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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01731D it is the complementary color #FE8CE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01731D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01731D shade: #067318, #17852B, #28973E, #39A951 and #4ABB64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01731D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01731D shade: #01731D, #00610A, #004F00, #003D00 and #002B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01731D shade: #01741D, #037401, #227401, #417401 and #607401

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01731D shade: #01741D, #01743C, #01745B, #016D74 and #014E74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01731D shade matches the following richer shades: #01741D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01731D shade: #01741D, #0A6A22, #146127, #1D572B and #274E30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01731D shade: #237401, #057401, #01741B, #01743A and #017459

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01731D shade: #002208, #004B13, #01741D, #019C27 and #01C532

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01731D shade: #01731D, #014274 and #740114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01731D shade: #01731D, #1B0174 and #741B01

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01731D shade: #01731D, #014274, #740159 and #743201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01731D shade: #01731D, #011F74, #740159 and #745501

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 75 / 55

HEX #01731D

RGB 1 115 29

HSL 134.74, 0.98%, 0.23%

LAB 41.78, -46, 37.82

 

Complementary color

CMYK 0 / 45 / 11 / 0

HEX #FE8CE2

RGB 254 140 226

HSL 314.74, 0.98%, 0.77%

LAB 73.1, 54.14, -24.82

 

CMYK 95 / 0 / 79 / 55

HEX #067318

RGB 6 115 24

HSL 129.91, 0.9%, 0.24%

LAB 41.79, -46, 39.81

 

CMYK 83 / 0 / 68 / 48

HEX #17852B

RGB 23 133 43

HSL 130.91, 0.71%, 0.31%

LAB 48.43, -48.32, 38.94

 

CMYK 74 / 0 / 59 / 41

HEX #28973E

RGB 40 151 62

HSL 131.89, 0.58%, 0.37%

LAB 55, -49.68, 37.59

 

CMYK 66 / 0 / 52 / 34

HEX #39A951

RGB 57 169 81

HSL 132.86, 0.5%, 0.44%

LAB 61.52, -50.43, 36.11

 

CMYK 60 / 0 / 47 / 27

HEX #4ABB64

RGB 74 187 100

HSL 133.81, 0.45%, 0.51%

LAB 67.96, -50.79, 34.65

 

CMYK 99 / 0 / 75 / 55

HEX #01731D

RGB 1 115 29

HSL 134.74, 0.98%, 0.23%

LAB 41.78, -46, 37.82

 

CMYK 100 / 0 / 90 / 62

HEX #00610A

RGB 0 97 10

HSL 126.19, 1%, 0.19%

LAB 35.15, -41.89, 38.06

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 100 / 0 / 100 / 76

HEX #003D00

RGB 0 61 0

HSL 120, 1%, 0.12%

LAB 21.35, -31.03, 28.85

 

CMYK 100 / 0 / 100 / 83

HEX #002B00

RGB 0 43 0

HSL 120, 1%, 0.08%

LAB 13.99, -24.91, 20

 

CMYK 99 / 0 / 75 / 55

HEX #01741D

RGB 1 116 29

HSL 134.61, 0.98%, 0.23%

LAB 42.13, -46.32, 38.19

 

CMYK 97 / 0 / 99 / 55

HEX #037401

RGB 3 116 1

HSL 118.96, 0.98%, 0.23%

LAB 42.02, -47.86, 46.29

 

CMYK 71 / 0 / 99 / 55

HEX #227401

RGB 34 116 1

HSL 102.78, 0.98%, 0.23%

LAB 42.51, -43.51, 46.89

 

CMYK 44 / 0 / 99 / 55

HEX #417401

RGB 65 116 1

HSL 86.61, 0.98%, 0.23%

LAB 43.68, -34.25, 48.32

 

CMYK 17 / 0 / 99 / 55

HEX #607401

RGB 96 116 1

HSL 70.43, 0.98%, 0.23%

LAB 45.61, -21.33, 50.64

 

CMYK 99 / 0 / 75 / 55

HEX #01741D

RGB 1 116 29

HSL 134.61, 0.98%, 0.23%

LAB 42.13, -46.32, 38.19

 

CMYK 99 / 0 / 48 / 55

HEX #01743C

RGB 1 116 60

HSL 150.78, 0.98%, 0.23%

LAB 42.5, -41.82, 23.18

 

CMYK 99 / 0 / 22 / 55

HEX #01745B

RGB 1 116 91

HSL 166.96, 0.98%, 0.23%

LAB 43.14, -34.47, 6.01

 

CMYK 99 / 6 / 0 / 55

HEX #016D74

RGB 1 109 116

HSL 183.65, 0.98%, 0.23%

LAB 41.54, -23.25, -11.41

 

CMYK 99 / 33 / 0 / 55

HEX #014E74

RGB 1 78 116

HSL 199.83, 0.98%, 0.23%

LAB 31.15, -5.39, -27.46

 

CMYK 99 / 0 / 75 / 55

HEX #01741D

RGB 1 116 29

HSL 134.61, 0.98%, 0.23%

LAB 42.13, -46.32, 38.19

 

CMYK 99 / 0 / 75 / 55

HEX #01741D

RGB 1 116 29

HSL 134.61, 0.98%, 0.23%

LAB 42.13, -46.32, 38.19

 

CMYK 91 / 0 / 68 / 58

HEX #0A6A22

RGB 10 106 34

HSL 135, 0.83%, 0.23%

LAB 38.7, -41.61, 32.31

 

CMYK 79 / 0 / 60 / 62

HEX #146127

RGB 20 97 39

HSL 134.81, 0.66%, 0.23%

LAB 35.68, -36.31, 26.33

 

CMYK 67 / 0 / 51 / 66

HEX #1D572B

RGB 29 87 43

HSL 134.48, 0.5%, 0.23%

LAB 32.37, -29.65, 20.08

 

CMYK 50 / 0 / 38 / 69

HEX #274E30

RGB 39 78 48

HSL 133.85, 0.33%, 0.23%

LAB 29.65, -21.48, 13.59

 

CMYK 70 / 0 / 99 / 55

HEX #237401

RGB 35 116 1

HSL 102.26, 0.98%, 0.23%

LAB 42.54, -43.29, 46.93

 

CMYK 96 / 0 / 99 / 55

HEX #057401

RGB 5 116 1

HSL 117.91, 0.98%, 0.23%

LAB 42.04, -47.67, 46.32

 

CMYK 99 / 0 / 77 / 55

HEX #01741B

RGB 1 116 27

HSL 133.57, 0.98%, 0.23%

LAB 42.12, -46.5, 38.97

 

CMYK 99 / 0 / 50 / 55

HEX #01743A

RGB 1 116 58

HSL 149.74, 0.98%, 0.23%

LAB 42.46, -42.2, 24.26

 

CMYK 99 / 0 / 23 / 55

HEX #017459

RGB 1 116 89

HSL 165.91, 0.98%, 0.23%

LAB 43.09, -35.02, 7.13

 

CMYK 100 / 0 / 76 / 87

HEX #002208

RGB 0 34 8

HSL 134.12, 1%, 0.07%

LAB 10.27, -19.04, 11.68

 

CMYK 100 / 0 / 75 / 71

HEX #004B13

RGB 0 75 19

HSL 135.2, 1%, 0.15%

LAB 26.96, -33.87, 26.58

 

CMYK 99 / 0 / 75 / 55

HEX #01741D

RGB 1 116 29

HSL 134.61, 0.98%, 0.23%

LAB 42.13, -46.32, 38.19

 

CMYK 99 / 0 / 75 / 39

HEX #019C27

RGB 1 156 39

HSL 134.71, 0.99%, 0.31%

LAB 56.02, -57.74, 48.52

 

CMYK 99 / 0 / 75 / 23

HEX #01C532

RGB 1 197 50

HSL 135, 0.99%, 0.39%

LAB 69.59, -68.8, 58.28

 

CMYK 99 / 0 / 75 / 55

HEX #01731D

RGB 1 115 29

HSL 134.74, 0.98%, 0.23%

LAB 41.78, -46, 37.82

 

CMYK 99 / 43 / 0 / 55

HEX #014274

RGB 1 66 116

HSL 206.09, 0.98%, 0.23%

LAB 27.2, 2.56, -33.74

 

CMYK 0 / 99 / 83 / 55

HEX #740114

RGB 116 1 20

HSL 350.09, 0.98%, 0.23%

LAB 22.95, 45.04, 25.19

 

CMYK 99 / 0 / 75 / 55

HEX #01731D

RGB 1 115 29

HSL 134.74, 0.98%, 0.23%

LAB 41.78, -46, 37.82

 

CMYK 77 / 99 / 0 / 55

HEX #1B0174

RGB 27 1 116

HSL 253.57, 0.98%, 0.23%

LAB 12.71, 44.41, -57.4

 

CMYK 0 / 77 / 99 / 55

HEX #741B01

RGB 116 27 1

HSL 13.57, 0.98%, 0.23%

LAB 25.26, 37.57, 36.44

 

CMYK 99 / 0 / 75 / 55

HEX #01731D

RGB 1 115 29

HSL 134.74, 0.98%, 0.23%

LAB 41.78, -46, 37.82

 

CMYK 99 / 43 / 0 / 55

HEX #014274

RGB 1 66 116

HSL 206.09, 0.98%, 0.23%

LAB 27.2, 2.56, -33.74

 

CMYK 0 / 99 / 23 / 55

HEX #740159

RGB 116 1 89

HSL 314.09, 0.98%, 0.23%

LAB 25.12, 50.77, -18.83

 

CMYK 0 / 57 / 99 / 55

HEX #743201

RGB 116 50 1

HSL 25.57, 0.98%, 0.23%

LAB 29.4, 26.56, 40.02

 

CMYK 99 / 0 / 75 / 55

HEX #01731D

RGB 1 115 29

HSL 134.74, 0.98%, 0.23%

LAB 41.78, -46, 37.82

 

CMYK 99 / 73 / 0 / 55

HEX #011F74

RGB 1 31 116

HSL 224.35, 0.98%, 0.23%

LAB 16.74, 27.66, -50.75

 

CMYK 0 / 99 / 23 / 55

HEX #740159

RGB 116 1 89

HSL 314.09, 0.98%, 0.23%

LAB 25.12, 50.77, -18.83

 

CMYK 0 / 27 / 99 / 55

HEX #745501

RGB 116 85 1

HSL 43.83, 0.98%, 0.23%

LAB 38.22, 5.87, 46.09

 

Description

Color code: HEX #01731D | qconv.com Color code: HEX #01731D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 115 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 115 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 75 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 75% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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