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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04BDF0 it is the complementary color #FB420F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04BDF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04BDF0 shade: #09BDEB, #1ACFFE, #2BE1FF, #3CF3FF and #4DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04BDF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04BDF0 shade: #04BDF0, #00ABDD, #0099CA, #0087B7 and #0075A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04BDF0 shade: #03BDF1, #037DF1, #033DF1, #0903F1 and #4903F1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04BDF0 shade: #03BDF1, #037DF1, #033DF1 and #0303F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04BDF0 shade matches the following richer shades: #03BDF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04BDF0 shade: #03BDF1, #17B2DD, #2BA7C9, #3F9CB5 and #5290A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04BDF0 shade: #03F1A1, #03F1E1, #03C1F1, #0382F1 and #0342F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04BDF0 shade: #027D9F, #039DC8, #03BDF1, #22CCFB and #4BD5FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04BDF0 shade: #04BDF0, #6203F1 and #F1C103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04BDF0 shade: #04BDF0, #F103C1 and #C1F103

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04BDF0 shade: #04BDF0, #6203F1, #F13303 and #92F103

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04BDF0 shade: #04BDF0, #A903F1, #F13303 and #4AF103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 21 / 0 / 6

HEX #04BDF0

RGB 4 189 240

HSL 192.97, 0.97%, 0.48%

LAB 71.36, -21.7, -36.3

 

Complementary color

CMYK 0 / 74 / 94 / 2

HEX #FB420F

RGB 251 66 15

HSL 12.97, 0.97%, 0.52%

LAB 56.53, 67.68, 64.87

 

CMYK 96 / 20 / 0 / 8

HEX #09BDEB

RGB 9 189 235

HSL 192.21, 0.93%, 0.48%

LAB 71.18, -23.28, -33.87

 

CMYK 90 / 19 / 0 / 0

HEX #1ACFFE

RGB 26 207 254

HSL 192.37, 0.99%, 0.55%

LAB 77.28, -25.43, -34.65

 

CMYK 83 / 12 / 0 / 0

HEX #2BE1FF

RGB 43 225 255

HSL 188.49, 1%, 0.58%

LAB 82.69, -32.91, -26.85

 

CMYK 76 / 5 / 0 / 0

HEX #3CF3FF

RGB 60 243 255

HSL 183.69, 1%, 0.62%

LAB 88.1, -39.88, -18.62

 

CMYK 70 / 0 / 0 / 0

HEX #4DFFFF

RGB 77 255 255

HSL 180, 1%, 0.65%

LAB 91.83, -43.45, -13

 

CMYK 98 / 21 / 0 / 6

HEX #04BDF0

RGB 4 189 240

HSL 192.97, 0.97%, 0.48%

LAB 71.36, -21.7, -36.3

 

CMYK 100 / 23 / 0 / 13

HEX #00ABDD

RGB 0 171 221

HSL 193.57, 1%, 0.43%

LAB 65.24, -19, -35.45

 

CMYK 100 / 24 / 0 / 21

HEX #0099CA

RGB 0 153 202

HSL 194.55, 1%, 0.4%

LAB 59.02, -16.12, -34.57

 

CMYK 100 / 26 / 0 / 28

HEX #0087B7

RGB 0 135 183

HSL 195.74, 1%, 0.36%

LAB 52.67, -13.12, -33.71

 

CMYK 100 / 29 / 0 / 36

HEX #0075A4

RGB 0 117 164

HSL 197.2, 1%, 0.32%

LAB 46.18, -10, -32.87

 

CMYK 99 / 22 / 0 / 5

HEX #03BDF1

RGB 3 189 241

HSL 193.11, 0.98%, 0.48%

LAB 71.4, -21.38, -36.79

 

CMYK 99 / 48 / 0 / 5

HEX #037DF1

RGB 3 125 241

HSL 209.24, 0.98%, 0.48%

LAB 52.99, 15.32, -65.96

 

CMYK 99 / 75 / 0 / 5

HEX #033DF1

RGB 3 61 241

HSL 225.38, 0.98%, 0.48%

LAB 37.31, 55.1, -91.63

 

CMYK 96 / 99 / 0 / 5

HEX #0903F1

RGB 9 3 241

HSL 241.51, 0.98%, 0.48%

LAB 30.58, 75.44, -102.85

 

CMYK 70 / 99 / 0 / 5

HEX #4903F1

RGB 73 3 241

HSL 257.65, 0.98%, 0.48%

LAB 33.63, 76.66, -97.67

 

CMYK 99 / 22 / 0 / 5

HEX #03BDF1

RGB 3 189 241

HSL 193.11, 0.98%, 0.48%

LAB 71.4, -21.38, -36.79

 

CMYK 99 / 48 / 0 / 5

HEX #037DF1

RGB 3 125 241

HSL 209.24, 0.98%, 0.48%

LAB 52.99, 15.32, -65.96

 

CMYK 99 / 75 / 0 / 5

HEX #033DF1

RGB 3 61 241

HSL 225.38, 0.98%, 0.48%

LAB 37.31, 55.1, -91.63

 

CMYK 99 / 99 / 0 / 5

HEX #0303F1

RGB 3 3 241

HSL 240, 0.98%, 0.48%

LAB 30.49, 75.41, -103.01

 

CMYK 99 / 22 / 0 / 5

HEX #03BDF1

RGB 3 189 241

HSL 193.11, 0.98%, 0.48%

LAB 71.4, -21.38, -36.79

 

CMYK 99 / 22 / 0 / 5

HEX #03BDF1

RGB 3 189 241

HSL 193.11, 0.98%, 0.48%

LAB 71.4, -21.38, -36.79

 

CMYK 90 / 19 / 0 / 13

HEX #17B2DD

RGB 23 178 221

HSL 193.03, 0.81%, 0.48%

LAB 67.46, -21.88, -31.99

 

CMYK 79 / 17 / 0 / 21

HEX #2BA7C9

RGB 43 167 201

HSL 192.91, 0.65%, 0.48%

LAB 63.65, -21.42, -26.8

 

CMYK 65 / 14 / 0 / 29

HEX #3F9CB5

RGB 63 156 181

HSL 192.71, 0.48%, 0.48%

LAB 60.04, -19.48, -21.09

 

CMYK 49 / 11 / 0 / 37

HEX #5290A1

RGB 82 144 161

HSL 192.91, 0.33%, 0.48%

LAB 56.4, -15.24, -15.19

 

CMYK 99 / 0 / 33 / 5

HEX #03F1A1

RGB 3 241 161

HSL 159.83, 0.98%, 0.48%

LAB 84.74, -66.13, 25.43

 

CMYK 99 / 0 / 7 / 5

HEX #03F1E1

RGB 3 241 225

HSL 175.97, 0.98%, 0.48%

LAB 86.19, -50.53, -5.81

 

CMYK 99 / 20 / 0 / 5

HEX #03C1F1

RGB 3 193 241

HSL 192.1, 0.98%, 0.48%

LAB 72.57, -23.43, -34.97

 

CMYK 99 / 46 / 0 / 5

HEX #0382F1

RGB 3 130 241

HSL 207.98, 0.98%, 0.48%

LAB 54.38, 12.21, -63.72

 

CMYK 99 / 73 / 0 / 5

HEX #0342F1

RGB 3 66 241

HSL 224.12, 0.98%, 0.48%

LAB 38.32, 52.28, -89.97

 

CMYK 99 / 21 / 0 / 38

HEX #027D9F

RGB 2 125 159

HSL 192.99, 0.98%, 0.32%

LAB 48.49, -16.35, -26.33

 

CMYK 99 / 22 / 0 / 22

HEX #039DC8

RGB 3 157 200

HSL 193.1, 0.97%, 0.4%

LAB 60.16, -18.89, -31.66

 

CMYK 99 / 22 / 0 / 5

HEX #03BDF1

RGB 3 189 241

HSL 193.11, 0.98%, 0.48%

LAB 71.4, -21.38, -36.79

 

CMYK 86 / 19 / 0 / 2

HEX #22CCFB

RGB 34 204 251

HSL 193, 0.96%, 0.56%

LAB 76.37, -24.5, -34.45

 

CMYK 70 / 15 / 0 / 1

HEX #4BD5FC

RGB 75 213 252

HSL 193.22, 0.97%, 0.64%

LAB 79.68, -24.84, -29.83

 

CMYK 98 / 21 / 0 / 6

HEX #04BDF0

RGB 4 189 240

HSL 192.97, 0.97%, 0.48%

LAB 71.36, -21.7, -36.3

 

CMYK 59 / 99 / 0 / 5

HEX #6203F1

RGB 98 3 241

HSL 263.95, 0.98%, 0.48%

LAB 36.01, 77.84, -93.65

 

CMYK 0 / 20 / 99 / 5

HEX #F1C103

RGB 241 193 3

HSL 47.9, 0.98%, 0.48%

LAB 80.09, 3.37, 81.42

 

CMYK 98 / 21 / 0 / 6

HEX #04BDF0

RGB 4 189 240

HSL 192.97, 0.97%, 0.48%

LAB 71.36, -21.7, -36.3

 

CMYK 0 / 99 / 20 / 5

HEX #F103C1

RGB 241 3 193

HSL 312.1, 0.98%, 0.48%

LAB 54.67, 87.74, -34.87

 

CMYK 20 / 0 / 99 / 5

HEX #C1F103

RGB 193 241 3

HSL 72.1, 0.98%, 0.48%

LAB 89.04, -40.03, 86.29

 

CMYK 98 / 21 / 0 / 6

HEX #04BDF0

RGB 4 189 240

HSL 192.97, 0.97%, 0.48%

LAB 71.36, -21.7, -36.3

 

CMYK 59 / 99 / 0 / 5

HEX #6203F1

RGB 98 3 241

HSL 263.95, 0.98%, 0.48%

LAB 36.01, 77.84, -93.65

 

CMYK 0 / 79 / 99 / 5

HEX #F13303

RGB 241 51 3

HSL 12.1, 0.98%, 0.48%

LAB 53.03, 69.09, 64.72

 

CMYK 39 / 0 / 99 / 5

HEX #92F103

RGB 146 241 3

HSL 83.95, 0.98%, 0.48%

LAB 86.52, -57.08, 83.25

 

CMYK 98 / 21 / 0 / 6

HEX #04BDF0

RGB 4 189 240

HSL 192.97, 0.97%, 0.48%

LAB 71.36, -21.7, -36.3

 

CMYK 30 / 99 / 0 / 5

HEX #A903F1

RGB 169 3 241

HSL 281.85, 0.98%, 0.48%

LAB 45.43, 84.04, -77.8

 

CMYK 0 / 79 / 99 / 5

HEX #F13303

RGB 241 51 3

HSL 12.1, 0.98%, 0.48%

LAB 53.03, 69.09, 64.72

 

CMYK 69 / 0 / 99 / 5

HEX #4AF103

RGB 74 241 3

HSL 102.1, 0.98%, 0.48%

LAB 84.16, -75.76, 80.38

 

Description

Color code: HEX #04BDF0 | qconv.com Color code: HEX #04BDF0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 189 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 189 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 21 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 21% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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