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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01B569 it is the complementary color #FE4A96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01B569. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01B569 shade: #06B564, #17C777, #28D98A, #39EB9D and #4AFDB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01B569. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01B569 shade: #01B569, #00A356, #009143, #007F30 and #006D1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01B569 shade: #00B669, #00B638, #00B607, #2AB600 and #5BB600

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01B569 shade: #00B669, #00B69A, #00A1B6, #0070B6 and #003FB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01B569 shade matches the following richer shades: #00B669

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01B569 shade: #00B669, #0FA767, #1E9865, #2D8A63 and #3C7B60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01B569 shade: #00B606, #00B637, #00B667, #00B698 and #00A4B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01B569 shade: #00643A, #008D52, #00B669, #01DF81 and #0CFD97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01B569 shade: #01B569, #002BB6 and #B61F00

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01B569 shade: #01B569, #6700B6 and #B66700

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01B569 shade: #01B569, #002BB6, #B6004F and #B68C00

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01B569 shade: #01B569, #0D00B6, #B6004F and #AAB600

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 42 / 29

HEX #01B569

RGB 1 181 105

HSL 154.67, 0.99%, 0.36%

LAB 65.02, -56.44, 28.06

 

Complementary color

CMYK 0 / 71 / 41 / 0

HEX #FE4A96

RGB 254 74 150

HSL 334.67, 0.99%, 0.64%

LAB 60.04, 72.68, -1.47

 

CMYK 97 / 0 / 45 / 29

HEX #06B564

RGB 6 181 100

HSL 152.23, 0.94%, 0.37%

LAB 64.97, -57.16, 30.6

 

CMYK 88 / 0 / 40 / 22

HEX #17C777

RGB 23 199 119

HSL 152.73, 0.79%, 0.44%

LAB 71.12, -59.02, 28.79

 

CMYK 82 / 0 / 36 / 15

HEX #28D98A

RGB 40 217 138

HSL 153.22, 0.7%, 0.5%

LAB 77.23, -60.37, 27.12

 

CMYK 76 / 0 / 33 / 8

HEX #39EB9D

RGB 57 235 157

HSL 153.71, 0.82%, 0.57%

LAB 83.3, -61.34, 25.58

 

CMYK 71 / 0 / 30 / 1

HEX #4AFDB0

RGB 74 253 176

HSL 154.19, 0.98%, 0.64%

LAB 89.32, -62.01, 24.15

 

CMYK 99 / 0 / 42 / 29

HEX #01B569

RGB 1 181 105

HSL 154.67, 0.99%, 0.36%

LAB 65.02, -56.44, 28.06

 

CMYK 100 / 0 / 47 / 36

HEX #00A356

RGB 0 163 86

HSL 151.66, 1%, 0.32%

LAB 58.85, -53.78, 30.04

 

CMYK 100 / 0 / 54 / 43

HEX #009143

RGB 0 145 67

HSL 147.72, 1%, 0.28%

LAB 52.57, -50.88, 32.05

 

CMYK 100 / 0 / 62 / 50

HEX #007F30

RGB 0 127 48

HSL 142.68, 1%, 0.25%

LAB 46.17, -47.72, 33.98

 

CMYK 100 / 0 / 73 / 57

HEX #006D1D

RGB 0 109 29

HSL 135.96, 1%, 0.21%

LAB 39.62, -44.16, 35.56

 

CMYK 100 / 0 / 42 / 29

HEX #00B669

RGB 0 182 105

HSL 154.62, 1%, 0.36%

LAB 65.34, -56.83, 28.47

 

CMYK 100 / 0 / 69 / 29

HEX #00B638

RGB 0 182 56

HSL 138.46, 1%, 0.36%

LAB 64.76, -63.96, 51.05

 

CMYK 100 / 0 / 96 / 29

HEX #00B607

RGB 0 182 7

HSL 122.31, 1%, 0.36%

LAB 64.54, -66.74, 63.71

 

CMYK 77 / 0 / 100 / 29

HEX #2AB600

RGB 42 182 0

HSL 106.15, 1%, 0.36%

LAB 64.92, -63.36, 65.05

 

CMYK 50 / 0 / 100 / 29

HEX #5BB600

RGB 91 182 0

HSL 90, 1%, 0.36%

LAB 66.27, -52.16, 66.7

 

CMYK 100 / 0 / 42 / 29

HEX #00B669

RGB 0 182 105

HSL 154.62, 1%, 0.36%

LAB 65.34, -56.83, 28.47

 

CMYK 100 / 0 / 15 / 29

HEX #00B69A

RGB 0 182 154

HSL 170.77, 1%, 0.36%

LAB 66.36, -45.41, 3.33

 

CMYK 100 / 12 / 0 / 29

HEX #00A1B6

RGB 0 161 182

HSL 186.92, 1%, 0.36%

LAB 60.66, -27.28, -20.78

 

CMYK 100 / 38 / 0 / 29

HEX #0070B6

RGB 0 112 182

HSL 203.08, 1%, 0.36%

LAB 45.59, 0.08, -44.31

 

CMYK 100 / 65 / 0 / 29

HEX #003FB6

RGB 0 63 182

HSL 219.23, 1%, 0.36%

LAB 31.65, 32.37, -66.88

 

CMYK 100 / 0 / 42 / 29

HEX #00B669

RGB 0 182 105

HSL 154.62, 1%, 0.36%

LAB 65.34, -56.83, 28.47

 

CMYK 100 / 0 / 42 / 29

HEX #00B669

RGB 0 182 105

HSL 154.62, 1%, 0.36%

LAB 65.34, -56.83, 28.47

 

CMYK 91 / 0 / 38 / 35

HEX #0FA767

RGB 15 167 103

HSL 154.74, 0.84%, 0.36%

LAB 60.53, -51.16, 23.2

 

CMYK 80 / 0 / 34 / 40

HEX #1E9865

RGB 30 152 101

HSL 154.92, 0.67%, 0.36%

LAB 55.76, -44.54, 17.88

 

CMYK 67 / 0 / 28 / 46

HEX #2D8A63

RGB 45 138 99

HSL 154.84, 0.51%, 0.36%

LAB 51.42, -36.87, 13.09

 

CMYK 51 / 0 / 22 / 52

HEX #3C7B60

RGB 60 123 96

HSL 154.29, 0.34%, 0.36%

LAB 46.94, -27.19, 8.62

 

CMYK 100 / 0 / 97 / 29

HEX #00B606

RGB 0 182 6

HSL 121.98, 1%, 0.36%

LAB 64.54, -66.76, 63.83

 

CMYK 100 / 0 / 70 / 29

HEX #00B637

RGB 0 182 55

HSL 138.13, 1%, 0.36%

LAB 64.75, -64.06, 51.44

 

CMYK 100 / 0 / 43 / 29

HEX #00B667

RGB 0 182 103

HSL 153.96, 1%, 0.36%

LAB 65.31, -57.2, 29.47

 

CMYK 100 / 0 / 16 / 29

HEX #00B698

RGB 0 182 152

HSL 170.11, 1%, 0.36%

LAB 66.31, -45.95, 4.36

 

CMYK 100 / 10 / 0 / 29

HEX #00A4B6

RGB 0 164 182

HSL 185.93, 1%, 0.36%

LAB 61.59, -28.77, -19.37

 

CMYK 100 / 0 / 42 / 61

HEX #00643A

RGB 0 100 58

HSL 154.8, 1%, 0.2%

LAB 36.78, -36.23, 16.89

 

CMYK 100 / 0 / 42 / 45

HEX #008D52

RGB 0 141 82

HSL 154.89, 1%, 0.28%

LAB 51.45, -46.72, 22.6

 

CMYK 100 / 0 / 42 / 29

HEX #00B669

RGB 0 182 105

HSL 154.62, 1%, 0.36%

LAB 65.34, -56.83, 28.47

 

CMYK 100 / 0 / 42 / 13

HEX #01DF81

RGB 1 223 129

HSL 154.59, 0.99%, 0.44%

LAB 78.68, -66.28, 33.58

 

CMYK 95 / 0 / 40 / 1

HEX #0CFD97

RGB 12 253 151

HSL 154.61, 0.98%, 0.52%

LAB 88.24, -71.94, 35.15

 

CMYK 99 / 0 / 42 / 29

HEX #01B569

RGB 1 181 105

HSL 154.67, 0.99%, 0.36%

LAB 65.02, -56.44, 28.06

 

CMYK 100 / 76 / 0 / 29

HEX #002BB6

RGB 0 43 182

HSL 225.82, 1%, 0.36%

LAB 27.03, 44.98, -74.51

 

CMYK 0 / 83 / 100 / 29

HEX #B61F00

RGB 182 31 0

HSL 10.22, 1%, 0.36%

LAB 39.45, 57.28, 52.82

 

CMYK 99 / 0 / 42 / 29

HEX #01B569

RGB 1 181 105

HSL 154.67, 0.99%, 0.36%

LAB 65.02, -56.44, 28.06

 

CMYK 43 / 100 / 0 / 29

HEX #6700B6

RGB 103 0 182

HSL 273.96, 1%, 0.36%

LAB 30.06, 65.75, -69.25

 

CMYK 0 / 43 / 100 / 29

HEX #B66700

RGB 182 103 0

HSL 33.96, 1%, 0.36%

LAB 51.43, 25.99, 59.27

 

CMYK 99 / 0 / 42 / 29

HEX #01B569

RGB 1 181 105

HSL 154.67, 0.99%, 0.36%

LAB 65.02, -56.44, 28.06

 

CMYK 100 / 76 / 0 / 29

HEX #002BB6

RGB 0 43 182

HSL 225.82, 1%, 0.36%

LAB 27.03, 44.98, -74.51

 

CMYK 0 / 100 / 57 / 29

HEX #B6004F

RGB 182 0 79

HSL 333.96, 1%, 0.36%

LAB 38.74, 64.88, 9.46

 

CMYK 0 / 23 / 100 / 29

HEX #B68C00

RGB 182 140 0

HSL 46.15, 1%, 0.36%

LAB 60.52, 5.51, 65.28

 

CMYK 99 / 0 / 42 / 29

HEX #01B569

RGB 1 181 105

HSL 154.67, 0.99%, 0.36%

LAB 65.02, -56.44, 28.06

 

CMYK 93 / 100 / 0 / 29

HEX #0D00B6

RGB 13 0 182

HSL 244.29, 1%, 0.36%

LAB 21.81, 61.58, -83.2

 

CMYK 0 / 100 / 57 / 29

HEX #B6004F

RGB 182 0 79

HSL 333.96, 1%, 0.36%

LAB 38.74, 64.88, 9.46

 

CMYK 7 / 0 / 100 / 29

HEX #AAB600

RGB 170 182 0

HSL 63.96, 1%, 0.36%

LAB 70.87, -21.95, 72.21

 

Description

Color code: HEX #01B569 | qconv.com Color code: HEX #01B569 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 181 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 181 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 42 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 42% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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