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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #07BE25 it is the complementary color #F841DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #07BE25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #07BE25 shade: #0CBE20, #1DD033, #2EE246, #3FF459 and #50FF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #07BE25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #07BE25 shade: #07BE25, #00AC12, #009A00, #008800 and #007600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #07BE25 shade: #06BF25, #1ABF06, #4CBF06, #7EBF06 and #B0BF06

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #07BE25 shade: #06BF25, #06BF57, #06BF89, #06BFBA and #0693BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #07BE25 shade matches the following richer shades: #06BF25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #07BE25 shade: #06BF25, #17AF30, #279F3A, #378F45 and #477F50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #07BE25 shade: #4DBF06, #1CBF06, #06BF22, #06BF54 and #06BF85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #07BE25 shade: #047015, #05981D, #06BF25, #08E72D and #22F645

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #07BE25 shade: #07BE25, #067FBF and #BF0635

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #07BE25 shade: #07BE25, #2206BF and #BF2206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #07BE25 shade: #07BE25, #067FBF, #BF06A4 and #BF4706

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #07BE25 shade: #07BE25, #0647BF, #BF06A4 and #BF7F06

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 81 / 25

HEX #07BE25

RGB 7 190 37

HSL 129.84, 0.93%, 0.39%

LAB 67.28, -67.47, 60.17

 

Complementary color

CMYK 0 / 74 / 12 / 3

HEX #F841DA

RGB 248 65 218

HSL 309.84, 0.93%, 0.61%

LAB 60.6, 82.02, -39.78

 

CMYK 94 / 0 / 83 / 25

HEX #0CBE20

RGB 12 190 32

HSL 126.74, 0.88%, 0.4%

LAB 67.28, -67.53, 61.54

 

CMYK 86 / 0 / 75 / 18

HEX #1DD033

RGB 29 208 51

HSL 127.37, 0.76%, 0.46%

LAB 73.29, -70.35, 61.69

 

CMYK 80 / 0 / 69 / 11

HEX #2EE246

RGB 46 226 70

HSL 128, 0.76%, 0.53%

LAB 79.28, -72.43, 61.12

 

CMYK 74 / 0 / 64 / 4

HEX #3FF459

RGB 63 244 89

HSL 128.62, 0.89%, 0.6%

LAB 85.24, -73.94, 60.16

 

CMYK 69 / 0 / 58 / 0

HEX #50FF6C

RGB 80 255 108

HSL 129.6, 1%, 0.66%

LAB 89.07, -72.72, 56.55

 

CMYK 96 / 0 / 81 / 25

HEX #07BE25

RGB 7 190 37

HSL 129.84, 0.93%, 0.39%

LAB 67.28, -67.47, 60.17

 

CMYK 100 / 0 / 90 / 33

HEX #00AC12

RGB 0 172 18

HSL 126.28, 1%, 0.34%

LAB 61.26, -63.66, 59.31

 

CMYK 100 / 0 / 100 / 40

HEX #009A00

RGB 0 154 0

HSL 120, 1%, 0.3%

LAB 55.19, -59.14, 57.08

 

CMYK 100 / 0 / 100 / 47

HEX #008800

RGB 0 136 0

HSL 120, 1%, 0.27%

LAB 49.02, -54.02, 52.13

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 97 / 0 / 81 / 25

HEX #06BF25

RGB 6 191 37

HSL 130.05, 0.94%, 0.39%

LAB 67.6, -67.79, 60.47

 

CMYK 86 / 0 / 97 / 25

HEX #1ABF06

RGB 26 191 6

HSL 113.51, 0.94%, 0.39%

LAB 67.65, -67.73, 66.44

 

CMYK 60 / 0 / 97 / 25

HEX #4CBF06

RGB 76 191 6

HSL 97.3, 0.94%, 0.39%

LAB 68.61, -59.39, 67.63

 

CMYK 34 / 0 / 97 / 25

HEX #7EBF06

RGB 126 191 6

HSL 81.08, 0.94%, 0.39%

LAB 70.67, -43.81, 70.14

 

CMYK 8 / 0 / 97 / 25

HEX #B0BF06

RGB 176 191 6

HSL 64.86, 0.94%, 0.39%

LAB 73.87, -23.72, 74

 

CMYK 97 / 0 / 81 / 25

HEX #06BF25

RGB 6 191 37

HSL 130.05, 0.94%, 0.39%

LAB 67.6, -67.79, 60.47

 

CMYK 97 / 0 / 54 / 25

HEX #06BF57

RGB 6 191 87

HSL 146.27, 0.94%, 0.39%

LAB 68.01, -62.63, 40.93

 

CMYK 97 / 0 / 28 / 25

HEX #06BF89

RGB 6 191 137

HSL 162.49, 0.94%, 0.39%

LAB 68.83, -53.07, 16.13

 

CMYK 97 / 0 / 3 / 25

HEX #06BFBA

RGB 6 191 186

HSL 178.38, 0.94%, 0.39%

LAB 70.07, -40, -8.82

 

CMYK 97 / 23 / 0 / 25

HEX #0693BF

RGB 6 147 191

HSL 194.27, 0.94%, 0.39%

LAB 56.75, -16.62, -31.9

 

CMYK 97 / 0 / 81 / 25

HEX #06BF25

RGB 6 191 37

HSL 130.05, 0.94%, 0.39%

LAB 67.6, -67.79, 60.47

 

CMYK 97 / 0 / 81 / 25

HEX #06BF25

RGB 6 191 37

HSL 130.05, 0.94%, 0.39%

LAB 67.6, -67.79, 60.47

 

CMYK 87 / 0 / 73 / 31

HEX #17AF30

RGB 23 175 48

HSL 129.87, 0.77%, 0.39%

LAB 62.55, -61.28, 51.9

 

CMYK 75 / 0 / 64 / 38

HEX #279F3A

RGB 39 159 58

HSL 129.5, 0.61%, 0.39%

LAB 57.59, -53.15, 42.44

 

CMYK 62 / 0 / 52 / 44

HEX #378F45

RGB 55 143 69

HSL 129.55, 0.44%, 0.39%

LAB 52.83, -42.58, 31.53

 

CMYK 44 / 0 / 37 / 50

HEX #477F50

RGB 71 127 80

HSL 129.64, 0.28%, 0.39%

LAB 48.38, -29.24, 19.95

 

CMYK 60 / 0 / 97 / 25

HEX #4DBF06

RGB 77 191 6

HSL 96.97, 0.94%, 0.39%

LAB 68.64, -59.14, 67.67

 

CMYK 85 / 0 / 97 / 25

HEX #1CBF06

RGB 28 191 6

HSL 112.86, 0.94%, 0.39%

LAB 67.67, -67.55, 66.47

 

CMYK 97 / 0 / 82 / 25

HEX #06BF22

RGB 6 191 34

HSL 129.08, 0.94%, 0.39%

LAB 67.59, -67.97, 61.29

 

CMYK 97 / 0 / 56 / 25

HEX #06BF54

RGB 6 191 84

HSL 145.3, 0.94%, 0.39%

LAB 67.98, -63.06, 42.33

 

CMYK 97 / 0 / 30 / 25

HEX #06BF85

RGB 6 191 133

HSL 161.19, 0.94%, 0.39%

LAB 68.75, -53.98, 18.17

 

CMYK 96 / 0 / 81 / 56

HEX #047015

RGB 4 112 21

HSL 129.44, 0.93%, 0.23%

LAB 40.68, -45.47, 39.8

 

CMYK 97 / 0 / 81 / 40

HEX #05981D

RGB 5 152 29

HSL 129.8, 0.94%, 0.31%

LAB 54.63, -57.07, 50.58

 

CMYK 97 / 0 / 81 / 25

HEX #06BF25

RGB 6 191 37

HSL 130.05, 0.94%, 0.39%

LAB 67.6, -67.79, 60.47

 

CMYK 97 / 0 / 81 / 9

HEX #08E72D

RGB 8 231 45

HSL 129.96, 0.93%, 0.47%

LAB 80.4, -78.33, 70.25

 

CMYK 86 / 0 / 72 / 4

HEX #22F645

RGB 34 246 69

HSL 129.91, 0.92%, 0.55%

LAB 85.34, -79.5, 67.73

 

CMYK 96 / 0 / 81 / 25

HEX #07BE25

RGB 7 190 37

HSL 129.84, 0.93%, 0.39%

LAB 67.28, -67.47, 60.17

 

CMYK 97 / 34 / 0 / 25

HEX #067FBF

RGB 6 127 191

HSL 200.76, 0.94%, 0.39%

LAB 50.66, -5.25, -41.45

 

CMYK 0 / 97 / 72 / 25

HEX #BF0635

RGB 191 6 53

HSL 344.76, 0.94%, 0.39%

LAB 40.35, 65, 28.47

 

CMYK 96 / 0 / 81 / 25

HEX #07BE25

RGB 7 190 37

HSL 129.84, 0.93%, 0.39%

LAB 67.28, -67.47, 60.17

 

CMYK 82 / 97 / 0 / 25

HEX #2206BF

RGB 34 6 191

HSL 249.08, 0.94%, 0.39%

LAB 24.42, 62.81, -84.16

 

CMYK 0 / 82 / 97 / 25

HEX #BF2206

RGB 191 34 6

HSL 9.08, 0.94%, 0.39%

LAB 41.58, 59.21, 52.77

 

CMYK 96 / 0 / 81 / 25

HEX #07BE25

RGB 7 190 37

HSL 129.84, 0.93%, 0.39%

LAB 67.28, -67.47, 60.17

 

CMYK 97 / 34 / 0 / 25

HEX #067FBF

RGB 6 127 191

HSL 200.76, 0.94%, 0.39%

LAB 50.66, -5.25, -41.45

 

CMYK 0 / 97 / 14 / 25

HEX #BF06A4

RGB 191 6 164

HSL 308.76, 0.94%, 0.39%

LAB 44.07, 74.76, -35.13

 

CMYK 0 / 63 / 97 / 25

HEX #BF4706

RGB 191 71 6

HSL 21.08, 0.94%, 0.39%

LAB 46.44, 45.89, 55.51

 

CMYK 96 / 0 / 81 / 25

HEX #07BE25

RGB 7 190 37

HSL 129.84, 0.93%, 0.39%

LAB 67.28, -67.47, 60.17

 

CMYK 97 / 63 / 0 / 25

HEX #0647BF

RGB 6 71 191

HSL 218.92, 0.94%, 0.39%

LAB 34.61, 30.79, -67.32

 

CMYK 0 / 97 / 14 / 25

HEX #BF06A4

RGB 191 6 164

HSL 308.76, 0.94%, 0.39%

LAB 44.07, 74.76, -35.13

 

CMYK 0 / 34 / 97 / 25

HEX #BF7F06

RGB 191 127 6

HSL 39.24, 0.94%, 0.39%

LAB 58.29, 16.81, 63.26

 

Description

Color code: HEX #07BE25 | qconv.com Color code: HEX #07BE25 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 190 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 190 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 81 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 81% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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