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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05A225 it is the complementary color #FA5DDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05A225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05A225 shade: #0AA220, #1BB433, #2CC646, #3DD859 and #4EEA6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05A225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05A225 shade: #05A225, #009012, #007E00, #006C00 and #005A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05A225 shade: #05A325, #0FA305, #3AA305, #64A305 and #8FA305

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05A225 shade: #05A325, #05A34F, #05A37A, #05A1A3 and #0576A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05A225 shade matches the following richer shades: #05A325

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05A225 shade: #05A325, #12952D, #208835, #2D7A3D and #3B6C45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05A225 shade: #39A305, #0FA305, #05A324, #05A34E and #05A379

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05A225 shade: #025313, #037B1C, #05A325, #06CB2E and #07F337

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05A225 shade: #05A225, #0563A3 and #A30524

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05A225 shade: #05A225, #2405A3 and #A32405

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05A225 shade: #05A225, #0563A3, #A30583 and #A34405

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05A225 shade: #05A225, #0534A3, #A30583 and #A37305

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 77 / 36

HEX #05A225

RGB 5 162 37

HSL 132.23, 0.94%, 0.33%

LAB 58.04, -59.46, 51.27

 

Complementary color

CMYK 0 / 63 / 13 / 2

HEX #FA5DDA

RGB 250 93 218

HSL 312.23, 0.94%, 0.67%

LAB 64.33, 72.88, -33.93

 

CMYK 94 / 0 / 80 / 36

HEX #0AA220

RGB 10 162 32

HSL 128.68, 0.88%, 0.34%

LAB 58.05, -59.54, 52.91

 

CMYK 85 / 0 / 72 / 29

HEX #1BB433

RGB 27 180 51

HSL 129.41, 0.74%, 0.41%

LAB 64.25, -62.17, 52.53

 

CMYK 78 / 0 / 65 / 22

HEX #2CC646

RGB 44 198 70

HSL 130.13, 0.64%, 0.47%

LAB 70.43, -63.99, 51.55

 

CMYK 72 / 0 / 59 / 15

HEX #3DD859

RGB 61 216 89

HSL 130.84, 0.67%, 0.54%

LAB 76.57, -65.21, 50.31

 

CMYK 67 / 0 / 54 / 8

HEX #4EEA6C

RGB 78 234 108

HSL 131.54, 0.79%, 0.61%

LAB 82.67, -66.01, 48.96

 

CMYK 97 / 0 / 77 / 36

HEX #05A225

RGB 5 162 37

HSL 132.23, 0.94%, 0.33%

LAB 58.04, -59.46, 51.27

 

CMYK 100 / 0 / 88 / 44

HEX #009012

RGB 0 144 18

HSL 127.5, 1%, 0.28%

LAB 51.83, -55.66, 51.02

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 97 / 0 / 77 / 36

HEX #05A325

RGB 5 163 37

HSL 132.15, 0.94%, 0.33%

LAB 58.38, -59.76, 51.6

 

CMYK 91 / 0 / 97 / 36

HEX #0FA305

RGB 15 163 5

HSL 116.2, 0.94%, 0.33%

LAB 58.33, -60.65, 58.9

 

CMYK 64 / 0 / 97 / 36

HEX #3AA305

RGB 58 163 5

HSL 99.87, 0.94%, 0.33%

LAB 59.07, -54.17, 59.82

 

CMYK 39 / 0 / 97 / 36

HEX #64A305

RGB 100 163 5

HSL 83.92, 0.94%, 0.33%

LAB 60.71, -41.49, 61.82

 

CMYK 12 / 0 / 97 / 36

HEX #8FA305

RGB 143 163 5

HSL 67.59, 0.94%, 0.33%

LAB 63.38, -24.15, 65.05

 

CMYK 97 / 0 / 77 / 36

HEX #05A325

RGB 5 163 37

HSL 132.15, 0.94%, 0.33%

LAB 58.38, -59.76, 51.6

 

CMYK 97 / 0 / 52 / 36

HEX #05A34F

RGB 5 163 79

HSL 148.1, 0.94%, 0.33%

LAB 58.78, -54.73, 33.58

 

CMYK 97 / 0 / 25 / 36

HEX #05A37A

RGB 5 163 122

HSL 164.43, 0.94%, 0.33%

LAB 59.55, -45.77, 11.39

 

CMYK 97 / 1 / 0 / 36

HEX #05A1A3

RGB 5 161 163

HSL 180.76, 0.94%, 0.33%

LAB 60.04, -33.27, -11.01

 

CMYK 97 / 28 / 0 / 36

HEX #0576A3

RGB 5 118 163

HSL 197.09, 0.94%, 0.33%

LAB 46.49, -10.74, -31.79

 

CMYK 97 / 0 / 77 / 36

HEX #05A325

RGB 5 163 37

HSL 132.15, 0.94%, 0.33%

LAB 58.38, -59.76, 51.6

 

CMYK 97 / 0 / 77 / 36

HEX #05A325

RGB 5 163 37

HSL 132.15, 0.94%, 0.33%

LAB 58.38, -59.76, 51.6

 

CMYK 88 / 0 / 70 / 42

HEX #12952D

RGB 18 149 45

HSL 132.37, 0.78%, 0.33%

LAB 53.83, -53.89, 43.91

 

CMYK 76 / 0 / 61 / 47

HEX #208835

RGB 32 136 53

HSL 132.12, 0.62%, 0.33%

LAB 49.7, -46.83, 35.74

 

CMYK 63 / 0 / 50 / 52

HEX #2D7A3D

RGB 45 122 61

HSL 132.47, 0.46%, 0.33%

LAB 45.38, -37.65, 26.45

 

CMYK 45 / 0 / 36 / 58

HEX #3B6C45

RGB 59 108 69

HSL 132.24, 0.29%, 0.33%

LAB 41.35, -25.9, 16.79

 

CMYK 65 / 0 / 97 / 36

HEX #39A305

RGB 57 163 5

HSL 100.25, 0.94%, 0.33%

LAB 59.04, -54.4, 59.79

 

CMYK 91 / 0 / 97 / 36

HEX #0FA305

RGB 15 163 5

HSL 116.2, 0.94%, 0.33%

LAB 58.33, -60.65, 58.9

 

CMYK 97 / 0 / 78 / 36

HEX #05A324

RGB 5 163 36

HSL 131.77, 0.94%, 0.33%

LAB 58.37, -59.83, 51.93

 

CMYK 97 / 0 / 52 / 36

HEX #05A34E

RGB 5 163 78

HSL 147.72, 0.94%, 0.33%

LAB 58.77, -54.89, 34.07

 

CMYK 97 / 0 / 26 / 36

HEX #05A379

RGB 5 163 121

HSL 164.05, 0.94%, 0.33%

LAB 59.53, -46.02, 11.91

 

CMYK 98 / 0 / 77 / 67

HEX #025313

RGB 2 83 19

HSL 132.59, 0.95%, 0.17%

LAB 30.03, -36.34, 29.85

 

CMYK 98 / 0 / 77 / 52

HEX #037B1C

RGB 3 123 28

HSL 132.5, 0.95%, 0.25%

LAB 44.62, -48.45, 41.12

 

CMYK 97 / 0 / 77 / 36

HEX #05A325

RGB 5 163 37

HSL 132.15, 0.94%, 0.33%

LAB 58.38, -59.76, 51.6

 

CMYK 97 / 0 / 77 / 20

HEX #06CB2E

RGB 6 203 46

HSL 132.18, 0.94%, 0.41%

LAB 71.52, -70.6, 61.51

 

CMYK 97 / 0 / 77 / 5

HEX #07F337

RGB 7 243 55

HSL 132.2, 0.94%, 0.49%

LAB 84.19, -81.02, 71.03

 

CMYK 97 / 0 / 77 / 36

HEX #05A225

RGB 5 162 37

HSL 132.23, 0.94%, 0.33%

LAB 58.04, -59.46, 51.27

 

CMYK 97 / 39 / 0 / 36

HEX #0563A3

RGB 5 99 163

HSL 204.3, 0.94%, 0.33%

LAB 40.57, 0.81, -41.14

 

CMYK 0 / 97 / 78 / 36

HEX #A30524

RGB 163 5 36

HSL 348.23, 0.94%, 0.33%

LAB 34.03, 57.39, 30.17

 

CMYK 97 / 0 / 77 / 36

HEX #05A225

RGB 5 162 37

HSL 132.23, 0.94%, 0.33%

LAB 58.04, -59.46, 51.27

 

CMYK 78 / 97 / 0 / 36

HEX #2405A3

RGB 36 5 163

HSL 251.77, 0.94%, 0.33%

LAB 20.55, 55.89, -73.81

 

CMYK 0 / 78 / 97 / 36

HEX #A32405

RGB 163 36 5

HSL 11.77, 0.94%, 0.33%

LAB 36.1, 50.14, 47.1

 

CMYK 97 / 0 / 77 / 36

HEX #05A225

RGB 5 162 37

HSL 132.23, 0.94%, 0.33%

LAB 58.04, -59.46, 51.27

 

CMYK 97 / 39 / 0 / 36

HEX #0563A3

RGB 5 99 163

HSL 204.3, 0.94%, 0.33%

LAB 40.57, 0.81, -41.14

 

CMYK 0 / 97 / 20 / 36

HEX #A30583

RGB 163 5 131

HSL 312.15, 0.94%, 0.33%

LAB 36.99, 65.24, -26.52

 

CMYK 0 / 58 / 97 / 36

HEX #A34405

RGB 163 68 5

HSL 23.92, 0.94%, 0.33%

LAB 41.11, 36.65, 50.09

 

CMYK 97 / 0 / 77 / 36

HEX #05A225

RGB 5 162 37

HSL 132.23, 0.94%, 0.33%

LAB 58.04, -59.46, 51.27

 

CMYK 97 / 68 / 0 / 36

HEX #0534A3

RGB 5 52 163

HSL 222.15, 0.94%, 0.33%

LAB 27.11, 32.4, -62.97

 

CMYK 0 / 97 / 20 / 36

HEX #A30583

RGB 163 5 131

HSL 312.15, 0.94%, 0.33%

LAB 36.99, 65.24, -26.52

 

CMYK 0 / 29 / 97 / 36

HEX #A37305

RGB 163 115 5

HSL 41.77, 0.94%, 0.33%

LAB 51.9, 10.84, 57.38

 

Description

Color code: HEX #05A225 | qconv.com Color code: HEX #05A225 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 162 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 162 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 77 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 77% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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