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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01C4B1 it is the complementary color #FE3B4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01C4B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01C4B1 shade: #06C4AC, #17D6BF, #28E8D2, #39FAE5 and #4AFFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01C4B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01C4B1 shade: #01C4B1, #00B29E, #00A08B, #008E78 and #007C65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01C4B1 shade: #00C5B2, #00C57D, #00C548, #00C513 and #23C500

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01C4B1 shade: #00C5B2, #00A4C5, #006EC5, #0039C5 and #0004C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01C4B1 shade matches the following richer shades: #00C5B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01C4B1 shade: #00C5B2, #11B5A5, #21A598, #31958B and #41857E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01C4B1 shade: #00C549, #00C57D, #00C5B2, #00A5C5 and #0070C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01C4B1 shade: #007368, #009C8D, #00C5B2, #01EED7 and #1BFDE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01C4B1 shade: #01C4B1, #1400C5 and #C56300

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01C4B1 shade: #01C4B1, #B200C5 and #C5B200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01C4B1 shade: #01C4B1, #1400C5, #C50014 and #B2C500

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01C4B1 shade: #01C4B1, #4F00C5, #C50014 and #77C500

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 10 / 23

HEX #01C4B1

RGB 1 196 177

HSL 174.15, 0.99%, 0.39%

LAB 71.32, -44.94, -2.05

 

Complementary color

CMYK 0 / 77 / 69 / 0

HEX #FE3B4E

RGB 254 59 78

HSL 354.15, 0.99%, 0.61%

LAB 56.83, 72.32, 36.32

 

CMYK 97 / 0 / 12 / 23

HEX #06C4AC

RGB 6 196 172

HSL 172.42, 0.94%, 0.4%

LAB 71.21, -46.17, 0.52

 

CMYK 89 / 0 / 11 / 16

HEX #17D6BF

RGB 23 214 191

HSL 172.77, 0.81%, 0.46%

LAB 77.3, -47.92, -0.84

 

CMYK 83 / 0 / 9 / 9

HEX #28E8D2

RGB 40 232 210

HSL 173.13, 0.81%, 0.53%

LAB 83.35, -49.31, -2.08

 

CMYK 77 / 0 / 8 / 2

HEX #39FAE5

RGB 57 250 229

HSL 173.47, 0.95%, 0.6%

LAB 89.35, -50.4, -3.21

 

CMYK 71 / 0 / 3 / 0

HEX #4AFFF8

RGB 74 255 248

HSL 177.68, 1%, 0.65%

LAB 91.57, -45.7, -9.76

 

CMYK 99 / 0 / 10 / 23

HEX #01C4B1

RGB 1 196 177

HSL 174.15, 0.99%, 0.39%

LAB 71.32, -44.94, -2.05

 

CMYK 100 / 0 / 11 / 30

HEX #00B29E

RGB 0 178 158

HSL 173.26, 1%, 0.35%

LAB 65.21, -42.61, -0.56

 

CMYK 100 / 0 / 13 / 37

HEX #00A08B

RGB 0 160 139

HSL 172.13, 1%, 0.31%

LAB 58.98, -40.2, 1

 

CMYK 100 / 0 / 15 / 44

HEX #008E78

RGB 0 142 120

HSL 170.7, 1%, 0.28%

LAB 52.62, -37.75, 2.62

 

CMYK 100 / 0 / 19 / 51

HEX #007C65

RGB 0 124 101

HSL 168.87, 1%, 0.24%

LAB 46.12, -35.24, 4.33

 

CMYK 100 / 0 / 10 / 23

HEX #00C5B2

RGB 0 197 178

HSL 174.21, 1%, 0.39%

LAB 71.65, -45.12, -2.11

 

CMYK 100 / 0 / 37 / 23

HEX #00C57D

RGB 0 197 125

HSL 158.07, 1%, 0.39%

LAB 70.46, -58.13, 24.76

 

CMYK 100 / 0 / 63 / 23

HEX #00C548

RGB 0 197 72

HSL 141.93, 1%, 0.39%

LAB 69.75, -66.71, 49.84

 

CMYK 100 / 0 / 90 / 23

HEX #00C513

RGB 0 197 19

HSL 125.79, 1%, 0.39%

LAB 69.45, -70.53, 66.18

 

CMYK 82 / 0 / 100 / 23

HEX #23C500

RGB 35 197 0

HSL 109.34, 1%, 0.39%

LAB 69.68, -68.66, 68.81

 

CMYK 100 / 0 / 10 / 23

HEX #00C5B2

RGB 0 197 178

HSL 174.21, 1%, 0.39%

LAB 71.65, -45.12, -2.11

 

CMYK 100 / 17 / 0 / 23

HEX #00A4C5

RGB 0 164 197

HSL 190.05, 1%, 0.39%

LAB 62.15, -23.7, -26.91

 

CMYK 100 / 44 / 0 / 23

HEX #006EC5

RGB 0 110 197

HSL 206.5, 1%, 0.39%

LAB 45.88, 7.33, -52.52

 

CMYK 100 / 71 / 0 / 23

HEX #0039C5

RGB 0 57 197

HSL 222.64, 1%, 0.39%

LAB 31.71, 41.95, -75.62

 

CMYK 100 / 98 / 0 / 23

HEX #0004C5

RGB 0 4 197

HSL 238.78, 1%, 0.39%

LAB 24.06, 64.33, -88.34

 

CMYK 100 / 0 / 10 / 23

HEX #00C5B2

RGB 0 197 178

HSL 174.21, 1%, 0.39%

LAB 71.65, -45.12, -2.11

 

CMYK 100 / 0 / 10 / 23

HEX #00C5B2

RGB 0 197 178

HSL 174.21, 1%, 0.39%

LAB 71.65, -45.12, -2.11

 

CMYK 91 / 0 / 9 / 29

HEX #11B5A5

RGB 17 181 165

HSL 174.15, 0.83%, 0.39%

LAB 66.43, -41.28, -2.63

 

CMYK 80 / 0 / 8 / 35

HEX #21A598

RGB 33 165 152

HSL 174.09, 0.67%, 0.39%

LAB 61.22, -36.7, -3.02

 

CMYK 67 / 0 / 7 / 42

HEX #31958B

RGB 49 149 139

HSL 174, 0.51%, 0.39%

LAB 56.1, -30.87, -3.15

 

CMYK 51 / 0 / 5 / 48

HEX #41857E

RGB 65 133 126

HSL 173.82, 0.34%, 0.39%

LAB 51.16, -23.34, -2.85

 

CMYK 100 / 0 / 63 / 23

HEX #00C549

RGB 0 197 73

HSL 142.23, 1%, 0.39%

LAB 69.76, -66.59, 49.41

 

CMYK 100 / 0 / 37 / 23

HEX #00C57D

RGB 0 197 125

HSL 158.07, 1%, 0.39%

LAB 70.46, -58.13, 24.76

 

CMYK 100 / 0 / 10 / 23

HEX #00C5B2

RGB 0 197 178

HSL 174.21, 1%, 0.39%

LAB 71.65, -45.12, -2.11

 

CMYK 100 / 16 / 0 / 23

HEX #00A5C5

RGB 0 165 197

HSL 189.75, 1%, 0.39%

LAB 62.46, -24.21, -26.44

 

CMYK 100 / 43 / 0 / 23

HEX #0070C5

RGB 0 112 197

HSL 205.89, 1%, 0.39%

LAB 46.47, 6.07, -51.57

 

CMYK 100 / 0 / 10 / 55

HEX #007368

RGB 0 115 104

HSL 174.26, 1%, 0.23%

LAB 43.15, -30.25, -1.76

 

CMYK 100 / 0 / 10 / 39

HEX #009C8D

RGB 0 156 141

HSL 174.23, 1%, 0.31%

LAB 57.75, -37.87, -1.93

 

CMYK 100 / 0 / 10 / 23

HEX #00C5B2

RGB 0 197 178

HSL 174.21, 1%, 0.39%

LAB 71.65, -45.12, -2.11

 

CMYK 100 / 0 / 10 / 7

HEX #01EED7

RGB 1 238 215

HSL 174.18, 0.99%, 0.47%

LAB 85.03, -52.07, -2.27

 

CMYK 89 / 0 / 9 / 1

HEX #1BFDE7

RGB 27 253 231

HSL 174.16, 0.98%, 0.55%

LAB 89.98, -53.17, -3.35

 

CMYK 99 / 0 / 10 / 23

HEX #01C4B1

RGB 1 196 177

HSL 174.15, 0.99%, 0.39%

LAB 71.32, -44.94, -2.05

 

CMYK 90 / 100 / 0 / 23

HEX #1400C5

RGB 20 0 197

HSL 246.09, 1%, 0.39%

LAB 24.26, 65.37, -88

 

CMYK 0 / 50 / 100 / 23

HEX #C56300

RGB 197 99 0

HSL 30.15, 1%, 0.39%

LAB 52.72, 34.43, 61.16

 

CMYK 99 / 0 / 10 / 23

HEX #01C4B1

RGB 1 196 177

HSL 174.15, 0.99%, 0.39%

LAB 71.32, -44.94, -2.05

 

CMYK 10 / 100 / 0 / 23

HEX #B200C5

RGB 178 0 197

HSL 294.21, 1%, 0.39%

LAB 43.5, 77.95, -55.65

 

CMYK 0 / 10 / 100 / 23

HEX #C5B200

RGB 197 178 0

HSL 54.21, 1%, 0.39%

LAB 72.03, -8.09, 74.09

 

CMYK 99 / 0 / 10 / 23

HEX #01C4B1

RGB 1 196 177

HSL 174.15, 0.99%, 0.39%

LAB 71.32, -44.94, -2.05

 

CMYK 90 / 100 / 0 / 23

HEX #1400C5

RGB 20 0 197

HSL 246.09, 1%, 0.39%

LAB 24.26, 65.37, -88

 

CMYK 0 / 100 / 90 / 23

HEX #C50014

RGB 197 0 20

HSL 353.91, 1%, 0.39%

LAB 41.09, 66.19, 48.03

 

CMYK 10 / 0 / 100 / 23

HEX #B2C500

RGB 178 197 0

HSL 65.79, 1%, 0.39%

LAB 75.7, -25.86, 76.06

 

CMYK 99 / 0 / 10 / 23

HEX #01C4B1

RGB 1 196 177

HSL 174.15, 0.99%, 0.39%

LAB 71.32, -44.94, -2.05

 

CMYK 60 / 100 / 0 / 23

HEX #4F00C5

RGB 79 0 197

HSL 264.06, 1%, 0.39%

LAB 28.63, 67.25, -80.6

 

CMYK 0 / 100 / 90 / 23

HEX #C50014

RGB 197 0 20

HSL 353.91, 1%, 0.39%

LAB 41.09, 66.19, 48.03

 

CMYK 40 / 0 / 100 / 23

HEX #77C500

RGB 119 197 0

HSL 83.76, 1%, 0.39%

LAB 72.13, -48.88, 71.79

 

Description

Color code: HEX #01C4B1 | qconv.com Color code: HEX #01C4B1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 196 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 196 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 10 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 10% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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