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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #015992 it is the complementary color #FEA66D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #015992. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #015992 shade: #06598D, #176BA0, #287DB3, #398FC6 and #4AA1D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #015992. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #015992 shade: #015992, #00477F, #00356C, #002359 and #001146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #015992 shade: #005993, #003293, #000A93, #1E0093 and #450093

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #015992 shade: #005993, #003293, #000A93 and #000093

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #015992 shade matches the following richer shades: #005993

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #015992 shade: #005993, #0C5787, #18547B, #24516F and #304F63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #015992 shade: #00937D, #008293, #005B93, #003393 and #000C93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #015992 shade: #002741, #00406A, #005993, #0072BC and #018BE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #015992 shade: #015992, #560093 and #939000

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #015992 shade: #015992, #93005B and #5B9300

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #015992 shade: #015992, #560093, #933800 and #3D9300

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #015992 shade: #015992, #820093, #933800 and #119300

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 39 / 0 / 43

HEX #015992

RGB 1 89 146

HSL 203.59, 0.99%, 0.29%

LAB 36.42, 0.03, -37.58

 

Complementary color

CMYK 0 / 35 / 57 / 0

HEX #FEA66D

RGB 254 166 109

HSL 23.59, 0.99%, 0.71%

LAB 75.73, 26.93, 42.61

 

CMYK 96 / 37 / 0 / 45

HEX #06598D

RGB 6 89 141

HSL 203.11, 0.92%, 0.29%

LAB 36.19, -1.75, -34.91

 

CMYK 86 / 33 / 0 / 37

HEX #176BA0

RGB 23 107 160

HSL 203.21, 0.75%, 0.36%

LAB 43.12, -4.28, -35.32

 

CMYK 78 / 30 / 0 / 30

HEX #287DB3

RGB 40 125 179

HSL 203.31, 0.63%, 0.43%

LAB 49.95, -6.2, -35.64

 

CMYK 71 / 28 / 0 / 22

HEX #398FC6

RGB 57 143 198

HSL 203.4, 0.55%, 0.5%

LAB 56.68, -7.65, -35.91

 

CMYK 66 / 26 / 0 / 15

HEX #4AA1D9

RGB 74 161 217

HSL 203.5, 0.65%, 0.57%

LAB 63.31, -8.77, -36.15

 

CMYK 99 / 39 / 0 / 43

HEX #015992

RGB 1 89 146

HSL 203.59, 0.99%, 0.29%

LAB 36.42, 0.03, -37.58

 

CMYK 100 / 44 / 0 / 50

HEX #00477F

RGB 0 71 127

HSL 206.46, 1%, 0.25%

LAB 29.51, 3.85, -36.95

 

CMYK 100 / 51 / 0 / 58

HEX #00356C

RGB 0 53 108

HSL 210.56, 1%, 0.21%

LAB 22.4, 8.09, -36.33

 

CMYK 100 / 61 / 0 / 65

HEX #002359

RGB 0 35 89

HSL 216.4, 1%, 0.17%

LAB 15.08, 12.81, -35.73

 

CMYK 100 / 76 / 0 / 73

HEX #001146

RGB 0 17 70

HSL 225.43, 1%, 0.14%

LAB 7.62, 17.96, -34.92

 

CMYK 100 / 39 / 0 / 42

HEX #005993

RGB 0 89 147

HSL 203.67, 1%, 0.29%

LAB 36.46, 0.39, -38.11

 

CMYK 100 / 66 / 0 / 42

HEX #003293

RGB 0 50 147

HSL 219.59, 1%, 0.29%

LAB 24.91, 27.14, -56.81

 

CMYK 100 / 93 / 0 / 42

HEX #000A93

RGB 0 10 147

HSL 235.92, 1%, 0.29%

LAB 17.1, 49.24, -69.76

 

CMYK 80 / 100 / 0 / 42

HEX #1E0093

RGB 30 0 147

HSL 252.24, 1%, 0.29%

LAB 17.38, 52.99, -69.27

 

CMYK 53 / 100 / 0 / 42

HEX #450093

RGB 69 0 147

HSL 268.16, 1%, 0.29%

LAB 21.48, 55.01, -62.34

 

CMYK 100 / 39 / 0 / 42

HEX #005993

RGB 0 89 147

HSL 203.67, 1%, 0.29%

LAB 36.46, 0.39, -38.11

 

CMYK 100 / 66 / 0 / 42

HEX #003293

RGB 0 50 147

HSL 219.59, 1%, 0.29%

LAB 24.91, 27.14, -56.81

 

CMYK 100 / 93 / 0 / 42

HEX #000A93

RGB 0 10 147

HSL 235.92, 1%, 0.29%

LAB 17.1, 49.24, -69.76

 

CMYK 100 / 100 / 0 / 42

HEX #000093

RGB 0 0 147

HSL 240, 1%, 0.29%

LAB 16.04, 52.53, -71.54

 

CMYK 100 / 39 / 0 / 42

HEX #005993

RGB 0 89 147

HSL 203.67, 1%, 0.29%

LAB 36.46, 0.39, -38.11

 

CMYK 100 / 39 / 0 / 42

HEX #005993

RGB 0 89 147

HSL 203.67, 1%, 0.29%

LAB 36.46, 0.39, -38.11

 

CMYK 91 / 36 / 0 / 47

HEX #0C5787

RGB 12 87 135

HSL 203.41, 0.84%, 0.29%

LAB 35.29, -2.57, -32.67

 

CMYK 80 / 32 / 0 / 52

HEX #18547B

RGB 24 84 123

HSL 203.64, 0.67%, 0.29%

LAB 33.91, -4.33, -27.45

 

CMYK 68 / 27 / 0 / 56

HEX #24516F

RGB 36 81 111

HSL 204, 0.51%, 0.29%

LAB 32.72, -5.11, -21.82

 

CMYK 52 / 20 / 0 / 61

HEX #304F63

RGB 48 79 99

HSL 203.53, 0.35%, 0.29%

LAB 32.08, -5.25, -15.2

 

CMYK 100 / 0 / 15 / 42

HEX #00937D

RGB 0 147 125

HSL 171.02, 1%, 0.29%

LAB 54.39, -38.52, 2.31

 

CMYK 100 / 12 / 0 / 42

HEX #008293

RGB 0 130 147

HSL 186.94, 1%, 0.29%

LAB 49.58, -23.44, -17.63

 

CMYK 100 / 38 / 0 / 42

HEX #005B93

RGB 0 91 147

HSL 202.86, 1%, 0.29%

LAB 37.09, -0.89, -37.11

 

CMYK 100 / 65 / 0 / 42

HEX #003393

RGB 0 51 147

HSL 219.18, 1%, 0.29%

LAB 25.18, 26.44, -56.37

 

CMYK 100 / 92 / 0 / 42

HEX #000C93

RGB 0 12 147

HSL 235.1, 1%, 0.29%

LAB 17.32, 48.58, -69.4

 

CMYK 100 / 40 / 0 / 75

HEX #002741

RGB 0 39 65

HSL 204, 1%, 0.13%

LAB 14.58, -1.59, -20.14

 

CMYK 100 / 40 / 0 / 58

HEX #00406A

RGB 0 64 106

HSL 203.77, 1%, 0.21%

LAB 25.88, -0.53, -29.47

 

CMYK 100 / 39 / 0 / 42

HEX #005993

RGB 0 89 147

HSL 203.67, 1%, 0.29%

LAB 36.46, 0.39, -38.11

 

CMYK 100 / 39 / 0 / 26

HEX #0072BC

RGB 0 114 188

HSL 203.62, 1%, 0.37%

LAB 46.53, 1.23, -46.28

 

CMYK 100 / 39 / 0 / 10

HEX #018BE5

RGB 1 139 229

HSL 203.68, 0.99%, 0.45%

LAB 56.22, 2.04, -54.1

 

CMYK 99 / 39 / 0 / 43

HEX #015992

RGB 1 89 146

HSL 203.59, 0.99%, 0.29%

LAB 36.42, 0.03, -37.58

 

CMYK 41 / 100 / 0 / 42

HEX #560093

RGB 86 0 147

HSL 275.1, 1%, 0.29%

LAB 23.95, 56.57, -58.17

 

CMYK 0 / 2 / 100 / 42

HEX #939000

RGB 147 144 0

HSL 58.78, 1%, 0.29%

LAB 58.18, -12.71, 62.04

 

CMYK 99 / 39 / 0 / 43

HEX #015992

RGB 1 89 146

HSL 203.59, 0.99%, 0.29%

LAB 36.42, 0.03, -37.58

 

CMYK 0 / 100 / 38 / 42

HEX #93005B

RGB 147 0 91

HSL 322.86, 1%, 0.29%

LAB 31.71, 57.91, -9.47

 

CMYK 38 / 0 / 100 / 42

HEX #5B9300

RGB 91 147 0

HSL 82.86, 1%, 0.29%

LAB 55.17, -38.07, 58.04

 

CMYK 99 / 39 / 0 / 43

HEX #015992

RGB 1 89 146

HSL 203.59, 0.99%, 0.29%

LAB 36.42, 0.03, -37.58

 

CMYK 41 / 100 / 0 / 42

HEX #560093

RGB 86 0 147

HSL 275.1, 1%, 0.29%

LAB 23.95, 56.57, -58.17

 

CMYK 0 / 62 / 100 / 42

HEX #933800

RGB 147 56 0

HSL 22.86, 1%, 0.29%

LAB 36.04, 36.2, 47.37

 

CMYK 59 / 0 / 100 / 42

HEX #3D9300

RGB 61 147 0

HSL 95.1, 1%, 0.29%

LAB 53.88, -47.89, 56.48

 

CMYK 99 / 39 / 0 / 43

HEX #015992

RGB 1 89 146

HSL 203.59, 0.99%, 0.29%

LAB 36.42, 0.03, -37.58

 

CMYK 12 / 100 / 0 / 42

HEX #820093

RGB 130 0 147

HSL 293.06, 1%, 0.29%

LAB 31.47, 62.39, -45.59

 

CMYK 0 / 62 / 100 / 42

HEX #933800

RGB 147 56 0

HSL 22.86, 1%, 0.29%

LAB 36.04, 36.2, 47.37

 

CMYK 88 / 0 / 100 / 42

HEX #119300

RGB 17 147 0

HSL 113.06, 1%, 0.29%

LAB 52.93, -55.97, 55.33

 

Description

Color code: HEX #015992 | qconv.com Color code: HEX #015992 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 89 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 89 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 39 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 39% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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