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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #07A574 it is the complementary color #F85A8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #07A574. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #07A574 shade: #0CA56F, #1DB782, #2EC995, #3FDBA8 and #50EDBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #07A574. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #07A574 shade: #07A574, #009361, #00814E, #006F3B and #005D28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #07A574 shade: #06A674, #06A649, #06A61E, #19A606 and #44A606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #07A574 shade: #06A674, #06A6A0, #0681A6, #0656A6 and #062BA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #07A574 shade matches the following richer shades: #06A674

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #07A574 shade: #06A674, #14986F, #228A6A, #317C65 and #3F6E5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #07A574 shade: #06A61E, #06A649, #06A673, #06A69E and #0683A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #07A574 shade: #03573D, #057E59, #06A674, #08CE90 and #0BF4AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #07A574 shade: #07A574, #0619A6 and #A63406

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #07A574 shade: #07A574, #7306A6 and #A67306

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #07A574 shade: #07A574, #0619A6, #A60639 and #A69306

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #07A574 shade: #07A574, #2406A6, #A60639 and #89A606

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 30 / 35

HEX #07A574

RGB 7 165 116

HSL 161.39, 0.92%, 0.34%

LAB 60.08, -47.93, 15.46

 

Complementary color

CMYK 0 / 64 / 44 / 3

HEX #F85A8B

RGB 248 90 139

HSL 341.39, 0.92%, 0.66%

LAB 60.9, 64.01, 6.05

 

CMYK 93 / 0 / 33 / 35

HEX #0CA56F

RGB 12 165 111

HSL 158.82, 0.86%, 0.35%

LAB 60.01, -48.85, 18.13

 

CMYK 84 / 0 / 29 / 28

HEX #1DB782

RGB 29 183 130

HSL 159.35, 0.73%, 0.42%

LAB 66.32, -50.32, 16.46

 

CMYK 77 / 0 / 26 / 21

HEX #2EC995

RGB 46 201 149

HSL 159.87, 0.63%, 0.48%

LAB 72.58, -51.35, 14.96

 

CMYK 71 / 0 / 23 / 14

HEX #3FDBA8

RGB 63 219 168

HSL 160.38, 0.68%, 0.55%

LAB 78.78, -52.04, 13.61

 

CMYK 66 / 0 / 21 / 7

HEX #50EDBB

RGB 80 237 187

HSL 160.89, 0.81%, 0.62%

LAB 84.93, -52.5, 12.37

 

CMYK 96 / 0 / 30 / 35

HEX #07A574

RGB 7 165 116

HSL 161.39, 0.92%, 0.34%

LAB 60.08, -47.93, 15.46

 

CMYK 100 / 0 / 34 / 42

HEX #009361

RGB 0 147 97

HSL 159.59, 1%, 0.29%

LAB 53.74, -45.72, 17.32

 

CMYK 100 / 0 / 40 / 49

HEX #00814E

RGB 0 129 78

HSL 156.28, 1%, 0.25%

LAB 47.3, -43.07, 19.33

 

CMYK 100 / 0 / 47 / 56

HEX #006F3B

RGB 0 111 59

HSL 151.89, 1%, 0.22%

LAB 40.71, -40.25, 21.45

 

CMYK 100 / 0 / 57 / 64

HEX #005D28

RGB 0 93 40

HSL 145.81, 1%, 0.18%

LAB 33.95, -37.16, 23.62

 

CMYK 96 / 0 / 30 / 35

HEX #06A674

RGB 6 166 116

HSL 161.25, 0.93%, 0.34%

LAB 60.4, -48.36, 15.9

 

CMYK 96 / 0 / 56 / 35

HEX #06A649

RGB 6 166 73

HSL 145.13, 0.93%, 0.34%

LAB 59.7, -56.61, 37.71

 

CMYK 96 / 0 / 82 / 35

HEX #06A61E

RGB 6 166 30

HSL 129, 0.93%, 0.34%

LAB 59.35, -61.06, 54.73

 

CMYK 85 / 0 / 96 / 35

HEX #19A606

RGB 25 166 6

HSL 112.88, 0.93%, 0.34%

LAB 59.43, -60.62, 59.7

 

CMYK 59 / 0 / 96 / 35

HEX #44A606

RGB 68 166 6

HSL 96.75, 0.93%, 0.34%

LAB 60.35, -52.72, 60.84

 

CMYK 96 / 0 / 30 / 35

HEX #06A674

RGB 6 166 116

HSL 161.25, 0.93%, 0.34%

LAB 60.4, -48.36, 15.9

 

CMYK 96 / 0 / 4 / 35

HEX #06A6A0

RGB 6 166 160

HSL 177.75, 0.93%, 0.34%

LAB 61.52, -36.48, -7.1

 

CMYK 96 / 22 / 0 / 35

HEX #0681A6

RGB 6 129 166

HSL 193.88, 0.93%, 0.34%

LAB 50.09, -15.82, -27.93

 

CMYK 96 / 48 / 0 / 35

HEX #0656A6

RGB 6 86 166

HSL 210, 0.93%, 0.34%

LAB 36.83, 10.55, -48.92

 

CMYK 96 / 74 / 0 / 35

HEX #062BA6

RGB 6 43 166

HSL 226.13, 0.93%, 0.34%

LAB 25.32, 39.38, -67.74

 

CMYK 96 / 0 / 30 / 35

HEX #06A674

RGB 6 166 116

HSL 161.25, 0.93%, 0.34%

LAB 60.4, -48.36, 15.9

 

CMYK 96 / 0 / 30 / 35

HEX #06A674

RGB 6 166 116

HSL 161.25, 0.93%, 0.34%

LAB 60.4, -48.36, 15.9

 

CMYK 87 / 0 / 27 / 40

HEX #14986F

RGB 20 152 111

HSL 161.36, 0.77%, 0.34%

LAB 55.84, -43.19, 12.36

 

CMYK 75 / 0 / 23 / 46

HEX #228A6A

RGB 34 138 106

HSL 161.54, 0.6%, 0.34%

LAB 51.33, -36.98, 8.91

 

CMYK 60 / 0 / 19 / 51

HEX #317C65

RGB 49 124 101

HSL 161.6, 0.43%, 0.34%

LAB 46.98, -29.14, 5.69

 

CMYK 43 / 0 / 14 / 57

HEX #3F6E5F

RGB 63 110 95

HSL 160.85, 0.27%, 0.34%

LAB 42.82, -19.93, 3.35

 

CMYK 96 / 0 / 82 / 35

HEX #06A61E

RGB 6 166 30

HSL 129, 0.93%, 0.34%

LAB 59.35, -61.06, 54.73

 

CMYK 96 / 0 / 56 / 35

HEX #06A649

RGB 6 166 73

HSL 145.13, 0.93%, 0.34%

LAB 59.7, -56.61, 37.71

 

CMYK 96 / 0 / 31 / 35

HEX #06A673

RGB 6 166 115

HSL 160.88, 0.93%, 0.34%

LAB 60.38, -48.59, 16.42

 

CMYK 96 / 0 / 5 / 35

HEX #06A69E

RGB 6 166 158

HSL 177, 0.93%, 0.34%

LAB 61.46, -37.08, -6.07

 

CMYK 96 / 21 / 0 / 35

HEX #0683A6

RGB 6 131 166

HSL 193.13, 0.93%, 0.34%

LAB 50.72, -16.92, -26.95

 

CMYK 97 / 0 / 30 / 66

HEX #03573D

RGB 3 87 61

HSL 161.43, 0.93%, 0.18%

LAB 32.2, -29.75, 8.84

 

CMYK 96 / 0 / 29 / 51

HEX #057E59

RGB 5 126 89

HSL 161.65, 0.92%, 0.26%

LAB 46.55, -38.97, 11.99

 

CMYK 96 / 0 / 30 / 35

HEX #06A674

RGB 6 166 116

HSL 161.25, 0.93%, 0.34%

LAB 60.4, -48.36, 15.9

 

CMYK 96 / 0 / 30 / 19

HEX #08CE90

RGB 8 206 144

HSL 161.21, 0.93%, 0.42%

LAB 73.68, -57.04, 19.11

 

CMYK 95 / 0 / 30 / 4

HEX #0BF4AC

RGB 11 244 172

HSL 161.46, 0.91%, 0.5%

LAB 85.88, -64.65, 21.36

 

CMYK 96 / 0 / 30 / 35

HEX #07A574

RGB 7 165 116

HSL 161.39, 0.92%, 0.34%

LAB 60.08, -47.93, 15.46

 

CMYK 96 / 85 / 0 / 35

HEX #0619A6

RGB 6 25 166

HSL 232.88, 0.93%, 0.34%

LAB 21.9, 49.24, -73.42

 

CMYK 0 / 69 / 96 / 35

HEX #A63406

RGB 166 52 6

HSL 17.25, 0.93%, 0.34%

LAB 38.86, 45.19, 48.66

 

CMYK 96 / 0 / 30 / 35

HEX #07A574

RGB 7 165 116

HSL 161.39, 0.92%, 0.34%

LAB 60.08, -47.93, 15.46

 

CMYK 31 / 96 / 0 / 35

HEX #7306A6

RGB 115 6 166

HSL 280.88, 0.93%, 0.34%

LAB 30.71, 62.85, -58.53

 

CMYK 0 / 31 / 96 / 35

HEX #A67306

RGB 166 115 6

HSL 40.88, 0.93%, 0.34%

LAB 52.27, 12.23, 57.61

 

CMYK 96 / 0 / 30 / 35

HEX #07A574

RGB 7 165 116

HSL 161.39, 0.92%, 0.34%

LAB 60.08, -47.93, 15.46

 

CMYK 96 / 85 / 0 / 35

HEX #0619A6

RGB 6 25 166

HSL 232.88, 0.93%, 0.34%

LAB 21.9, 49.24, -73.42

 

CMYK 0 / 96 / 66 / 35

HEX #A60639

RGB 166 6 57

HSL 340.88, 0.93%, 0.34%

LAB 35.07, 58.97, 18.16

 

CMYK 0 / 11 / 96 / 35

HEX #A69306

RGB 166 147 6

HSL 52.88, 0.93%, 0.34%

LAB 60.77, -5.53, 63.8

 

CMYK 96 / 0 / 30 / 35

HEX #07A574

RGB 7 165 116

HSL 161.39, 0.92%, 0.34%

LAB 60.08, -47.93, 15.46

 

CMYK 78 / 96 / 0 / 35

HEX #2406A6

RGB 36 6 166

HSL 251.25, 0.93%, 0.34%

LAB 21.05, 56.42, -74.8

 

CMYK 0 / 96 / 66 / 35

HEX #A60639

RGB 166 6 57

HSL 340.88, 0.93%, 0.34%

LAB 35.07, 58.97, 18.16

 

CMYK 17 / 0 / 96 / 35

HEX #89A606

RGB 137 166 6

HSL 70.88, 0.93%, 0.34%

LAB 63.84, -28.17, 65.08

 

Description

Color code: HEX #07A574 | qconv.com Color code: HEX #07A574 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 165 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 165 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 30 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 30% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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