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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #058D87 it is the complementary color #FA7278. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #058D87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #058D87 shade: #0A8D82, #1B9F95, #2CB1A8, #3DC3BB and #4ED5CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #058D87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #058D87 shade: #058D87, #007B74, #006961, #00574E and #00453B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #058D87 shade: #058E88, #058E63, #058E3E, #058E19 and #168E05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #058D87 shade: #058E88, #056F8E, #054A8E, #05258E and #05058E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #058D87 shade matches the following richer shades: #058E88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #058D87 shade: #058E88, #11827D, #1D7672, #296A67 and #355E5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #058D87 shade: #058E3E, #058E63, #058E87, #05708E and #054C8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #058D87 shade: #023F3C, #036662, #058E88, #06B6AE and #08DED4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #058D87 shade: #058D87, #19058E and #8E5005

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #058D87 shade: #058D87, #87058E and #8E8705

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #058D87 shade: #058D87, #19058E, #8E050C and #7A8E05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #058D87 shade: #058D87, #43058E, #8E050C and #508E05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 4 / 45

HEX #058D87

RGB 5 141 135

HSL 177.35, 0.93%, 0.29%

LAB 52.76, -32.59, -5.85

 

Complementary color

CMYK 0 / 54 / 52 / 2

HEX #FA7278

RGB 250 114 120

HSL 357.35, 0.93%, 0.71%

LAB 64.74, 52.46, 22.37

 

CMYK 93 / 0 / 8 / 45

HEX #0A8D82

RGB 10 141 130

HSL 174.96, 0.87%, 0.3%

LAB 52.65, -33.87, -3.12

 

CMYK 83 / 0 / 6 / 38

HEX #1B9F95

RGB 27 159 149

HSL 175.45, 0.71%, 0.36%

LAB 59.16, -35.37, -4.38

 

CMYK 75 / 0 / 5 / 31

HEX #2CB1A8

RGB 44 177 168

HSL 175.94, 0.6%, 0.43%

LAB 65.6, -36.44, -5.49

 

CMYK 69 / 0 / 4 / 24

HEX #3DC3BB

RGB 61 195 187

HSL 176.42, 0.53%, 0.5%

LAB 71.97, -37.2, -6.47

 

CMYK 63 / 0 / 3 / 16

HEX #4ED5CE

RGB 78 213 206

HSL 176.89, 0.62%, 0.57%

LAB 78.27, -37.73, -7.37

 

CMYK 96 / 0 / 4 / 45

HEX #058D87

RGB 5 141 135

HSL 177.35, 0.93%, 0.29%

LAB 52.76, -32.59, -5.85

 

CMYK 100 / 0 / 6 / 52

HEX #007B74

RGB 0 123 116

HSL 176.59, 1%, 0.24%

LAB 46.21, -30.28, -4.42

 

CMYK 100 / 0 / 8 / 59

HEX #006961

RGB 0 105 97

HSL 175.43, 1%, 0.21%

LAB 39.52, -27.67, -2.87

 

CMYK 100 / 0 / 10 / 66

HEX #00574E

RGB 0 87 78

HSL 173.79, 1%, 0.17%

LAB 32.63, -25, -1.22

 

CMYK 100 / 0 / 14 / 73

HEX #00453B

RGB 0 69 59

HSL 171.3, 1%, 0.14%

LAB 25.48, -22.23, 0.54

 

CMYK 96 / 0 / 4 / 44

HEX #058E88

RGB 5 142 136

HSL 177.37, 0.93%, 0.29%

LAB 53.12, -32.75, -5.9

 

CMYK 96 / 0 / 30 / 44

HEX #058E63

RGB 5 142 99

HSL 161.17, 0.93%, 0.29%

LAB 52.15, -43.01, 14.01

 

CMYK 96 / 0 / 56 / 44

HEX #058E3E

RGB 5 142 62

HSL 144.96, 0.93%, 0.29%

LAB 51.53, -50.35, 33.34

 

CMYK 96 / 0 / 82 / 44

HEX #058E19

RGB 5 142 25

HSL 128.76, 0.93%, 0.29%

LAB 51.21, -54.35, 48.56

 

CMYK 85 / 0 / 96 / 44

HEX #168E05

RGB 22 142 5

HSL 112.55, 0.93%, 0.29%

LAB 51.3, -53.79, 53.15

 

CMYK 96 / 0 / 4 / 44

HEX #058E88

RGB 5 142 136

HSL 177.37, 0.93%, 0.29%

LAB 53.12, -32.75, -5.9

 

CMYK 96 / 22 / 0 / 44

HEX #056F8E

RGB 5 111 142

HSL 193.58, 0.93%, 0.29%

LAB 43.29, -14.67, -24.36

 

CMYK 96 / 48 / 0 / 44

HEX #054A8E

RGB 5 74 142

HSL 209.78, 0.93%, 0.29%

LAB 31.54, 8.53, -42.95

 

CMYK 96 / 74 / 0 / 44

HEX #05258E

RGB 5 37 142

HSL 225.99, 0.93%, 0.29%

LAB 21.24, 34.12, -59.77

 

CMYK 96 / 96 / 0 / 44

HEX #05058E

RGB 5 5 142

HSL 240, 0.93%, 0.29%

LAB 15.97, 49.53, -68.53

 

CMYK 96 / 0 / 4 / 44

HEX #058E88

RGB 5 142 136

HSL 177.37, 0.93%, 0.29%

LAB 53.12, -32.75, -5.9

 

CMYK 96 / 0 / 4 / 44

HEX #058E88

RGB 5 142 136

HSL 177.37, 0.93%, 0.29%

LAB 53.12, -32.75, -5.9

 

CMYK 87 / 0 / 4 / 49

HEX #11827D

RGB 17 130 125

HSL 177.35, 0.77%, 0.29%

LAB 48.96, -29.78, -5.64

 

CMYK 75 / 0 / 3 / 54

HEX #1D7672

RGB 29 118 114

HSL 177.3, 0.61%, 0.29%

LAB 44.85, -26.06, -5.22

 

CMYK 61 / 0 / 3 / 58

HEX #296A67

RGB 41 106 103

HSL 177.23, 0.44%, 0.29%

LAB 40.83, -21.22, -4.51

 

CMYK 44 / 0 / 1 / 63

HEX #355E5D

RGB 53 94 93

HSL 178.54, 0.28%, 0.29%

LAB 37.03, -14.62, -3.95

 

CMYK 96 / 0 / 56 / 44

HEX #058E3E

RGB 5 142 62

HSL 144.96, 0.93%, 0.29%

LAB 51.53, -50.35, 33.34

 

CMYK 96 / 0 / 30 / 44

HEX #058E63

RGB 5 142 99

HSL 161.17, 0.93%, 0.29%

LAB 52.15, -43.01, 14.01

 

CMYK 96 / 0 / 5 / 44

HEX #058E87

RGB 5 142 135

HSL 176.93, 0.93%, 0.29%

LAB 53.09, -33.06, -5.37

 

CMYK 96 / 21 / 0 / 44

HEX #05708E

RGB 5 112 142

HSL 193.14, 0.93%, 0.29%

LAB 43.62, -15.24, -23.86

 

CMYK 96 / 46 / 0 / 44

HEX #054C8E

RGB 5 76 142

HSL 208.91, 0.93%, 0.29%

LAB 32.16, 7.17, -41.96

 

CMYK 97 / 0 / 5 / 75

HEX #023F3C

RGB 2 63 60

HSL 177.05, 0.94%, 0.13%

LAB 23.32, -18.47, -3.29

 

CMYK 97 / 0 / 4 / 60

HEX #036662

RGB 3 102 98

HSL 177.58, 0.94%, 0.21%

LAB 38.56, -25.64, -4.91

 

CMYK 96 / 0 / 4 / 44

HEX #058E88

RGB 5 142 136

HSL 177.37, 0.93%, 0.29%

LAB 53.12, -32.75, -5.9

 

CMYK 97 / 0 / 4 / 29

HEX #06B6AE

RGB 6 182 174

HSL 177.27, 0.94%, 0.37%

LAB 66.94, -39.53, -6.87

 

CMYK 96 / 0 / 5 / 13

HEX #08DED4

RGB 8 222 212

HSL 177.2, 0.93%, 0.45%

LAB 80.21, -46, -7.8

 

CMYK 96 / 0 / 4 / 45

HEX #058D87

RGB 5 141 135

HSL 177.35, 0.93%, 0.29%

LAB 52.76, -32.59, -5.85

 

CMYK 82 / 96 / 0 / 44

HEX #19058E

RGB 25 5 142

HSL 248.76, 0.93%, 0.29%

LAB 16.84, 49.94, -67.06

 

CMYK 0 / 44 / 96 / 44

HEX #8E5005

RGB 142 80 5

HSL 32.85, 0.93%, 0.29%

LAB 40.41, 21.24, 48.04

 

CMYK 96 / 0 / 4 / 45

HEX #058D87

RGB 5 141 135

HSL 177.35, 0.93%, 0.29%

LAB 52.76, -32.59, -5.85

 

CMYK 5 / 96 / 0 / 44

HEX #87058E

RGB 135 5 142

HSL 296.93, 0.93%, 0.29%

LAB 32.29, 61.64, -41.14

 

CMYK 0 / 5 / 96 / 44

HEX #8E8705

RGB 142 135 5

HSL 56.93, 0.93%, 0.29%

LAB 55.16, -10.11, 58.78

 

CMYK 96 / 0 / 4 / 45

HEX #058D87

RGB 5 141 135

HSL 177.35, 0.93%, 0.29%

LAB 52.76, -32.59, -5.85

 

CMYK 82 / 96 / 0 / 44

HEX #19058E

RGB 25 5 142

HSL 248.76, 0.93%, 0.29%

LAB 16.84, 49.94, -67.06

 

CMYK 0 / 96 / 92 / 44

HEX #8E050C

RGB 142 5 12

HSL 356.93, 0.93%, 0.29%

LAB 29.12, 51.19, 37.49

 

CMYK 14 / 0 / 96 / 44

HEX #7A8E05

RGB 122 142 5

HSL 68.76, 0.93%, 0.29%

LAB 55.58, -22.86, 58.37

 

CMYK 96 / 0 / 4 / 45

HEX #058D87

RGB 5 141 135

HSL 177.35, 0.93%, 0.29%

LAB 52.76, -32.59, -5.85

 

CMYK 53 / 96 / 0 / 44

HEX #43058E

RGB 67 5 142

HSL 267.15, 0.93%, 0.29%

LAB 21.04, 52.42, -59.96

 

CMYK 0 / 96 / 92 / 44

HEX #8E050C

RGB 142 5 12

HSL 356.93, 0.93%, 0.29%

LAB 29.12, 51.19, 37.49

 

CMYK 44 / 0 / 96 / 44

HEX #508E05

RGB 80 142 5

HSL 87.15, 0.93%, 0.29%

LAB 53.02, -39.82, 55.26

 

Description

Color code: HEX #058D87 | qconv.com Color code: HEX #058D87 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 141 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 141 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 4 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 4% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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