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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01D989 it is the complementary color #FE2676. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01D989. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01D989 shade: #06D984, #17EB97, #28FDAA, #39FFBD and #4AFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01D989. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01D989 shade: #01D989, #00C776, #00B563, #00A350 and #00913D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01D989 shade: #01DA89, #01DA4F, #01DA14, #28DA01 and #62DA01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01D989 shade: #01DA89, #01DAC4, #01B5DA, #017ADA and #0140DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01D989 shade matches the following richer shades: #01DA89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01D989 shade: #01DA89, #12C885, #24B680, #36A47B and #489377

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01D989 shade: #01DA13, #01DA4D, #01DA86, #01DAC0 and #01B9DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01D989 shade: #008855, #00B16F, #01DA89, #06FDA2 and #2FFDB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01D989 shade: #01D989, #0128DA and #DA3001

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01D989 shade: #01D989, #8601DA and #DA8601

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01D989 shade: #01D989, #0128DA, #DA0154 and #DAB201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01D989 shade: #01D989, #1A01DA, #DA0154 and #C0DA01

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 37 / 15

HEX #01D989

RGB 1 217 137

HSL 157.78, 0.99%, 0.43%

LAB 76.94, -62.7, 27.21

 

Complementary color

CMYK 0 / 85 / 54 / 0

HEX #FE2676

RGB 254 38 118

HSL 337.78, 0.99%, 0.57%

LAB 55.85, 79.52, 11.41

 

CMYK 97 / 0 / 39 / 15

HEX #06D984

RGB 6 217 132

HSL 155.83, 0.95%, 0.44%

LAB 76.88, -63.53, 29.7

 

CMYK 90 / 0 / 36 / 8

HEX #17EB97

RGB 23 235 151

HSL 156.23, 0.84%, 0.51%

LAB 82.82, -65.39, 27.95

 

CMYK 84 / 0 / 33 / 1

HEX #28FDAA

RGB 40 253 170

HSL 156.62, 0.98%, 0.57%

LAB 88.73, -66.85, 26.32

 

CMYK 78 / 0 / 26 / 0

HEX #39FFBD

RGB 57 255 189

HSL 160, 1%, 0.61%

LAB 89.89, -62.06, 18.26

 

CMYK 71 / 0 / 18 / 0

HEX #4AFFD0

RGB 74 255 208

HSL 164.42, 1%, 0.65%

LAB 90.56, -55.79, 9.49

 

CMYK 100 / 0 / 37 / 15

HEX #01D989

RGB 1 217 137

HSL 157.78, 0.99%, 0.43%

LAB 76.94, -62.7, 27.21

 

CMYK 100 / 0 / 41 / 22

HEX #00C776

RGB 0 199 118

HSL 155.58, 1%, 0.39%

LAB 70.98, -60.23, 29.1

 

CMYK 100 / 0 / 45 / 29

HEX #00B563

RGB 0 181 99

HSL 152.82, 1%, 0.35%

LAB 64.92, -57.6, 31.06

 

CMYK 100 / 0 / 51 / 36

HEX #00A350

RGB 0 163 80

HSL 149.45, 1%, 0.32%

LAB 58.76, -54.82, 33.04

 

CMYK 100 / 0 / 58 / 43

HEX #00913D

RGB 0 145 61

HSL 145.24, 1%, 0.28%

LAB 52.5, -51.81, 34.99

 

CMYK 100 / 0 / 37 / 15

HEX #01DA89

RGB 1 218 137

HSL 157.6, 0.99%, 0.43%

LAB 77.25, -63.05, 27.62

 

CMYK 100 / 0 / 64 / 15

HEX #01DA4F

RGB 1 218 79

HSL 141.57, 0.99%, 0.43%

LAB 76.51, -72.11, 54.42

 

CMYK 100 / 0 / 91 / 15

HEX #01DA14

RGB 1 218 20

HSL 125.25, 0.99%, 0.43%

LAB 76.19, -76.12, 71.76

 

CMYK 82 / 0 / 100 / 15

HEX #28DA01

RGB 40 218 1

HSL 109.22, 0.99%, 0.43%

LAB 76.43, -74.05, 74.14

 

CMYK 55 / 0 / 100 / 15

HEX #62DA01

RGB 98 218 1

HSL 93.18, 0.99%, 0.43%

LAB 77.72, -63.11, 75.71

 

CMYK 100 / 0 / 37 / 15

HEX #01DA89

RGB 1 218 137

HSL 157.6, 0.99%, 0.43%

LAB 77.25, -63.05, 27.62

 

CMYK 100 / 0 / 10 / 15

HEX #01DAC4

RGB 1 218 196

HSL 173.92, 0.99%, 0.43%

LAB 78.54, -48.96, -1.72

 

CMYK 100 / 17 / 0 / 15

HEX #01B5DA

RGB 1 181 218

HSL 190.23, 0.99%, 0.43%

LAB 68.11, -25.18, -29.35

 

CMYK 100 / 44 / 0 / 15

HEX #017ADA

RGB 1 122 218

HSL 206.54, 0.99%, 0.43%

LAB 50.67, 8.15, -56.8

 

CMYK 100 / 71 / 0 / 15

HEX #0140DA

RGB 1 64 218

HSL 222.58, 0.99%, 0.43%

LAB 35.47, 45.32, -81.58

 

CMYK 100 / 0 / 37 / 15

HEX #01DA89

RGB 1 218 137

HSL 157.6, 0.99%, 0.43%

LAB 77.25, -63.05, 27.62

 

CMYK 100 / 0 / 37 / 15

HEX #01DA89

RGB 1 218 137

HSL 157.6, 0.99%, 0.43%

LAB 77.25, -63.05, 27.62

 

CMYK 91 / 0 / 34 / 22

HEX #12C885

RGB 18 200 133

HSL 157.91, 0.83%, 0.43%

LAB 71.64, -56.83, 22.15

 

CMYK 80 / 0 / 30 / 29

HEX #24B680

RGB 36 182 128

HSL 157.81, 0.67%, 0.43%

LAB 66.05, -49.72, 17.18

 

CMYK 67 / 0 / 25 / 36

HEX #36A47B

RGB 54 164 123

HSL 157.64, 0.5%, 0.43%

LAB 60.57, -40.96, 12.36

 

CMYK 51 / 0 / 19 / 42

HEX #489377

RGB 72 147 119

HSL 157.6, 0.34%, 0.43%

LAB 55.66, -30.32, 7.75

 

CMYK 100 / 0 / 91 / 15

HEX #01DA13

RGB 1 218 19

HSL 124.98, 0.99%, 0.43%

LAB 76.19, -76.15, 71.9

 

CMYK 100 / 0 / 65 / 15

HEX #01DA4D

RGB 1 218 77

HSL 141.01, 0.99%, 0.43%

LAB 76.49, -72.33, 55.23

 

CMYK 100 / 0 / 39 / 15

HEX #01DA86

RGB 1 218 134

HSL 156.77, 0.99%, 0.43%

LAB 77.2, -63.64, 29.1

 

CMYK 100 / 0 / 12 / 15

HEX #01DAC0

RGB 1 218 192

HSL 172.81, 0.99%, 0.43%

LAB 78.44, -50.04, 0.27

 

CMYK 100 / 15 / 0 / 15

HEX #01B9DA

RGB 1 185 218

HSL 189.12, 0.99%, 0.43%

LAB 69.3, -27.19, -27.51

 

CMYK 100 / 0 / 38 / 47

HEX #008855

RGB 0 136 85

HSL 157.5, 1%, 0.27%

LAB 49.81, -44.2, 18.75

 

CMYK 100 / 0 / 37 / 31

HEX #00B16F

RGB 0 177 111

HSL 157.63, 1%, 0.35%

LAB 63.83, -53.85, 23.29

 

CMYK 100 / 0 / 37 / 15

HEX #01DA89

RGB 1 218 137

HSL 157.6, 0.99%, 0.43%

LAB 77.25, -63.05, 27.62

 

CMYK 98 / 0 / 36 / 1

HEX #06FDA2

RGB 6 253 162

HSL 157.89, 0.98%, 0.51%

LAB 88.4, -70, 29.87

 

CMYK 81 / 0 / 30 / 1

HEX #2FFDB1

RGB 47 253 177

HSL 157.86, 0.98%, 0.59%

LAB 88.94, -64.84, 23.05

 

CMYK 100 / 0 / 37 / 15

HEX #01D989

RGB 1 217 137

HSL 157.78, 0.99%, 0.43%

LAB 76.94, -62.7, 27.21

 

CMYK 100 / 82 / 0 / 15

HEX #0128DA

RGB 1 40 218

HSL 229.22, 0.99%, 0.43%

LAB 30.85, 58.48, -89.25

 

CMYK 0 / 78 / 100 / 15

HEX #DA3001

RGB 218 48 1

HSL 13, 0.99%, 0.43%

LAB 48.29, 63.24, 60.52

 

CMYK 100 / 0 / 37 / 15

HEX #01D989

RGB 1 217 137

HSL 157.78, 0.99%, 0.43%

LAB 76.94, -62.7, 27.21

 

CMYK 39 / 100 / 0 / 15

HEX #8601DA

RGB 134 1 218

HSL 276.77, 0.99%, 0.43%

LAB 38.11, 76.04, -76.9

 

CMYK 0 / 39 / 100 / 15

HEX #DA8601

RGB 218 134 1

HSL 36.77, 0.99%, 0.43%

LAB 63.31, 24.69, 69.04

 

CMYK 100 / 0 / 37 / 15

HEX #01D989

RGB 1 217 137

HSL 157.78, 0.99%, 0.43%

LAB 76.94, -62.7, 27.21

 

CMYK 100 / 82 / 0 / 15

HEX #0128DA

RGB 1 40 218

HSL 229.22, 0.99%, 0.43%

LAB 30.85, 58.48, -89.25

 

CMYK 0 / 100 / 61 / 15

HEX #DA0154

RGB 218 1 84

HSL 337.05, 0.99%, 0.43%

LAB 46.4, 73.43, 18.01

 

CMYK 0 / 18 / 100 / 15

HEX #DAB201

RGB 218 178 1

HSL 48.94, 0.99%, 0.43%

LAB 74.03, 1.18, 76.31

 

CMYK 100 / 0 / 37 / 15

HEX #01D989

RGB 1 217 137

HSL 157.78, 0.99%, 0.43%

LAB 76.94, -62.7, 27.21

 

CMYK 88 / 100 / 0 / 15

HEX #1A01DA

RGB 26 1 218

HSL 246.91, 0.99%, 0.43%

LAB 27.58, 70.37, -94.69

 

CMYK 0 / 100 / 61 / 15

HEX #DA0154

RGB 218 1 84

HSL 337.05, 0.99%, 0.43%

LAB 46.4, 73.43, 18.01

 

CMYK 12 / 0 / 100 / 15

HEX #C0DA01

RGB 192 218 1

HSL 67.19, 0.99%, 0.43%

LAB 82.57, -29.99, 81.54

 

Description

Color code: HEX #01D989 | qconv.com Color code: HEX #01D989 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 217 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 217 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 37 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 37% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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