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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04A2BC it is the complementary color #FB5D43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04A2BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04A2BC shade: #09A2B7, #1AB4CA, #2BC6DD, #3CD8F0 and #4DEAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04A2BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04A2BC shade: #04A2BC, #0090A9, #007E96, #006C83 and #005A70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04A2BC shade: #03A3BD, #0371BD, #033FBD, #030DBD and #2C03BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04A2BC shade: #03A3BD, #0371BD, #033FBD, #030DBD and #0303BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04A2BC shade matches the following richer shades: #03A3BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04A2BC shade: #03A3BD, #1398AE, #238D9E, #32818E and #42767F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04A2BC shade: #03BD73, #03BDA5, #03A5BD, #0373BD and #0341BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04A2BC shade: #025D6D, #038095, #03A3BD, #04C6E6 and #19DAFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04A2BC shade: #04A2BC, #4103BD and #BD8C03

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04A2BC shade: #04A2BC, #BD03A5 and #A5BD03

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04A2BC shade: #04A2BC, #4103BD, #BD1C03 and #7FBD03

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04A2BC shade: #04A2BC, #7903BD, #BD1C03 and #48BD03

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 14 / 0 / 26

HEX #04A2BC

RGB 4 162 188

HSL 188.48, 0.96%, 0.38%

LAB 61.22, -25.62, -23.3

 

Complementary color

CMYK 0 / 63 / 73 / 2

HEX #FB5D43

RGB 251 93 67

HSL 8.48, 0.96%, 0.62%

LAB 60.55, 58.89, 46.51

 

CMYK 95 / 11 / 0 / 28

HEX #09A2B7

RGB 9 162 183

HSL 187.24, 0.91%, 0.38%

LAB 61.06, -27.13, -20.74

 

CMYK 87 / 11 / 0 / 21

HEX #1AB4CA

RGB 26 180 202

HSL 187.5, 0.77%, 0.45%

LAB 67.37, -29.03, -21.67

 

CMYK 81 / 10 / 0 / 13

HEX #2BC6DD

RGB 43 198 221

HSL 187.75, 0.72%, 0.52%

LAB 73.62, -30.54, -22.5

 

CMYK 75 / 10 / 0 / 6

HEX #3CD8F0

RGB 60 216 240

HSL 188, 0.86%, 0.59%

LAB 79.82, -31.74, -23.25

 

CMYK 70 / 8 / 0 / 0

HEX #4DEAFF

RGB 77 234 255

HSL 187.08, 1%, 0.65%

LAB 85.83, -33.86, -22.03

 

CMYK 98 / 14 / 0 / 26

HEX #04A2BC

RGB 4 162 188

HSL 188.48, 0.96%, 0.38%

LAB 61.22, -25.62, -23.3

 

CMYK 100 / 15 / 0 / 34

HEX #0090A9

RGB 0 144 169

HSL 188.88, 1%, 0.33%

LAB 54.88, -23.05, -22.26

 

CMYK 100 / 16 / 0 / 41

HEX #007E96

RGB 0 126 150

HSL 189.6, 1%, 0.29%

LAB 48.42, -20.26, -21.18

 

CMYK 100 / 18 / 0 / 49

HEX #006C83

RGB 0 108 131

HSL 190.53, 1%, 0.26%

LAB 41.79, -17.38, -20.09

 

CMYK 100 / 20 / 0 / 56

HEX #005A70

RGB 0 90 112

HSL 191.79, 1%, 0.22%

LAB 34.97, -14.37, -19.01

HEX #005A70

CMYK 98 / 14 / 0 / 26

HEX #03A3BD

RGB 3 163 189

HSL 188.39, 0.97%, 0.38%

LAB 61.56, -25.82, -23.35

 

CMYK 98 / 40 / 0 / 26

HEX #0371BD

RGB 3 113 189

HSL 204.52, 0.97%, 0.38%

LAB 46.32, 2.36, -47.21

 

CMYK 98 / 67 / 0 / 26

HEX #033FBD

RGB 3 63 189

HSL 220.65, 0.97%, 0.38%

LAB 32.37, 35.19, -69.84

 

CMYK 98 / 93 / 0 / 26

HEX #030DBD

RGB 3 13 189

HSL 236.77, 0.97%, 0.38%

LAB 23.61, 60.22, -84.36

 

CMYK 77 / 98 / 0 / 26

HEX #2C03BD

RGB 44 3 189

HSL 253.23, 0.97%, 0.38%

LAB 24.56, 63.22, -82.74

 

CMYK 98 / 14 / 0 / 26

HEX #03A3BD

RGB 3 163 189

HSL 188.39, 0.97%, 0.38%

LAB 61.56, -25.82, -23.35

 

CMYK 98 / 40 / 0 / 26

HEX #0371BD

RGB 3 113 189

HSL 204.52, 0.97%, 0.38%

LAB 46.32, 2.36, -47.21

 

CMYK 98 / 67 / 0 / 26

HEX #033FBD

RGB 3 63 189

HSL 220.65, 0.97%, 0.38%

LAB 32.37, 35.19, -69.84

 

CMYK 98 / 93 / 0 / 26

HEX #030DBD

RGB 3 13 189

HSL 236.77, 0.97%, 0.38%

LAB 23.61, 60.22, -84.36

 

CMYK 98 / 98 / 0 / 26

HEX #0303BD

RGB 3 3 189

HSL 240, 0.97%, 0.38%

LAB 22.86, 62.55, -85.62

 

CMYK 98 / 14 / 0 / 26

HEX #03A3BD

RGB 3 163 189

HSL 188.39, 0.97%, 0.38%

LAB 61.56, -25.82, -23.35

 

CMYK 98 / 14 / 0 / 26

HEX #03A3BD

RGB 3 163 189

HSL 188.39, 0.97%, 0.38%

LAB 61.56, -25.82, -23.35

 

CMYK 89 / 13 / 0 / 32

HEX #1398AE

RGB 19 152 174

HSL 188.52, 0.8%, 0.38%

LAB 57.7, -24.64, -20.77

 

CMYK 78 / 11 / 0 / 38

HEX #238D9E

RGB 35 141 158

HSL 188.29, 0.64%, 0.38%

LAB 53.89, -22.97, -17.41

 

CMYK 65 / 9 / 0 / 44

HEX #32818E

RGB 50 129 142

HSL 188.48, 0.48%, 0.38%

LAB 49.9, -19.67, -14.16

 

CMYK 48 / 7 / 0 / 50

HEX #42767F

RGB 66 118 127

HSL 188.85, 0.32%, 0.38%

LAB 46.51, -14.78, -10.36

 

CMYK 98 / 0 / 39 / 26

HEX #03BD73

RGB 3 189 115

HSL 156.13, 0.97%, 0.38%

LAB 67.76, -57.21, 26.42

 

CMYK 98 / 0 / 13 / 26

HEX #03BDA5

RGB 3 189 165

HSL 172.26, 0.97%, 0.38%

LAB 68.85, -45.24, 0.89

 

CMYK 98 / 13 / 0 / 26

HEX #03A5BD

RGB 3 165 189

HSL 187.74, 0.97%, 0.38%

LAB 62.17, -26.83, -22.41

 

CMYK 98 / 39 / 0 / 26

HEX #0373BD

RGB 3 115 189

HSL 203.87, 0.97%, 0.38%

LAB 46.92, 1.12, -46.25

 

CMYK 98 / 66 / 0 / 26

HEX #0341BD

RGB 3 65 189

HSL 220, 0.97%, 0.38%

LAB 32.86, 33.88, -69.02

 

CMYK 98 / 15 / 0 / 57

HEX #025D6D

RGB 2 93 109

HSL 188.97, 0.96%, 0.22%

LAB 35.88, -17.08, -15.74

 

CMYK 98 / 14 / 0 / 42

HEX #038095

RGB 3 128 149

HSL 188.63, 0.96%, 0.3%

LAB 49.04, -21.54, -19.63

 

CMYK 98 / 14 / 0 / 26

HEX #03A3BD

RGB 3 163 189

HSL 188.39, 0.97%, 0.38%

LAB 61.56, -25.82, -23.35

 

CMYK 98 / 14 / 0 / 10

HEX #04C6E6

RGB 4 198 230

HSL 188.5, 0.97%, 0.46%

LAB 73.63, -29.57, -27.39

 

CMYK 90 / 13 / 0 / 2

HEX #19DAFA

RGB 25 218 250

HSL 188.53, 0.96%, 0.54%

LAB 80.32, -32.15, -27.84

 

CMYK 98 / 14 / 0 / 26

HEX #04A2BC

RGB 4 162 188

HSL 188.48, 0.96%, 0.38%

LAB 61.22, -25.62, -23.3

 

CMYK 66 / 98 / 0 / 26

HEX #4103BD

RGB 65 3 189

HSL 260, 0.97%, 0.38%

LAB 26.34, 64.06, -79.72

 

CMYK 0 / 26 / 98 / 26

HEX #BD8C03

RGB 189 140 3

HSL 44.19, 0.97%, 0.38%

LAB 61.29, 8.71, 65.71

 

CMYK 98 / 14 / 0 / 26

HEX #04A2BC

RGB 4 162 188

HSL 188.48, 0.96%, 0.38%

LAB 61.22, -25.62, -23.3

 

CMYK 0 / 98 / 13 / 26

HEX #BD03A5

RGB 189 3 165

HSL 307.74, 0.97%, 0.38%

LAB 43.65, 74.81, -36.41

 

CMYK 13 / 0 / 98 / 26

HEX #A5BD03

RGB 165 189 3

HSL 67.74, 0.97%, 0.38%

LAB 72.5, -27.45, 72.92

 

CMYK 98 / 14 / 0 / 26

HEX #04A2BC

RGB 4 162 188

HSL 188.48, 0.96%, 0.38%

LAB 61.22, -25.62, -23.3

 

CMYK 66 / 98 / 0 / 26

HEX #4103BD

RGB 65 3 189

HSL 260, 0.97%, 0.38%

LAB 26.34, 64.06, -79.72

 

CMYK 0 / 85 / 98 / 26

HEX #BD1C03

RGB 189 28 3

HSL 8.06, 0.97%, 0.38%

LAB 40.66, 60.02, 53.1

 

CMYK 33 / 0 / 98 / 26

HEX #7FBD03

RGB 127 189 3

HSL 80, 0.97%, 0.38%

LAB 70.12, -42.64, 70.06

 

CMYK 98 / 14 / 0 / 26

HEX #04A2BC

RGB 4 162 188

HSL 188.48, 0.96%, 0.38%

LAB 61.22, -25.62, -23.3

 

CMYK 36 / 98 / 0 / 26

HEX #7903BD

RGB 121 3 189

HSL 278.06, 0.97%, 0.38%

LAB 33.57, 68.61, -67.53

 

CMYK 0 / 85 / 98 / 26

HEX #BD1C03

RGB 189 28 3

HSL 8.06, 0.97%, 0.38%

LAB 40.66, 60.02, 53.1

 

CMYK 62 / 0 / 98 / 26

HEX #48BD03

RGB 72 189 3

HSL 97.74, 0.97%, 0.38%

LAB 67.86, -59.73, 67.32

 

Description

Color code: HEX #04A2BC | qconv.com Color code: HEX #04A2BC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 162 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 162 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 14 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 14% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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