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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01AB42 it is the complementary color #FE54BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01AB42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01AB42 shade: #06AB3D, #17BD50, #28CF63, #39E176 and #4AF389

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01AB42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01AB42 shade: #01AB42, #00992F, #00871C, #007509 and #006300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01AB42 shade: #00AC42, #00AC14, #1BAC00, #4AAC00 and #78AC00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01AB42 shade: #00AC42, #00AC70, #00AC9F, #008BAC and #005DAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01AB42 shade matches the following richer shades: #00AC42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01AB42 shade: #00AC42, #0E9E45, #1C9049, #2A824C and #38744F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01AB42 shade: #1DAC00, #00AC12, #00AC3F, #00AC6D and #00AC9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01AB42 shade: #005A22, #008332, #00AC42, #01D552 and #02FD62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01AB42 shade: #01AB42, #004BAC and #AC0006

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01AB42 shade: #01AB42, #3F00AC and #AC3F00

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01AB42 shade: #01AB42, #004BAC, #AC006D and #AC6200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01AB42 shade: #01AB42, #0017AC, #AC006D and #AC9500

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 61 / 33

HEX #01AB42

RGB 1 171 66

HSL 142.94, 0.99%, 0.34%

LAB 61.24, -59.43, 42.84

 

Complementary color

CMYK 0 / 67 / 26 / 0

HEX #FE54BD

RGB 254 84 189

HSL 322.94, 0.99%, 0.66%

LAB 62.58, 73.43, -20.18

 

CMYK 96 / 0 / 64 / 33

HEX #06AB3D

RGB 6 171 61

HSL 140, 0.93%, 0.35%

LAB 61.22, -59.8, 45.08

 

CMYK 88 / 0 / 58 / 26

HEX #17BD50

RGB 23 189 80

HSL 140.6, 0.78%, 0.42%

LAB 67.39, -62.07, 43.55

 

CMYK 81 / 0 / 52 / 19

HEX #28CF63

RGB 40 207 99

HSL 141.2, 0.68%, 0.48%

LAB 73.53, -63.68, 41.94

 

CMYK 75 / 0 / 48 / 12

HEX #39E176

RGB 57 225 118

HSL 141.79, 0.74%, 0.55%

LAB 79.63, -64.79, 40.37

 

CMYK 70 / 0 / 44 / 5

HEX #4AF389

RGB 74 243 137

HSL 142.37, 0.88%, 0.62%

LAB 85.69, -65.53, 38.85

 

CMYK 99 / 0 / 61 / 33

HEX #01AB42

RGB 1 171 66

HSL 142.94, 0.99%, 0.34%

LAB 61.24, -59.43, 42.84

 

CMYK 100 / 0 / 69 / 40

HEX #00992F

RGB 0 153 47

HSL 138.43, 1%, 0.3%

LAB 55.06, -56.13, 44.36

 

CMYK 100 / 0 / 79 / 47

HEX #00871C

RGB 0 135 28

HSL 132.44, 1%, 0.26%

LAB 48.77, -52.38, 45.24

 

CMYK 100 / 0 / 92 / 54

HEX #007509

RGB 0 117 9

HSL 124.62, 1%, 0.23%

LAB 42.37, -48.08, 44.72

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 100 / 0 / 62 / 33

HEX #00AC42

RGB 0 172 66

HSL 143.02, 1%, 0.34%

LAB 61.57, -59.79, 43.21

 

CMYK 100 / 0 / 88 / 33

HEX #00AC14

RGB 0 172 20

HSL 126.98, 1%, 0.34%

LAB 61.27, -63.58, 58.92

 

CMYK 84 / 0 / 100 / 33

HEX #1BAC00

RGB 27 172 0

HSL 110.58, 1%, 0.34%

LAB 61.43, -62.32, 62.17

 

CMYK 57 / 0 / 100 / 33

HEX #4AAC00

RGB 74 172 0

HSL 94.19, 1%, 0.34%

LAB 62.47, -53.39, 63.44

 

CMYK 30 / 0 / 100 / 33

HEX #78AC00

RGB 120 172 0

HSL 78.14, 1%, 0.34%

LAB 64.56, -37.96, 65.97

 

CMYK 100 / 0 / 62 / 33

HEX #00AC42

RGB 0 172 66

HSL 143.02, 1%, 0.34%

LAB 61.57, -59.79, 43.21

 

CMYK 100 / 0 / 35 / 33

HEX #00AC70

RGB 0 172 112

HSL 159.07, 1%, 0.34%

LAB 62.23, -51.8, 20.59

 

CMYK 100 / 0 / 8 / 33

HEX #00AC9F

RGB 0 172 159

HSL 175.47, 1%, 0.34%

LAB 63.35, -39.7, -3.84

 

CMYK 100 / 19 / 0 / 33

HEX #008BAC

RGB 0 139 172

HSL 191.51, 1%, 0.34%

LAB 53.43, -19.35, -26.21

 

CMYK 100 / 46 / 0 / 33

HEX #005DAC

RGB 0 93 172

HSL 207.56, 1%, 0.34%

LAB 39.25, 8.13, -48.59

 

CMYK 100 / 0 / 62 / 33

HEX #00AC42

RGB 0 172 66

HSL 143.02, 1%, 0.34%

LAB 61.57, -59.79, 43.21

 

CMYK 100 / 0 / 62 / 33

HEX #00AC42

RGB 0 172 66

HSL 143.02, 1%, 0.34%

LAB 61.57, -59.79, 43.21

 

CMYK 91 / 0 / 56 / 38

HEX #0E9E45

RGB 14 158 69

HSL 142.92, 0.84%, 0.34%

LAB 57.05, -54.12, 36.5

 

CMYK 81 / 0 / 49 / 44

HEX #1C9049

RGB 28 144 73

HSL 143.28, 0.67%, 0.34%

LAB 52.59, -47.25, 29

 

CMYK 68 / 0 / 42 / 49

HEX #2A824C

RGB 42 130 76

HSL 143.18, 0.51%, 0.34%

LAB 48.23, -38.94, 21.81

 

CMYK 52 / 0 / 32 / 55

HEX #38744F

RGB 56 116 79

HSL 143, 0.35%, 0.34%

LAB 44.08, -28.68, 14.61

 

CMYK 83 / 0 / 100 / 33

HEX #1DAC00

RGB 29 172 0

HSL 109.88, 1%, 0.34%

LAB 61.45, -62.1, 62.2

 

CMYK 100 / 0 / 90 / 33

HEX #00AC12

RGB 0 172 18

HSL 126.28, 1%, 0.34%

LAB 61.26, -63.66, 59.31

 

CMYK 100 / 0 / 63 / 33

HEX #00AC3F

RGB 0 172 63

HSL 141.98, 1%, 0.34%

LAB 61.54, -60.16, 44.54

 

CMYK 100 / 0 / 37 / 33

HEX #00AC6D

RGB 0 172 109

HSL 158.02, 1%, 0.34%

LAB 62.18, -52.45, 22.14

 

CMYK 100 / 0 / 10 / 33

HEX #00AC9B

RGB 0 172 155

HSL 174.07, 1%, 0.34%

LAB 63.24, -40.86, -1.77

 

CMYK 100 / 0 / 62 / 65

HEX #005A22

RGB 0 90 34

HSL 142.67, 1%, 0.18%

LAB 32.76, -37.06, 25.47

 

CMYK 100 / 0 / 62 / 49

HEX #008332

RGB 0 131 50

HSL 142.9, 1%, 0.26%

LAB 47.58, -48.77, 34.63

 

CMYK 100 / 0 / 62 / 33

HEX #00AC42

RGB 0 172 66

HSL 143.02, 1%, 0.34%

LAB 61.57, -59.79, 43.21

 

CMYK 100 / 0 / 62 / 16

HEX #01D552

RGB 1 213 82

HSL 142.92, 0.99%, 0.42%

LAB 74.95, -70.28, 51.38

 

CMYK 99 / 0 / 61 / 1

HEX #02FD62

RGB 2 253 98

HSL 142.95, 0.98%, 0.5%

LAB 87.56, -80.11, 58.88

 

CMYK 99 / 0 / 61 / 33

HEX #01AB42

RGB 1 171 66

HSL 142.94, 0.99%, 0.34%

LAB 61.24, -59.43, 42.84

 

CMYK 100 / 56 / 0 / 33

HEX #004BAC

RGB 0 75 172

HSL 213.84, 1%, 0.34%

LAB 34.01, 20.21, -57.08

 

CMYK 0 / 100 / 97 / 33

HEX #AC0006

RGB 172 0 6

HSL 357.91, 1%, 0.34%

LAB 35.56, 59.71, 47.45

 

CMYK 99 / 0 / 61 / 33

HEX #01AB42

RGB 1 171 66

HSL 142.94, 0.99%, 0.34%

LAB 61.24, -59.43, 42.84

 

CMYK 63 / 100 / 0 / 33

HEX #3F00AC

RGB 63 0 172

HSL 261.98, 1%, 0.34%

LAB 23.79, 60.51, -73.81

 

CMYK 0 / 63 / 100 / 33

HEX #AC3F00

RGB 172 63 0

HSL 21.98, 1%, 0.34%

LAB 41.73, 42.44, 52.8

 

CMYK 99 / 0 / 61 / 33

HEX #01AB42

RGB 1 171 66

HSL 142.94, 0.99%, 0.34%

LAB 61.24, -59.43, 42.84

 

CMYK 100 / 56 / 0 / 33

HEX #004BAC

RGB 0 75 172

HSL 213.84, 1%, 0.34%

LAB 34.01, 20.21, -57.08

 

CMYK 0 / 100 / 37 / 33

HEX #AC006D

RGB 172 0 109

HSL 321.98, 1%, 0.34%

LAB 37.62, 65.16, -11.61

 

CMYK 0 / 43 / 100 / 33

HEX #AC6200

RGB 172 98 0

HSL 34.19, 1%, 0.34%

LAB 48.89, 24.38, 56.98

 

CMYK 99 / 0 / 61 / 33

HEX #01AB42

RGB 1 171 66

HSL 142.94, 0.99%, 0.34%

LAB 61.24, -59.43, 42.84

 

CMYK 100 / 87 / 0 / 33

HEX #0017AC

RGB 0 23 172

HSL 231.98, 1%, 0.34%

LAB 22.27, 51.88, -76.43

 

CMYK 0 / 100 / 37 / 33

HEX #AC006D

RGB 172 0 109

HSL 321.98, 1%, 0.34%

LAB 37.62, 65.16, -11.61

 

CMYK 0 / 13 / 100 / 33

HEX #AC9500

RGB 172 149 0

HSL 51.98, 1%, 0.34%

LAB 61.88, -3.96, 65.76

 

Description

Color code: HEX #01AB42 | qconv.com Color code: HEX #01AB42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 171 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 171 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 61 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 61% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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