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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #07D3AF it is the complementary color #F82C50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #07D3AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #07D3AF shade: #0CD3AA, #1DE5BD, #2EF7D0, #3FFFE3 and #50FFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #07D3AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #07D3AF shade: #07D3AF, #00C19C, #00AF89, #009D76 and #008B63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #07D3AF shade: #06D4B0, #06D478, #06D441, #06D409 and #3BD406

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #07D3AF shade: #06D4B0, #06C1D4, #0689D4, #0652D4 and #061AD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #07D3AF shade matches the following richer shades: #06D4B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #07D3AF shade: #06D4B0, #18C2A4, #2AB199, #3B9F8D and #4D8D82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #07D3AF shade: #06D440, #06D477, #06D4AE, #06C3D4 and #068CD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #07D3AF shade: #04846D, #05AC8F, #06D4B0, #0DF7CE and #35F8D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #07D3AF shade: #07D3AF, #0A06D4 and #D45C06

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #07D3AF shade: #07D3AF, #AE06D4 and #D4AE06

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #07D3AF shade: #07D3AF, #0A06D4, #D4062C and #D1D406

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #07D3AF shade: #07D3AF, #4706D4, #D4062C and #93D406

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 17 / 17

HEX #07D3AF

RGB 7 211 175

HSL 169.41, 0.94%, 0.43%

LAB 75.9, -51.52, 5.69

 

Complementary color

CMYK 0 / 82 / 68 / 3

HEX #F82C50

RGB 248 44 80

HSL 349.41, 0.94%, 0.57%

LAB 54.38, 74.6, 31.91

 

CMYK 94 / 0 / 19 / 17

HEX #0CD3AA

RGB 12 211 170

HSL 167.64, 0.89%, 0.44%

LAB 75.8, -52.64, 8.23

 

CMYK 87 / 0 / 17 / 10

HEX #1DE5BD

RGB 29 229 189

HSL 168, 0.79%, 0.51%

LAB 81.82, -54.25, 6.79

 

CMYK 81 / 0 / 16 / 3

HEX #2EF7D0

RGB 46 247 208

HSL 168.36, 0.93%, 0.57%

LAB 87.8, -55.51, 5.46

 

CMYK 75 / 0 / 11 / 0

HEX #3FFFE3

RGB 63 255 227

HSL 171.25, 1%, 0.62%

LAB 90.84, -52.41, 0.02

 

CMYK 69 / 0 / 4 / 0

HEX #50FFF6

RGB 80 255 246

HSL 176.91, 1%, 0.66%

LAB 91.63, -45.5, -8.62

 

CMYK 97 / 0 / 17 / 17

HEX #07D3AF

RGB 7 211 175

HSL 169.41, 0.94%, 0.43%

LAB 75.9, -51.52, 5.69

 

CMYK 100 / 0 / 19 / 24

HEX #00C19C

RGB 0 193 156

HSL 168.5, 1%, 0.38%

LAB 69.85, -49.39, 7.26

 

CMYK 100 / 0 / 22 / 31

HEX #00AF89

RGB 0 175 137

HSL 166.97, 1%, 0.34%

LAB 63.73, -47.02, 8.95

 

CMYK 100 / 0 / 25 / 38

HEX #009D76

RGB 0 157 118

HSL 165.1, 1%, 0.31%

LAB 57.48, -44.59, 10.71

 

CMYK 100 / 0 / 29 / 45

HEX #008B63

RGB 0 139 99

HSL 162.73, 1%, 0.27%

LAB 51.11, -42.09, 12.56

 

CMYK 97 / 0 / 17 / 17

HEX #06D4B0

RGB 6 212 176

HSL 169.51, 0.94%, 0.43%

LAB 76.23, -51.69, 5.63

 

CMYK 97 / 0 / 43 / 17

HEX #06D478

RGB 6 212 120

HSL 153.2, 0.94%, 0.43%

LAB 75.13, -64.07, 33.51

 

CMYK 97 / 0 / 69 / 17

HEX #06D441

RGB 6 212 65

HSL 137.18, 0.94%, 0.43%

LAB 74.51, -71.62, 57.89

 

CMYK 97 / 0 / 96 / 17

HEX #06D409

RGB 6 212 9

HSL 120.87, 0.94%, 0.43%

LAB 74.28, -74.58, 71.51

 

CMYK 72 / 0 / 97 / 17

HEX #3BD406

RGB 59 212 6

HSL 104.56, 0.94%, 0.43%

LAB 74.84, -69.59, 72.49

 

CMYK 97 / 0 / 17 / 17

HEX #06D4B0

RGB 6 212 176

HSL 169.51, 0.94%, 0.43%

LAB 76.23, -51.69, 5.63

 

CMYK 97 / 9 / 0 / 17

HEX #06C1D4

RGB 6 193 212

HSL 185.53, 0.94%, 0.43%

LAB 71.51, -32.91, -20.86

 

CMYK 97 / 35 / 0 / 17

HEX #0689D4

RGB 6 137 212

HSL 201.84, 0.94%, 0.43%

LAB 54.74, -3.12, -46.91

 

CMYK 97 / 61 / 0 / 17

HEX #0652D4

RGB 6 82 212

HSL 217.86, 0.94%, 0.43%

LAB 39.29, 31.75, -71.85

 

CMYK 97 / 88 / 0 / 17

HEX #061AD4

RGB 6 26 212

HSL 234.17, 0.94%, 0.43%

LAB 28.2, 62.59, -90.2

 

CMYK 97 / 0 / 17 / 17

HEX #06D4B0

RGB 6 212 176

HSL 169.51, 0.94%, 0.43%

LAB 76.23, -51.69, 5.63

 

CMYK 97 / 0 / 17 / 17

HEX #06D4B0

RGB 6 212 176

HSL 169.51, 0.94%, 0.43%

LAB 76.23, -51.69, 5.63

 

CMYK 88 / 0 / 15 / 24

HEX #18C2A4

RGB 24 194 164

HSL 169.41, 0.78%, 0.43%

LAB 70.5, -46.72, 3.85

 

CMYK 76 / 0 / 14 / 31

HEX #2AB199

RGB 42 177 153

HSL 169.33, 0.62%, 0.43%

LAB 65.15, -40.82, 2.18

 

CMYK 63 / 0 / 11 / 38

HEX #3B9F8D

RGB 59 159 141

HSL 169.2, 0.46%, 0.43%

LAB 59.57, -33.33, 0.83

 

CMYK 45 / 0 / 8 / 45

HEX #4D8D82

RGB 77 141 130

HSL 169.69, 0.29%, 0.43%

LAB 54.28, -23.36, -0.53

 

CMYK 97 / 0 / 70 / 17

HEX #06D440

RGB 6 212 64

HSL 136.89, 0.94%, 0.43%

LAB 74.51, -71.71, 58.26

 

CMYK 97 / 0 / 44 / 17

HEX #06D477

RGB 6 212 119

HSL 152.91, 0.94%, 0.43%

LAB 75.11, -64.25, 34

 

CMYK 97 / 0 / 18 / 17

HEX #06D4AE

RGB 6 212 174

HSL 168.93, 0.94%, 0.43%

LAB 76.18, -52.2, 6.63

 

CMYK 97 / 8 / 0 / 17

HEX #06C3D4

RGB 6 195 212

HSL 184.95, 0.94%, 0.43%

LAB 72.11, -33.86, -19.95

 

CMYK 97 / 34 / 0 / 17

HEX #068CD4

RGB 6 140 212

HSL 200.97, 0.94%, 0.43%

LAB 55.63, -4.88, -45.51

 

CMYK 97 / 0 / 17 / 48

HEX #04846D

RGB 4 132 109

HSL 169.22, 0.94%, 0.27%

LAB 49.05, -36.26, 3.85

 

CMYK 97 / 0 / 17 / 33

HEX #05AC8F

RGB 5 172 143

HSL 169.58, 0.94%, 0.35%

LAB 62.94, -44.01, 4.5

 

CMYK 97 / 0 / 17 / 17

HEX #06D4B0

RGB 6 212 176

HSL 169.51, 0.94%, 0.43%

LAB 76.23, -51.69, 5.63

 

CMYK 95 / 0 / 17 / 3

HEX #0DF7CE

RGB 13 247 206

HSL 169.49, 0.94%, 0.51%

LAB 87.52, -57.74, 6.06

 

CMYK 79 / 0 / 14 / 3

HEX #35F8D6

RGB 53 248 214

HSL 169.54, 0.93%, 0.59%

LAB 88.33, -53.81, 3.11

 

CMYK 97 / 0 / 17 / 17

HEX #07D3AF

RGB 7 211 175

HSL 169.41, 0.94%, 0.43%

LAB 75.9, -51.52, 5.69

 

CMYK 95 / 97 / 0 / 17

HEX #0A06D4

RGB 10 6 212

HSL 241.17, 0.94%, 0.43%

LAB 26.59, 67.78, -92.88

 

CMYK 0 / 57 / 97 / 17

HEX #D45C06

RGB 212 92 6

HSL 25.05, 0.94%, 0.43%

LAB 53.67, 43.92, 61.66

 

CMYK 97 / 0 / 17 / 17

HEX #07D3AF

RGB 7 211 175

HSL 169.41, 0.94%, 0.43%

LAB 75.9, -51.52, 5.69

 

CMYK 18 / 97 / 0 / 17

HEX #AE06D4

RGB 174 6 212

HSL 288.93, 0.94%, 0.43%

LAB 44.06, 79.27, -63.47

 

CMYK 0 / 18 / 97 / 17

HEX #D4AE06

RGB 212 174 6

HSL 48.93, 0.94%, 0.43%

LAB 72.42, 0.7, 74.32

 

CMYK 97 / 0 / 17 / 17

HEX #07D3AF

RGB 7 211 175

HSL 169.41, 0.94%, 0.43%

LAB 75.9, -51.52, 5.69

 

CMYK 95 / 97 / 0 / 17

HEX #0A06D4

RGB 10 6 212

HSL 241.17, 0.94%, 0.43%

LAB 26.59, 67.78, -92.88

 

CMYK 0 / 97 / 79 / 17

HEX #D4062C

RGB 212 6 44

HSL 348.93, 0.94%, 0.43%

LAB 44.67, 69.86, 39.91

 

CMYK 1 / 0 / 97 / 17

HEX #D1D406

RGB 209 212 6

HSL 60.87, 0.94%, 0.43%

LAB 82.19, -19.97, 81.37

 

CMYK 97 / 0 / 17 / 17

HEX #07D3AF

RGB 7 211 175

HSL 169.41, 0.94%, 0.43%

LAB 75.9, -51.52, 5.69

 

CMYK 67 / 97 / 0 / 17

HEX #4706D4

RGB 71 6 212

HSL 258.93, 0.94%, 0.43%

LAB 29.97, 69.31, -87.15

 

CMYK 0 / 97 / 79 / 17

HEX #D4062C

RGB 212 6 44

HSL 348.93, 0.94%, 0.43%

LAB 44.67, 69.86, 39.91

 

CMYK 31 / 0 / 97 / 17

HEX #93D406

RGB 147 212 6

HSL 78.93, 0.94%, 0.43%

LAB 78.05, -44.95, 76.4

 

Description

Color code: HEX #07D3AF | qconv.com Color code: HEX #07D3AF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 211 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 211 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 17 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 17% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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