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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05A8D0 it is the complementary color #FA572F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05A8D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05A8D0 shade: #0AA8CB, #1BBADE, #2CCCF1, #3DDEFF and #4EF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05A8D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05A8D0 shade: #05A8D0, #0096BD, #0084AA, #007297 and #006084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05A8D0 shade: #05A8D0, #0571D0, #053BD0, #0605D0 and #3D05D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05A8D0 shade: #05A8D0, #0571D0, #053BD0 and #0505D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05A8D0 shade matches the following richer shades: #05A8D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05A8D0 shade: #05A8D0, #169EBF, #2893AE, #39899C and #4A7E8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05A8D0 shade: #05D089, #05D0BF, #05ABD0, #0575D0 and #053FD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05A8D0 shade: #036780, #0488A8, #05A8D0, #06C8F8 and #2FD1F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05A8D0 shade: #05A8D0, #5305D0 and #D0A405

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05A8D0 shade: #05A8D0, #D005AB and #ABD005

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05A8D0 shade: #05A8D0, #5305D0, #D02A05 and #82D005

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05A8D0 shade: #05A8D0, #9005D0, #D02A05 and #45D005

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 19 / 0 / 18

HEX #05A8D0

RGB 5 168 208

HSL 191.82, 0.95%, 0.42%

LAB 63.83, -21.82, -30.44

 

Complementary color

CMYK 0 / 65 / 81 / 2

HEX #FA572F

RGB 250 87 47

HSL 11.82, 0.95%, 0.58%

LAB 59.29, 60.32, 55.07

 

CMYK 95 / 17 / 0 / 20

HEX #0AA8CB

RGB 10 168 203

HSL 190.88, 0.91%, 0.42%

LAB 63.66, -23.39, -27.93

 

CMYK 88 / 16 / 0 / 13

HEX #1BBADE

RGB 27 186 222

HSL 191.08, 0.78%, 0.49%

LAB 69.91, -25.41, -28.74

 

CMYK 82 / 15 / 0 / 5

HEX #2CCCF1

RGB 44 204 241

HSL 191.27, 0.88%, 0.56%

LAB 76.11, -27.06, -29.47

 

CMYK 76 / 13 / 0 / 0

HEX #3DDEFF

RGB 61 222 255

HSL 190.21, 1%, 0.62%

LAB 82.08, -29.94, -27.76

 

CMYK 69 / 6 / 0 / 0

HEX #4EF0FF

RGB 78 240 255

HSL 185.08, 1%, 0.65%

LAB 87.56, -36.53, -19.4

 

CMYK 98 / 19 / 0 / 18

HEX #05A8D0

RGB 5 168 208

HSL 191.82, 0.95%, 0.42%

LAB 63.83, -21.82, -30.44

 

CMYK 100 / 21 / 0 / 26

HEX #0096BD

RGB 0 150 189

HSL 192.38, 1%, 0.37%

LAB 57.55, -19.16, -29.53

 

CMYK 100 / 22 / 0 / 33

HEX #0084AA

RGB 0 132 170

HSL 193.41, 1%, 0.33%

LAB 51.16, -16.26, -28.59

 

CMYK 100 / 25 / 0 / 41

HEX #007297

RGB 0 114 151

HSL 194.7, 1%, 0.3%

LAB 44.62, -13.24, -27.65

 

CMYK 100 / 27 / 0 / 48

HEX #006084

RGB 0 96 132

HSL 196.36, 1%, 0.26%

LAB 37.9, -10.07, -26.74

 

CMYK 98 / 19 / 0 / 18

HEX #05A8D0

RGB 5 168 208

HSL 191.82, 0.95%, 0.42%

LAB 63.83, -21.82, -30.44

 

CMYK 98 / 46 / 0 / 18

HEX #0571D0

RGB 5 113 208

HSL 208.08, 0.95%, 0.42%

LAB 47.49, 9.98, -56.24

 

CMYK 98 / 72 / 0 / 18

HEX #053BD0

RGB 5 59 208

HSL 224.04, 0.95%, 0.42%

LAB 33.38, 44.85, -79.26

 

CMYK 97 / 98 / 0 / 18

HEX #0605D0

RGB 6 5 208

HSL 240.3, 0.95%, 0.42%

LAB 25.87, 66.95, -91.76

 

CMYK 71 / 98 / 0 / 18

HEX #3D05D0

RGB 61 5 208

HSL 256.55, 0.95%, 0.42%

LAB 28.52, 68.08, -87.26

 

CMYK 98 / 19 / 0 / 18

HEX #05A8D0

RGB 5 168 208

HSL 191.82, 0.95%, 0.42%

LAB 63.83, -21.82, -30.44

 

CMYK 98 / 46 / 0 / 18

HEX #0571D0

RGB 5 113 208

HSL 208.08, 0.95%, 0.42%

LAB 47.49, 9.98, -56.24

 

CMYK 98 / 72 / 0 / 18

HEX #053BD0

RGB 5 59 208

HSL 224.04, 0.95%, 0.42%

LAB 33.38, 44.85, -79.26

 

CMYK 98 / 98 / 0 / 18

HEX #0505D0

RGB 5 5 208

HSL 240, 0.95%, 0.42%

LAB 25.85, 66.94, -91.79

 

CMYK 98 / 19 / 0 / 18

HEX #05A8D0

RGB 5 168 208

HSL 191.82, 0.95%, 0.42%

LAB 63.83, -21.82, -30.44

 

CMYK 98 / 19 / 0 / 18

HEX #05A8D0

RGB 5 168 208

HSL 191.82, 0.95%, 0.42%

LAB 63.83, -21.82, -30.44

 

CMYK 88 / 17 / 0 / 25

HEX #169EBF

RGB 22 158 191

HSL 191.72, 0.79%, 0.42%

LAB 60.24, -21.79, -26.49

 

CMYK 77 / 16 / 0 / 32

HEX #2893AE

RGB 40 147 174

HSL 192.09, 0.63%, 0.42%

LAB 56.46, -20.24, -22.65

 

CMYK 63 / 12 / 0 / 39

HEX #39899C

RGB 57 137 156

HSL 191.52, 0.46%, 0.42%

LAB 53.13, -18.28, -17.38

 

CMYK 47 / 9 / 0 / 45

HEX #4A7E8B

RGB 74 126 139

HSL 192, 0.31%, 0.42%

LAB 49.79, -13.7, -12.47

 

CMYK 98 / 0 / 34 / 18

HEX #05D089

RGB 5 208 137

HSL 159.01, 0.95%, 0.42%

LAB 74.16, -59.39, 23.45

 

CMYK 98 / 0 / 8 / 18

HEX #05D0BF

RGB 5 208 191

HSL 174.98, 0.95%, 0.42%

LAB 75.39, -46.02, -3.66

 

CMYK 98 / 18 / 0 / 18

HEX #05ABD0

RGB 5 171 208

HSL 190.94, 0.95%, 0.42%

LAB 64.73, -23.37, -29.04

 

CMYK 98 / 44 / 0 / 18

HEX #0575D0

RGB 5 117 208

HSL 206.9, 0.95%, 0.42%

LAB 48.65, 7.46, -54.38

 

CMYK 98 / 70 / 0 / 18

HEX #053FD0

RGB 5 63 208

HSL 222.86, 0.95%, 0.42%

LAB 34.28, 42.39, -77.79

 

CMYK 98 / 20 / 0 / 50

HEX #036780

RGB 3 103 128

HSL 192, 0.95%, 0.26%

LAB 40.05, -15.52, -20.97

 

CMYK 98 / 19 / 0 / 34

HEX #0488A8

RGB 4 136 168

HSL 191.71, 0.95%, 0.34%

LAB 52.35, -19, -25.57

 

CMYK 98 / 19 / 0 / 18

HEX #05A8D0

RGB 5 168 208

HSL 191.82, 0.95%, 0.42%

LAB 63.83, -21.82, -30.44

 

CMYK 98 / 19 / 0 / 3

HEX #06C8F8

RGB 6 200 248

HSL 191.9, 0.95%, 0.5%

LAB 74.9, -24.54, -35.12

 

CMYK 81 / 16 / 0 / 2

HEX #2FD1F9

RGB 47 209 249

HSL 191.88, 0.94%, 0.58%

LAB 77.9, -26.74, -31

 

CMYK 98 / 19 / 0 / 18

HEX #05A8D0

RGB 5 168 208

HSL 191.82, 0.95%, 0.42%

LAB 63.83, -21.82, -30.44

 

CMYK 60 / 98 / 0 / 18

HEX #5305D0

RGB 83 5 208

HSL 263.05, 0.95%, 0.42%

LAB 30.64, 69.19, -83.67

 

CMYK 0 / 21 / 98 / 18

HEX #D0A405

RGB 208 164 5

HSL 47, 0.95%, 0.42%

LAB 69.45, 4.23, 72.13

 

CMYK 98 / 19 / 0 / 18

HEX #05A8D0

RGB 5 168 208

HSL 191.82, 0.95%, 0.42%

LAB 63.83, -21.82, -30.44

 

CMYK 0 / 98 / 18 / 18

HEX #D005AB

RGB 208 5 171

HSL 310.94, 0.95%, 0.42%

LAB 47.57, 78.89, -33.57

 

CMYK 18 / 0 / 98 / 18

HEX #ABD005

RGB 171 208 5

HSL 70.94, 0.95%, 0.42%

LAB 78.33, -33.87, 77.34

 

CMYK 98 / 19 / 0 / 18

HEX #05A8D0

RGB 5 168 208

HSL 191.82, 0.95%, 0.42%

LAB 63.83, -21.82, -30.44

 

CMYK 60 / 98 / 0 / 18

HEX #5305D0

RGB 83 5 208

HSL 263.05, 0.95%, 0.42%

LAB 30.64, 69.19, -83.67

 

CMYK 0 / 80 / 98 / 18

HEX #D02A05

RGB 208 42 5

HSL 10.94, 0.95%, 0.42%

LAB 45.74, 62.03, 57.08

 

CMYK 38 / 0 / 98 / 18

HEX #82D005

RGB 130 208 5

HSL 83.05, 0.95%, 0.42%

LAB 75.99, -49.43, 74.51

 

CMYK 98 / 19 / 0 / 18

HEX #05A8D0

RGB 5 168 208

HSL 191.82, 0.95%, 0.42%

LAB 63.83, -21.82, -30.44

 

CMYK 31 / 98 / 0 / 18

HEX #9005D0

RGB 144 5 208

HSL 281.08, 0.95%, 0.42%

LAB 38.88, 74.74, -69.8

 

CMYK 0 / 80 / 98 / 18

HEX #D02A05

RGB 208 42 5

HSL 10.94, 0.95%, 0.42%

LAB 45.74, 62.03, 57.08

 

CMYK 67 / 0 / 98 / 18

HEX #45D005

RGB 69 208 5

HSL 101.08, 0.95%, 0.42%

LAB 73.8, -66.53, 71.84

 

Description

Color code: HEX #05A8D0 | qconv.com Color code: HEX #05A8D0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 168 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 168 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 19 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 19% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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