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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01EE30 it is the complementary color #FE11CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01EE30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01EE30 shade: #06EE2B, #17FF3E, #28FF51, #39FF64 and #4AFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01EE30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01EE30 shade: #01EE30, #00DC1D, #00CA0A, #00B800 and #00A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01EE30 shade: #01EE30, #12EE01, #52EE01, #92EE01 and #D2EE01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01EE30 shade: #01EE30, #01EE70, #01EEB0, #01ECEE and #01ACEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01EE30 shade matches the following richer shades: #01EE30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01EE30 shade: #01EE30, #14DB3B, #27C747, #3BB453 and #4EA05F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01EE30 shade: #54EE01, #14EE01, #01EE2C, #01EE6B and #01EEAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01EE30 shade: #009C1F, #00C527, #01EE30, #1BFD48 and #44FE69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01EE30 shade: #01EE30, #0193EE and #EE0134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01EE30 shade: #01EE30, #2C01EE and #EE2C01

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01EE30 shade: #01EE30, #0193EE, #EE01C2 and #EE5C01

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01EE30 shade: #01EE30, #014CEE, #EE01C2 and #EEA301

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 80 / 7

HEX #01EE30

RGB 1 238 48

HSL 131.9, 0.99%, 0.47%

LAB 82.58, -80.28, 71.47

 

Complementary color

CMYK 0 / 93 / 19 / 0

HEX #FE11CF

RGB 254 17 207

HSL 311.9, 0.99%, 0.53%

LAB 58.01, 90.79, -37.52

 

CMYK 97 / 0 / 82 / 7

HEX #06EE2B

RGB 6 238 43

HSL 129.57, 0.95%, 0.48%

LAB 82.57, -80.39, 72.77

 

CMYK 91 / 0 / 76 / 0

HEX #17FF3E

RGB 23 255 62

HSL 130.09, 1%, 0.55%

LAB 87.99, -83.22, 72.64

 

CMYK 84 / 0 / 68 / 0

HEX #28FF51

RGB 40 255 81

HSL 131.44, 1%, 0.58%

LAB 88.24, -80.58, 66.45

 

CMYK 78 / 0 / 61 / 0

HEX #39FF64

RGB 57 255 100

HSL 133.03, 1%, 0.61%

LAB 88.6, -76.94, 59.34

 

CMYK 71 / 0 / 53 / 0

HEX #4AFF77

RGB 74 255 119

HSL 134.92, 1%, 0.65%

LAB 89.07, -72.3, 51.61

 

CMYK 100 / 0 / 80 / 7

HEX #01EE30

RGB 1 238 48

HSL 131.9, 0.99%, 0.47%

LAB 82.58, -80.28, 71.47

 

CMYK 100 / 0 / 87 / 14

HEX #00DC1D

RGB 0 220 29

HSL 127.91, 1%, 0.43%

LAB 76.85, -76.39, 70.76

 

CMYK 100 / 0 / 95 / 21

HEX #00CA0A

RGB 0 202 10

HSL 122.97, 1%, 0.4%

LAB 71.05, -72.11, 68.73

 

CMYK 100 / 0 / 100 / 28

HEX #00B800

RGB 0 184 0

HSL 120, 1%, 0.36%

LAB 65.18, -67.45, 65.1

 

CMYK 100 / 0 / 100 / 35

HEX #00A600

RGB 0 166 0

HSL 120, 1%, 0.33%

LAB 59.23, -62.5, 60.32

 

CMYK 100 / 0 / 80 / 7

HEX #01EE30

RGB 1 238 48

HSL 131.9, 0.99%, 0.47%

LAB 82.58, -80.28, 71.47

 

CMYK 92 / 0 / 100 / 7

HEX #12EE01

RGB 18 238 1

HSL 115.7, 0.99%, 0.47%

LAB 82.53, -81.15, 78.95

 

CMYK 66 / 0 / 100 / 7

HEX #52EE01

RGB 82 238 1

HSL 99.49, 0.99%, 0.47%

LAB 83.41, -73.36, 80.03

 

CMYK 39 / 0 / 100 / 7

HEX #92EE01

RGB 146 238 1

HSL 83.29, 0.99%, 0.47%

LAB 85.64, -55.94, 82.73

 

CMYK 12 / 0 / 100 / 7

HEX #D2EE01

RGB 210 238 1

HSL 67.09, 0.99%, 0.47%

LAB 89.32, -31.95, 87.15

 

CMYK 100 / 0 / 80 / 7

HEX #01EE30

RGB 1 238 48

HSL 131.9, 0.99%, 0.47%

LAB 82.58, -80.28, 71.47

 

CMYK 100 / 0 / 53 / 7

HEX #01EE70

RGB 1 238 112

HSL 148.1, 0.99%, 0.47%

LAB 83.09, -73.87, 47.41

 

CMYK 100 / 0 / 26 / 7

HEX #01EEB0

RGB 1 238 176

HSL 164.3, 0.99%, 0.47%

LAB 84.12, -61.83, 16.83

 

CMYK 100 / 1 / 0 / 7

HEX #01ECEE

RGB 1 236 238

HSL 180.51, 0.99%, 0.47%

LAB 85.08, -44.74, -14.29

 

CMYK 100 / 28 / 0 / 7

HEX #01ACEE

RGB 1 172 238

HSL 196.71, 0.99%, 0.47%

LAB 66.28, -13.47, -43.15

 

CMYK 100 / 0 / 80 / 7

HEX #01EE30

RGB 1 238 48

HSL 131.9, 0.99%, 0.47%

LAB 82.58, -80.28, 71.47

 

CMYK 100 / 0 / 80 / 7

HEX #01EE30

RGB 1 238 48

HSL 131.9, 0.99%, 0.47%

LAB 82.58, -80.28, 71.47

 

CMYK 91 / 0 / 73 / 14

HEX #14DB3B

RGB 20 219 59

HSL 131.76, 0.83%, 0.47%

LAB 76.76, -73.54, 62.43

 

CMYK 80 / 0 / 64 / 22

HEX #27C747

RGB 39 199 71

HSL 132, 0.67%, 0.47%

LAB 70.69, -64.82, 51.39

 

CMYK 67 / 0 / 54 / 29

HEX #3BB453

RGB 59 180 83

HSL 131.9, 0.51%, 0.47%

LAB 65.12, -53.82, 39.53

 

CMYK 51 / 0 / 41 / 37

HEX #4EA05F

RGB 78 160 95

HSL 132.44, 0.34%, 0.47%

LAB 59.51, -39.54, 26.41

 

CMYK 65 / 0 / 100 / 7

HEX #54EE01

RGB 84 238 1

HSL 98.99, 0.99%, 0.47%

LAB 83.46, -72.96, 80.09

 

CMYK 92 / 0 / 100 / 7

HEX #14EE01

RGB 20 238 1

HSL 115.19, 0.99%, 0.47%

LAB 82.54, -81.05, 78.96

 

CMYK 100 / 0 / 82 / 7

HEX #01EE2C

RGB 1 238 44

HSL 130.89, 0.99%, 0.47%

LAB 82.56, -80.5, 72.5

 

CMYK 100 / 0 / 55 / 7

HEX #01EE6B

RGB 1 238 107

HSL 146.84, 0.99%, 0.47%

LAB 83.03, -74.57, 49.65

 

CMYK 100 / 0 / 28 / 7

HEX #01EEAB

RGB 1 238 171

HSL 163.04, 0.99%, 0.47%

LAB 84.02, -62.96, 19.28

 

CMYK 100 / 0 / 80 / 39

HEX #009C1F

RGB 0 156 31

HSL 131.92, 1%, 0.31%

LAB 55.96, -58.41, 51.21

 

CMYK 100 / 0 / 80 / 23

HEX #00C527

RGB 0 197 39

HSL 131.88, 1%, 0.39%

LAB 69.53, -69.61, 61.7

 

CMYK 100 / 0 / 80 / 7

HEX #01EE30

RGB 1 238 48

HSL 131.9, 0.99%, 0.47%

LAB 82.58, -80.28, 71.47

 

CMYK 89 / 0 / 72 / 1

HEX #1BFD48

RGB 27 253 72

HSL 131.95, 0.98%, 0.55%

LAB 87.46, -81.71, 68.84

 

CMYK 73 / 0 / 59 / 0

HEX #44FE69

RGB 68 254 105

HSL 131.94, 0.99%, 0.63%

LAB 88.51, -74.61, 57.15

 

CMYK 100 / 0 / 80 / 7

HEX #01EE30

RGB 1 238 48

HSL 131.9, 0.99%, 0.47%

LAB 82.58, -80.28, 71.47

 

CMYK 100 / 38 / 0 / 7

HEX #0193EE

RGB 1 147 238

HSL 203.04, 0.99%, 0.47%

LAB 59.02, 0.72, -54.63

 

CMYK 0 / 100 / 78 / 7

HEX #EE0134

RGB 238 1 52

HSL 347.09, 0.99%, 0.47%

LAB 50.03, 76.77, 42.63

 

CMYK 100 / 0 / 80 / 7

HEX #01EE30

RGB 1 238 48

HSL 131.9, 0.99%, 0.47%

LAB 82.58, -80.28, 71.47

 

CMYK 82 / 100 / 0 / 7

HEX #2C01EE

RGB 44 1 238

HSL 250.89, 0.99%, 0.47%

LAB 31.18, 75.44, -100.1

 

CMYK 0 / 82 / 100 / 7

HEX #EE2C01

RGB 238 44 1

HSL 10.89, 0.99%, 0.47%

LAB 51.82, 70.01, 64.34

 

CMYK 100 / 0 / 80 / 7

HEX #01EE30

RGB 1 238 48

HSL 131.9, 0.99%, 0.47%

LAB 82.58, -80.28, 71.47

 

CMYK 100 / 38 / 0 / 7

HEX #0193EE

RGB 1 147 238

HSL 203.04, 0.99%, 0.47%

LAB 59.02, 0.72, -54.63

 

CMYK 0 / 100 / 18 / 7

HEX #EE01C2

RGB 238 1 194

HSL 311.14, 0.99%, 0.47%

LAB 54.13, 87.45, -36.35

 

CMYK 0 / 61 / 100 / 7

HEX #EE5C01

RGB 238 92 1

HSL 23.04, 0.99%, 0.47%

LAB 57.88, 53.4, 67.28

 

CMYK 100 / 0 / 80 / 7

HEX #01EE30

RGB 1 238 48

HSL 131.9, 0.99%, 0.47%

LAB 82.58, -80.28, 71.47

 

CMYK 100 / 68 / 0 / 7

HEX #014CEE

RGB 1 76 238

HSL 221.01, 0.99%, 0.47%

LAB 40.16, 45.22, -85.23

 

CMYK 0 / 100 / 18 / 7

HEX #EE01C2

RGB 238 1 194

HSL 311.14, 0.99%, 0.47%

LAB 54.13, 87.45, -36.35

 

CMYK 0 / 32 / 100 / 7

HEX #EEA301

RGB 238 163 1

HSL 41.01, 0.99%, 0.47%

LAB 72.48, 17.8, 76.25

 

Description

Color code: HEX #01EE30 | qconv.com Color code: HEX #01EE30 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 238 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 238 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 80 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 80% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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