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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01BA89 it is the complementary color #FE4576. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01BA89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01BA89 shade: #06BA84, #17CC97, #28DEAA, #39F0BD and #4AFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01BA89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01BA89 shade: #01BA89, #00A876, #009663, #008450 and #00723D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01BA89 shade: #00BB8A, #00BB57, #00BB25, #0EBB00 and #41BB00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01BA89 shade: #00BB8A, #00BABB, #0088BB, #0056BB and #0023BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01BA89 shade matches the following richer shades: #00BB8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01BA89 shade: #00BB8A, #10AC83, #1F9D7B, #2E8D74 and #3E7E6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01BA89 shade: #00BB26, #00BB58, #00BB89, #00BBBB and #0089BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01BA89 shade: #00694D, #00926C, #00BB8A, #01E4A8 and #11FDBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01BA89 shade: #01BA89, #000DBB and #BB3F00

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01BA89 shade: #01BA89, #8900BB and #BB8900

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01BA89 shade: #01BA89, #000DBB, #BB0032 and #BBAF00

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01BA89 shade: #01BA89, #2C00BB, #BB0032 and #90BB00

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 26 / 27

HEX #01BA89

RGB 1 186 137

HSL 164.11, 0.99%, 0.37%

LAB 67.22, -51.33, 13.88

 

Complementary color

CMYK 0 / 73 / 54 / 0

HEX #FE4576

RGB 254 69 118

HSL 344.11, 0.99%, 0.63%

LAB 58.64, 71.63, 15.29

 

CMYK 97 / 0 / 29 / 27

HEX #06BA84

RGB 6 186 132

HSL 162, 0.94%, 0.38%

LAB 67.14, -52.32, 16.49

 

CMYK 89 / 0 / 26 / 20

HEX #17CC97

RGB 23 204 151

HSL 162.43, 0.8%, 0.45%

LAB 73.29, -54.03, 14.85

 

CMYK 82 / 0 / 23 / 13

HEX #28DEAA

RGB 40 222 170

HSL 162.86, 0.73%, 0.51%

LAB 79.38, -55.32, 13.35

 

CMYK 76 / 0 / 21 / 6

HEX #39F0BD

RGB 57 240 189

HSL 163.28, 0.86%, 0.58%

LAB 85.44, -56.28, 11.99

 

CMYK 71 / 0 / 18 / 0

HEX #4AFFD0

RGB 74 255 208

HSL 164.42, 1%, 0.65%

LAB 90.56, -55.79, 9.49

 

CMYK 99 / 0 / 26 / 27

HEX #01BA89

RGB 1 186 137

HSL 164.11, 0.99%, 0.37%

LAB 67.22, -51.33, 13.88

 

CMYK 100 / 0 / 30 / 34

HEX #00A876

RGB 0 168 118

HSL 162.14, 1%, 0.33%

LAB 61.06, -48.93, 15.7

 

CMYK 100 / 0 / 34 / 41

HEX #009663

RGB 0 150 99

HSL 159.6, 1%, 0.29%

LAB 54.78, -46.41, 17.61

 

CMYK 100 / 0 / 39 / 48

HEX #008450

RGB 0 132 80

HSL 156.36, 1%, 0.26%

LAB 48.36, -43.77, 19.62

 

CMYK 100 / 0 / 46 / 55

HEX #00723D

RGB 0 114 61

HSL 152.11, 1%, 0.22%

LAB 41.8, -40.97, 21.73

 

CMYK 100 / 0 / 26 / 27

HEX #00BB8A

RGB 0 187 138

HSL 164.28, 1%, 0.37%

LAB 67.56, -51.51, 13.81

 

CMYK 100 / 0 / 53 / 27

HEX #00BB57

RGB 0 187 87

HSL 147.91, 1%, 0.37%

LAB 66.69, -61.59, 39.32

 

CMYK 100 / 0 / 80 / 27

HEX #00BB25

RGB 0 187 37

HSL 131.87, 1%, 0.37%

LAB 66.27, -66.93, 59.2

 

CMYK 93 / 0 / 100 / 27

HEX #0EBB00

RGB 14 187 0

HSL 115.51, 1%, 0.37%

LAB 66.24, -67.61, 65.97

 

CMYK 65 / 0 / 100 / 27

HEX #41BB00

RGB 65 187 0

HSL 99.14, 1%, 0.37%

LAB 67.02, -60.72, 66.93

 

CMYK 100 / 0 / 26 / 27

HEX #00BB8A

RGB 0 187 138

HSL 164.28, 1%, 0.37%

LAB 67.56, -51.51, 13.81

 

CMYK 100 / 1 / 0 / 27

HEX #00BABB

RGB 0 186 187

HSL 180.32, 1%, 0.37%

LAB 68.54, -37.63, -11.66

 

CMYK 100 / 27 / 0 / 27

HEX #0088BB

RGB 0 136 187

HSL 196.36, 1%, 0.37%

LAB 53.16, -12.19, -35.23

 

CMYK 100 / 54 / 0 / 27

HEX #0056BB

RGB 0 86 187

HSL 212.41, 1%, 0.37%

LAB 38.28, 18.94, -59

 

CMYK 100 / 81 / 0 / 27

HEX #0023BB

RGB 0 35 187

HSL 228.77, 1%, 0.37%

LAB 26.13, 51.03, -78.98

 

CMYK 100 / 0 / 26 / 27

HEX #00BB8A

RGB 0 187 138

HSL 164.28, 1%, 0.37%

LAB 67.56, -51.51, 13.81

 

CMYK 100 / 0 / 26 / 27

HEX #00BB8A

RGB 0 187 138

HSL 164.28, 1%, 0.37%

LAB 67.56, -51.51, 13.81

 

CMYK 91 / 0 / 24 / 33

HEX #10AC83

RGB 16 172 131

HSL 164.23, 0.83%, 0.37%

LAB 62.72, -46.64, 10.86

 

CMYK 80 / 0 / 22 / 38

HEX #1F9D7B

RGB 31 157 123

HSL 163.81, 0.67%, 0.37%

LAB 57.88, -41.24, 8.49

 

CMYK 67 / 0 / 18 / 45

HEX #2E8D74

RGB 46 141 116

HSL 164.21, 0.51%, 0.37%

LAB 52.83, -33.86, 5.31

 

CMYK 51 / 0 / 13 / 51

HEX #3E7E6D

RGB 62 126 109

HSL 164.06, 0.34%, 0.37%

LAB 48.32, -24.98, 2.96

 

CMYK 100 / 0 / 80 / 27

HEX #00BB26

RGB 0 187 38

HSL 132.19, 1%, 0.37%

LAB 66.28, -66.86, 58.91

 

CMYK 100 / 0 / 53 / 27

HEX #00BB58

RGB 0 187 88

HSL 148.24, 1%, 0.37%

LAB 66.71, -61.44, 38.85

 

CMYK 100 / 0 / 27 / 27

HEX #00BB89

RGB 0 187 137

HSL 163.96, 1%, 0.37%

LAB 67.54, -51.75, 14.32

 

CMYK 100 / 0 / 0 / 27

HEX #00BBBB

RGB 0 187 187

HSL 180, 1%, 0.37%

LAB 68.84, -38.08, -11.2

 

CMYK 100 / 27 / 0 / 27

HEX #0089BB

RGB 0 137 187

HSL 196.04, 1%, 0.37%

LAB 53.47, -12.76, -34.75

 

CMYK 100 / 0 / 27 / 59

HEX #00694D

RGB 0 105 77

HSL 164, 1%, 0.21%

LAB 38.97, -33.6, 8.5

 

CMYK 100 / 0 / 26 / 43

HEX #00926C

RGB 0 146 108

HSL 164.38, 1%, 0.29%

LAB 53.64, -42.67, 10.96

 

CMYK 100 / 0 / 26 / 27

HEX #00BB8A

RGB 0 187 138

HSL 164.28, 1%, 0.37%

LAB 67.56, -51.51, 13.81

 

CMYK 100 / 0 / 26 / 11

HEX #01E4A8

RGB 1 228 168

HSL 164.14, 0.99%, 0.45%

LAB 80.92, -59.96, 16.52

 

CMYK 93 / 0 / 25 / 1

HEX #11FDBF

RGB 17 253 191

HSL 164.24, 0.98%, 0.53%

LAB 88.98, -63.51, 15.92

 

CMYK 99 / 0 / 26 / 27

HEX #01BA89

RGB 1 186 137

HSL 164.11, 0.99%, 0.37%

LAB 67.22, -51.33, 13.88

 

CMYK 100 / 93 / 0 / 27

HEX #000DBB

RGB 0 13 187

HSL 235.83, 1%, 0.37%

LAB 23.26, 59.64, -83.77

 

CMYK 0 / 66 / 100 / 27

HEX #BB3F00

RGB 187 63 0

HSL 20.21, 1%, 0.37%

LAB 44.4, 47.89, 55.66

 

CMYK 99 / 0 / 26 / 27

HEX #01BA89

RGB 1 186 137

HSL 164.11, 0.99%, 0.37%

LAB 67.22, -51.33, 13.88

 

CMYK 27 / 100 / 0 / 27

HEX #8900BB

RGB 137 0 187

HSL 283.96, 1%, 0.37%

LAB 35.8, 70.52, -62.6

 

CMYK 0 / 27 / 100 / 27

HEX #BB8900

RGB 187 137 0

HSL 43.96, 1%, 0.37%

LAB 60.3, 9.42, 65.39

 

CMYK 99 / 0 / 26 / 27

HEX #01BA89

RGB 1 186 137

HSL 164.11, 0.99%, 0.37%

LAB 67.22, -51.33, 13.88

 

CMYK 100 / 93 / 0 / 27

HEX #000DBB

RGB 0 13 187

HSL 235.83, 1%, 0.37%

LAB 23.26, 59.64, -83.77

 

CMYK 0 / 100 / 73 / 27

HEX #BB0032

RGB 187 0 50

HSL 343.96, 1%, 0.37%

LAB 39.23, 64.53, 28.79

 

CMYK 0 / 6 / 100 / 27

HEX #BBAF00

RGB 187 175 0

HSL 56.15, 1%, 0.37%

LAB 70.33, -10.95, 72.45

 

CMYK 99 / 0 / 26 / 27

HEX #01BA89

RGB 1 186 137

HSL 164.11, 0.99%, 0.37%

LAB 67.22, -51.33, 13.88

 

CMYK 76 / 100 / 0 / 27

HEX #2C00BB

RGB 44 0 187

HSL 254.12, 1%, 0.37%

LAB 24.08, 63.37, -82.36

 

CMYK 0 / 100 / 73 / 27

HEX #BB0032

RGB 187 0 50

HSL 343.96, 1%, 0.37%

LAB 39.23, 64.53, 28.79

 

CMYK 23 / 0 / 100 / 27

HEX #90BB00

RGB 144 187 0

HSL 73.8, 1%, 0.37%

LAB 70.5, -35.21, 71.13

 

Description

Color code: HEX #01BA89 | qconv.com Color code: HEX #01BA89 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 186 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 186 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 26 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 26% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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