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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01F824 it is the complementary color #FE07DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01F824. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01F824 shade: #06F81F, #17FF32, #28FF45, #39FF58 and #4AFF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01F824. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01F824 shade: #01F824, #00E611, #00D400, #00C200 and #00B000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01F824 shade: #01F824, #20F801, #63F801, #A6F801 and #E9F801

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01F824 shade: #01F824, #01F867, #01F8A9, #01F8EC and #01C2F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01F824 shade matches the following richer shades: #01F824

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01F824 shade: #01F824, #15E432, #29D041, #3DBB4F and #52A75E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01F824 shade: #64F801, #22F801, #01F822, #01F864 and #01F8A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01F824 shade: #00A618, #01CF1E, #01F824, #25FD43 and #4EFE67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01F824 shade: #01F824, #01A6F8 and #F80143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01F824 shade: #01F824, #2201F8 and #F82201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01F824 shade: #01F824, #01A6F8, #F801D7 and #F85301

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01F824 shade: #01F824, #015BF8, #F801D7 and #F89D01

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 85 / 3

HEX #01F824

RGB 1 248 36

HSL 128.5, 0.99%, 0.49%

LAB 85.64, -83.52, 77.1

 

Complementary color

CMYK 0 / 97 / 14 / 0

HEX #FE07DB

RGB 254 7 219

HSL 308.5, 0.99%, 0.51%

LAB 58.36, 92.94, -43.81

 

CMYK 98 / 0 / 88 / 3

HEX #06F81F

RGB 6 248 31

HSL 126.2, 0.95%, 0.5%

LAB 85.64, -83.56, 78.05

 

CMYK 91 / 0 / 80 / 0

HEX #17FF32

RGB 23 255 50

HSL 126.98, 1%, 0.55%

LAB 87.94, -83.94, 75.98

 

CMYK 84 / 0 / 73 / 0

HEX #28FF45

RGB 40 255 69

HSL 128.09, 1%, 0.58%

LAB 88.16, -81.57, 70.61

 

CMYK 78 / 0 / 65 / 0

HEX #39FF58

RGB 57 255 88

HSL 129.39, 1%, 0.61%

LAB 88.49, -78.19, 64.1

 

CMYK 71 / 0 / 58 / 0

HEX #4AFF6B

RGB 74 255 107

HSL 130.94, 1%, 0.65%

LAB 88.94, -73.81, 56.81

 

CMYK 100 / 0 / 85 / 3

HEX #01F824

RGB 1 248 36

HSL 128.5, 0.99%, 0.49%

LAB 85.64, -83.52, 77.1

 

CMYK 100 / 0 / 93 / 10

HEX #00E611

RGB 0 230 17

HSL 124.43, 1%, 0.45%

LAB 79.97, -79.42, 75.34

 

CMYK 100 / 0 / 100 / 17

HEX #00D400

RGB 0 212 0

HSL 120, 1%, 0.42%

LAB 74.25, -74.98, 72.36

 

CMYK 100 / 0 / 100 / 24

HEX #00C200

RGB 0 194 0

HSL 120, 1%, 0.38%

LAB 68.45, -70.16, 67.71

 

CMYK 100 / 0 / 100 / 31

HEX #00B000

RGB 0 176 0

HSL 120, 1%, 0.35%

LAB 62.55, -65.26, 62.99

 

CMYK 100 / 0 / 85 / 3

HEX #01F824

RGB 1 248 36

HSL 128.5, 0.99%, 0.49%

LAB 85.64, -83.52, 77.1

 

CMYK 87 / 0 / 100 / 3

HEX #20F801

RGB 32 248 1

HSL 112.47, 0.99%, 0.49%

LAB 85.73, -82.96, 81.56

 

CMYK 60 / 0 / 100 / 3

HEX #63F801

RGB 99 248 1

HSL 96.19, 0.99%, 0.49%

LAB 86.89, -72.86, 82.98

 

CMYK 33 / 0 / 100 / 3

HEX #A6F801

RGB 166 248 1

HSL 79.92, 0.99%, 0.49%

LAB 89.51, -53.04, 86.14

 

CMYK 6 / 0 / 100 / 3

HEX #E9F801

RGB 233 248 1

HSL 63.64, 0.99%, 0.49%

LAB 93.65, -27.25, 91.1

 

CMYK 100 / 0 / 85 / 3

HEX #01F824

RGB 1 248 36

HSL 128.5, 0.99%, 0.49%

LAB 85.64, -83.52, 77.1

 

CMYK 100 / 0 / 58 / 3

HEX #01F867

RGB 1 248 103

HSL 144.78, 0.99%, 0.49%

LAB 86.07, -78.09, 55.03

 

CMYK 100 / 0 / 32 / 3

HEX #01F8A9

RGB 1 248 169

HSL 160.81, 0.99%, 0.49%

LAB 87, -66.97, 24.42

 

CMYK 100 / 0 / 5 / 3

HEX #01F8EC

RGB 1 248 236

HSL 177.09, 0.99%, 0.49%

LAB 88.54, -50.46, -8.09

 

CMYK 100 / 22 / 0 / 3

HEX #01C2F8

RGB 1 194 248

HSL 193.12, 0.99%, 0.49%

LAB 73.13, -21.6, -37.87

 

CMYK 100 / 0 / 85 / 3

HEX #01F824

RGB 1 248 36

HSL 128.5, 0.99%, 0.49%

LAB 85.64, -83.52, 77.1

 

CMYK 100 / 0 / 85 / 3

HEX #01F824

RGB 1 248 36

HSL 128.5, 0.99%, 0.49%

LAB 85.64, -83.52, 77.1

 

CMYK 91 / 0 / 78 / 11

HEX #15E432

RGB 21 228 50

HSL 128.41, 0.83%, 0.49%

LAB 79.54, -76.66, 68.06

 

CMYK 80 / 0 / 69 / 18

HEX #29D041

RGB 41 208 65

HSL 128.62, 0.67%, 0.49%

LAB 73.52, -67.99, 56.92

 

CMYK 67 / 0 / 58 / 27

HEX #3DBB4F

RGB 61 187 79

HSL 128.57, 0.51%, 0.49%

LAB 67.35, -56.49, 44.11

 

CMYK 51 / 0 / 44 / 35

HEX #52A75E

RGB 82 167 94

HSL 128.47, 0.34%, 0.49%

LAB 61.86, -41.63, 30.02

 

CMYK 60 / 0 / 100 / 3

HEX #64F801

RGB 100 248 1

HSL 95.95, 0.99%, 0.49%

LAB 86.92, -72.63, 83.01

 

CMYK 86 / 0 / 100 / 3

HEX #22F801

RGB 34 248 1

HSL 111.98, 0.99%, 0.49%

LAB 85.74, -82.81, 81.58

 

CMYK 100 / 0 / 86 / 3

HEX #01F822

RGB 1 248 34

HSL 128.02, 0.99%, 0.49%

LAB 85.63, -83.6, 77.49

 

CMYK 100 / 0 / 60 / 3

HEX #01F864

RGB 1 248 100

HSL 144.05, 0.99%, 0.49%

LAB 86.04, -78.45, 56.29

 

CMYK 100 / 0 / 33 / 3

HEX #01F8A6

RGB 1 248 166

HSL 160.08, 0.99%, 0.49%

LAB 86.95, -67.59, 25.88

 

CMYK 100 / 0 / 86 / 35

HEX #00A618

RGB 0 166 24

HSL 128.67, 1%, 0.33%

LAB 59.29, -61.71, 56.26

 

CMYK 100 / 0 / 86 / 19

HEX #01CF1E

RGB 1 207 30

HSL 128.45, 0.99%, 0.41%

LAB 72.71, -72.8, 66.9

 

CMYK 100 / 0 / 85 / 3

HEX #01F824

RGB 1 248 36

HSL 128.5, 0.99%, 0.49%

LAB 85.64, -83.52, 77.1

 

CMYK 85 / 0 / 74 / 1

HEX #25FD43

RGB 37 253 67

HSL 128.33, 0.98%, 0.57%

LAB 87.51, -81.4, 70.6

 

CMYK 69 / 0 / 59 / 0

HEX #4EFE67

RGB 78 254 103

HSL 128.52, 0.99%, 0.65%

LAB 88.68, -73.31, 58.25

 

CMYK 100 / 0 / 85 / 3

HEX #01F824

RGB 1 248 36

HSL 128.5, 0.99%, 0.49%

LAB 85.64, -83.52, 77.1

 

CMYK 100 / 33 / 0 / 3

HEX #01A6F8

RGB 1 166 248

HSL 199.92, 0.99%, 0.49%

LAB 65.01, -6.51, -50.61

 

CMYK 0 / 100 / 73 / 3

HEX #F80143

RGB 248 1 67

HSL 343.97, 0.99%, 0.49%

LAB 52.27, 79.61, 37.01

 

CMYK 100 / 0 / 85 / 3

HEX #01F824

RGB 1 248 36

HSL 128.5, 0.99%, 0.49%

LAB 85.64, -83.52, 77.1

 

CMYK 86 / 100 / 0 / 3

HEX #2201F8

RGB 34 1 248

HSL 248.02, 0.99%, 0.49%

LAB 32.12, 77.64, -104.21

 

CMYK 0 / 86 / 100 / 3

HEX #F82201

RGB 248 34 1

HSL 8.02, 0.99%, 0.49%

LAB 53.06, 74.78, 66.03

 

CMYK 100 / 0 / 85 / 3

HEX #01F824

RGB 1 248 36

HSL 128.5, 0.99%, 0.49%

LAB 85.64, -83.52, 77.1

 

CMYK 100 / 33 / 0 / 3

HEX #01A6F8

RGB 1 166 248

HSL 199.92, 0.99%, 0.49%

LAB 65.01, -6.51, -50.61

 

CMYK 0 / 100 / 13 / 3

HEX #F801D7

RGB 248 1 215

HSL 308.02, 0.99%, 0.49%

LAB 56.96, 91.77, -43.81

 

CMYK 0 / 67 / 100 / 3

HEX #F85301

RGB 248 83 1

HSL 19.92, 0.99%, 0.49%

LAB 58.17, 60.55, 68.36

 

CMYK 100 / 0 / 85 / 3

HEX #01F824

RGB 1 248 36

HSL 128.5, 0.99%, 0.49%

LAB 85.64, -83.52, 77.1

 

CMYK 100 / 63 / 0 / 3

HEX #015BF8

RGB 1 91 248

HSL 218.14, 0.99%, 0.49%

LAB 44.61, 39.55, -83.52

 

CMYK 0 / 100 / 13 / 3

HEX #F801D7

RGB 248 1 215

HSL 308.02, 0.99%, 0.49%

LAB 56.96, 91.77, -43.81

 

CMYK 0 / 37 / 100 / 3

HEX #F89D01

RGB 248 157 1

HSL 37.89, 0.99%, 0.49%

LAB 72.28, 25.19, 76.69

 

Description

Color code: HEX #01F824 | qconv.com Color code: HEX #01F824 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 248 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 248 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 85 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 85% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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