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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #019C0B it is the complementary color #FE63F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #019C0B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #019C0B shade: #069C06, #17AE19, #28C02C, #39D23F and #4AE452

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #019C0B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #019C0B shade: #019C0B, #008A00, #007800, #006600 and #005400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #019C0B shade: #009D0A, #209D00, #4B9D00, #759D00 and #9D9B00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #019C0B shade: #009D0A, #009D35, #009D5F, #009D89 and #00869D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #019C0B shade matches the following richer shades: #009D0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #019C0B shade: #009D0A, #0D9016, #1A8321, #27762C and #336A37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #019C0B shade: #4C9D00, #229D00, #009D08, #009D32 and #009D5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #019C0B shade: #004B05, #007408, #009D0A, #00C60D and #01EF10

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #019C0B shade: #019C0B, #00769D and #9D0037

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #019C0B shade: #019C0B, #08009D and #9D0800

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #019C0B shade: #019C0B, #00769D, #9D0095 and #9D2700

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #019C0B shade: #019C0B, #00479D, #9D0095 and #9D5600

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 93 / 39

HEX #019C0B

RGB 1 156 11

HSL 123.87, 0.99%, 0.31%

LAB 55.89, -59.33, 55.95

 

Complementary color

CMYK 0 / 61 / 4 / 0

HEX #FE63F4

RGB 254 99 244

HSL 303.87, 0.99%, 0.69%

LAB 66.92, 75.43, -44.31

 

CMYK 96 / 0 / 96 / 39

HEX #069C06

RGB 6 156 6

HSL 120, 0.93%, 0.32%

LAB 55.92, -59.17, 56.74

 

CMYK 87 / 0 / 86 / 32

HEX #17AE19

RGB 23 174 25

HSL 120.79, 0.77%, 0.39%

LAB 62.1, -62.52, 58.61

 

CMYK 79 / 0 / 77 / 25

HEX #28C02C

RGB 40 192 44

HSL 121.58, 0.66%, 0.45%

LAB 68.26, -64.93, 59.08

 

CMYK 73 / 0 / 70 / 18

HEX #39D23F

RGB 57 210 63

HSL 122.35, 0.63%, 0.52%

LAB 74.4, -66.6, 58.69

 

CMYK 68 / 0 / 64 / 11

HEX #4AE452

RGB 74 228 82

HSL 123.12, 0.74%, 0.59%

LAB 80.49, -67.74, 57.83

 

CMYK 99 / 0 / 93 / 39

HEX #019C0B

RGB 1 156 11

HSL 123.87, 0.99%, 0.31%

LAB 55.89, -59.33, 55.95

 

CMYK 100 / 0 / 100 / 46

HEX #008A00

RGB 0 138 0

HSL 120, 1%, 0.27%

LAB 49.71, -54.59, 52.69

 

CMYK 100 / 0 / 100 / 53

HEX #007800

RGB 0 120 0

HSL 120, 1%, 0.24%

LAB 43.41, -49.36, 47.64

 

CMYK 100 / 0 / 100 / 60

HEX #006600

RGB 0 102 0

HSL 120, 1%, 0.2%

LAB 36.93, -43.98, 42.45

 

CMYK 100 / 0 / 100 / 67

HEX #005400

RGB 0 84 0

HSL 120, 1%, 0.16%

LAB 30.26, -38.43, 37.09

 

CMYK 100 / 0 / 94 / 38

HEX #009D0A

RGB 0 157 10

HSL 123.82, 1%, 0.31%

LAB 56.22, -59.7, 56.38

 

CMYK 80 / 0 / 100 / 38

HEX #209D00

RGB 32 157 0

HSL 107.77, 1%, 0.31%

LAB 56.51, -57.23, 58.27

 

CMYK 52 / 0 / 100 / 38

HEX #4B9D00

RGB 75 157 0

HSL 91.34, 1%, 0.31%

LAB 57.66, -47.57, 59.68

 

CMYK 25 / 0 / 100 / 38

HEX #759D00

RGB 117 157 0

HSL 75.29, 1%, 0.31%

LAB 59.79, -32.34, 62.24

 

CMYK 0 / 1 / 100 / 38

HEX #9D9B00

RGB 157 155 0

HSL 59.24, 1%, 0.31%

LAB 62.18, -13.96, 65.35

 

CMYK 100 / 0 / 94 / 38

HEX #009D0A

RGB 0 157 10

HSL 123.82, 1%, 0.31%

LAB 56.22, -59.7, 56.38

 

CMYK 100 / 0 / 66 / 38

HEX #009D35

RGB 0 157 53

HSL 140.25, 1%, 0.31%

LAB 56.46, -56.7, 43.3

 

CMYK 100 / 0 / 39 / 38

HEX #009D5F

RGB 0 157 95

HSL 156.31, 1%, 0.31%

LAB 57.02, -49.9, 22.84

 

CMYK 100 / 0 / 13 / 38

HEX #009D89

RGB 0 157 137

HSL 172.36, 1%, 0.31%

LAB 57.96, -39.47, 0.64

 

CMYK 100 / 15 / 0 / 38

HEX #00869D

RGB 0 134 157

HSL 188.79, 1%, 0.31%

LAB 51.25, -22.02, -20.91

 

CMYK 100 / 0 / 94 / 38

HEX #009D0A

RGB 0 157 10

HSL 123.82, 1%, 0.31%

LAB 56.22, -59.7, 56.38

 

CMYK 100 / 0 / 94 / 38

HEX #009D0A

RGB 0 157 10

HSL 123.82, 1%, 0.31%

LAB 56.22, -59.7, 56.38

 

CMYK 91 / 0 / 85 / 44

HEX #0D9016

RGB 13 144 22

HSL 124.12, 0.83%, 0.31%

LAB 51.94, -54.58, 50.13

 

CMYK 80 / 0 / 75 / 49

HEX #1A8321

RGB 26 131 33

HSL 124, 0.67%, 0.31%

LAB 47.7, -48.24, 42.41

 

CMYK 67 / 0 / 63 / 54

HEX #27762C

RGB 39 118 44

HSL 123.8, 0.5%, 0.31%

LAB 43.61, -39.94, 33.16

 

CMYK 52 / 0 / 48 / 58

HEX #336A37

RGB 51 106 55

HSL 124.36, 0.35%, 0.31%

LAB 40.06, -29.99, 23.12

 

CMYK 52 / 0 / 100 / 38

HEX #4C9D00

RGB 76 157 0

HSL 90.96, 1%, 0.31%

LAB 57.7, -47.26, 59.72

 

CMYK 78 / 0 / 100 / 38

HEX #229D00

RGB 34 157 0

HSL 107.01, 1%, 0.31%

LAB 56.54, -56.94, 58.31

 

CMYK 100 / 0 / 95 / 38

HEX #009D08

RGB 0 157 8

HSL 123.06, 1%, 0.31%

LAB 56.22, -59.76, 56.67

 

CMYK 100 / 0 / 68 / 38

HEX #009D32

RGB 0 157 50

HSL 139.11, 1%, 0.31%

LAB 56.43, -57.04, 44.57

 

CMYK 100 / 0 / 41 / 38

HEX #009D5C

RGB 0 157 92

HSL 155.16, 1%, 0.31%

LAB 56.96, -50.52, 24.4

 

CMYK 100 / 0 / 93 / 71

HEX #004B05

RGB 0 75 5

HSL 124, 1%, 0.15%

LAB 26.86, -35.17, 32.25

 

CMYK 100 / 0 / 93 / 55

HEX #007408

RGB 0 116 8

HSL 124.14, 1%, 0.23%

LAB 42.01, -47.82, 44.63

 

CMYK 100 / 0 / 94 / 38

HEX #009D0A

RGB 0 157 10

HSL 123.82, 1%, 0.31%

LAB 56.22, -59.7, 56.38

 

CMYK 100 / 0 / 93 / 22

HEX #00C60D

RGB 0 198 13

HSL 123.94, 1%, 0.39%

LAB 69.77, -70.97, 67.32

 

CMYK 100 / 0 / 93 / 6

HEX #01EF10

RGB 1 239 16

HSL 123.78, 0.99%, 0.47%

LAB 82.79, -81.77, 77.81

 

CMYK 99 / 0 / 93 / 39

HEX #019C0B

RGB 1 156 11

HSL 123.87, 0.99%, 0.31%

LAB 55.89, -59.33, 55.95

 

CMYK 100 / 25 / 0 / 38

HEX #00769D

RGB 0 118 157

HSL 194.9, 1%, 0.31%

LAB 46.17, -13.25, -28.78

 

CMYK 0 / 100 / 65 / 38

HEX #9D0037

RGB 157 0 55

HSL 338.98, 1%, 0.31%

LAB 32.8, 57.41, 16.12

 

CMYK 99 / 0 / 93 / 39

HEX #019C0B

RGB 1 156 11

HSL 123.87, 0.99%, 0.31%

LAB 55.89, -59.33, 55.95

 

CMYK 95 / 100 / 0 / 38

HEX #08009D

RGB 8 0 157

HSL 243.06, 1%, 0.31%

LAB 17.85, 55.2, -74.67

 

CMYK 0 / 95 / 100 / 38

HEX #9D0800

RGB 157 8 0

HSL 3.06, 1%, 0.31%

LAB 32.57, 54.64, 46.44

 

CMYK 99 / 0 / 93 / 39

HEX #019C0B

RGB 1 156 11

HSL 123.87, 0.99%, 0.31%

LAB 55.89, -59.33, 55.95

 

CMYK 100 / 25 / 0 / 38

HEX #00769D

RGB 0 118 157

HSL 194.9, 1%, 0.31%

LAB 46.17, -13.25, -28.78

 

CMYK 0 / 100 / 5 / 38

HEX #9D0095

RGB 157 0 149

HSL 303.06, 1%, 0.31%

LAB 36.63, 67.19, -38.26

 

CMYK 0 / 75 / 100 / 38

HEX #9D2700

RGB 157 39 0

HSL 14.9, 1%, 0.31%

LAB 35.24, 47.1, 47.99

 

CMYK 99 / 0 / 93 / 39

HEX #019C0B

RGB 1 156 11

HSL 123.87, 0.99%, 0.31%

LAB 55.89, -59.33, 55.95

 

CMYK 100 / 55 / 0 / 38

HEX #00479D

RGB 0 71 157

HSL 212.87, 1%, 0.31%

LAB 31.67, 16.69, -51.88

 

CMYK 0 / 100 / 5 / 38

HEX #9D0095

RGB 157 0 149

HSL 303.06, 1%, 0.31%

LAB 36.63, 67.19, -38.26

 

CMYK 0 / 45 / 100 / 38

HEX #9D5600

RGB 157 86 0

HSL 32.87, 1%, 0.31%

LAB 43.98, 24.46, 52.84

 

Description

Color code: HEX #019C0B | qconv.com Color code: HEX #019C0B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 156 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 156 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 93 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 93% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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