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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02FCD2 it is the complementary color #FD032D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02FCD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #02FCD2 shade: #07FCCD, #18FFE0, #29FFF3, #3AFFFF and #4BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02FCD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #02FCD2 shade: #02FCD2, #00EABF, #00D8AC, #00C699 and #00B486

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #02FCD2 shade: #02FCD2, #02FC8F, #02FC4B, #02FC08 and #40FC02

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #02FCD2 shade: #02FCD2, #02E3FC, #029FFC, #025CFC and #0218FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #02FCD2 shade matches the following richer shades: #02FCD2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #02FCD2 shade: #02FCD2, #17E7C4, #2BD3B7, #40BEA9 and #55A99B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #02FCD2 shade: #02FC49, #02FC8B, #02FCCE, #02E7FC and #02A4FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #02FCD2 shade: #01AA8E, #02D3B0, #02FCD2, #2BFCD9 and #54FDE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #02FCD2 shade: #02FCD2, #0602FC and #FC6A02

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #02FCD2 shade: #02FCD2, #CE02FC and #FCCE02

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #02FCD2 shade: #02FCD2, #0602FC, #FC0230 and #F8FC02

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #02FCD2 shade: #02FCD2, #5102FC, #FC0230 and #ADFC02

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 17 / 1

HEX #02FCD2

RGB 2 252 210

HSL 169.92, 0.98%, 0.5%

LAB 89.06, -58.94, 6.2

 

Complementary color

CMYK 0 / 99 / 82 / 1

HEX #FD032D

RGB 253 3 45

HSL 349.92, 0.98%, 0.5%

LAB 53.1, 79.99, 50.5

 

CMYK 97 / 0 / 19 / 1

HEX #07FCCD

RGB 7 252 205

HSL 168.49, 0.98%, 0.51%

LAB 88.96, -60.07, 8.65

 

CMYK 91 / 0 / 12 / 0

HEX #18FFE0

RGB 24 255 224

HSL 171.95, 1%, 0.55%

LAB 90.37, -55.95, 0.85

 

CMYK 84 / 0 / 5 / 0

HEX #29FFF3

RGB 41 255 243

HSL 176.64, 1%, 0.58%

LAB 90.99, -50.01, -8.08

 

CMYK 77 / 0 / 0 / 0

HEX #3AFFFF

RGB 58 255 255

HSL 180, 1%, 0.61%

LAB 91.52, -45.41, -13.49

 

CMYK 71 / 0 / 0 / 0

HEX #4BFFFF

RGB 75 255 255

HSL 180, 1%, 0.65%

LAB 91.79, -43.68, -13.06

 

CMYK 99 / 0 / 17 / 1

HEX #02FCD2

RGB 2 252 210

HSL 169.92, 0.98%, 0.5%

LAB 89.06, -58.94, 6.2

 

CMYK 100 / 0 / 18 / 8

HEX #00EABF

RGB 0 234 191

HSL 168.97, 1%, 0.46%

LAB 83.24, -56.74, 7.74

 

CMYK 100 / 0 / 20 / 15

HEX #00D8AC

RGB 0 216 172

HSL 167.78, 1%, 0.42%

LAB 77.33, -54.46, 9.35

 

CMYK 100 / 0 / 23 / 22

HEX #00C699

RGB 0 198 153

HSL 166.36, 1%, 0.39%

LAB 71.34, -52.14, 11.01

 

CMYK 100 / 0 / 26 / 29

HEX #00B486

RGB 0 180 134

HSL 164.67, 1%, 0.35%

LAB 65.25, -49.76, 12.75

 

CMYK 99 / 0 / 17 / 1

HEX #02FCD2

RGB 2 252 210

HSL 169.92, 0.98%, 0.5%

LAB 89.06, -58.94, 6.2

 

CMYK 99 / 0 / 43 / 1

HEX #02FC8F

RGB 2 252 143

HSL 153.84, 0.98%, 0.5%

LAB 87.78, -73.3, 38.48

 

CMYK 99 / 0 / 70 / 1

HEX #02FC4B

RGB 2 252 75

HSL 137.52, 0.98%, 0.5%

LAB 87.07, -82.14, 67.34

 

CMYK 99 / 0 / 97 / 1

HEX #02FC08

RGB 2 252 8

HSL 121.44, 0.98%, 0.5%

LAB 86.83, -85.24, 81.84

 

CMYK 75 / 0 / 99 / 1

HEX #40FC02

RGB 64 252 2

HSL 105.12, 0.98%, 0.5%

LAB 87.35, -80.59, 82.94

 

CMYK 99 / 0 / 17 / 1

HEX #02FCD2

RGB 2 252 210

HSL 169.92, 0.98%, 0.5%

LAB 89.06, -58.94, 6.2

 

CMYK 99 / 10 / 0 / 1

HEX #02E3FC

RGB 2 227 252

HSL 186, 0.98%, 0.5%

LAB 82.9, -36.42, -24.97

 

CMYK 99 / 37 / 0 / 1

HEX #029FFC

RGB 2 159 252

HSL 202.32, 0.98%, 0.5%

LAB 63.21, -1.01, -55.65

 

CMYK 99 / 63 / 0 / 1

HEX #025CFC

RGB 2 92 252

HSL 218.4, 0.98%, 0.5%

LAB 45.21, 40.43, -84.76

 

CMYK 99 / 90 / 0 / 1

HEX #0218FC

RGB 2 24 252

HSL 234.72, 0.98%, 0.5%

LAB 33.34, 74.05, -104.45

 

CMYK 99 / 0 / 17 / 1

HEX #02FCD2

RGB 2 252 210

HSL 169.92, 0.98%, 0.5%

LAB 89.06, -58.94, 6.2

 

CMYK 99 / 0 / 17 / 1

HEX #02FCD2

RGB 2 252 210

HSL 169.92, 0.98%, 0.5%

LAB 89.06, -58.94, 6.2

 

CMYK 90 / 0 / 15 / 9

HEX #17E7C4

RGB 23 231 196

HSL 169.9, 0.82%, 0.5%

LAB 82.55, -53.58, 4.13

 

CMYK 80 / 0 / 13 / 17

HEX #2BD3B7

RGB 43 211 183

HSL 170, 0.66%, 0.5%

LAB 76.39, -47.38, 2.14

 

CMYK 66 / 0 / 11 / 25

HEX #40BEA9

RGB 64 190 169

HSL 170, 0.5%, 0.5%

LAB 70.02, -39.33, 0.51

 

CMYK 50 / 0 / 8 / 34

HEX #55A99B

RGB 85 169 155

HSL 170, 0.33%, 0.5%

LAB 63.9, -29.01, -0.62

 

CMYK 99 / 0 / 71 / 1

HEX #02FC49

RGB 2 252 73

HSL 137.04, 0.98%, 0.5%

LAB 87.05, -82.3, 68.04

 

CMYK 99 / 0 / 45 / 1

HEX #02FC8B

RGB 2 252 139

HSL 152.88, 0.98%, 0.5%

LAB 87.73, -73.98, 40.36

 

CMYK 99 / 0 / 18 / 1

HEX #02FCCE

RGB 2 252 206

HSL 168.96, 0.98%, 0.5%

LAB 88.96, -59.94, 8.14

 

CMYK 99 / 8 / 0 / 1

HEX #02E7FC

RGB 2 231 252

HSL 185.04, 0.98%, 0.5%

LAB 84.07, -38.27, -23.2

 

CMYK 99 / 35 / 0 / 1

HEX #02A4FC

RGB 2 164 252

HSL 201.12, 0.98%, 0.5%

LAB 64.64, -3.88, -53.38

 

CMYK 99 / 0 / 16 / 33

HEX #01AA8E

RGB 1 170 142

HSL 170.06, 0.99%, 0.34%

LAB 62.26, -43.6, 4.07

 

CMYK 99 / 0 / 17 / 17

HEX #02D3B0

RGB 2 211 176

HSL 169.95, 0.98%, 0.42%

LAB 75.91, -51.4, 5.16

 

CMYK 99 / 0 / 17 / 1

HEX #02FCD2

RGB 2 252 210

HSL 169.92, 0.98%, 0.5%

LAB 89.06, -58.94, 6.2

 

CMYK 83 / 0 / 14 / 1

HEX #2BFCD9

RGB 43 252 217

HSL 169.95, 0.97%, 0.58%

LAB 89.46, -55.49, 3.18

 

CMYK 67 / 0 / 11 / 1

HEX #54FDE0

RGB 84 253 224

HSL 169.7, 0.98%, 0.66%

LAB 90.56, -49.75, 1.22

 

CMYK 99 / 0 / 17 / 1

HEX #02FCD2

RGB 2 252 210

HSL 169.92, 0.98%, 0.5%

LAB 89.06, -58.94, 6.2

 

CMYK 98 / 99 / 0 / 1

HEX #0602FC

RGB 6 2 252

HSL 240.96, 0.98%, 0.5%

LAB 32.06, 78.21, -106.59

 

CMYK 0 / 58 / 99 / 1

HEX #FC6A02

RGB 252 106 2

HSL 24.96, 0.98%, 0.5%

LAB 62.51, 52.17, 70.86

 

CMYK 99 / 0 / 17 / 1

HEX #02FCD2

RGB 2 252 210

HSL 169.92, 0.98%, 0.5%

LAB 89.06, -58.94, 6.2

 

CMYK 18 / 99 / 0 / 1

HEX #CE02FC

RGB 206 2 252

HSL 288.96, 0.98%, 0.5%

LAB 52.06, 90.63, -72.91

 

CMYK 0 / 18 / 99 / 1

HEX #FCCE02

RGB 252 206 2

HSL 48.96, 0.98%, 0.5%

LAB 84.4, 1.39, 85.05

 

CMYK 99 / 0 / 17 / 1

HEX #02FCD2

RGB 2 252 210

HSL 169.92, 0.98%, 0.5%

LAB 89.06, -58.94, 6.2

 

CMYK 98 / 99 / 0 / 1

HEX #0602FC

RGB 6 2 252

HSL 240.96, 0.98%, 0.5%

LAB 32.06, 78.21, -106.59

 

CMYK 0 / 99 / 81 / 1

HEX #FC0230

RGB 252 2 48

HSL 348.96, 0.98%, 0.5%

LAB 52.9, 79.9, 48.65

 

CMYK 2 / 0 / 99 / 1

HEX #F8FC02

RGB 248 252 2

HSL 60.96, 0.98%, 0.5%

LAB 95.82, -22.99, 93.14

 

CMYK 99 / 0 / 17 / 1

HEX #02FCD2

RGB 2 252 210

HSL 169.92, 0.98%, 0.5%

LAB 89.06, -58.94, 6.2

 

CMYK 68 / 99 / 0 / 1

HEX #5102FC

RGB 81 2 252

HSL 258.96, 0.98%, 0.5%

LAB 35.64, 79.63, -100.52

 

CMYK 0 / 99 / 81 / 1

HEX #FC0230

RGB 252 2 48

HSL 348.96, 0.98%, 0.5%

LAB 52.9, 79.9, 48.65

 

CMYK 31 / 0 / 99 / 1

HEX #ADFC02

RGB 173 252 2

HSL 78.96, 0.98%, 0.5%

LAB 91.01, -52.18, 87.38

 

Description

Color code: HEX #02FCD2 | qconv.com Color code: HEX #02FCD2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 252 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 252 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 17 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 17% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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