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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #028991 it is the complementary color #FD766E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #028991. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #028991 shade: #07898C, #189B9F, #29ADB2, #3ABFC5 and #4BD1D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #028991. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #028991 shade: #028991, #00777E, #00656B, #005358 and #004145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #028991 shade: #028991, #026291, #023C91, #021591 and #150291

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #028991 shade: #028991, #026291, #023C91, #021591 and #020291

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #028991 shade matches the following richer shades: #028991

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #028991 shade: #028991, #0E7F85, #1A7479, #26696D and #325F61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #028991 shade: #02914C, #029172, #028A91, #026491 and #023D91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #028991 shade: #003C40, #016369, #028991, #02B0BA and #03D6E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #028991 shade: #028991, #260291 and #915F02

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #028991 shade: #028991, #91028A and #8A9102

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #028991 shade: #028991, #260291, #910902 and #6D9102

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #028991 shade: #028991, #510291, #910902 and #429102

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 6 / 0 / 43

HEX #028991

RGB 2 137 145

HSL 183.36, 0.97%, 0.29%

LAB 51.78, -27.58, -13.13

 

Complementary color

CMYK 0 / 53 / 57 / 1

HEX #FD766E

RGB 253 118 110

HSL 3.36, 0.97%, 0.71%

LAB 65.72, 50.84, 29.38

 

CMYK 95 / 2 / 0 / 45

HEX #07898C

RGB 7 137 140

HSL 181.35, 0.9%, 0.29%

LAB 51.64, -28.99, -10.42

 

CMYK 85 / 3 / 0 / 38

HEX #189B9F

RGB 24 155 159

HSL 181.78, 0.74%, 0.36%

LAB 58.17, -30.68, -11.53

 

CMYK 77 / 3 / 0 / 30

HEX #29ADB2

RGB 41 173 178

HSL 182.19, 0.63%, 0.43%

LAB 64.62, -31.95, -12.51

 

CMYK 71 / 3 / 0 / 23

HEX #3ABFC5

RGB 58 191 197

HSL 182.59, 0.55%, 0.5%

LAB 71, -32.87, -13.38

 

CMYK 65 / 3 / 0 / 15

HEX #4BD1D8

RGB 75 209 216

HSL 182.98, 0.64%, 0.57%

LAB 77.31, -33.56, -14.16

 

CMYK 99 / 6 / 0 / 43

HEX #028991

RGB 2 137 145

HSL 183.36, 0.97%, 0.29%

LAB 51.78, -27.58, -13.13

 

CMYK 100 / 6 / 0 / 51

HEX #00777E

RGB 0 119 126

HSL 183.33, 1%, 0.25%

LAB 45.22, -25.02, -11.86

 

CMYK 100 / 6 / 0 / 58

HEX #00656B

RGB 0 101 107

HSL 183.36, 1%, 0.21%

LAB 38.5, -22.29, -10.53

 

CMYK 100 / 6 / 0 / 65

HEX #005358

RGB 0 83 88

HSL 183.41, 1%, 0.17%

LAB 31.56, -19.48, -9.15

 

CMYK 100 / 6 / 0 / 73

HEX #004145

RGB 0 65 69

HSL 183.48, 1%, 0.14%

LAB 24.35, -16.55, -7.72

 

CMYK 99 / 6 / 0 / 43

HEX #028991

RGB 2 137 145

HSL 183.36, 0.97%, 0.29%

LAB 51.78, -27.58, -13.13

 

CMYK 99 / 32 / 0 / 43

HEX #026291

RGB 2 98 145

HSL 199.72, 0.97%, 0.29%

LAB 39.23, -5.99, -32.52

 

CMYK 99 / 59 / 0 / 43

HEX #023C91

RGB 2 60 145

HSL 215.66, 0.97%, 0.29%

LAB 27.54, 19.39, -51.28

 

CMYK 99 / 86 / 0 / 43

HEX #021591

RGB 2 21 145

HSL 232.03, 0.97%, 0.29%

LAB 18.34, 44.26, -66.46

 

CMYK 86 / 99 / 0 / 43

HEX #150291

RGB 21 2 145

HSL 247.97, 0.97%, 0.29%

LAB 16.73, 51.61, -69.11

 

CMYK 99 / 6 / 0 / 43

HEX #028991

RGB 2 137 145

HSL 183.36, 0.97%, 0.29%

LAB 51.78, -27.58, -13.13

 

CMYK 99 / 32 / 0 / 43

HEX #026291

RGB 2 98 145

HSL 199.72, 0.97%, 0.29%

LAB 39.23, -5.99, -32.52

 

CMYK 99 / 59 / 0 / 43

HEX #023C91

RGB 2 60 145

HSL 215.66, 0.97%, 0.29%

LAB 27.54, 19.39, -51.28

 

CMYK 99 / 86 / 0 / 43

HEX #021591

RGB 2 21 145

HSL 232.03, 0.97%, 0.29%

LAB 18.34, 44.26, -66.46

 

CMYK 99 / 99 / 0 / 43

HEX #020291

RGB 2 2 145

HSL 240, 0.97%, 0.29%

LAB 16.01, 51.33, -70.34

 

CMYK 99 / 6 / 0 / 43

HEX #028991

RGB 2 137 145

HSL 183.36, 0.97%, 0.29%

LAB 51.78, -27.58, -13.13

 

CMYK 99 / 6 / 0 / 43

HEX #028991

RGB 2 137 145

HSL 183.36, 0.97%, 0.29%

LAB 51.78, -27.58, -13.13

 

CMYK 89 / 5 / 0 / 48

HEX #0E7F85

RGB 14 127 133

HSL 183.03, 0.81%, 0.29%

LAB 48.22, -25.93, -11.48

 

CMYK 79 / 4 / 0 / 53

HEX #1A7479

RGB 26 116 121

HSL 183.16, 0.65%, 0.29%

LAB 44.36, -23.18, -10.13

 

CMYK 65 / 4 / 0 / 57

HEX #26696D

RGB 38 105 109

HSL 183.38, 0.48%, 0.29%

LAB 40.6, -19.42, -8.51

 

CMYK 48 / 2 / 0 / 62

HEX #325F61

RGB 50 95 97

HSL 182.55, 0.32%, 0.29%

LAB 37.35, -14.86, -5.97

 

CMYK 99 / 0 / 48 / 43

HEX #02914C

RGB 2 145 76

HSL 151.05, 0.97%, 0.29%

LAB 52.71, -49.2, 27.5

 

CMYK 99 / 0 / 21 / 43

HEX #029172

RGB 2 145 114

HSL 166.99, 0.97%, 0.29%

LAB 53.47, -40.59, 7.29

 

CMYK 99 / 5 / 0 / 43

HEX #028A91

RGB 2 138 145

HSL 182.94, 0.97%, 0.29%

LAB 52.1, -28.08, -12.65

 

CMYK 99 / 31 / 0 / 43

HEX #026491

RGB 2 100 145

HSL 198.88, 0.97%, 0.29%

LAB 39.87, -7.21, -31.51

 

CMYK 99 / 58 / 0 / 43

HEX #023D91

RGB 2 61 145

HSL 215.24, 0.97%, 0.29%

LAB 27.83, 18.69, -50.81

 

CMYK 100 / 6 / 0 / 75

HEX #003C40

RGB 0 60 64

HSL 183.75, 1%, 0.13%

LAB 22.31, -15.61, -7.48

 

CMYK 99 / 6 / 0 / 59

HEX #016369

RGB 1 99 105

HSL 183.46, 0.98%, 0.21%

LAB 37.75, -21.87, -10.42

 

CMYK 99 / 6 / 0 / 43

HEX #028991

RGB 2 137 145

HSL 183.36, 0.97%, 0.29%

LAB 51.78, -27.58, -13.13

 

CMYK 99 / 5 / 0 / 27

HEX #02B0BA

RGB 2 176 186

HSL 183.26, 0.98%, 0.37%

LAB 65.44, -33.21, -15.76

 

CMYK 99 / 5 / 0 / 11

HEX #03D6E2

RGB 3 214 226

HSL 183.23, 0.97%, 0.45%

LAB 78.23, -38.43, -18.23

 

CMYK 99 / 6 / 0 / 43

HEX #028991

RGB 2 137 145

HSL 183.36, 0.97%, 0.29%

LAB 51.78, -27.58, -13.13

 

CMYK 74 / 99 / 0 / 43

HEX #260291

RGB 38 2 145

HSL 255.1, 0.97%, 0.29%

LAB 17.92, 52.13, -67.11

 

CMYK 0 / 34 / 99 / 43

HEX #915F02

RGB 145 95 2

HSL 39.02, 0.97%, 0.29%

LAB 44.53, 13.9, 51.87

 

CMYK 99 / 6 / 0 / 43

HEX #028991

RGB 2 137 145

HSL 183.36, 0.97%, 0.29%

LAB 51.78, -27.58, -13.13

 

CMYK 0 / 99 / 5 / 43

HEX #91028A

RGB 145 2 138

HSL 302.94, 0.97%, 0.29%

LAB 33.77, 63.19, -36.18

 

CMYK 5 / 0 / 99 / 43

HEX #8A9102

RGB 138 145 2

HSL 62.94, 0.97%, 0.29%

LAB 57.71, -17.3, 61.03

 

CMYK 99 / 6 / 0 / 43

HEX #028991

RGB 2 137 145

HSL 183.36, 0.97%, 0.29%

LAB 51.78, -27.58, -13.13

 

CMYK 74 / 99 / 0 / 43

HEX #260291

RGB 38 2 145

HSL 255.1, 0.97%, 0.29%

LAB 17.92, 52.13, -67.11

 

CMYK 0 / 94 / 99 / 43

HEX #910902

RGB 145 9 2

HSL 2.94, 0.97%, 0.29%

LAB 29.96, 51.23, 42.55

 

CMYK 25 / 0 / 99 / 43

HEX #6D9102

RGB 109 145 2

HSL 75.1, 0.97%, 0.29%

LAB 55.59, -29.98, 58.49

 

CMYK 99 / 6 / 0 / 43

HEX #028991

RGB 2 137 145

HSL 183.36, 0.97%, 0.29%

LAB 51.78, -27.58, -13.13

 

CMYK 44 / 99 / 0 / 43

HEX #510291

RGB 81 2 145

HSL 273.15, 0.97%, 0.29%

LAB 23.13, 55.18, -58.32

 

CMYK 0 / 94 / 99 / 43

HEX #910902

RGB 145 9 2

HSL 2.94, 0.97%, 0.29%

LAB 29.96, 51.23, 42.55

 

CMYK 54 / 0 / 99 / 43

HEX #429102

RGB 66 145 2

HSL 93.15, 0.97%, 0.29%

LAB 53.4, -45.66, 55.83

 

Description

Color code: HEX #028991 | qconv.com Color code: HEX #028991 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 137 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 137 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 6 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 6% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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