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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02E240 it is the complementary color #FD1DBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02E240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #02E240 shade: #07E23B, #18F44E, #29FF61, #3AFF74 and #4BFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02E240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #02E240 shade: #02E240, #00D02D, #00BE1A, #00AC07 and #009A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #02E240 shade: #02E340, #02E303, #3DE302, #79E302 and #B6E302

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #02E240 shade: #02E340, #02E37D, #02E3B9, #02CFE3 and #0293E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #02E240 shade matches the following richer shades: #02E340

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #02E240 shade: #02E340, #14D048, #27BE51, #39AB59 and #4C9861

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #02E240 shade: #3EE302, #02E302, #02E33E, #02E37A and #02E3B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #02E240 shade: #019129, #01BA34, #02E340, #12FC53 and #3AFD70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #02E240 shade: #02E240, #027AE3 and #E30220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #02E240 shade: #02E240, #3E02E3 and #E33E02

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #02E240 shade: #02E240, #027AE3, #E302A7 and #E36B02

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #02E240 shade: #02E240, #0236E3, #E302A7 and #E3AE02

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 72 / 11

HEX #02E240

RGB 2 226 64

HSL 136.61, 0.98%, 0.45%

LAB 78.91, -75.83, 62.84

 

Complementary color

CMYK 0 / 89 / 25 / 1

HEX #FD1DBF

RGB 253 29 191

HSL 316.61, 0.98%, 0.55%

LAB 57.58, 87.41, -29.03

 

CMYK 97 / 0 / 74 / 11

HEX #07E23B

RGB 7 226 59

HSL 134.25, 0.94%, 0.46%

LAB 78.9, -76.06, 64.57

 

CMYK 90 / 0 / 68 / 4

HEX #18F44E

RGB 24 244 78

HSL 134.73, 0.91%, 0.53%

LAB 84.71, -78.81, 63.79

 

CMYK 84 / 0 / 62 / 0

HEX #29FF61

RGB 41 255 97

HSL 135.7, 1%, 0.58%

LAB 88.38, -78.89, 60.29

 

CMYK 77 / 0 / 55 / 0

HEX #3AFF74

RGB 58 255 116

HSL 137.66, 1%, 0.61%

LAB 88.77, -74.86, 52.55

 

CMYK 71 / 0 / 47 / 0

HEX #4BFF87

RGB 75 255 135

HSL 140, 1%, 0.65%

LAB 89.28, -69.86, 44.41

 

CMYK 99 / 0 / 72 / 11

HEX #02E240

RGB 2 226 64

HSL 136.61, 0.98%, 0.45%

LAB 78.91, -75.83, 62.84

 

CMYK 100 / 0 / 78 / 18

HEX #00D02D

RGB 0 208 45

HSL 132.98, 1%, 0.41%

LAB 73.09, -72.3, 63.33

 

CMYK 100 / 0 / 86 / 25

HEX #00BE1A

RGB 0 190 26

HSL 128.21, 1%, 0.37%

LAB 67.2, -68.35, 62.88

 

CMYK 100 / 0 / 96 / 33

HEX #00AC07

RGB 0 172 7

HSL 122.44, 1%, 0.34%

LAB 61.24, -63.98, 60.98

 

CMYK 100 / 0 / 100 / 40

HEX #009A00

RGB 0 154 0

HSL 120, 1%, 0.3%

LAB 55.19, -59.14, 57.08

 

CMYK 99 / 0 / 72 / 11

HEX #02E340

RGB 2 227 64

HSL 136.53, 0.98%, 0.45%

LAB 79.23, -76.11, 63.16

 

CMYK 99 / 0 / 99 / 11

HEX #02E303

RGB 2 227 3

HSL 120.27, 0.98%, 0.45%

LAB 79.02, -78.81, 75.92

 

CMYK 73 / 0 / 99 / 11

HEX #3DE302

RGB 61 227 2

HSL 104.27, 0.98%, 0.45%

LAB 79.58, -73.8, 76.7

 

CMYK 47 / 0 / 99 / 11

HEX #79E302

RGB 121 227 2

HSL 88.27, 0.98%, 0.45%

LAB 81.3, -59.75, 78.79

 

CMYK 20 / 0 / 99 / 11

HEX #B6E302

RGB 182 227 2

HSL 72, 0.98%, 0.45%

LAB 84.43, -38.12, 82.56

 

CMYK 99 / 0 / 72 / 11

HEX #02E340

RGB 2 227 64

HSL 136.53, 0.98%, 0.45%

LAB 79.23, -76.11, 63.16

 

CMYK 99 / 0 / 45 / 11

HEX #02E37D

RGB 2 227 125

HSL 152.8, 0.98%, 0.45%

LAB 79.86, -68.29, 37.11

 

CMYK 99 / 0 / 19 / 11

HEX #02E3B9

RGB 2 227 185

HSL 168.8, 0.98%, 0.45%

LAB 80.99, -55.46, 7.68

 

CMYK 99 / 9 / 0 / 11

HEX #02CFE3

RGB 2 207 227

HSL 185.33, 0.98%, 0.45%

LAB 76.18, -34.9, -21.87

 

CMYK 99 / 35 / 0 / 11

HEX #0293E3

RGB 2 147 227

HSL 201.33, 0.98%, 0.45%

LAB 58.44, -3.42, -49.45

 

CMYK 99 / 0 / 72 / 11

HEX #02E340

RGB 2 227 64

HSL 136.53, 0.98%, 0.45%

LAB 79.23, -76.11, 63.16

 

CMYK 99 / 0 / 72 / 11

HEX #02E340

RGB 2 227 64

HSL 136.53, 0.98%, 0.45%

LAB 79.23, -76.11, 63.16

 

CMYK 90 / 0 / 65 / 18

HEX #14D048

RGB 20 208 72

HSL 136.6, 0.82%, 0.45%

LAB 73.37, -69.12, 53.89

 

CMYK 79 / 0 / 57 / 25

HEX #27BE51

RGB 39 190 81

HSL 136.69, 0.66%, 0.45%

LAB 67.91, -60.69, 43.73

 

CMYK 67 / 0 / 48 / 33

HEX #39AB59

RGB 57 171 89

HSL 136.84, 0.5%, 0.45%

LAB 62.27, -49.95, 32.98

 

CMYK 50 / 0 / 36 / 40

HEX #4C9861

RGB 76 152 97

HSL 136.58, 0.33%, 0.45%

LAB 56.93, -36.21, 21.9

 

CMYK 73 / 0 / 99 / 11

HEX #3EE302

RGB 62 227 2

HSL 104, 0.98%, 0.45%

LAB 79.59, -73.64, 76.72

 

CMYK 99 / 0 / 99 / 11

HEX #02E302

RGB 2 227 2

HSL 120, 0.98%, 0.45%

LAB 79.02, -78.83, 76.01

 

CMYK 99 / 0 / 73 / 11

HEX #02E33E

RGB 2 227 62

HSL 136, 0.98%, 0.45%

LAB 79.21, -76.27, 63.85

 

CMYK 99 / 0 / 46 / 11

HEX #02E37A

RGB 2 227 122

HSL 152, 0.98%, 0.45%

LAB 79.82, -68.8, 38.54

 

CMYK 99 / 0 / 20 / 11

HEX #02E3B6

RGB 2 227 182

HSL 168, 0.98%, 0.45%

LAB 80.92, -56.21, 9.17

 

CMYK 99 / 0 / 72 / 43

HEX #019129

RGB 1 145 41

HSL 136.67, 0.99%, 0.29%

LAB 52.31, -54.22, 43.91

 

CMYK 99 / 0 / 72 / 27

HEX #01BA34

RGB 1 186 52

HSL 136.54, 0.99%, 0.37%

LAB 66.04, -65.46, 53.94

 

CMYK 99 / 0 / 72 / 11

HEX #02E340

RGB 2 227 64

HSL 136.53, 0.98%, 0.45%

LAB 79.23, -76.11, 63.16

 

CMYK 93 / 0 / 67 / 1

HEX #12FC53

RGB 18 252 83

HSL 136.67, 0.98%, 0.53%

LAB 87.18, -80.91, 64.52

 

CMYK 77 / 0 / 56 / 1

HEX #3AFD70

RGB 58 253 112

HSL 136.62, 0.98%, 0.61%

LAB 88.12, -74.75, 53.58

 

CMYK 99 / 0 / 72 / 11

HEX #02E240

RGB 2 226 64

HSL 136.61, 0.98%, 0.45%

LAB 78.91, -75.83, 62.84

 

CMYK 99 / 46 / 0 / 11

HEX #027AE3

RGB 2 122 227

HSL 208, 0.98%, 0.45%

LAB 51.24, 11.71, -60.96

 

CMYK 0 / 99 / 86 / 11

HEX #E30220

RGB 227 2 32

HSL 352, 0.98%, 0.45%

LAB 47.6, 73.57, 50.18

 

CMYK 99 / 0 / 72 / 11

HEX #02E240

RGB 2 226 64

HSL 136.61, 0.98%, 0.45%

LAB 78.91, -75.83, 62.84

 

CMYK 73 / 99 / 0 / 11

HEX #3E02E3

RGB 62 2 227

HSL 256, 0.98%, 0.45%

LAB 30.91, 73.15, -94.26

 

CMYK 0 / 73 / 99 / 11

HEX #E33E02

RGB 227 62 2

HSL 16, 0.98%, 0.45%

LAB 51.59, 61.55, 62.77

 

CMYK 99 / 0 / 72 / 11

HEX #02E240

RGB 2 226 64

HSL 136.61, 0.98%, 0.45%

LAB 78.91, -75.83, 62.84

 

CMYK 99 / 46 / 0 / 11

HEX #027AE3

RGB 2 122 227

HSL 208, 0.98%, 0.45%

LAB 51.24, 11.71, -60.96

 

CMYK 0 / 99 / 26 / 11

HEX #E302A7

RGB 227 2 167

HSL 316, 0.98%, 0.45%

LAB 50.88, 82.24, -25.77

 

CMYK 0 / 53 / 99 / 11

HEX #E36B02

RGB 227 107 2

HSL 28, 0.98%, 0.45%

LAB 58.84, 42.34, 66.72

 

CMYK 99 / 0 / 72 / 11

HEX #02E240

RGB 2 226 64

HSL 136.61, 0.98%, 0.45%

LAB 78.91, -75.83, 62.84

 

CMYK 99 / 76 / 0 / 11

HEX #0236E3

RGB 2 54 227

HSL 226.13, 0.98%, 0.45%

LAB 34.39, 54.25, -88.53

 

CMYK 0 / 99 / 26 / 11

HEX #E302A7

RGB 227 2 167

HSL 316, 0.98%, 0.45%

LAB 50.88, 82.24, -25.77

 

CMYK 0 / 23 / 99 / 11

HEX #E3AE02

RGB 227 174 2

HSL 45.87, 0.98%, 0.45%

LAB 73.94, 7.23, 76.56

 

Description

Color code: HEX #02E240 | qconv.com Color code: HEX #02E240 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 226 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 226 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 72 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 72% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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