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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04F4A6 it is the complementary color #FB0B59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04F4A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04F4A6 shade: #09F4A1, #1AFFB4, #2BFFC7, #3CFFDA and #4DFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04F4A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04F4A6 shade: #04F4A6, #00E293, #00D080, #00BE6D and #00AC5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04F4A6 shade: #03F6A7, #03F666, #03F624, #24F603 and #65F603

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04F4A6 shade: #03F6A7, #03F6E8, #03C2F6, #0380F6 and #033FF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04F4A6 shade matches the following richer shades: #03F6A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04F4A6 shade: #03F6A7, #17E1A0, #2CCD99, #40B992 and #54A58B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04F4A6 shade: #03F624, #03F664, #03F6A5, #03F6E5 and #03C5F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04F4A6 shade: #02A470, #03CD8B, #03F6A7, #27FBB6 and #50FCC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04F4A6 shade: #04F4A6, #0324F6 and #F64403

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04F4A6 shade: #04F4A6, #A503F6 and #F6A503

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04F4A6 shade: #04F4A6, #0324F6, #F60354 and #F6D503

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04F4A6 shade: #04F4A6, #2C03F6, #F60354 and #CDF603

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 32 / 4

HEX #04F4A6

RGB 4 244 166

HSL 160.5, 0.97%, 0.49%

LAB 85.75, -66.12, 24.24

 

Complementary color

CMYK 0 / 96 / 65 / 2

HEX #FB0B59

RGB 251 11 89

HSL 340.5, 0.97%, 0.51%

LAB 53.46, 80.55, 25.5

 

CMYK 96 / 0 / 34 / 4

HEX #09F4A1

RGB 9 244 161

HSL 158.81, 0.93%, 0.5%

LAB 85.67, -67.02, 26.69

 

CMYK 90 / 0 / 29 / 0

HEX #1AFFB4

RGB 26 255 180

HSL 160.35, 1%, 0.55%

LAB 89.41, -66.32, 22.15

 

CMYK 83 / 0 / 22 / 0

HEX #2BFFC7

RGB 43 255 199

HSL 164.15, 1%, 0.58%

LAB 89.93, -61.03, 13.17

 

CMYK 76 / 0 / 15 / 0

HEX #3CFFDA

RGB 60 255 218

HSL 168.62, 1%, 0.62%

LAB 90.57, -54.98, 4.3

 

CMYK 70 / 0 / 7 / 0

HEX #4DFFED

RGB 77 255 237

HSL 173.93, 1%, 0.65%

LAB 91.33, -48.24, -4.41

 

CMYK 98 / 0 / 32 / 4

HEX #04F4A6

RGB 4 244 166

HSL 160.5, 0.97%, 0.49%

LAB 85.75, -66.12, 24.24

 

CMYK 100 / 0 / 35 / 11

HEX #00E293

RGB 0 226 147

HSL 159.03, 1%, 0.44%

LAB 79.9, -63.85, 26.03

 

CMYK 100 / 0 / 38 / 18

HEX #00D080

RGB 0 208 128

HSL 156.92, 1%, 0.41%

LAB 73.98, -61.39, 27.9

 

CMYK 100 / 0 / 43 / 25

HEX #00BE6D

RGB 0 190 109

HSL 154.42, 1%, 0.37%

LAB 67.97, -58.84, 29.82

 

CMYK 100 / 0 / 48 / 33

HEX #00AC5A

RGB 0 172 90

HSL 151.4, 1%, 0.34%

LAB 61.86, -56.14, 31.8

 

CMYK 99 / 0 / 32 / 4

HEX #03F6A7

RGB 3 246 167

HSL 160.49, 0.98%, 0.49%

LAB 86.37, -66.64, 24.58

 

CMYK 99 / 0 / 59 / 4

HEX #03F666

RGB 3 246 102

HSL 144.44, 0.98%, 0.49%

LAB 85.45, -77.56, 54.75

 

CMYK 99 / 0 / 85 / 4

HEX #03F624

RGB 3 246 36

HSL 128.15, 0.98%, 0.49%

LAB 85.03, -82.93, 76.56

 

CMYK 85 / 0 / 99 / 4

HEX #24F603

RGB 36 246 3

HSL 111.85, 0.98%, 0.49%

LAB 85.15, -82.08, 80.94

 

CMYK 59 / 0 / 99 / 4

HEX #65F603

RGB 101 246 3

HSL 95.8, 0.98%, 0.49%

LAB 86.35, -71.72, 82.41

 

CMYK 99 / 0 / 32 / 4

HEX #03F6A7

RGB 3 246 167

HSL 160.49, 0.98%, 0.49%

LAB 86.37, -66.64, 24.58

 

CMYK 99 / 0 / 6 / 4

HEX #03F6E8

RGB 3 246 232

HSL 176.54, 0.98%, 0.49%

LAB 87.85, -50.69, -7.02

 

CMYK 99 / 21 / 0 / 4

HEX #03C2F6

RGB 3 194 246

HSL 192.84, 0.98%, 0.49%

LAB 73.06, -22.24, -36.9

 

CMYK 99 / 48 / 0 / 4

HEX #0380F6

RGB 3 128 246

HSL 209.14, 0.98%, 0.49%

LAB 54.15, 15.39, -66.88

 

CMYK 99 / 74 / 0 / 4

HEX #033FF6

RGB 3 63 246

HSL 225.19, 0.98%, 0.49%

LAB 38.25, 55.67, -92.9

 

CMYK 99 / 0 / 32 / 4

HEX #03F6A7

RGB 3 246 167

HSL 160.49, 0.98%, 0.49%

LAB 86.37, -66.64, 24.58

 

CMYK 99 / 0 / 32 / 4

HEX #03F6A7

RGB 3 246 167

HSL 160.49, 0.98%, 0.49%

LAB 86.37, -66.64, 24.58

 

CMYK 90 / 0 / 29 / 12

HEX #17E1A0

RGB 23 225 160

HSL 160.69, 0.81%, 0.49%

LAB 79.94, -59.9, 19.35

 

CMYK 79 / 0 / 25 / 20

HEX #2CCD99

RGB 44 205 153

HSL 160.62, 0.65%, 0.49%

LAB 73.87, -52.23, 14.62

 

CMYK 65 / 0 / 21 / 27

HEX #40B992

RGB 64 185 146

HSL 160.66, 0.49%, 0.49%

LAB 67.92, -42.86, 10.07

 

CMYK 49 / 0 / 16 / 35

HEX #54A58B

RGB 84 165 139

HSL 160.74, 0.33%, 0.49%

LAB 62.22, -31.22, 5.89

 

CMYK 99 / 0 / 85 / 4

HEX #03F624

RGB 3 246 36

HSL 128.15, 0.98%, 0.49%

LAB 85.03, -82.93, 76.56

 

CMYK 99 / 0 / 59 / 4

HEX #03F664

RGB 3 246 100

HSL 143.95, 0.98%, 0.49%

LAB 85.43, -77.81, 55.59

 

CMYK 99 / 0 / 33 / 4

HEX #03F6A5

RGB 3 246 165

HSL 160, 0.98%, 0.49%

LAB 86.33, -67.05, 25.55

 

CMYK 99 / 0 / 7 / 4

HEX #03F6E5

RGB 3 246 229

HSL 175.8, 0.98%, 0.49%

LAB 87.77, -51.51, -5.57

 

CMYK 99 / 20 / 0 / 4

HEX #03C5F6

RGB 3 197 246

HSL 192.1, 0.98%, 0.49%

LAB 73.94, -23.77, -35.55

 

CMYK 99 / 0 / 32 / 36

HEX #02A470

RGB 2 164 112

HSL 160.74, 0.98%, 0.33%

LAB 59.65, -48.7, 17.07

 

CMYK 99 / 0 / 32 / 20

HEX #03CD8B

RGB 3 205 139

HSL 160.4, 0.97%, 0.41%

LAB 73.25, -57.94, 21.16

 

CMYK 99 / 0 / 32 / 4

HEX #03F6A7

RGB 3 246 167

HSL 160.49, 0.98%, 0.49%

LAB 86.37, -66.64, 24.58

 

CMYK 84 / 0 / 27 / 2

HEX #27FBB6

RGB 39 251 182

HSL 160.47, 0.96%, 0.57%

LAB 88.35, -63.66, 19.68

 

CMYK 68 / 0 / 22 / 1

HEX #50FCC4

RGB 80 252 196

HSL 160.47, 0.97%, 0.65%

LAB 89.54, -56.51, 14.23

 

CMYK 98 / 0 / 32 / 4

HEX #04F4A6

RGB 4 244 166

HSL 160.5, 0.97%, 0.49%

LAB 85.75, -66.12, 24.24

 

CMYK 99 / 85 / 0 / 4

HEX #0324F6

RGB 3 36 246

HSL 231.85, 0.98%, 0.49%

LAB 33.85, 68.52, -100.22

 

CMYK 0 / 72 / 99 / 4

HEX #F64403

RGB 246 68 3

HSL 16.05, 0.98%, 0.49%

LAB 55.82, 65.4, 66.57

 

CMYK 98 / 0 / 32 / 4

HEX #04F4A6

RGB 4 244 166

HSL 160.5, 0.97%, 0.49%

LAB 85.75, -66.12, 24.24

 

CMYK 33 / 99 / 0 / 4

HEX #A503F6

RGB 165 3 246

HSL 280, 0.98%, 0.49%

LAB 45.25, 84.51, -80.93

 

CMYK 0 / 33 / 99 / 4

HEX #F6A503

RGB 246 165 3

HSL 40, 0.98%, 0.49%

LAB 73.88, 20.17, 77.4

 

CMYK 98 / 0 / 32 / 4

HEX #04F4A6

RGB 4 244 166

HSL 160.5, 0.97%, 0.49%

LAB 85.75, -66.12, 24.24

 

CMYK 99 / 85 / 0 / 4

HEX #0324F6

RGB 3 36 246

HSL 231.85, 0.98%, 0.49%

LAB 33.85, 68.52, -100.22

 

CMYK 0 / 99 / 66 / 4

HEX #F60354

RGB 246 3 84

HSL 340, 0.98%, 0.49%

LAB 52.17, 79.72, 26.66

 

CMYK 0 / 13 / 99 / 4

HEX #F6D503

RGB 246 213 3

HSL 51.85, 0.98%, 0.49%

LAB 85.6, -4.72, 85.55

 

CMYK 98 / 0 / 32 / 4

HEX #04F4A6

RGB 4 244 166

HSL 160.5, 0.97%, 0.49%

LAB 85.75, -66.12, 24.24

 

CMYK 82 / 99 / 0 / 4

HEX #2C03F6

RGB 44 3 246

HSL 250.12, 0.98%, 0.49%

LAB 32.38, 77.03, -102.64

 

CMYK 0 / 99 / 66 / 4

HEX #F60354

RGB 246 3 84

HSL 340, 0.98%, 0.49%

LAB 52.17, 79.72, 26.66

 

CMYK 17 / 0 / 99 / 4

HEX #CDF603

RGB 205 246 3

HSL 70.12, 0.98%, 0.49%

LAB 91.19, -37.56, 88.26

 

Description

Color code: HEX #04F4A6 | qconv.com Color code: HEX #04F4A6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 244 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 244 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 32 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 32% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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