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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02D4CD it is the complementary color #FD2B32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02D4CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #02D4CD shade: #07D4C8, #18E6DB, #29F8EE, #3AFFFF and #4BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02D4CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #02D4CD shade: #02D4CD, #00C2BA, #00B0A7, #009E94 and #008C81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #02D4CD shade: #02D4CD, #02D494, #02D45B, #02D423 and #19D402

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #02D4CD shade: #02D4CD, #02A2D4, #0269D4, #0231D4 and #0202D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #02D4CD shade matches the following richer shades: #02D4CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #02D4CD shade: #02D4CD, #13C2BC, #24B1AC, #36A09C and #478E8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #02D4CD shade: #02D45D, #02D495, #02D4CD, #02A3D4 and #026BD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #02D4CD shade: #01827E, #01ABA5, #02D4CD, #03FCF4 and #2BFCF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #02D4CD shade: #02D4CD, #2502D4 and #D47902

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #02D4CD shade: #02D4CD, #CD02D4 and #D4CD02

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #02D4CD shade: #02D4CD, #2502D4, #D40209 and #B1D402

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #02D4CD shade: #02D4CD, #6402D4, #D40209 and #72D402

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 3 / 17

HEX #02D4CD

RGB 2 212 205

HSL 178, 0.98%, 0.42%

LAB 76.99, -43.83, -8.84

 

Complementary color

CMYK 0 / 83 / 80 / 1

HEX #FD2B32

RGB 253 43 50

HSL 358, 0.98%, 0.58%

LAB 54.91, 75.04, 49.62

 

CMYK 97 / 0 / 6 / 17

HEX #07D4C8

RGB 7 212 200

HSL 176.49, 0.94%, 0.43%

LAB 76.86, -45.13, -6.33

 

CMYK 90 / 0 / 5 / 10

HEX #18E6DB

RGB 24 230 219

HSL 176.8, 0.81%, 0.5%

LAB 82.86, -46.93, -7.57

 

CMYK 83 / 0 / 4 / 3

HEX #29F8EE

RGB 41 248 238

HSL 177.1, 0.94%, 0.57%

LAB 88.82, -48.4, -8.7

 

CMYK 77 / 0 / 0 / 0

HEX #3AFFFF

RGB 58 255 255

HSL 180, 1%, 0.61%

LAB 91.52, -45.41, -13.49

 

CMYK 71 / 0 / 0 / 0

HEX #4BFFFF

RGB 75 255 255

HSL 180, 1%, 0.65%

LAB 91.79, -43.68, -13.06

 

CMYK 99 / 0 / 3 / 17

HEX #02D4CD

RGB 2 212 205

HSL 178, 0.98%, 0.42%

LAB 76.99, -43.83, -8.84

 

CMYK 100 / 0 / 4 / 24

HEX #00C2BA

RGB 0 194 186

HSL 177.53, 1%, 0.38%

LAB 70.96, -41.52, -7.5

 

CMYK 100 / 0 / 5 / 31

HEX #00B0A7

RGB 0 176 167

HSL 176.93, 1%, 0.35%

LAB 64.84, -39.13, -6.11

 

CMYK 100 / 0 / 6 / 38

HEX #009E94

RGB 0 158 148

HSL 176.2, 1%, 0.31%

LAB 58.59, -36.69, -4.67

 

CMYK 100 / 0 / 8 / 45

HEX #008C81

RGB 0 140 129

HSL 175.29, 1%, 0.27%

LAB 52.22, -34.21, -3.18

 

CMYK 99 / 0 / 3 / 17

HEX #02D4CD

RGB 2 212 205

HSL 178, 0.98%, 0.42%

LAB 76.99, -43.83, -8.84

 

CMYK 99 / 0 / 30 / 17

HEX #02D494

RGB 2 212 148

HSL 161.71, 0.98%, 0.42%

LAB 75.6, -58.55, 19.64

 

CMYK 99 / 0 / 57 / 17

HEX #02D45B

RGB 2 212 91

HSL 145.43, 0.98%, 0.42%

LAB 74.73, -68.79, 47.09

 

CMYK 99 / 0 / 83 / 17

HEX #02D423

RGB 2 212 35

HSL 129.43, 0.98%, 0.42%

LAB 74.33, -73.89, 67.2

 

CMYK 88 / 0 / 99 / 17

HEX #19D402

RGB 25 212 2

HSL 113.43, 0.98%, 0.42%

LAB 74.38, -73.74, 72.33

 

CMYK 99 / 0 / 3 / 17

HEX #02D4CD

RGB 2 212 205

HSL 178, 0.98%, 0.42%

LAB 76.99, -43.83, -8.84

 

CMYK 99 / 24 / 0 / 17

HEX #02A2D4

RGB 2 162 212

HSL 194.29, 0.98%, 0.42%

LAB 62.17, -17.33, -35.23

 

CMYK 99 / 50 / 0 / 17

HEX #0269D4

RGB 2 105 212

HSL 210.57, 0.98%, 0.42%

LAB 45.45, 16.6, -61.81

 

CMYK 99 / 77 / 0 / 17

HEX #0231D4

RGB 2 49 212

HSL 226.57, 0.98%, 0.42%

LAB 31.72, 51.96, -84.33

 

CMYK 99 / 99 / 0 / 17

HEX #0202D4

RGB 2 2 212

HSL 240, 0.98%, 0.42%

LAB 26.19, 68.51, -93.56

 

CMYK 99 / 0 / 3 / 17

HEX #02D4CD

RGB 2 212 205

HSL 178, 0.98%, 0.42%

LAB 76.99, -43.83, -8.84

 

CMYK 99 / 0 / 3 / 17

HEX #02D4CD

RGB 2 212 205

HSL 178, 0.98%, 0.42%

LAB 76.99, -43.83, -8.84

 

CMYK 90 / 0 / 3 / 24

HEX #13C2BC

RGB 19 194 188

HSL 177.94, 0.82%, 0.42%

LAB 71.11, -40.29, -8.35

 

CMYK 80 / 0 / 3 / 31

HEX #24B1AC

RGB 36 177 172

HSL 177.87, 0.66%, 0.42%

LAB 65.59, -36.11, -7.73

 

CMYK 66 / 0 / 2 / 37

HEX #36A09C

RGB 54 160 156

HSL 177.74, 0.5%, 0.42%

LAB 60.18, -30.52, -6.77

 

CMYK 50 / 0 / 1 / 44

HEX #478E8C

RGB 71 142 140

HSL 178.31, 0.33%, 0.42%

LAB 54.64, -22.72, -5.81

 

CMYK 99 / 0 / 56 / 17

HEX #02D45D

RGB 2 212 93

HSL 146, 0.98%, 0.42%

LAB 74.76, -68.52, 46.2

 

CMYK 99 / 0 / 30 / 17

HEX #02D495

RGB 2 212 149

HSL 162, 0.98%, 0.42%

LAB 75.62, -58.33, 19.14

 

CMYK 99 / 0 / 3 / 17

HEX #02D4CD

RGB 2 212 205

HSL 178, 0.98%, 0.42%

LAB 76.99, -43.83, -8.84

 

CMYK 99 / 23 / 0 / 17

HEX #02A3D4

RGB 2 163 212

HSL 194, 0.98%, 0.42%

LAB 62.47, -17.87, -34.76

 

CMYK 99 / 50 / 0 / 17

HEX #026BD4

RGB 2 107 212

HSL 210, 0.98%, 0.42%

LAB 46.02, 15.31, -60.9

 

CMYK 99 / 0 / 3 / 49

HEX #01827E

RGB 1 130 126

HSL 178.14, 0.98%, 0.26%

LAB 48.86, -30.4, -6.41

 

CMYK 99 / 0 / 4 / 33

HEX #01ABA5

RGB 1 171 165

HSL 177.88, 0.99%, 0.34%

LAB 63.22, -37.43, -7.39

 

CMYK 99 / 0 / 3 / 17

HEX #02D4CD

RGB 2 212 205

HSL 178, 0.98%, 0.42%

LAB 76.99, -43.83, -8.84

 

CMYK 99 / 0 / 3 / 1

HEX #03FCF4

RGB 3 252 244

HSL 178.07, 0.98%, 0.5%

LAB 89.94, -49.86, -10.18

 

CMYK 83 / 0 / 3 / 1

HEX #2BFCF5

RGB 43 252 245

HSL 177.99, 0.97%, 0.58%

LAB 90.2, -48.05, -10.29

 

CMYK 99 / 0 / 3 / 17

HEX #02D4CD

RGB 2 212 205

HSL 178, 0.98%, 0.42%

LAB 76.99, -43.83, -8.84

 

CMYK 83 / 99 / 0 / 17

HEX #2502D4

RGB 37 2 212

HSL 250, 0.98%, 0.42%

LAB 27.27, 68.9, -91.72

 

CMYK 0 / 43 / 99 / 17

HEX #D47902

RGB 212 121 2

HSL 34, 0.98%, 0.42%

LAB 59.6, 29.09, 66.1

 

CMYK 99 / 0 / 3 / 17

HEX #02D4CD

RGB 2 212 205

HSL 178, 0.98%, 0.42%

LAB 76.99, -43.83, -8.84

 

CMYK 3 / 99 / 0 / 17

HEX #CD02D4

RGB 205 2 212

HSL 298, 0.98%, 0.42%

LAB 49.22, 84.22, -54.87

 

CMYK 0 / 3 / 99 / 17

HEX #D4CD02

RGB 212 205 2

HSL 58, 0.98%, 0.42%

LAB 80.55, -15.27, 80.64

 

CMYK 99 / 0 / 3 / 17

HEX #02D4CD

RGB 2 212 205

HSL 178, 0.98%, 0.42%

LAB 76.99, -43.83, -8.84

 

CMYK 83 / 99 / 0 / 17

HEX #2502D4

RGB 37 2 212

HSL 250, 0.98%, 0.42%

LAB 27.27, 68.9, -91.72

 

CMYK 0 / 99 / 96 / 17

HEX #D40209

RGB 212 2 9

HSL 358, 0.98%, 0.42%

LAB 44.32, 69.59, 55.66

 

CMYK 17 / 0 / 99 / 17

HEX #B1D402

RGB 177 212 2

HSL 70, 0.98%, 0.42%

LAB 79.86, -33.32, 78.96

 

CMYK 99 / 0 / 3 / 17

HEX #02D4CD

RGB 2 212 205

HSL 178, 0.98%, 0.42%

LAB 76.99, -43.83, -8.84

 

CMYK 53 / 99 / 0 / 17

HEX #6402D4

RGB 100 2 212

HSL 268, 0.98%, 0.42%

LAB 32.93, 71.68, -82.14

 

CMYK 0 / 99 / 96 / 17

HEX #D40209

RGB 212 2 9

HSL 358, 0.98%, 0.42%

LAB 44.32, 69.59, 55.66

 

CMYK 46 / 0 / 99 / 17

HEX #72D402

RGB 114 212 2

HSL 88, 0.98%, 0.42%

LAB 76.48, -56.32, 74.88

 

Description

Color code: HEX #02D4CD | qconv.com Color code: HEX #02D4CD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 212 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 212 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 3 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 3% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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