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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #054A6B it is the complementary color #FAB594. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #054A6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #054A6B shade: #0A4A66, #1B5C79, #2C6E8C, #3D809F and #4E92B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #054A6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #054A6B shade: #054A6B, #003858, #002645, #001432 and #00021F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #054A6B shade: #054A6B, #052E6B, #05136B, #12056B and #2E056B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #054A6B shade: #054A6B, #052E6B, #05136B and #05056B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #054A6B shade matches the following richer shades: #054A6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #054A6B shade: #054A6B, #0E4662, #174358, #20404F and #293D46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #054A6B shade: #056B55, #05666B, #054A6B, #052F6B and #05146B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #054A6B shade: #01131C, #032E43, #054A6B, #066592 and #0880B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #054A6B shade: #054A6B, #39056B and #6B6205

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #054A6B shade: #054A6B, #6B054A and #4A6B05

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #054A6B shade: #054A6B, #39056B, #6B2505 and #366B05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #054A6B shade: #054A6B, #58056B, #6B2505 and #176B05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 31 / 0 / 58

HEX #054A6B

RGB 5 74 107

HSL 199.41, 0.91%, 0.22%

LAB 29.39, -6.26, -24.56

 

Complementary color

CMYK 0 / 28 / 41 / 2

HEX #FAB594

RGB 250 181 148

HSL 19.41, 0.91%, 0.78%

LAB 79.33, 21.06, 26.71

 

CMYK 90 / 27 / 0 / 60

HEX #0A4A66

RGB 10 74 102

HSL 198.26, 0.82%, 0.22%

LAB 29.21, -7.89, -21.65

 

CMYK 78 / 24 / 0 / 53

HEX #1B5C79

RGB 27 92 121

HSL 198.51, 0.64%, 0.29%

LAB 36.49, -9.64, -22.17

 

CMYK 69 / 21 / 0 / 45

HEX #2C6E8C

RGB 44 110 140

HSL 198.75, 0.52%, 0.36%

LAB 43.63, -10.8, -22.59

 

CMYK 62 / 19 / 0 / 38

HEX #3D809F

RGB 61 128 159

HSL 198.98, 0.45%, 0.43%

LAB 50.61, -11.6, -22.96

 

CMYK 56 / 18 / 0 / 30

HEX #4E92B2

RGB 78 146 178

HSL 199.2, 0.39%, 0.5%

LAB 57.46, -12.17, -23.3

 

CMYK 95 / 31 / 0 / 58

HEX #054A6B

RGB 5 74 107

HSL 199.41, 0.91%, 0.22%

LAB 29.39, -6.26, -24.56

 

CMYK 100 / 36 / 0 / 65

HEX #003858

RGB 0 56 88

HSL 201.82, 1%, 0.17%

LAB 22.06, -3.02, -23.84

 

CMYK 100 / 45 / 0 / 73

HEX #002645

RGB 0 38 69

HSL 206.96, 1%, 0.14%

LAB 14.49, 1.04, -23.06

 

CMYK 100 / 60 / 0 / 80

HEX #001432

RGB 0 20 50

HSL 216, 1%, 0.1%

LAB 6.6, 5.39, -22.2

 

CMYK 100 / 94 / 0 / 88

HEX #00021F

RGB 0 2 31

HSL 236.13, 1%, 0.06%

LAB 1.29, 5.48, -16.02

 

CMYK 95 / 31 / 0 / 58

HEX #054A6B

RGB 5 74 107

HSL 199.41, 0.91%, 0.22%

LAB 29.39, -6.26, -24.56

 

CMYK 95 / 57 / 0 / 58

HEX #052E6B

RGB 5 46 107

HSL 215.88, 0.91%, 0.22%

LAB 20.23, 13.17, -39.2

 

CMYK 95 / 82 / 0 / 58

HEX #05136B

RGB 5 19 107

HSL 231.76, 0.91%, 0.22%

LAB 12.98, 32.2, -51.11

 

CMYK 83 / 95 / 0 / 58

HEX #12056B

RGB 18 5 107

HSL 247.65, 0.91%, 0.22%

LAB 11.27, 39.74, -53.95

 

CMYK 57 / 95 / 0 / 58

HEX #2E056B

RGB 46 5 107

HSL 264.12, 0.91%, 0.22%

LAB 14.12, 41.66, -49.12

 

CMYK 95 / 31 / 0 / 58

HEX #054A6B

RGB 5 74 107

HSL 199.41, 0.91%, 0.22%

LAB 29.39, -6.26, -24.56

 

CMYK 95 / 57 / 0 / 58

HEX #052E6B

RGB 5 46 107

HSL 215.88, 0.91%, 0.22%

LAB 20.23, 13.17, -39.2

 

CMYK 95 / 82 / 0 / 58

HEX #05136B

RGB 5 19 107

HSL 231.76, 0.91%, 0.22%

LAB 12.98, 32.2, -51.11

 

CMYK 95 / 95 / 0 / 58

HEX #05056B

RGB 5 5 107

HSL 240, 0.91%, 0.22%

LAB 10.57, 39.34, -55.12

 

CMYK 95 / 31 / 0 / 58

HEX #054A6B

RGB 5 74 107

HSL 199.41, 0.91%, 0.22%

LAB 29.39, -6.26, -24.56

 

CMYK 95 / 31 / 0 / 58

HEX #054A6B

RGB 5 74 107

HSL 199.41, 0.91%, 0.22%

LAB 29.39, -6.26, -24.56

 

CMYK 86 / 29 / 0 / 62

HEX #0E4662

RGB 14 70 98

HSL 200, 0.75%, 0.22%

LAB 27.72, -6.58, -21.42

 

CMYK 74 / 24 / 0 / 65

HEX #174358

RGB 23 67 88

HSL 199.38, 0.59%, 0.22%

LAB 26.45, -7.31, -16.93

 

CMYK 59 / 19 / 0 / 69

HEX #20404F

RGB 32 64 79

HSL 199.15, 0.42%, 0.22%

LAB 25.38, -6.78, -12.67

 

CMYK 41 / 13 / 0 / 73

HEX #293D46

RGB 41 61 70

HSL 198.62, 0.26%, 0.22%

LAB 24.48, -5.22, -8.04

 

CMYK 95 / 0 / 21 / 58

HEX #056B55

RGB 5 107 85

HSL 167.06, 0.91%, 0.22%

LAB 39.92, -31.86, 5.02

 

CMYK 95 / 5 / 0 / 58

HEX #05666B

RGB 5 102 107

HSL 182.94, 0.91%, 0.22%

LAB 38.89, -22.45, -9.92

 

CMYK 95 / 31 / 0 / 58

HEX #054A6B

RGB 5 74 107

HSL 199.41, 0.91%, 0.22%

LAB 29.39, -6.26, -24.56

 

CMYK 95 / 56 / 0 / 58

HEX #052F6B

RGB 5 47 107

HSL 215.29, 0.91%, 0.22%

LAB 20.54, 12.44, -38.69

 

CMYK 95 / 81 / 0 / 58

HEX #05146B

RGB 5 20 107

HSL 231.18, 0.91%, 0.22%

LAB 13.19, 31.59, -50.76

 

CMYK 96 / 32 / 0 / 89

HEX #01131C

RGB 1 19 28

HSL 200, 0.93%, 0.06%

LAB 5.02, -3.01, -8.04

 

CMYK 96 / 31 / 0 / 74

HEX #032E43

RGB 3 46 67

HSL 199.69, 0.91%, 0.14%

LAB 17.36, -5.12, -17.13

 

CMYK 95 / 31 / 0 / 58

HEX #054A6B

RGB 5 74 107

HSL 199.41, 0.91%, 0.22%

LAB 29.39, -6.26, -24.56

 

CMYK 96 / 31 / 0 / 43

HEX #066592

RGB 6 101 146

HSL 199.29, 0.92%, 0.3%

LAB 40.28, -7.2, -31.46

 

CMYK 96 / 31 / 0 / 27

HEX #0880B9

RGB 8 128 185

HSL 199.32, 0.92%, 0.38%

LAB 50.68, -8.06, -37.98

 

CMYK 95 / 31 / 0 / 58

HEX #054A6B

RGB 5 74 107

HSL 199.41, 0.91%, 0.22%

LAB 29.39, -6.26, -24.56

 

CMYK 47 / 95 / 0 / 58

HEX #39056B

RGB 57 5 107

HSL 270.59, 0.91%, 0.22%

LAB 15.7, 42.85, -46.47

 

CMYK 0 / 8 / 95 / 58

HEX #6B6205

RGB 107 98 5

HSL 54.71, 0.91%, 0.22%

LAB 41.01, -6.15, 46.57

 

CMYK 95 / 31 / 0 / 58

HEX #054A6B

RGB 5 74 107

HSL 199.41, 0.91%, 0.22%

LAB 29.39, -6.26, -24.56

 

CMYK 0 / 95 / 31 / 58

HEX #6B054A

RGB 107 5 74

HSL 319.41, 0.91%, 0.22%

LAB 22.75, 46.01, -12.57

 

CMYK 31 / 0 / 95 / 58

HEX #4A6B05

RGB 74 107 5

HSL 79.41, 0.91%, 0.22%

LAB 41.19, -26.38, 45.58

 

CMYK 95 / 31 / 0 / 58

HEX #054A6B

RGB 5 74 107

HSL 199.41, 0.91%, 0.22%

LAB 29.39, -6.26, -24.56

 

CMYK 47 / 95 / 0 / 58

HEX #39056B

RGB 57 5 107

HSL 270.59, 0.91%, 0.22%

LAB 15.7, 42.85, -46.47

 

CMYK 0 / 65 / 95 / 58

HEX #6B2505

RGB 107 37 5

HSL 18.82, 0.91%, 0.22%

LAB 25.14, 29.77, 34.06

 

CMYK 50 / 0 / 95 / 58

HEX #366B05

RGB 54 107 5

HSL 91.18, 0.91%, 0.22%

LAB 40.1, -34.17, 44.23

 

CMYK 95 / 31 / 0 / 58

HEX #054A6B

RGB 5 74 107

HSL 199.41, 0.91%, 0.22%

LAB 29.39, -6.26, -24.56

 

CMYK 18 / 95 / 0 / 58

HEX #58056B

RGB 88 5 107

HSL 288.82, 0.91%, 0.22%

LAB 21, 47.4, -37.59

 

CMYK 0 / 65 / 95 / 58

HEX #6B2505

RGB 107 37 5

HSL 18.82, 0.91%, 0.22%

LAB 25.14, 29.77, 34.06

 

CMYK 79 / 0 / 95 / 58

HEX #176B05

RGB 23 107 5

HSL 109.41, 0.91%, 0.22%

LAB 39.09, -42.43, 42.98

 

Description

Color code: HEX #054A6B | qconv.com Color code: HEX #054A6B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 74 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 74 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 31 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 31% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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