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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04C727 it is the complementary color #FB38D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04C727. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04C727 shade: #09C722, #1AD935, #2BEB48, #3CFD5B and #4DFF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04C727. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04C727 shade: #04C727, #00B514, #00A301, #009100 and #007F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04C727 shade: #04C727, #15C704, #4AC704, #7FC704 and #B4C704

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04C727 shade: #04C727, #04C75C, #04C790, #04C7C5 and #0495C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04C727 shade matches the following richer shades: #04C727

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04C727 shade: #04C727, #14B731, #25A63C, #359646 and #468551

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04C727 shade: #4BC704, #17C704, #04C724, #04C758 and #04C78D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04C727 shade: #027717, #039F1F, #04C727, #04F02F and #23FA4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04C727 shade: #04C727, #0480C7 and #C70431

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04C727 shade: #04C727, #2404C7 and #C72404

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04C727 shade: #04C727, #0480C7, #C704A7 and #C74B04

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04C727 shade: #04C727, #0445C7, #C704A7 and #C78604

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 80 / 22

HEX #04C727

RGB 4 199 39

HSL 130.77, 0.96%, 0.4%

LAB 70.19, -70.01, 62.33

 

Complementary color

CMYK 0 / 78 / 14 / 2

HEX #FB38D8

RGB 251 56 216

HSL 310.77, 0.96%, 0.6%

LAB 60.15, 84.82, -39.32

 

CMYK 95 / 0 / 83 / 22

HEX #09C722

RGB 9 199 34

HSL 127.89, 0.91%, 0.41%

LAB 70.19, -70.08, 63.69

 

CMYK 88 / 0 / 76 / 15

HEX #1AD935

RGB 26 217 53

HSL 128.48, 0.79%, 0.48%

LAB 76.13, -73.04, 63.83

 

CMYK 82 / 0 / 69 / 8

HEX #2BEB48

RGB 43 235 72

HSL 129.06, 0.83%, 0.55%

LAB 82.05, -75.27, 63.28

 

CMYK 76 / 0 / 64 / 1

HEX #3CFD5B

RGB 60 253 91

HSL 129.64, 0.98%, 0.61%

LAB 87.95, -76.92, 62.33

 

CMYK 70 / 0 / 57 / 0

HEX #4DFF6E

RGB 77 255 110

HSL 131.12, 1%, 0.65%

LAB 89.03, -72.98, 55.61

 

CMYK 98 / 0 / 80 / 22

HEX #04C727

RGB 4 199 39

HSL 130.77, 0.96%, 0.4%

LAB 70.19, -70.01, 62.33

 

CMYK 100 / 0 / 89 / 29

HEX #00B514

RGB 0 181 20

HSL 126.63, 1%, 0.35%

LAB 64.24, -66.1, 61.51

 

CMYK 100 / 0 / 99 / 36

HEX #00A301

RGB 0 163 1

HSL 120.37, 1%, 0.32%

LAB 58.22, -61.64, 59.37

 

CMYK 100 / 0 / 100 / 43

HEX #009100

RGB 0 145 0

HSL 120, 1%, 0.28%

LAB 52.12, -56.59, 54.62

 

CMYK 100 / 0 / 100 / 50

HEX #007F00

RGB 0 127 0

HSL 120, 1%, 0.25%

LAB 45.88, -51.41, 49.62

 

CMYK 98 / 0 / 80 / 22

HEX #04C727

RGB 4 199 39

HSL 130.77, 0.96%, 0.4%

LAB 70.19, -70.01, 62.33

 

CMYK 89 / 0 / 98 / 22

HEX #15C704

RGB 21 199 4

HSL 114.77, 0.96%, 0.4%

LAB 70.19, -70.4, 68.72

 

CMYK 63 / 0 / 98 / 22

HEX #4AC704

RGB 74 199 4

HSL 98.46, 0.96%, 0.4%

LAB 71.09, -62.58, 69.82

 

CMYK 36 / 0 / 98 / 22

HEX #7FC704

RGB 127 199 4

HSL 82.15, 0.96%, 0.4%

LAB 73.13, -46.82, 72.31

 

CMYK 10 / 0 / 98 / 22

HEX #B4C704

RGB 180 199 4

HSL 65.85, 0.96%, 0.4%

LAB 76.41, -25.93, 76.25

 

CMYK 98 / 0 / 80 / 22

HEX #04C727

RGB 4 199 39

HSL 130.77, 0.96%, 0.4%

LAB 70.19, -70.01, 62.33

 

CMYK 98 / 0 / 54 / 22

HEX #04C75C

RGB 4 199 92

HSL 147.08, 0.96%, 0.4%

LAB 70.63, -64.52, 41.7

 

CMYK 98 / 0 / 28 / 22

HEX #04C790

RGB 4 199 144

HSL 163.08, 0.96%, 0.4%

LAB 71.48, -54.55, 16.05

 

CMYK 98 / 0 / 1 / 22

HEX #04C7C5

RGB 4 199 197

HSL 179.38, 0.96%, 0.4%

LAB 72.83, -40.38, -10.71

 

CMYK 98 / 25 / 0 / 22

HEX #0495C7

RGB 4 149 199

HSL 195.38, 0.96%, 0.4%

LAB 57.7, -14.88, -34.94

 

CMYK 98 / 0 / 80 / 22

HEX #04C727

RGB 4 199 39

HSL 130.77, 0.96%, 0.4%

LAB 70.19, -70.01, 62.33

 

CMYK 98 / 0 / 80 / 22

HEX #04C727

RGB 4 199 39

HSL 130.77, 0.96%, 0.4%

LAB 70.19, -70.01, 62.33

 

CMYK 89 / 0 / 73 / 28

HEX #14B731

RGB 20 183 49

HSL 130.67, 0.8%, 0.4%

LAB 65.15, -63.85, 54.18

 

CMYK 78 / 0 / 64 / 35

HEX #25A63C

RGB 37 166 60

HSL 130.7, 0.64%, 0.4%

LAB 59.88, -55.59, 44.11

 

CMYK 65 / 0 / 53 / 41

HEX #359646

RGB 53 150 70

HSL 130.52, 0.48%, 0.4%

LAB 55.08, -45.65, 33.77

 

CMYK 47 / 0 / 39 / 48

HEX #468551

RGB 70 133 81

HSL 130.48, 0.31%, 0.4%

LAB 50.3, -32.2, 21.92

 

CMYK 62 / 0 / 98 / 22

HEX #4BC704

RGB 75 199 4

HSL 98.15, 0.96%, 0.4%

LAB 71.11, -62.35, 69.85

 

CMYK 88 / 0 / 98 / 22

HEX #17C704

RGB 23 199 4

HSL 114.15, 0.96%, 0.4%

LAB 70.2, -70.26, 68.74

 

CMYK 98 / 0 / 82 / 22

HEX #04C724

RGB 4 199 36

HSL 129.85, 0.96%, 0.4%

LAB 70.18, -70.18, 63.15

 

CMYK 98 / 0 / 56 / 22

HEX #04C758

RGB 4 199 88

HSL 145.85, 0.96%, 0.4%

LAB 70.58, -65.1, 43.54

 

CMYK 98 / 0 / 29 / 22

HEX #04C78D

RGB 4 199 141

HSL 162.15, 0.96%, 0.4%

LAB 71.42, -55.24, 17.57

 

CMYK 98 / 0 / 81 / 53

HEX #027717

RGB 2 119 23

HSL 130.77, 0.97%, 0.24%

LAB 43.16, -47.69, 41.5

 

CMYK 98 / 0 / 81 / 38

HEX #039F1F

RGB 3 159 31

HSL 130.77, 0.96%, 0.32%

LAB 56.99, -59.12, 52.2

 

CMYK 98 / 0 / 80 / 22

HEX #04C727

RGB 4 199 39

HSL 130.77, 0.96%, 0.4%

LAB 70.19, -70.01, 62.33

 

CMYK 98 / 0 / 80 / 6

HEX #04F02F

RGB 4 240 47

HSL 130.93, 0.97%, 0.48%

LAB 83.21, -80.78, 72.33

 

CMYK 86 / 0 / 70 / 2

HEX #23FA4A

RGB 35 250 74

HSL 130.88, 0.96%, 0.56%

LAB 86.61, -80.16, 67.28

 

CMYK 98 / 0 / 80 / 22

HEX #04C727

RGB 4 199 39

HSL 130.77, 0.96%, 0.4%

LAB 70.19, -70.01, 62.33

 

CMYK 98 / 36 / 0 / 22

HEX #0480C7

RGB 4 128 199

HSL 201.85, 0.96%, 0.4%

LAB 51.37, -2.83, -44.91

 

CMYK 0 / 98 / 75 / 22

HEX #C70431

RGB 199 4 49

HSL 346.15, 0.96%, 0.4%

LAB 41.92, 67.02, 33.18

 

CMYK 98 / 0 / 80 / 22

HEX #04C727

RGB 4 199 39

HSL 130.77, 0.96%, 0.4%

LAB 70.19, -70.01, 62.33

 

CMYK 82 / 98 / 0 / 22

HEX #2404C7

RGB 36 4 199

HSL 249.85, 0.96%, 0.4%

LAB 25.52, 65.29, -87.05

 

CMYK 0 / 82 / 98 / 22

HEX #C72404

RGB 199 36 4

HSL 9.85, 0.96%, 0.4%

LAB 43.38, 60.99, 55.21

 

CMYK 98 / 0 / 80 / 22

HEX #04C727

RGB 4 199 39

HSL 130.77, 0.96%, 0.4%

LAB 70.19, -70.01, 62.33

 

CMYK 98 / 36 / 0 / 22

HEX #0480C7

RGB 4 128 199

HSL 201.85, 0.96%, 0.4%

LAB 51.37, -2.83, -44.91

 

CMYK 0 / 98 / 16 / 22

HEX #C704A7

RGB 199 4 167

HSL 309.85, 0.96%, 0.4%

LAB 45.66, 76.8, -34.31

 

CMYK 0 / 62 / 98 / 22

HEX #C74B04

RGB 199 75 4

HSL 21.85, 0.96%, 0.4%

LAB 48.49, 46.98, 57.93

 

CMYK 98 / 0 / 80 / 22

HEX #04C727

RGB 4 199 39

HSL 130.77, 0.96%, 0.4%

LAB 70.19, -70.01, 62.33

 

CMYK 98 / 65 / 0 / 22

HEX #0445C7

RGB 4 69 199

HSL 220, 0.96%, 0.4%

LAB 34.81, 35.16, -71.67

 

CMYK 0 / 98 / 16 / 22

HEX #C704A7

RGB 199 4 167

HSL 309.85, 0.96%, 0.4%

LAB 45.66, 76.8, -34.31

 

CMYK 0 / 33 / 98 / 22

HEX #C78604

RGB 199 134 4

HSL 40, 0.96%, 0.4%

LAB 60.96, 16.48, 65.87

 

Description

Color code: HEX #04C727 | qconv.com Color code: HEX #04C727 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 199 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 199 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 80 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 80% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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