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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05249D it is the complementary color #FADB62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05249D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05249D shade: #0A2498, #1B36AB, #2C48BE, #3D5AD1 and #4E6CE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05249D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05249D shade: #05249D, #00128A, #000077, #000064 and #000051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05249D shade: #04249E, #0E049E, #38049E, #61049E and #8B049E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05249D shade: #04249E and #04049E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05249D shade matches the following richer shades: #04249E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05249D shade: #04249E, #122C91, #1F3383, #2C3B76 and #394369

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05249D shade: #04779E, #044F9E, #04269E, #0C049E and #35049E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05249D shade: #02114E, #031B76, #04249E, #062DC6 and #0736EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05249D shade: #05249D, #9B049E and #639E04

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05249D shade: #05249D, #9E0426 and #269E04

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05249D shade: #05249D, #9B049E, #9E7D04 and #079E04

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05249D shade: #05249D, #9E0472, #9E7D04 and #049E30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 77 / 0 / 38

HEX #05249D

RGB 5 36 157

HSL 227.76, 0.94%, 0.32%

LAB 22.75, 40.32, -66.52

 

Complementary color

CMYK 0 / 12 / 61 / 2

HEX #FADB62

RGB 250 219 98

HSL 47.76, 0.94%, 0.68%

LAB 87.91, -2.97, 61.97

 

CMYK 93 / 76 / 0 / 40

HEX #0A2498

RGB 10 36 152

HSL 229.01, 0.88%, 0.32%

LAB 22.28, 38.67, -64.23

 

CMYK 84 / 68 / 0 / 33

HEX #1B36AB

RGB 27 54 171

HSL 228.75, 0.73%, 0.39%

LAB 28.93, 35.25, -64.77

 

CMYK 77 / 62 / 0 / 25

HEX #2C48BE

RGB 44 72 190

HSL 228.49, 0.62%, 0.46%

LAB 35.77, 32.15, -64.8

 

CMYK 71 / 57 / 0 / 18

HEX #3D5AD1

RGB 61 90 209

HSL 228.24, 0.62%, 0.53%

LAB 42.62, 29.52, -64.62

 

CMYK 66 / 53 / 0 / 11

HEX #4E6CE4

RGB 78 108 228

HSL 228, 0.74%, 0.6%

LAB 49.43, 27.31, -64.35

 

CMYK 97 / 77 / 0 / 38

HEX #05249D

RGB 5 36 157

HSL 227.76, 0.94%, 0.32%

LAB 22.75, 40.32, -66.52

 

CMYK 100 / 87 / 0 / 46

HEX #00128A

RGB 0 18 138

HSL 232.17, 1%, 0.27%

LAB 16.83, 43.34, -64.59

 

CMYK 100 / 100 / 0 / 53

HEX #000077

RGB 0 0 119

HSL 240, 1%, 0.23%

LAB 11.5, 45.08, -61.4

 

CMYK 100 / 100 / 0 / 61

HEX #000064

RGB 0 0 100

HSL 240, 1%, 0.2%

LAB 8.31, 39.85, -54.28

 

CMYK 100 / 100 / 0 / 68

HEX #000051

RGB 0 0 81

HSL 240, 1%, 0.16%

LAB 5.37, 32.91, -46.3

 

CMYK 97 / 77 / 0 / 38

HEX #04249E

RGB 4 36 158

HSL 227.53, 0.95%, 0.32%

LAB 22.85, 40.65, -66.97

 

CMYK 91 / 97 / 0 / 38

HEX #0E049E

RGB 14 4 158

HSL 243.9, 0.95%, 0.32%

LAB 18.58, 54.33, -74.07

 

CMYK 65 / 97 / 0 / 38

HEX #38049E

RGB 56 4 158

HSL 260.26, 0.95%, 0.32%

LAB 21.57, 55.79, -69.02

 

CMYK 39 / 97 / 0 / 38

HEX #61049E

RGB 97 4 158

HSL 276.23, 0.95%, 0.32%

LAB 27.01, 59.34, -59.84

 

CMYK 12 / 97 / 0 / 38

HEX #8B049E

RGB 139 4 158

HSL 292.6, 0.95%, 0.32%

LAB 34.08, 65.11, -48.02

 

CMYK 97 / 77 / 0 / 38

HEX #04249E

RGB 4 36 158

HSL 227.53, 0.95%, 0.32%

LAB 22.85, 40.65, -66.97

 

CMYK 97 / 97 / 0 / 38

HEX #04049E

RGB 4 4 158

HSL 240, 0.95%, 0.32%

LAB 18.28, 54.21, -74.58

 

CMYK 97 / 77 / 0 / 38

HEX #04249E

RGB 4 36 158

HSL 227.53, 0.95%, 0.32%

LAB 22.85, 40.65, -66.97

 

CMYK 97 / 77 / 0 / 38

HEX #04249E

RGB 4 36 158

HSL 227.53, 0.95%, 0.32%

LAB 22.85, 40.65, -66.97

 

CMYK 88 / 70 / 0 / 43

HEX #122C91

RGB 18 44 145

HSL 227.72, 0.78%, 0.32%

LAB 23.59, 31.3, -57.75

 

CMYK 76 / 61 / 0 / 49

HEX #1F3383

RGB 31 51 131

HSL 228, 0.62%, 0.32%

LAB 24.63, 22.23, -47.29

 

CMYK 63 / 50 / 0 / 54

HEX #2C3B76

RGB 44 59 118

HSL 227.84, 0.46%, 0.32%

LAB 26.65, 13.82, -35.8

 

CMYK 46 / 36 / 0 / 59

HEX #394369

RGB 57 67 105

HSL 227.5, 0.3%, 0.32%

LAB 29.17, 7.06, -23.49

 

CMYK 97 / 25 / 0 / 38

HEX #04779E

RGB 4 119 158

HSL 195.19, 0.95%, 0.32%

LAB 46.56, -13.26, -28.75

 

CMYK 97 / 50 / 0 / 38

HEX #044F9E

RGB 4 79 158

HSL 210.78, 0.95%, 0.32%

LAB 34.16, 11.83, -48.44

 

CMYK 97 / 76 / 0 / 38

HEX #04269E

RGB 4 38 158

HSL 226.75, 0.95%, 0.32%

LAB 23.27, 39.45, -66.27

 

CMYK 92 / 97 / 0 / 38

HEX #0C049E

RGB 12 4 158

HSL 243.12, 0.95%, 0.32%

LAB 18.51, 54.3, -74.18

 

CMYK 66 / 97 / 0 / 38

HEX #35049E

RGB 53 4 158

HSL 259.09, 0.95%, 0.32%

LAB 21.25, 55.61, -69.54

 

CMYK 97 / 78 / 0 / 69

HEX #02114E

RGB 2 17 78

HSL 228.16, 0.95%, 0.16%

LAB 8.69, 21.75, -38.72

 

CMYK 97 / 77 / 0 / 54

HEX #031B76

RGB 3 27 118

HSL 227.48, 0.95%, 0.24%

LAB 16.06, 31.26, -53.16

 

CMYK 97 / 77 / 0 / 38

HEX #04249E

RGB 4 36 158

HSL 227.53, 0.95%, 0.32%

LAB 22.85, 40.65, -66.97

 

CMYK 97 / 77 / 0 / 22

HEX #062DC6

RGB 6 45 198

HSL 227.81, 0.94%, 0.4%

LAB 29.39, 49.51, -80.04

 

CMYK 97 / 77 / 0 / 7

HEX #0736EE

RGB 7 54 238

HSL 227.79, 0.94%, 0.48%

LAB 35.71, 57.95, -92.6

 

CMYK 97 / 77 / 0 / 38

HEX #05249D

RGB 5 36 157

HSL 227.76, 0.94%, 0.32%

LAB 22.75, 40.32, -66.52

 

CMYK 2 / 97 / 0 / 38

HEX #9B049E

RGB 155 4 158

HSL 298.83, 0.95%, 0.32%

LAB 36.97, 67.73, -43.21

 

CMYK 37 / 0 / 97 / 38

HEX #639E04

RGB 99 158 4

HSL 82.99, 0.95%, 0.32%

LAB 59.08, -39.75, 60.65

 

CMYK 97 / 77 / 0 / 38

HEX #05249D

RGB 5 36 157

HSL 227.76, 0.94%, 0.32%

LAB 22.75, 40.32, -66.52

 

CMYK 0 / 97 / 76 / 38

HEX #9E0426

RGB 158 4 38

HSL 346.75, 0.95%, 0.32%

LAB 32.91, 56.31, 27.36

 

CMYK 76 / 0 / 97 / 38

HEX #269E04

RGB 38 158 4

HSL 106.75, 0.95%, 0.32%

LAB 56.95, -56.52, 58.05

 

CMYK 97 / 77 / 0 / 38

HEX #05249D

RGB 5 36 157

HSL 227.76, 0.94%, 0.32%

LAB 22.75, 40.32, -66.52

 

CMYK 2 / 97 / 0 / 38

HEX #9B049E

RGB 155 4 158

HSL 298.83, 0.95%, 0.32%

LAB 36.97, 67.73, -43.21

 

CMYK 0 / 21 / 97 / 38

HEX #9E7D04

RGB 158 125 4

HSL 47.14, 0.95%, 0.32%

LAB 53.97, 2.85, 58.79

 

CMYK 96 / 0 / 97 / 38

HEX #079E04

RGB 7 158 4

HSL 118.83, 0.95%, 0.32%

LAB 56.59, -59.74, 57.61

 

CMYK 97 / 77 / 0 / 38

HEX #05249D

RGB 5 36 157

HSL 227.76, 0.94%, 0.32%

LAB 22.75, 40.32, -66.52

 

CMYK 0 / 97 / 28 / 38

HEX #9E0472

RGB 158 4 114

HSL 317.14, 0.95%, 0.32%

LAB 35.14, 62.26, -18.81

 

CMYK 0 / 21 / 97 / 38

HEX #9E7D04

RGB 158 125 4

HSL 47.14, 0.95%, 0.32%

LAB 53.97, 2.85, 58.79

 

CMYK 97 / 0 / 70 / 38

HEX #049E30

RGB 4 158 48

HSL 137.14, 0.95%, 0.32%

LAB 56.77, -57.33, 45.79

 

Description

Color code: HEX #05249D | qconv.com Color code: HEX #05249D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 36 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 36 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 77 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 77% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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