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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02580D it is the complementary color #FDA7F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02580D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #02580D shade: #075808, #186A1B, #297C2E, #3A8E41 and #4BA054

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02580D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #02580D shade: #02580D, #004600, #003400, #002200 and #001000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #02580D shade: #01590D, #0E5901, #265901, #3D5901 and #555901

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #02580D shade: #01590D, #015924, #01593C, #015954 and #014759

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #02580D shade matches the following richer shades: #01590D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #02580D shade: #01590D, #095212, #104B18, #18431D and #1F3C23

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #02580D shade: #265901, #0F5901, #01590C, #015923 and #01593B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #02580D shade: #000901, #013107, #01590D, #028212 and #03AA18

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #02580D shade: #02580D, #013E59 and #59011A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #02580D shade: #02580D, #0C0159 and #590C01

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #02580D shade: #02580D, #013E59, #59014F and #591D01

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #02580D shade: #02580D, #012359, #59014F and #593801

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 85 / 65

HEX #02580D

RGB 2 88 13

HSL 127.67, 0.96%, 0.18%

LAB 31.86, -38.55, 34.07

 

Complementary color

CMYK 0 / 34 / 4 / 1

HEX #FDA7F2

RGB 253 167 242

HSL 307.67, 0.96%, 0.82%

LAB 79, 42.8, -24.52

 

CMYK 92 / 0 / 91 / 65

HEX #075808

RGB 7 88 8

HSL 120.74, 0.85%, 0.19%

LAB 31.9, -38.23, 35.76

 

CMYK 77 / 0 / 75 / 58

HEX #186A1B

RGB 24 106 27

HSL 122.2, 0.63%, 0.25%

LAB 38.87, -40.46, 35.72

 

CMYK 67 / 0 / 63 / 51

HEX #297C2E

RGB 41 124 46

HSL 123.61, 0.5%, 0.32%

LAB 45.75, -41.56, 34.64

 

CMYK 59 / 0 / 54 / 44

HEX #3A8E41

RGB 58 142 65

HSL 125, 0.42%, 0.39%

LAB 52.54, -42.03, 33.27

 

CMYK 53 / 0 / 48 / 37

HEX #4BA054

RGB 75 160 84

HSL 126.35, 0.36%, 0.46%

LAB 59.23, -42.15, 31.85

 

CMYK 98 / 0 / 85 / 65

HEX #02580D

RGB 2 88 13

HSL 127.67, 0.96%, 0.18%

LAB 31.86, -38.55, 34.07

 

CMYK 100 / 0 / 100 / 73

HEX #004600

RGB 0 70 0

HSL 120, 1%, 0.14%

LAB 24.89, -33.97, 32.47

 

CMYK 100 / 0 / 100 / 80

HEX #003400

RGB 0 52 0

HSL 120, 1%, 0.1%

LAB 17.72, -28.01, 24.69

 

CMYK 100 / 0 / 100 / 87

HEX #002200

RGB 0 34 0

HSL 120, 1%, 0.07%

LAB 10.14, -20.27, 14.75

 

CMYK 100 / 0 / 100 / 94

HEX #001000

RGB 0 16 0

HSL 120, 1%, 0.03%

LAB 3.35, -6.84, 4.89

 

CMYK 99 / 0 / 85 / 65

HEX #01590D

RGB 1 89 13

HSL 128.18, 0.98%, 0.18%

LAB 32.21, -39.01, 34.41

 

CMYK 84 / 0 / 99 / 65

HEX #0E5901

RGB 14 89 1

HSL 111.14, 0.98%, 0.18%

LAB 32.35, -38.04, 38.51

 

CMYK 57 / 0 / 99 / 65

HEX #265901

RGB 38 89 1

HSL 94.77, 0.98%, 0.18%

LAB 33.05, -32.19, 39.36

 

CMYK 31 / 0 / 99 / 65

HEX #3D5901

RGB 61 89 1

HSL 79.09, 0.98%, 0.18%

LAB 34.27, -23.26, 40.85

 

CMYK 4 / 0 / 99 / 65

HEX #555901

RGB 85 89 1

HSL 62.73, 0.98%, 0.18%

LAB 36.13, -11.95, 43.09

 

CMYK 99 / 0 / 85 / 65

HEX #01590D

RGB 1 89 13

HSL 128.18, 0.98%, 0.18%

LAB 32.21, -39.01, 34.41

 

CMYK 99 / 0 / 60 / 65

HEX #015924

RGB 1 89 36

HSL 143.86, 0.98%, 0.18%

LAB 32.43, -36.26, 24

 

CMYK 99 / 0 / 33 / 65

HEX #01593C

RGB 1 89 60

HSL 160.23, 0.98%, 0.18%

LAB 32.87, -31.11, 10.39

 

CMYK 99 / 0 / 6 / 65

HEX #015954

RGB 1 89 84

HSL 176.59, 0.98%, 0.18%

LAB 33.54, -23.92, -3.65

 

CMYK 99 / 20 / 0 / 65

HEX #014759

RGB 1 71 89

HSL 192.27, 0.98%, 0.18%

LAB 27.39, -12.12, -16.16

 

CMYK 99 / 0 / 85 / 65

HEX #01590D

RGB 1 89 13

HSL 128.18, 0.98%, 0.18%

LAB 32.21, -39.01, 34.41

 

CMYK 99 / 0 / 85 / 65

HEX #01590D

RGB 1 89 13

HSL 128.18, 0.98%, 0.18%

LAB 32.21, -39.01, 34.41

 

CMYK 89 / 0 / 78 / 68

HEX #095212

RGB 9 82 18

HSL 127.4, 0.8%, 0.18%

LAB 29.75, -35.11, 30.04

 

CMYK 79 / 0 / 68 / 71

HEX #104B18

RGB 16 75 24

HSL 128.14, 0.65%, 0.18%

LAB 27.32, -30.58, 24.54

 

CMYK 64 / 0 / 57 / 74

HEX #18431D

RGB 24 67 29

HSL 126.98, 0.47%, 0.18%

LAB 24.63, -24.37, 18.59

 

CMYK 48 / 0 / 42 / 76

HEX #1F3C23

RGB 31 60 35

HSL 128.28, 0.32%, 0.18%

LAB 22.46, -17.39, 12.15

 

CMYK 57 / 0 / 99 / 65

HEX #265901

RGB 38 89 1

HSL 94.77, 0.98%, 0.18%

LAB 33.05, -32.19, 39.36

 

CMYK 83 / 0 / 99 / 65

HEX #0F5901

RGB 15 89 1

HSL 110.45, 0.98%, 0.18%

LAB 32.37, -37.88, 38.53

 

CMYK 99 / 0 / 87 / 65

HEX #01590C

RGB 1 89 12

HSL 127.5, 0.98%, 0.18%

LAB 32.21, -39.09, 34.74

 

CMYK 99 / 0 / 61 / 65

HEX #015923

RGB 1 89 35

HSL 143.18, 0.98%, 0.18%

LAB 32.42, -36.42, 24.53

 

CMYK 99 / 0 / 34 / 65

HEX #01593B

RGB 1 89 59

HSL 159.55, 0.98%, 0.18%

LAB 32.85, -31.37, 10.97

 

CMYK 100 / 0 / 89 / 96

HEX #000901

RGB 0 9 1

HSL 126.67, 1%, 0.02%

LAB 1.78, -3.47, 2.2

 

CMYK 98 / 0 / 86 / 81

HEX #013107

RGB 1 49 7

HSL 127.5, 0.96%, 0.1%

LAB 16.59, -25.73, 20.48

 

CMYK 99 / 0 / 85 / 65

HEX #01590D

RGB 1 89 13

HSL 128.18, 0.98%, 0.18%

LAB 32.21, -39.01, 34.41

 

CMYK 98 / 0 / 86 / 49

HEX #028212

RGB 2 130 18

HSL 127.5, 0.97%, 0.26%

LAB 47, -51.38, 46.67

 

CMYK 98 / 0 / 86 / 33

HEX #03AA18

RGB 3 170 24

HSL 127.54, 0.97%, 0.34%

LAB 60.64, -62.69, 57.48

 

CMYK 98 / 0 / 85 / 65

HEX #02580D

RGB 2 88 13

HSL 127.67, 0.96%, 0.18%

LAB 31.86, -38.55, 34.07

 

CMYK 99 / 30 / 0 / 65

HEX #013E59

RGB 1 62 89

HSL 198.41, 0.98%, 0.18%

LAB 24.24, -6.48, -21.07

 

CMYK 0 / 99 / 71 / 65

HEX #59011A

RGB 89 1 26

HSL 342.95, 0.98%, 0.18%

LAB 16.6, 37.87, 11.97

 

CMYK 98 / 0 / 85 / 65

HEX #02580D

RGB 2 88 13

HSL 127.67, 0.96%, 0.18%

LAB 31.86, -38.55, 34.07

 

CMYK 87 / 99 / 0 / 65

HEX #0C0159

RGB 12 1 89

HSL 247.5, 0.98%, 0.18%

LAB 7.42, 36.31, -48.35

 

CMYK 0 / 87 / 99 / 65

HEX #590C01

RGB 89 12 1

HSL 7.5, 0.98%, 0.18%

LAB 17.41, 33.56, 26.22

 

CMYK 98 / 0 / 85 / 65

HEX #02580D

RGB 2 88 13

HSL 127.67, 0.96%, 0.18%

LAB 31.86, -38.55, 34.07

 

CMYK 99 / 30 / 0 / 65

HEX #013E59

RGB 1 62 89

HSL 198.41, 0.98%, 0.18%

LAB 24.24, -6.48, -21.07

 

CMYK 0 / 99 / 11 / 65

HEX #59014F

RGB 89 1 79

HSL 306.82, 0.98%, 0.18%

LAB 18.84, 43.7, -22.37

 

CMYK 0 / 67 / 99 / 65

HEX #591D01

RGB 89 29 1

HSL 19.09, 0.98%, 0.18%

LAB 20.06, 26.3, 29.33

 

CMYK 98 / 0 / 85 / 65

HEX #02580D

RGB 2 88 13

HSL 127.67, 0.96%, 0.18%

LAB 31.86, -38.55, 34.07

 

CMYK 99 / 61 / 0 / 65

HEX #012359

RGB 1 35 89

HSL 216.82, 0.98%, 0.18%

LAB 15.11, 12.91, -35.67

 

CMYK 0 / 99 / 11 / 65

HEX #59014F

RGB 89 1 79

HSL 306.82, 0.98%, 0.18%

LAB 18.84, 43.7, -22.37

 

CMYK 0 / 37 / 99 / 65

HEX #593801

RGB 89 56 1

HSL 37.5, 0.98%, 0.18%

LAB 26.6, 10.22, 35.96

 

Description

Color code: HEX #02580D | qconv.com Color code: HEX #02580D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 88 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 88 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 85 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 85% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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