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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01A279 it is the complementary color #FE5D86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01A279. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01A279 shade: #06A274, #17B487, #28C69A, #39D8AD and #4AEAC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01A279. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01A279 shade: #01A279, #009066, #007E53, #006C40 and #005A2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01A279 shade: #00A279, #00A24D, #00A222, #0BA200 and #36A200

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01A279 shade: #00A279, #009FA2, #0074A2, #0048A2 and #001DA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01A279 shade matches the following richer shades: #00A279

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01A279 shade: #00A279, #0E9572, #1B876C, #287A65 and #356D5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01A279 shade: #00A221, #00A24C, #00A277, #00A2A2 and #0077A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01A279 shade: #00503B, #00795A, #00A279, #01CB97 and #01F4B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01A279 shade: #01A279, #000BA2 and #A23600

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01A279 shade: #01A279, #7700A2 and #A27700

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01A279 shade: #01A279, #000BA2, #A2002B and #A29700

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01A279 shade: #01A279, #2600A2, #A2002B and #7CA200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 25 / 36

HEX #01A279

RGB 1 162 121

HSL 164.72, 0.99%, 0.32%

LAB 59.18, -45.8, 11.42

 

Complementary color

CMYK 0 / 63 / 47 / 0

HEX #FE5D86

RGB 254 93 134

HSL 344.72, 0.99%, 0.68%

LAB 62.19, 64.16, 10.92

 

CMYK 96 / 0 / 28 / 36

HEX #06A274

RGB 6 162 116

HSL 162.31, 0.93%, 0.33%

LAB 59.1, -46.8, 14.1

 

CMYK 87 / 0 / 25 / 29

HEX #17B487

RGB 23 180 135

HSL 162.8, 0.77%, 0.4%

LAB 65.42, -48.43, 12.46

 

CMYK 80 / 0 / 22 / 22

HEX #28C69A

RGB 40 198 154

HSL 163.29, 0.66%, 0.47%

LAB 71.67, -49.61, 10.98

 

CMYK 74 / 0 / 20 / 15

HEX #39D8AD

RGB 57 216 173

HSL 163.77, 0.67%, 0.54%

LAB 77.87, -50.44, 9.65

 

CMYK 68 / 0 / 18 / 8

HEX #4AEAC0

RGB 74 234 192

HSL 164.25, 0.79%, 0.6%

LAB 84.02, -51.01, 8.44

 

CMYK 99 / 0 / 25 / 36

HEX #01A279

RGB 1 162 121

HSL 164.72, 0.99%, 0.32%

LAB 59.18, -45.8, 11.42

 

CMYK 100 / 0 / 29 / 44

HEX #009066

RGB 0 144 102

HSL 162.5, 1%, 0.28%

LAB 52.85, -43.36, 13.26

 

CMYK 100 / 0 / 34 / 51

HEX #007E53

RGB 0 126 83

HSL 159.52, 1%, 0.25%

LAB 46.37, -40.77, 15.22

 

CMYK 100 / 0 / 41 / 58

HEX #006C40

RGB 0 108 64

HSL 155.56, 1%, 0.21%

LAB 39.74, -38.04, 17.3

 

CMYK 100 / 0 / 50 / 65

HEX #005A2D

RGB 0 90 45

HSL 150, 1%, 0.18%

LAB 32.92, -35.1, 19.49

 

CMYK 100 / 0 / 25 / 36

HEX #00A279

RGB 0 162 121

HSL 164.81, 1%, 0.32%

LAB 59.18, -45.85, 11.41

 

CMYK 100 / 0 / 52 / 36

HEX #00A24D

RGB 0 162 77

HSL 148.52, 1%, 0.32%

LAB 58.39, -54.98, 34.11

 

CMYK 100 / 0 / 79 / 36

HEX #00A222

RGB 0 162 34

HSL 132.59, 1%, 0.32%

LAB 58, -59.96, 52.21

 

CMYK 93 / 0 / 100 / 36

HEX #0BA200

RGB 11 162 0

HSL 115.93, 1%, 0.32%

LAB 57.95, -60.76, 59.33

 

CMYK 67 / 0 / 100 / 36

HEX #36A200

RGB 54 162 0

HSL 100, 1%, 0.32%

LAB 58.63, -54.86, 60.15

 

CMYK 100 / 0 / 25 / 36

HEX #00A279

RGB 0 162 121

HSL 164.81, 1%, 0.32%

LAB 59.18, -45.85, 11.41

 

CMYK 100 / 2 / 0 / 36

HEX #009FA2

RGB 0 159 162

HSL 181.11, 1%, 0.32%

LAB 59.35, -32.83, -11.49

 

CMYK 100 / 28 / 0 / 36

HEX #0074A2

RGB 0 116 162

HSL 197.04, 1%, 0.32%

LAB 45.77, -10.18, -32.34

 

CMYK 100 / 56 / 0 / 36

HEX #0048A2

RGB 0 72 162

HSL 213.33, 1%, 0.32%

LAB 32.35, 18.1, -53.78

 

CMYK 100 / 82 / 0 / 36

HEX #001DA2

RGB 0 29 162

HSL 229.26, 1%, 0.32%

LAB 21.9, 45.84, -70.99

 

CMYK 100 / 0 / 25 / 36

HEX #00A279

RGB 0 162 121

HSL 164.81, 1%, 0.32%

LAB 59.18, -45.85, 11.41

 

CMYK 100 / 0 / 25 / 36

HEX #00A279

RGB 0 162 121

HSL 164.81, 1%, 0.32%

LAB 59.18, -45.85, 11.41

 

CMYK 91 / 0 / 23 / 42

HEX #0E9572

RGB 14 149 114

HSL 164.44, 0.83%, 0.32%

LAB 54.87, -41.63, 9.29

 

CMYK 80 / 0 / 20 / 47

HEX #1B876C

RGB 27 135 108

HSL 165, 0.67%, 0.32%

LAB 50.27, -36.04, 6.22

 

CMYK 67 / 0 / 17 / 52

HEX #287A65

RGB 40 122 101

HSL 164.63, 0.51%, 0.32%

LAB 46.06, -30, 4.32

 

CMYK 51 / 0 / 13 / 57

HEX #356D5F

RGB 53 109 95

HSL 165, 0.35%, 0.32%

LAB 42.03, -22.22, 2.16

 

CMYK 100 / 0 / 80 / 36

HEX #00A221

RGB 0 162 33

HSL 132.22, 1%, 0.32%

LAB 57.99, -60.03, 52.52

 

CMYK 100 / 0 / 53 / 36

HEX #00A24C

RGB 0 162 76

HSL 148.15, 1%, 0.32%

LAB 58.38, -55.14, 34.6

 

CMYK 100 / 0 / 27 / 36

HEX #00A277

RGB 0 162 119

HSL 164.07, 1%, 0.32%

LAB 59.13, -46.34, 12.46

 

CMYK 100 / 0 / 0 / 36

HEX #00A2A2

RGB 0 162 162

HSL 180, 1%, 0.32%

LAB 60.29, -34.24, -10.07

 

CMYK 100 / 27 / 0 / 36

HEX #0077A2

RGB 0 119 162

HSL 195.93, 1%, 0.32%

LAB 46.71, -11.92, -30.86

 

CMYK 100 / 0 / 26 / 69

HEX #00503B

RGB 0 80 59

HSL 164.25, 1%, 0.16%

LAB 29.55, -27.51, 6.37

 

CMYK 100 / 0 / 26 / 53

HEX #00795A

RGB 0 121 90

HSL 164.63, 1%, 0.24%

LAB 44.82, -36.96, 8.98

 

CMYK 100 / 0 / 25 / 36

HEX #00A279

RGB 0 162 121

HSL 164.81, 1%, 0.32%

LAB 59.18, -45.85, 11.41

 

CMYK 100 / 0 / 26 / 20

HEX #01CB97

RGB 1 203 151

HSL 164.55, 0.99%, 0.4%

LAB 72.86, -54.52, 14.23

 

CMYK 100 / 0 / 25 / 4

HEX #01F4B6

RGB 1 244 182

HSL 164.69, 0.99%, 0.48%

LAB 86.05, -62.67, 16.43

 

CMYK 99 / 0 / 25 / 36

HEX #01A279

RGB 1 162 121

HSL 164.72, 0.99%, 0.32%

LAB 59.18, -45.8, 11.42

 

CMYK 100 / 93 / 0 / 36

HEX #000BA2

RGB 0 11 162

HSL 235.93, 1%, 0.32%

LAB 19.42, 53.25, -75.12

 

CMYK 0 / 67 / 100 / 36

HEX #A23600

RGB 162 54 0

HSL 20, 1%, 0.32%

LAB 38.41, 42.81, 50.1

 

CMYK 99 / 0 / 25 / 36

HEX #01A279

RGB 1 162 121

HSL 164.72, 0.99%, 0.32%

LAB 59.18, -45.8, 11.42

 

CMYK 27 / 100 / 0 / 36

HEX #7700A2

RGB 119 0 162

HSL 284.07, 1%, 0.32%

LAB 30.71, 63.52, -56.07

 

CMYK 0 / 27 / 100 / 36

HEX #A27700

RGB 162 119 0

HSL 44.07, 1%, 0.32%

LAB 52.81, 8.03, 58.94

 

CMYK 99 / 0 / 25 / 36

HEX #01A279

RGB 1 162 121

HSL 164.72, 0.99%, 0.32%

LAB 59.18, -45.8, 11.42

 

CMYK 100 / 93 / 0 / 36

HEX #000BA2

RGB 0 11 162

HSL 235.93, 1%, 0.32%

LAB 19.42, 53.25, -75.12

 

CMYK 0 / 100 / 73 / 36

HEX #A2002B

RGB 162 0 43

HSL 344.07, 1%, 0.32%

LAB 33.68, 58.06, 25.29

 

CMYK 0 / 7 / 100 / 36

HEX #A29700

RGB 162 151 0

HSL 55.93, 1%, 0.32%

LAB 61.49, -9.59, 65.05

 

CMYK 99 / 0 / 25 / 36

HEX #01A279

RGB 1 162 121

HSL 164.72, 0.99%, 0.32%

LAB 59.18, -45.8, 11.42

 

CMYK 77 / 100 / 0 / 36

HEX #2600A2

RGB 38 0 162

HSL 254.07, 1%, 0.32%

LAB 20.13, 57.02, -73.9

 

CMYK 0 / 100 / 73 / 36

HEX #A2002B

RGB 162 0 43

HSL 344.07, 1%, 0.32%

LAB 33.68, 58.06, 25.29

 

CMYK 23 / 0 / 100 / 36

HEX #7CA200

RGB 124 162 0

HSL 74.07, 1%, 0.32%

LAB 61.76, -31.8, 63.94

 

Description

Color code: HEX #01A279 | qconv.com Color code: HEX #01A279 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 162 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 162 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 25 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 25% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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