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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05AFAB it is the complementary color #FA5054. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05AFAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05AFAB shade: #0AAFA6, #1BC1B9, #2CD3CC, #3DE5DF and #4EF7F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05AFAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05AFAB shade: #05AFAB, #009D98, #008B85, #007972 and #00675F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05AFAB shade: #05ADA9, #05AD7B, #05AD4E, #05AD21 and #16AD05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05AFAB shade: #05ADA9, #0583AD, #0556AD, #0529AD and #0505AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05AFAB shade matches the following richer shades: #05ADA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05AFAB shade: #05ADA9, #139E9B, #22908D, #30817F and #3F7372

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05AFAB shade: #05AD4E, #05AD7A, #05ADA7, #0585AD and #0559AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05AFAB shade: #025D5A, #048582, #05ADA9, #06D5D0 and #0DF7F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05AFAB shade: #05AFAB, #2105AD and #AD6405

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05AFAB shade: #05AFAB, #A705AD and #ADA705

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05AFAB shade: #05AFAB, #2105AD, #AD050A and #91AD05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05AFAB shade: #05AFAB, #5305AD, #AD050A and #5EAD05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 2 / 31

HEX #05AFAB

RGB 5 175 171

HSL 178.59, 0.94%, 0.35%

LAB 64.67, -37.3, -8.58

 

Complementary color

CMYK 0 / 68 / 66 / 2

HEX #FA5054

RGB 250 80 84

HSL 358.59, 0.94%, 0.65%

LAB 58.7, 64.51, 35

 

CMYK 94 / 0 / 5 / 31

HEX #0AAFA6

RGB 10 175 166

HSL 176.73, 0.89%, 0.36%

LAB 64.55, -38.62, -5.97

 

CMYK 86 / 0 / 4 / 24

HEX #1BC1B9

RGB 27 193 185

HSL 177.11, 0.75%, 0.43%

LAB 70.79, -40.28, -7.19

 

CMYK 79 / 0 / 3 / 17

HEX #2CD3CC

RGB 44 211 204

HSL 177.49, 0.65%, 0.5%

LAB 76.97, -41.56, -8.29

 

CMYK 73 / 0 / 3 / 10

HEX #3DE5DF

RGB 61 229 223

HSL 177.86, 0.76%, 0.57%

LAB 83.1, -42.55, -9.28

 

CMYK 68 / 0 / 2 / 3

HEX #4EF7F2

RGB 78 247 242

HSL 178.22, 0.91%, 0.64%

LAB 89.18, -43.31, -10.18

 

CMYK 97 / 0 / 2 / 31

HEX #05AFAB

RGB 5 175 171

HSL 178.59, 0.94%, 0.35%

LAB 64.67, -37.3, -8.58

 

CMYK 100 / 0 / 3 / 38

HEX #009D98

RGB 0 157 152

HSL 178.09, 1%, 0.31%

LAB 58.4, -35.02, -7.23

 

CMYK 100 / 0 / 4 / 45

HEX #008B85

RGB 0 139 133

HSL 177.41, 1%, 0.27%

LAB 52.02, -32.51, -5.8

 

CMYK 100 / 0 / 6 / 53

HEX #007972

RGB 0 121 114

HSL 176.53, 1%, 0.24%

LAB 45.48, -29.96, -4.31

 

CMYK 100 / 0 / 8 / 60

HEX #00675F

RGB 0 103 95

HSL 175.34, 1%, 0.2%

LAB 38.77, -27.35, -2.75

 

CMYK 97 / 0 / 2 / 32

HEX #05ADA9

RGB 5 173 169

HSL 178.57, 0.94%, 0.35%

LAB 63.99, -36.99, -8.48

 

CMYK 97 / 0 / 29 / 32

HEX #05AD7B

RGB 5 173 123

HSL 162.14, 0.94%, 0.35%

LAB 62.8, -49.47, 15.37

 

CMYK 97 / 0 / 55 / 32

HEX #05AD4E

RGB 5 173 78

HSL 146.07, 0.94%, 0.35%

LAB 62.06, -58.2, 38.09

 

CMYK 97 / 0 / 81 / 32

HEX #05AD21

RGB 5 173 33

HSL 130, 0.94%, 0.35%

LAB 61.68, -62.95, 56.05

 

CMYK 87 / 0 / 97 / 32

HEX #16AD05

RGB 22 173 5

HSL 113.93, 0.94%, 0.35%

LAB 61.71, -62.97, 61.7

 

CMYK 97 / 0 / 2 / 32

HEX #05ADA9

RGB 5 173 169

HSL 178.57, 0.94%, 0.35%

LAB 63.99, -36.99, -8.48

 

CMYK 97 / 24 / 0 / 32

HEX #0583AD

RGB 5 131 173

HSL 195, 0.94%, 0.35%

LAB 51.02, -14.39, -30.54

 

CMYK 97 / 50 / 0 / 32

HEX #0556AD

RGB 5 86 173

HSL 211.07, 0.94%, 0.35%

LAB 37.31, 13.39, -52.32

 

CMYK 97 / 76 / 0 / 32

HEX #0529AD

RGB 5 41 173

HSL 227.14, 0.94%, 0.35%

LAB 25.67, 43.09, -71.38

 

CMYK 97 / 97 / 0 / 32

HEX #0505AD

RGB 5 5 173

HSL 240, 0.94%, 0.35%

LAB 20.67, 57.93, -79.71

 

CMYK 97 / 0 / 2 / 32

HEX #05ADA9

RGB 5 173 169

HSL 178.57, 0.94%, 0.35%

LAB 63.99, -36.99, -8.48

 

CMYK 97 / 0 / 2 / 32

HEX #05ADA9

RGB 5 173 169

HSL 178.57, 0.94%, 0.35%

LAB 63.99, -36.99, -8.48

 

CMYK 88 / 0 / 2 / 38

HEX #139E9B

RGB 19 158 155

HSL 178.71, 0.79%, 0.35%

LAB 58.94, -33.7, -8.12

 

CMYK 76 / 0 / 2 / 44

HEX #22908D

RGB 34 144 141

HSL 178.36, 0.62%, 0.35%

LAB 54.25, -29.97, -7.07

 

CMYK 63 / 0 / 2 / 49

HEX #30817F

RGB 48 129 127

HSL 178.52, 0.46%, 0.35%

LAB 49.33, -24.63, -6.21

 

CMYK 45 / 0 / 1 / 55

HEX #3F7372

RGB 63 115 114

HSL 178.85, 0.29%, 0.35%

LAB 44.99, -17.62, -4.88

 

CMYK 97 / 0 / 55 / 32

HEX #05AD4E

RGB 5 173 78

HSL 146.07, 0.94%, 0.35%

LAB 62.06, -58.2, 38.09

 

CMYK 97 / 0 / 29 / 32

HEX #05AD7A

RGB 5 173 122

HSL 161.79, 0.94%, 0.35%

LAB 62.78, -49.71, 15.89

 

CMYK 97 / 0 / 3 / 32

HEX #05ADA7

RGB 5 173 167

HSL 177.86, 0.94%, 0.35%

LAB 63.92, -37.6, -7.46

 

CMYK 97 / 23 / 0 / 32

HEX #0585AD

RGB 5 133 173

HSL 194.29, 0.94%, 0.35%

LAB 51.64, -15.51, -29.57

 

CMYK 97 / 49 / 0 / 32

HEX #0559AD

RGB 5 89 173

HSL 210, 0.94%, 0.35%

LAB 38.19, 11.4, -50.89

 

CMYK 98 / 0 / 3 / 64

HEX #025D5A

RGB 2 93 90

HSL 178.02, 0.96%, 0.19%

LAB 35.16, -23.85, -5.01

 

CMYK 97 / 0 / 2 / 48

HEX #048582

RGB 4 133 130

HSL 178.6, 0.94%, 0.27%

LAB 49.99, -30.41, -7.06

 

CMYK 97 / 0 / 2 / 32

HEX #05ADA9

RGB 5 173 169

HSL 178.57, 0.94%, 0.35%

LAB 63.99, -36.99, -8.48

 

CMYK 97 / 0 / 2 / 16

HEX #06D5D0

RGB 6 213 208

HSL 178.55, 0.95%, 0.43%

LAB 77.39, -43.29, -9.84

 

CMYK 95 / 0 / 2 / 3

HEX #0DF7F2

RGB 13 247 242

HSL 178.72, 0.94%, 0.51%

LAB 88.46, -48.09, -11.34

 

CMYK 97 / 0 / 2 / 31

HEX #05AFAB

RGB 5 175 171

HSL 178.59, 0.94%, 0.35%

LAB 64.67, -37.3, -8.58

 

CMYK 81 / 97 / 0 / 32

HEX #2105AD

RGB 33 5 173

HSL 250, 0.94%, 0.35%

LAB 21.76, 58.4, -77.86

 

CMYK 0 / 42 / 97 / 32

HEX #AD6405

RGB 173 100 5

HSL 33.93, 0.94%, 0.35%

LAB 49.51, 23.79, 56.33

 

CMYK 97 / 0 / 2 / 31

HEX #05AFAB

RGB 5 175 171

HSL 178.59, 0.94%, 0.35%

LAB 64.67, -37.3, -8.58

 

CMYK 3 / 97 / 0 / 32

HEX #A705AD

RGB 167 5 173

HSL 297.86, 0.94%, 0.35%

LAB 40.15, 71.95, -47.01

 

CMYK 0 / 3 / 97 / 32

HEX #ADA705

RGB 173 167 5

HSL 57.86, 0.94%, 0.35%

LAB 66.92, -12.97, 68.79

 

CMYK 97 / 0 / 2 / 31

HEX #05AFAB

RGB 5 175 171

HSL 178.59, 0.94%, 0.35%

LAB 64.67, -37.3, -8.58

 

CMYK 81 / 97 / 0 / 32

HEX #2105AD

RGB 33 5 173

HSL 250, 0.94%, 0.35%

LAB 21.76, 58.4, -77.86

 

CMYK 0 / 97 / 94 / 32

HEX #AD050A

RGB 173 5 10

HSL 358.21, 0.94%, 0.35%

LAB 36.01, 59.4, 46.27

 

CMYK 16 / 0 / 97 / 32

HEX #91AD05

RGB 145 173 5

HSL 70, 0.94%, 0.35%

LAB 66.46, -28.17, 67.47

 

CMYK 97 / 0 / 2 / 31

HEX #05AFAB

RGB 5 175 171

HSL 178.59, 0.94%, 0.35%

LAB 64.67, -37.3, -8.58

 

CMYK 52 / 97 / 0 / 32

HEX #5305AD

RGB 83 5 173

HSL 267.86, 0.94%, 0.35%

LAB 26.63, 61.1, -69.62

 

CMYK 0 / 97 / 94 / 32

HEX #AD050A

RGB 173 5 10

HSL 358.21, 0.94%, 0.35%

LAB 36.01, 59.4, 46.27

 

CMYK 46 / 0 / 97 / 32

HEX #5EAD05

RGB 94 173 5

HSL 88.21, 0.94%, 0.35%

LAB 63.57, -47.65, 63.98

 

Description

Color code: HEX #05AFAB | qconv.com Color code: HEX #05AFAB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 175 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 175 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 2 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 2% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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