 100 / 0 / 72 / 2

HEX #00F946

RGB 0 249 70

HSL 136.87, 1%, 0.49%

LAB 86.1, -81.78, 68.11

 

CMYK 100 / 0 / 45 / 2

HEX #00F989

RGB 0 249 137

HSL 153.01, 1%, 0.49%

LAB 86.78, -73.41, 40.11

 

CMYK 100 / 0 / 18 / 2

HEX #00F9CC

RGB 0 249 204

HSL 169.16, 1%, 0.49%

LAB 88.02, -59.32, 7.82

 

CMYK 100 / 0 / 72 / 35

HEX #00A72F

RGB 0 167 47

HSL 136.89, 1%, 0.33%

LAB 59.75, -60.36, 49.32

 

CMYK 100 / 0 / 72 / 18

HEX #00D03B

RGB 0 208 59

HSL 137.02, 1%, 0.41%

LAB 73.17, -71.24, 58.73

 

CMYK 100 / 0 / 71 / 2

HEX #00F947

RGB 0 249 71

HSL 137.11, 1%, 0.49%

LAB 86.11, -81.7, 67.77

 

CMYK 86 / 0 / 62 / 0

HEX #24FF62

RGB 36 255 98

HSL 136.99, 1%, 0.57%

LAB 88.34, -79.18, 59.82

 

CMYK 70 / 0 / 50 / 0

HEX #4DFF80

RGB 77 255 128

HSL 137.19, 1%, 0.65%

LAB 89.23, -70.59, 47.66

 

CMYK 100 / 0 / 71 / 2

HEX #00F947

RGB 0 249 71

HSL 137.11, 1%, 0.49%

LAB 86.11, -81.7, 67.77

 

CMYK 100 / 48 / 0 / 2

HEX #0081F9

RGB 0 129 249

HSL 208.92, 1%, 0.49%

LAB 54.6, 15.85, -67.81

 

CMYK 0 / 100 / 88 / 2

HEX #F9001D

RGB 249 0 29

HSL 353.01, 1%, 0.49%

LAB 52.09, 78.95, 57.02

 

CMYK 100 / 0 / 71 / 2

HEX #00F947

RGB 0 249 71

HSL 137.11, 1%, 0.49%

LAB 86.11, -81.7, 67.77

 

CMYK 72 / 100 / 0 / 2

HEX #4600F9

RGB 70 0 249

HSL 256.87, 1%, 0.49%

LAB 34.28, 78.82, -101.12

 

CMYK 0 / 72 / 100 / 2

HEX #F94600

RGB 249 70 0

HSL 16.87, 1%, 0.49%

LAB 56.6, 65.63, 67.9

 

CMYK 100 / 0 / 71 / 2

HEX #00F947

RGB 0 249 71

HSL 137.11, 1%, 0.49%

LAB 86.11, -81.7, 67.77

 

CMYK 100 / 48 / 0 / 2

HEX #0081F9

RGB 0 129 249

HSL 208.92, 1%, 0.49%

LAB 54.6, 15.85, -67.81

 

CMYK 0 / 100 / 28 / 2

HEX #F900B3

RGB 249 0 179

HSL 316.87, 1%, 0.49%

LAB 55.48, 87.87, -25.38

 

CMYK 0 / 52 / 100 / 2

HEX #F97800

RGB 249 120 0

HSL 28.92, 1%, 0.49%

LAB 64.62, 44.44, 72.15

 

CMYK 100 / 0 / 71 / 2

HEX #00F947

RGB 0 249 71

HSL 137.11, 1%, 0.49%

LAB 86.11, -81.7, 67.77

 

CMYK 100 / 78 / 0 / 2

HEX #0036F9

RGB 0 54 249

HSL 226.99, 1%, 0.49%

LAB 36.89, 61.37, -96.84

 

CMYK 0 / 100 / 28 / 2

HEX #F900B3

RGB 249 0 179

HSL 316.87, 1%, 0.49%

LAB 55.48, 87.87, -25.38

 

CMYK 0 / 22 / 100 / 2

HEX #F9C300

RGB 249 195 0

HSL 46.99, 1%, 0.49%

LAB 81.38, 5.75, 82.99

 

Description

Color code: HEX #00F947 | qconv.com Color code: HEX #00F947 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 249 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 249 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 71 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 71% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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