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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #048925 it is the complementary color #FB76DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #048925. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #048925 shade: #098920, #1A9B33, #2BAD46, #3CBF59 and #4DD16C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #048925. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #048925 shade: #048925, #007712, #006500, #005300 and #004100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #048925 shade: #048A25, #078A04, #2B8A04, #4F8A04 and #738A04

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #048925 shade: #048A25, #048A49, #048A6D, #04828A and #045E8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #048925 shade matches the following richer shades: #048A25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #048925 shade: #048A25, #0F7E2B, #1B7331, #266737 and #325C3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #048925 shade: #2C8A04, #088A04, #048A23, #048A47 and #048A6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #048925 shade: #013A0F, #03621A, #048A25, #05B230 and #06DA3B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #048925 shade: #048925, #04508A and #8A041A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #048925 shade: #048925, #23048A and #8A2304

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #048925 shade: #048925, #04508A, #8A046B and #8A3E04

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #048925 shade: #048925, #04288A, #8A046B and #8A6604

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 73 / 46

HEX #048925

RGB 4 137 37

HSL 134.89, 0.94%, 0.28%

LAB 49.56, -51.93, 42.66

 

Complementary color

CMYK 0 / 53 / 13 / 2

HEX #FB76DA

RGB 251 118 218

HSL 314.89, 0.94%, 0.72%

LAB 68.41, 62.49, -27.62

 

CMYK 93 / 0 / 77 / 46

HEX #098920

RGB 9 137 32

HSL 130.78, 0.88%, 0.29%

LAB 49.56, -52.03, 44.61

 

CMYK 83 / 0 / 67 / 39

HEX #1A9B33

RGB 26 155 51

HSL 131.63, 0.71%, 0.35%

LAB 55.99, -54.38, 43.72

 

CMYK 75 / 0 / 60 / 32

HEX #2BAD46

RGB 43 173 70

HSL 132.46, 0.6%, 0.42%

LAB 62.37, -55.86, 42.41

 

CMYK 69 / 0 / 53 / 25

HEX #3CBF59

RGB 60 191 89

HSL 133.28, 0.52%, 0.49%

LAB 68.71, -56.76, 40.97

 

CMYK 63 / 0 / 48 / 18

HEX #4DD16C

RGB 77 209 108

HSL 134.09, 0.59%, 0.56%

LAB 74.99, -57.27, 39.52

 

CMYK 97 / 0 / 73 / 46

HEX #048925

RGB 4 137 37

HSL 134.89, 0.94%, 0.28%

LAB 49.56, -51.93, 42.66

 

CMYK 100 / 0 / 85 / 53

HEX #007712

RGB 0 119 18

HSL 129.08, 1%, 0.23%

LAB 43.12, -48.21, 43.08

 

CMYK 100 / 0 / 100 / 60

HEX #006500

RGB 0 101 0

HSL 120, 1%, 0.2%

LAB 36.57, -43.67, 42.15

 

CMYK 100 / 0 / 100 / 67

HEX #005300

RGB 0 83 0

HSL 120, 1%, 0.16%

LAB 29.88, -38.12, 36.79

 

CMYK 100 / 0 / 100 / 75

HEX #004100

RGB 0 65 0

HSL 120, 1%, 0.13%

LAB 22.93, -32.35, 30.53

 

CMYK 97 / 0 / 73 / 46

HEX #048A25

RGB 4 138 37

HSL 134.78, 0.94%, 0.28%

LAB 49.9, -52.24, 43.02

 

CMYK 95 / 0 / 97 / 46

HEX #078A04

RGB 7 138 4

HSL 118.66, 0.94%, 0.28%

LAB 49.77, -53.96, 52.01

 

CMYK 69 / 0 / 97 / 46

HEX #2B8A04

RGB 43 138 4

HSL 102.54, 0.94%, 0.28%

LAB 50.33, -49.04, 52.7

 

CMYK 43 / 0 / 97 / 46

HEX #4F8A04

RGB 79 138 4

HSL 86.42, 0.94%, 0.28%

LAB 51.66, -38.51, 54.33

 

CMYK 17 / 0 / 97 / 46

HEX #738A04

RGB 115 138 4

HSL 70.3, 0.94%, 0.28%

LAB 53.85, -23.95, 56.98

 

CMYK 97 / 0 / 73 / 46

HEX #048A25

RGB 4 138 37

HSL 134.78, 0.94%, 0.28%

LAB 49.9, -52.24, 43.02

 

CMYK 97 / 0 / 47 / 46

HEX #048A49

RGB 4 138 73

HSL 150.9, 0.94%, 0.28%

LAB 50.32, -47.14, 26.05

 

CMYK 97 / 0 / 21 / 46

HEX #048A6D

RGB 4 138 109

HSL 167.01, 0.94%, 0.28%

LAB 51.04, -38.86, 6.71

 

CMYK 97 / 6 / 0 / 46

HEX #04828A

RGB 4 130 138

HSL 183.58, 0.94%, 0.28%

LAB 49.28, -26.32, -12.81

 

CMYK 97 / 32 / 0 / 46

HEX #045E8A

RGB 4 94 138

HSL 199.7, 0.94%, 0.28%

LAB 37.6, -6.22, -30.85

 

CMYK 97 / 0 / 73 / 46

HEX #048A25

RGB 4 138 37

HSL 134.78, 0.94%, 0.28%

LAB 49.9, -52.24, 43.02

 

CMYK 97 / 0 / 73 / 46

HEX #048A25

RGB 4 138 37

HSL 134.78, 0.94%, 0.28%

LAB 49.9, -52.24, 43.02

 

CMYK 88 / 0 / 66 / 51

HEX #0F7E2B

RGB 15 126 43

HSL 135.14, 0.79%, 0.28%

LAB 45.9, -46.85, 36.12

 

CMYK 77 / 0 / 57 / 55

HEX #1B7331

RGB 27 115 49

HSL 135, 0.62%, 0.28%

LAB 42.33, -40.49, 29.03

 

CMYK 63 / 0 / 47 / 60

HEX #266737

RGB 38 103 55

HSL 135.69, 0.46%, 0.28%

LAB 38.53, -32.28, 21.06

 

CMYK 46 / 0 / 35 / 64

HEX #325C3C

RGB 50 92 60

HSL 134.29, 0.3%, 0.28%

LAB 35.32, -22.58, 13.96

 

CMYK 68 / 0 / 97 / 46

HEX #2C8A04

RGB 44 138 4

HSL 102.09, 0.94%, 0.28%

LAB 50.36, -48.82, 52.73

 

CMYK 94 / 0 / 97 / 46

HEX #088A04

RGB 8 138 4

HSL 118.21, 0.94%, 0.28%

LAB 49.78, -53.89, 52.02

 

CMYK 97 / 0 / 75 / 46

HEX #048A23

RGB 4 138 35

HSL 133.88, 0.94%, 0.28%

LAB 49.89, -52.43, 43.79

 

CMYK 97 / 0 / 49 / 46

HEX #048A47

RGB 4 138 71

HSL 150, 0.94%, 0.28%

LAB 50.28, -47.51, 27.09

 

CMYK 97 / 0 / 22 / 46

HEX #048A6B

RGB 4 138 107

HSL 166.12, 0.94%, 0.28%

LAB 51, -39.39, 7.8

 

CMYK 98 / 0 / 74 / 77

HEX #013A0F

RGB 1 58 15

HSL 134.74, 0.97%, 0.12%

LAB 20.31, -28.05, 21.3

 

CMYK 97 / 0 / 73 / 62

HEX #03621A

RGB 3 98 26

HSL 134.53, 0.94%, 0.2%

LAB 35.65, -40.54, 32.68

 

CMYK 97 / 0 / 73 / 46

HEX #048A25

RGB 4 138 37

HSL 134.78, 0.94%, 0.28%

LAB 49.9, -52.24, 43.02

 

CMYK 97 / 0 / 73 / 30

HEX #05B230

RGB 5 178 48

HSL 134.91, 0.95%, 0.36%

LAB 63.41, -63.29, 52.74

 

CMYK 97 / 0 / 73 / 15

HEX #06DA3B

RGB 6 218 59

HSL 135, 0.95%, 0.44%

LAB 76.37, -73.85, 62.02

 

CMYK 97 / 0 / 73 / 46

HEX #048925

RGB 4 137 37

HSL 134.89, 0.94%, 0.28%

LAB 49.56, -51.93, 42.66

 

CMYK 97 / 42 / 0 / 46

HEX #04508A

RGB 4 80 138

HSL 205.97, 0.94%, 0.28%

LAB 33.13, 2.74, -37.95

 

CMYK 0 / 97 / 81 / 46

HEX #8A041A

RGB 138 4 26

HSL 350.15, 0.94%, 0.28%

LAB 28.29, 50.62, 28.55

 

CMYK 97 / 0 / 73 / 46

HEX #048925

RGB 4 137 37

HSL 134.89, 0.94%, 0.28%

LAB 49.56, -51.93, 42.66

 

CMYK 75 / 97 / 0 / 46

HEX #23048A

RGB 35 4 138

HSL 253.88, 0.94%, 0.28%

LAB 16.89, 49.55, -64.45

 

CMYK 0 / 75 / 97 / 46

HEX #8A2304

RGB 138 35 4

HSL 13.88, 0.94%, 0.28%

LAB 30.91, 42.22, 41.76

 

CMYK 97 / 0 / 73 / 46

HEX #048925

RGB 4 137 37

HSL 134.89, 0.94%, 0.28%

LAB 49.56, -51.93, 42.66

 

CMYK 97 / 42 / 0 / 46

HEX #04508A

RGB 4 80 138

HSL 205.97, 0.94%, 0.28%

LAB 33.13, 2.74, -37.95

 

CMYK 0 / 97 / 22 / 46

HEX #8A046B

RGB 138 4 107

HSL 313.88, 0.94%, 0.28%

LAB 30.76, 57.22, -21.46

 

CMYK 0 / 55 / 97 / 46

HEX #8A3E04

RGB 138 62 4

HSL 25.97, 0.94%, 0.28%

LAB 35.71, 29.52, 44.89

 

CMYK 97 / 0 / 73 / 46

HEX #048925

RGB 4 137 37

HSL 134.89, 0.94%, 0.28%

LAB 49.56, -51.93, 42.66

 

CMYK 97 / 71 / 0 / 46

HEX #04288A

RGB 4 40 138

HSL 223.88, 0.94%, 0.28%

LAB 21.5, 30.54, -56.85

 

CMYK 0 / 97 / 22 / 46

HEX #8A046B

RGB 138 4 107

HSL 313.88, 0.94%, 0.28%

LAB 30.76, 57.22, -21.46

 

CMYK 0 / 26 / 97 / 46

HEX #8A6604

RGB 138 102 4

HSL 43.88, 0.94%, 0.28%

LAB 45.52, 6.56, 51.68

 

Description

Color code: HEX #048925 | qconv.com Color code: HEX #048925 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 137 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 137 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 73 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 73% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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