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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #017950 it is the complementary color #FE86AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #017950. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #017950 shade: #06794B, #178B5E, #289D71, #39AF84 and #4AC197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #017950. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #017950 shade: #017950, #00673D, #00552A, #004317 and #003104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #017950 shade: #017950, #01792F, #01790F, #137901 and #337901

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #017950 shade: #017950, #017970, #016179, #014179 and #012079

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #017950 shade matches the following richer shades: #017950

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #017950 shade: #017950, #0B6F4D, #156549, #1E5B46 and #285143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #017950 shade: #01790F, #01792F, #01794F, #01796F and #016379

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #017950 shade: #00271A, #005035, #017950, #01A26B and #02CA86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #017950 shade: #017950, #011379 and #791F01

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #017950 shade: #017950, #4F0179 and #794F01

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #017950 shade: #017950, #011379, #79012B and #796701

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #017950 shade: #017950, #130179, #79012B and #677901

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 34 / 53

HEX #017950

RGB 1 121 80

HSL 159.5, 0.98%, 0.24%

LAB 44.6, -39.42, 14.54

 

Complementary color

CMYK 0 / 47 / 31 / 0

HEX #FE86AF

RGB 254 134 175

HSL 339.5, 0.98%, 0.76%

LAB 70.33, 49.88, -0.69

 

CMYK 95 / 0 / 38 / 53

HEX #06794B

RGB 6 121 75

HSL 156, 0.91%, 0.25%

LAB 44.55, -40.21, 17.37

 

CMYK 83 / 0 / 32 / 45

HEX #178B5E

RGB 23 139 94

HSL 156.72, 0.72%, 0.32%

LAB 51.22, -41.66, 15.59

 

CMYK 75 / 0 / 28 / 38

HEX #289D71

RGB 40 157 113

HSL 157.44, 0.59%, 0.39%

LAB 57.81, -42.56, 14.03

 

CMYK 67 / 0 / 25 / 31

HEX #39AF84

RGB 57 175 132

HSL 158.14, 0.51%, 0.45%

LAB 64.32, -43.06, 12.64

 

CMYK 62 / 0 / 22 / 24

HEX #4AC197

RGB 74 193 151

HSL 158.82, 0.49%, 0.52%

LAB 70.75, -43.32, 11.4

 

CMYK 99 / 0 / 34 / 53

HEX #017950

RGB 1 121 80

HSL 159.5, 0.98%, 0.24%

LAB 44.6, -39.42, 14.54

 

CMYK 100 / 0 / 41 / 60

HEX #00673D

RGB 0 103 61

HSL 155.53, 1%, 0.2%

LAB 37.91, -36.74, 16.62

 

CMYK 100 / 0 / 51 / 67

HEX #00552A

RGB 0 85 42

HSL 149.65, 1%, 0.17%

LAB 31.03, -33.77, 18.83

 

CMYK 100 / 0 / 66 / 74

HEX #004317

RGB 0 67 23

HSL 140.6, 1%, 0.13%

LAB 23.92, -30.41, 21.06

 

CMYK 100 / 0 / 92 / 81

HEX #003104

RGB 0 49 4

HSL 124.9, 1%, 0.1%

LAB 16.53, -26.43, 21.61

 

CMYK 99 / 0 / 34 / 53

HEX #017950

RGB 1 121 80

HSL 159.5, 0.98%, 0.24%

LAB 44.6, -39.42, 14.54

 

CMYK 99 / 0 / 61 / 53

HEX #01792F

RGB 1 121 47

HSL 143, 0.98%, 0.24%

LAB 44.07, -45.78, 32.04

 

CMYK 99 / 0 / 88 / 53

HEX #01790F

RGB 1 121 15

HSL 127, 0.98%, 0.24%

LAB 43.82, -48.91, 44.58

 

CMYK 84 / 0 / 99 / 53

HEX #137901

RGB 19 121 1

HSL 111, 0.98%, 0.24%

LAB 43.97, -47.79, 47.94

 

CMYK 58 / 0 / 99 / 53

HEX #337901

RGB 51 121 1

HSL 95, 0.98%, 0.24%

LAB 44.77, -40.95, 48.93

 

CMYK 99 / 0 / 34 / 53

HEX #017950

RGB 1 121 80

HSL 159.5, 0.98%, 0.24%

LAB 44.6, -39.42, 14.54

 

CMYK 99 / 0 / 7 / 53

HEX #017970

RGB 1 121 112

HSL 175.5, 0.98%, 0.24%

LAB 45.43, -30.53, -3.2

 

CMYK 99 / 20 / 0 / 53

HEX #016179

RGB 1 97 121

HSL 192, 0.98%, 0.24%

LAB 37.73, -14.88, -20.29

 

CMYK 99 / 46 / 0 / 53

HEX #014179

RGB 1 65 121

HSL 208, 0.98%, 0.24%

LAB 27.21, 5.43, -36.88

 

CMYK 99 / 74 / 0 / 53

HEX #012079

RGB 1 32 121

HSL 224.5, 0.98%, 0.24%

LAB 17.55, 29.01, -52.62

 

CMYK 99 / 0 / 34 / 53

HEX #017950

RGB 1 121 80

HSL 159.5, 0.98%, 0.24%

LAB 44.6, -39.42, 14.54

 

CMYK 99 / 0 / 34 / 53

HEX #017950

RGB 1 121 80

HSL 159.5, 0.98%, 0.24%

LAB 44.6, -39.42, 14.54

 

CMYK 90 / 0 / 31 / 56

HEX #0B6F4D

RGB 11 111 77

HSL 159.6, 0.82%, 0.24%

LAB 41.18, -35.27, 11.61

 

CMYK 79 / 0 / 28 / 60

HEX #156549

RGB 21 101 73

HSL 159, 0.66%, 0.24%

LAB 37.75, -30.77, 9.26

 

CMYK 67 / 0 / 23 / 64

HEX #1E5B46

RGB 30 91 70

HSL 159.34, 0.5%, 0.24%

LAB 34.4, -25.23, 6.42

 

CMYK 51 / 0 / 17 / 68

HEX #285143

RGB 40 81 67

HSL 159.51, 0.34%, 0.24%

LAB 31.21, -18.29, 3.81

 

CMYK 99 / 0 / 88 / 53

HEX #01790F

RGB 1 121 15

HSL 127, 0.98%, 0.24%

LAB 43.82, -48.91, 44.58

 

CMYK 99 / 0 / 61 / 53

HEX #01792F

RGB 1 121 47

HSL 143, 0.98%, 0.24%

LAB 44.07, -45.78, 32.04

 

CMYK 99 / 0 / 35 / 53

HEX #01794F

RGB 1 121 79

HSL 159, 0.98%, 0.24%

LAB 44.58, -39.65, 15.1

 

CMYK 99 / 0 / 8 / 53

HEX #01796F

RGB 1 121 111

HSL 175, 0.98%, 0.24%

LAB 45.4, -30.84, -2.65

 

CMYK 99 / 18 / 0 / 53

HEX #016379

RGB 1 99 121

HSL 191, 0.98%, 0.24%

LAB 38.39, -16.02, -19.26

 

CMYK 100 / 0 / 33 / 85

HEX #00271A

RGB 0 39 26

HSL 160, 1%, 0.08%

LAB 12.77, -17.76, 4.8

 

CMYK 100 / 0 / 34 / 69

HEX #005035

RGB 0 80 53

HSL 159.75, 1%, 0.16%

LAB 29.4, -29.16, 9.95

 

CMYK 99 / 0 / 34 / 53

HEX #017950

RGB 1 121 80

HSL 159.5, 0.98%, 0.24%

LAB 44.6, -39.42, 14.54

 

CMYK 99 / 0 / 34 / 36

HEX #01A26B

RGB 1 162 107

HSL 159.5, 0.99%, 0.32%

LAB 58.89, -49.12, 18.78

 

CMYK 99 / 0 / 34 / 21

HEX #02CA86

RGB 2 202 134

HSL 159.6, 0.98%, 0.4%

LAB 72.21, -57.96, 22.38

 

CMYK 99 / 0 / 34 / 53

HEX #017950

RGB 1 121 80

HSL 159.5, 0.98%, 0.24%

LAB 44.6, -39.42, 14.54

 

CMYK 99 / 84 / 0 / 53

HEX #011379

RGB 1 19 121

HSL 231, 0.98%, 0.24%

LAB 14.69, 37.1, -57.35

 

CMYK 0 / 74 / 99 / 53

HEX #791F01

RGB 121 31 1

HSL 15, 0.98%, 0.24%

LAB 26.87, 37.77, 38.3

 

CMYK 99 / 0 / 34 / 53

HEX #017950

RGB 1 121 80

HSL 159.5, 0.98%, 0.24%

LAB 44.6, -39.42, 14.54

 

CMYK 35 / 99 / 0 / 53

HEX #4F0179

RGB 79 1 121

HSL 279, 0.98%, 0.24%

LAB 20.3, 49.94, -47.84

 

CMYK 0 / 35 / 99 / 53

HEX #794F01

RGB 121 79 1

HSL 39, 0.98%, 0.24%

LAB 37.22, 11.91, 45.71

 

CMYK 99 / 0 / 34 / 53

HEX #017950

RGB 1 121 80

HSL 159.5, 0.98%, 0.24%

LAB 44.6, -39.42, 14.54

 

CMYK 99 / 84 / 0 / 53

HEX #011379

RGB 1 19 121

HSL 231, 0.98%, 0.24%

LAB 14.69, 37.1, -57.35

 

CMYK 0 / 99 / 64 / 53

HEX #79012B

RGB 121 1 43

HSL 339, 0.98%, 0.24%

LAB 24.52, 47.47, 11.76

 

CMYK 0 / 15 / 99 / 53

HEX #796701

RGB 121 103 1

HSL 51, 0.98%, 0.24%

LAB 43.9, -2.29, 50.37

 

CMYK 99 / 0 / 34 / 53

HEX #017950

RGB 1 121 80

HSL 159.5, 0.98%, 0.24%

LAB 44.6, -39.42, 14.54

 

CMYK 84 / 99 / 0 / 53

HEX #130179

RGB 19 1 121

HSL 249, 0.98%, 0.24%

LAB 12.86, 45.51, -60.38

 

CMYK 0 / 99 / 64 / 53

HEX #79012B

RGB 121 1 43

HSL 339, 0.98%, 0.24%

LAB 24.52, 47.47, 11.76

 

CMYK 15 / 0 / 99 / 53

HEX #677901

RGB 103 121 1

HSL 69, 0.98%, 0.24%

LAB 47.7, -20.74, 52.46

 

Description

Color code: HEX #017950 | qconv.com Color code: HEX #017950 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 121 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 121 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 34 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 34% 53% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

53% - Bay Bridge Administr...
Link: http://bbadmin.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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