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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02146D it is the complementary color #FDEB92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02146D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #02146D shade: #071468, #18267B, #29388E, #3A4AA1 and #4B5CB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02146D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #02146D shade: #02146D, #00025A, #000047, #000034 and #000021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #02146D shade: #02146D, #0D026D, #2A026D, #47026D and #64026D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #02146D shade: #02146D and #02026D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #02146D shade matches the following richer shades: #02146D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #02146D shade: #02146D, #0B1A64, #14205B, #1D2652 and #262C49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #02146D shade: #024F6D, #02326D, #02156D, #0B026D and #27026D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #02146D shade: #00051D, #010C45, #02146D, #031B96 and #0323BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #02146D shade: #02146D, #6D026C and #416D02

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #02146D shade: #02146D, #6D0215 and #156D02

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #02146D shade: #02146D, #6D026C, #6D5A02 and #026D04

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #02146D shade: #02146D, #6D024B, #6D5A02 and #026D24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 82 / 0 / 57

HEX #02146D

RGB 2 20 109

HSL 229.91, 0.96%, 0.22%

LAB 13.34, 32.19, -51.84

 

Complementary color

CMYK 0 / 7 / 42 / 1

HEX #FDEB92

RGB 253 235 146

HSL 49.91, 0.96%, 0.78%

LAB 92.74, -5.84, 45.3

 

CMYK 93 / 81 / 0 / 59

HEX #071468

RGB 7 20 104

HSL 231.96, 0.87%, 0.22%

LAB 12.89, 30.56, -49.29

 

CMYK 80 / 69 / 0 / 52

HEX #18267B

RGB 24 38 123

HSL 231.52, 0.67%, 0.29%

LAB 20.09, 27.26, -49.69

 

CMYK 71 / 61 / 0 / 44

HEX #29388E

RGB 41 56 142

HSL 231.09, 0.55%, 0.36%

LAB 27.44, 24.41, -49.53

 

CMYK 64 / 54 / 0 / 37

HEX #3A4AA1

RGB 58 74 161

HSL 230.68, 0.47%, 0.43%

LAB 34.74, 22.16, -49.22

 

CMYK 58 / 49 / 0 / 29

HEX #4B5CB4

RGB 75 92 180

HSL 230.29, 0.41%, 0.5%

LAB 41.92, 20.37, -48.89

 

CMYK 98 / 82 / 0 / 57

HEX #02146D

RGB 2 20 109

HSL 229.91, 0.96%, 0.22%

LAB 13.34, 32.19, -51.84

 

CMYK 100 / 98 / 0 / 65

HEX #00025A

RGB 0 2 90

HSL 238.67, 1%, 0.18%

LAB 7.06, 35.52, -49.64

 

CMYK 100 / 100 / 0 / 72

HEX #000047

RGB 0 0 71

HSL 240, 1%, 0.14%

LAB 4.11, 27.68, -41.39

 

CMYK 100 / 100 / 0 / 80

HEX #000034

RGB 0 0 52

HSL 240, 1%, 0.1%

LAB 2.24, 15.74, -30.68

 

CMYK 100 / 100 / 0 / 87

HEX #000021

RGB 0 0 33

HSL 240, 1%, 0.06%

LAB 0.99, 6.97, -18.06

 

CMYK 98 / 82 / 0 / 57

HEX #02146D

RGB 2 20 109

HSL 229.91, 0.96%, 0.22%

LAB 13.34, 32.19, -51.84

 

CMYK 88 / 98 / 0 / 57

HEX #0D026D

RGB 13 2 109

HSL 246.17, 0.96%, 0.22%

LAB 10.8, 41.58, -56.05

 

CMYK 61 / 98 / 0 / 57

HEX #2A026D

RGB 42 2 109

HSL 262.43, 0.96%, 0.22%

LAB 13.47, 42.99, -51.53

 

CMYK 35 / 98 / 0 / 57

HEX #47026D

RGB 71 2 109

HSL 278.69, 0.96%, 0.22%

LAB 17.86, 46.03, -44.14

 

CMYK 8 / 98 / 0 / 57

HEX #64026D

RGB 100 2 109

HSL 294.95, 0.96%, 0.22%

LAB 23.19, 50.53, -35.23

 

CMYK 98 / 82 / 0 / 57

HEX #02146D

RGB 2 20 109

HSL 229.91, 0.96%, 0.22%

LAB 13.34, 32.19, -51.84

 

CMYK 98 / 98 / 0 / 57

HEX #02026D

RGB 2 2 109

HSL 240, 0.96%, 0.22%

LAB 10.26, 41.35, -56.96

 

CMYK 98 / 82 / 0 / 57

HEX #02146D

RGB 2 20 109

HSL 229.91, 0.96%, 0.22%

LAB 13.34, 32.19, -51.84

 

CMYK 98 / 82 / 0 / 57

HEX #02146D

RGB 2 20 109

HSL 229.91, 0.96%, 0.22%

LAB 13.34, 32.19, -51.84

 

CMYK 89 / 74 / 0 / 61

HEX #0B1A64

RGB 11 26 100

HSL 229.89, 0.8%, 0.22%

LAB 14, 25.25, -44.8

 

CMYK 78 / 65 / 0 / 64

HEX #14205B

RGB 20 32 91

HSL 229.86, 0.64%, 0.22%

LAB 15.15, 18.15, -36.91

 

CMYK 65 / 54 / 0 / 68

HEX #1D2652

RGB 29 38 82

HSL 229.81, 0.48%, 0.22%

LAB 16.78, 11.7, -28.2

 

CMYK 48 / 40 / 0 / 71

HEX #262C49

RGB 38 44 73

HSL 229.71, 0.32%, 0.22%

LAB 18.78, 6.39, -18.88

 

CMYK 98 / 28 / 0 / 57

HEX #024F6D

RGB 2 79 109

HSL 196.82, 0.96%, 0.22%

LAB 31.14, -8.82, -23.09

 

CMYK 98 / 54 / 0 / 57

HEX #02326D

RGB 2 50 109

HSL 213.08, 0.96%, 0.22%

LAB 21.57, 10.89, -38.32

 

CMYK 98 / 81 / 0 / 57

HEX #02156D

RGB 2 21 109

HSL 229.35, 0.96%, 0.22%

LAB 13.55, 31.57, -51.48

 

CMYK 90 / 98 / 0 / 57

HEX #0B026D

RGB 11 2 109

HSL 245.05, 0.96%, 0.22%

LAB 10.69, 41.54, -56.22

 

CMYK 64 / 98 / 0 / 57

HEX #27026D

RGB 39 2 109

HSL 260.75, 0.96%, 0.22%

LAB 13.1, 42.77, -52.15

 

CMYK 100 / 83 / 0 / 89

HEX #00051D

RGB 0 5 29

HSL 229.66, 1%, 0.06%

LAB 1.78, 3.63, -13.67

 

CMYK 99 / 83 / 0 / 73

HEX #010C45

RGB 1 12 69

HSL 230.29, 0.97%, 0.14%

LAB 6.31, 20.83, -36.35

 

CMYK 98 / 82 / 0 / 57

HEX #02146D

RGB 2 20 109

HSL 229.91, 0.96%, 0.22%

LAB 13.34, 32.19, -51.84

 

CMYK 98 / 82 / 0 / 41

HEX #031B96

RGB 3 27 150

HSL 230.2, 0.96%, 0.3%

LAB 20.06, 42.91, -66.68

 

CMYK 98 / 82 / 0 / 25

HEX #0323BE

RGB 3 35 190

HSL 229.73, 0.97%, 0.38%

LAB 26.56, 52.06, -80.04

 

CMYK 98 / 82 / 0 / 57

HEX #02146D

RGB 2 20 109

HSL 229.91, 0.96%, 0.22%

LAB 13.34, 32.19, -51.84

 

CMYK 0 / 98 / 1 / 57

HEX #6D026C

RGB 109 2 108

HSL 300.56, 0.96%, 0.22%

LAB 24.88, 51.98, -31.78

 

CMYK 40 / 0 / 98 / 57

HEX #416D02

RGB 65 109 2

HSL 84.67, 0.96%, 0.22%

LAB 41.32, -31.1, 46.21

 

CMYK 98 / 82 / 0 / 57

HEX #02146D

RGB 2 20 109

HSL 229.91, 0.96%, 0.22%

LAB 13.34, 32.19, -51.84

 

CMYK 0 / 98 / 81 / 57

HEX #6D0215

RGB 109 2 21

HSL 349.35, 0.96%, 0.22%

LAB 21.39, 42.93, 22.37

 

CMYK 81 / 0 / 98 / 57

HEX #156D02

RGB 21 109 2

HSL 109.35, 0.96%, 0.22%

LAB 39.75, -43.58, 44.29

 

CMYK 98 / 82 / 0 / 57

HEX #02146D

RGB 2 20 109

HSL 229.91, 0.96%, 0.22%

LAB 13.34, 32.19, -51.84

 

CMYK 0 / 98 / 1 / 57

HEX #6D026C

RGB 109 2 108

HSL 300.56, 0.96%, 0.22%

LAB 24.88, 51.98, -31.78

 

CMYK 0 / 17 / 98 / 57

HEX #6D5A02

RGB 109 90 2

HSL 49.35, 0.96%, 0.22%

LAB 38.84, -0.56, 45.86

 

CMYK 98 / 0 / 96 / 57

HEX #026D04

RGB 2 109 4

HSL 121.12, 0.96%, 0.22%

LAB 39.51, -45.7, 43.48

 

CMYK 98 / 82 / 0 / 57

HEX #02146D

RGB 2 20 109

HSL 229.91, 0.96%, 0.22%

LAB 13.34, 32.19, -51.84

 

CMYK 0 / 98 / 31 / 57

HEX #6D024B

RGB 109 2 75

HSL 319.07, 0.96%, 0.22%

LAB 23.01, 47.26, -12.83

 

CMYK 0 / 17 / 98 / 57

HEX #6D5A02

RGB 109 90 2

HSL 49.35, 0.96%, 0.22%

LAB 38.84, -0.56, 45.86

 

CMYK 98 / 0 / 67 / 57

HEX #026D24

RGB 2 109 36

HSL 139.07, 0.96%, 0.22%

LAB 39.71, -43.15, 32.46

 

Description

Color code: HEX #02146D | qconv.com Color code: HEX #02146D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 20 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 20 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 82 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 82% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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