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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01A78F it is the complementary color #FE5870. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01A78F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01A78F shade: #06A78A, #17B99D, #28CBB0, #39DDC3 and #4AEFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01A78F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01A78F shade: #01A78F, #00957C, #008369, #007156 and #005F43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01A78F shade: #00A78F, #00A762, #00A735, #00A708 and #26A700

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01A78F shade: #00A78F, #0092A7, #0065A7, #0038A7 and #000BA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01A78F shade matches the following richer shades: #00A78F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01A78F shade: #00A78F, #0E9985, #1C8C7C, #297E72 and #377068

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01A78F shade: #00A735, #00A762, #00A78E, #0094A7 and #0067A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01A78F shade: #005549, #007E6C, #00A78F, #01D0B2 and #01F9D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01A78F shade: #01A78F, #0900A7 and #A74B00

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01A78F shade: #01A78F, #8E00A7 and #A78E00

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01A78F shade: #01A78F, #0900A7, #A70019 and #9FA700

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01A78F shade: #01A78F, #3B00A7, #A70019 and #6DA700

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 14 / 35

HEX #01A78F

RGB 1 167 143

HSL 171.33, 0.99%, 0.33%

LAB 61.33, -42.06, 2.16

 

Complementary color

CMYK 0 / 65 / 56 / 0

HEX #FE5870

RGB 254 88 112

HSL 351.33, 0.99%, 0.67%

LAB 60.98, 64.4, 21.99

 

CMYK 96 / 0 / 17 / 35

HEX #06A78A

RGB 6 167 138

HSL 169.19, 0.93%, 0.34%

LAB 61.23, -43.22, 4.82

 

CMYK 88 / 0 / 15 / 27

HEX #17B99D

RGB 23 185 157

HSL 169.63, 0.78%, 0.41%

LAB 67.51, -44.87, 3.36

 

CMYK 80 / 0 / 13 / 20

HEX #28CBB0

RGB 40 203 176

HSL 170.06, 0.67%, 0.48%

LAB 73.74, -46.12, 2.06

 

CMYK 74 / 0 / 12 / 13

HEX #39DDC3

RGB 57 221 195

HSL 170.49, 0.71%, 0.55%

LAB 79.91, -47.03, 0.88

 

CMYK 69 / 0 / 10 / 6

HEX #4AEFD6

RGB 74 239 214

HSL 170.91, 0.84%, 0.61%

LAB 86.03, -47.7, -0.2

 

CMYK 99 / 0 / 14 / 35

HEX #01A78F

RGB 1 167 143

HSL 171.33, 0.99%, 0.33%

LAB 61.33, -42.06, 2.16

 

CMYK 100 / 0 / 17 / 42

HEX #00957C

RGB 0 149 124

HSL 169.93, 1%, 0.29%

LAB 55.02, -39.66, 3.79

 

CMYK 100 / 0 / 20 / 49

HEX #008369

RGB 0 131 105

HSL 168.09, 1%, 0.26%

LAB 48.58, -37.18, 5.51

 

CMYK 100 / 0 / 24 / 56

HEX #007156

RGB 0 113 86

HSL 165.66, 1%, 0.22%

LAB 41.97, -34.62, 7.33

 

CMYK 100 / 0 / 29 / 63

HEX #005F43

RGB 0 95 67

HSL 162.32, 1%, 0.19%

LAB 35.18, -31.96, 9.29

 

CMYK 100 / 0 / 14 / 35

HEX #00A78F

RGB 0 167 143

HSL 171.38, 1%, 0.33%

LAB 61.33, -42.1, 2.15

 

CMYK 100 / 0 / 41 / 35

HEX #00A762

RGB 0 167 98

HSL 155.21, 1%, 0.33%

LAB 60.36, -52.91, 25.63

 

CMYK 100 / 0 / 68 / 35

HEX #00A735

RGB 0 167 53

HSL 139.04, 1%, 0.33%

LAB 59.79, -59.77, 46.95

 

CMYK 100 / 0 / 95 / 35

HEX #00A708

RGB 0 167 8

HSL 122.87, 1%, 0.33%

LAB 59.58, -62.57, 59.47

 

CMYK 77 / 0 / 100 / 35

HEX #26A700

RGB 38 167 0

HSL 106.35, 1%, 0.33%

LAB 59.93, -59.41, 61.04

 

CMYK 100 / 0 / 14 / 35

HEX #00A78F

RGB 0 167 143

HSL 171.38, 1%, 0.33%

LAB 61.33, -42.1, 2.15

 

CMYK 100 / 13 / 0 / 35

HEX #0092A7

RGB 0 146 167

HSL 187.54, 1%, 0.33%

LAB 55.43, -24.77, -20.27

 

CMYK 100 / 40 / 0 / 35

HEX #0065A7

RGB 0 101 167

HSL 203.71, 1%, 0.33%

LAB 41.37, 0.93, -42.24

 

CMYK 100 / 66 / 0 / 35

HEX #0038A7

RGB 0 56 167

HSL 219.88, 1%, 0.33%

LAB 28.43, 31.12, -63.22

 

CMYK 100 / 93 / 0 / 35

HEX #000BA7

RGB 0 11 167

HSL 236.05, 1%, 0.33%

LAB 20.16, 54.66, -76.93

 

CMYK 100 / 0 / 14 / 35

HEX #00A78F

RGB 0 167 143

HSL 171.38, 1%, 0.33%

LAB 61.33, -42.1, 2.15

 

CMYK 100 / 0 / 14 / 35

HEX #00A78F

RGB 0 167 143

HSL 171.38, 1%, 0.33%

LAB 61.33, -42.1, 2.15

 

CMYK 91 / 0 / 13 / 40

HEX #0E9985

RGB 14 153 133

HSL 171.37, 0.83%, 0.33%

LAB 56.65, -38.2, 1.03

 

CMYK 80 / 0 / 11 / 45

HEX #1C8C7C

RGB 28 140 124

HSL 171.43, 0.67%, 0.33%

LAB 52.35, -33.77, -0.05

 

CMYK 67 / 0 / 10 / 51

HEX #297E72

RGB 41 126 114

HSL 171.53, 0.51%, 0.33%

LAB 47.76, -28.17, -0.89

 

CMYK 51 / 0 / 7 / 56

HEX #377068

RGB 55 112 104

HSL 171.58, 0.34%, 0.33%

LAB 43.36, -20.86, -1.32

 

CMYK 100 / 0 / 68 / 35

HEX #00A735

RGB 0 167 53

HSL 139.04, 1%, 0.33%

LAB 59.79, -59.77, 46.95

 

CMYK 100 / 0 / 41 / 35

HEX #00A762

RGB 0 167 98

HSL 155.21, 1%, 0.33%

LAB 60.36, -52.91, 25.63

 

CMYK 100 / 0 / 15 / 35

HEX #00A78E

RGB 0 167 142

HSL 171.02, 1%, 0.33%

LAB 61.3, -42.37, 2.68

 

CMYK 100 / 11 / 0 / 35

HEX #0094A7

RGB 0 148 167

HSL 186.83, 1%, 0.33%

LAB 56.06, -25.79, -19.31

 

CMYK 100 / 38 / 0 / 35

HEX #0067A7

RGB 0 103 167

HSL 202.99, 1%, 0.33%

LAB 41.99, -0.33, -41.26

 

CMYK 100 / 0 / 14 / 67

HEX #005549

RGB 0 85 73

HSL 171.53, 1%, 0.17%

LAB 31.76, -25.62, 0.66

 

CMYK 100 / 0 / 14 / 51

HEX #007E6C

RGB 0 126 108

HSL 171.43, 1%, 0.25%

LAB 46.98, -34.11, 1.44

HEX #007E6C

CMYK 100 / 0 / 14 / 35

HEX #00A78F

RGB 0 167 143

HSL 171.38, 1%, 0.33%

LAB 61.33, -42.1, 2.15

HEX #00A78F

CMYK 100 / 0 / 14 / 18

HEX #01D0B2

RGB 1 208 178

HSL 171.3, 0.99%, 0.41%

LAB 75.03, -49.69, 2.82

HEX #01D0B2

CMYK 100 / 0 / 14 / 2

HEX #01F9D5

RGB 1 249 213

HSL 171.29, 0.99%, 0.49%

LAB 88.24, -57.03, 3.46

HEX #01F9D5

CMYK 99 / 0 / 14 / 35

HEX #01A78F

RGB 1 167 143

HSL 171.33, 0.99%, 0.33%

LAB 61.33, -42.06, 2.16

 

CMYK 95 / 100 / 0 / 35

HEX #0900A7

RGB 9 0 167

HSL 243.23, 1%, 0.33%

LAB 19.42, 57.76, -78.15

 

CMYK 0 / 55 / 100 / 35

HEX #A74B00

RGB 167 75 0

HSL 26.95, 1%, 0.33%

LAB 43.13, 34.63, 53.13

 

CMYK 99 / 0 / 14 / 35

HEX #01A78F

RGB 1 167 143

HSL 171.33, 0.99%, 0.33%

LAB 61.33, -42.06, 2.16

 

CMYK 15 / 100 / 0 / 35

HEX #8E00A7

RGB 142 0 167

HSL 291.02, 1%, 0.33%

LAB 35.08, 67.63, -51.8

 

CMYK 0 / 15 / 100 / 35

HEX #A78E00

RGB 167 142 0

HSL 51.02, 1%, 0.33%

LAB 59.49, -2.45, 63.84

 

CMYK 99 / 0 / 14 / 35

HEX #01A78F

RGB 1 167 143

HSL 171.33, 0.99%, 0.33%

LAB 61.33, -42.06, 2.16

 

CMYK 95 / 100 / 0 / 35

HEX #0900A7

RGB 9 0 167

HSL 243.23, 1%, 0.33%

LAB 19.42, 57.76, -78.15

 

CMYK 0 / 100 / 85 / 35

HEX #A70019

RGB 167 0 25

HSL 351.02, 1%, 0.33%

LAB 34.57, 58.74, 37.5

 

CMYK 5 / 0 / 100 / 35

HEX #9FA700

RGB 159 167 0

HSL 62.87, 1%, 0.33%

LAB 65.76, -19.24, 68.05

 

CMYK 99 / 0 / 14 / 35

HEX #01A78F

RGB 1 167 143

HSL 171.33, 0.99%, 0.33%

LAB 61.33, -42.06, 2.16

 

CMYK 65 / 100 / 0 / 35

HEX #3B00A7

RGB 59 0 167

HSL 261.2, 1%, 0.33%

LAB 22.72, 59.1, -72.57

 

CMYK 0 / 100 / 85 / 35

HEX #A70019

RGB 167 0 25

HSL 351.02, 1%, 0.33%

LAB 34.57, 58.74, 37.5

 

CMYK 35 / 0 / 100 / 35

HEX #6DA700

RGB 109 167 0

HSL 80.84, 1%, 0.33%

LAB 62.41, -39.97, 64.05

 

Description

Color code: HEX #01A78F | qconv.com Color code: HEX #01A78F | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 167 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 167 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 14 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 14% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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