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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05B735 it is the complementary color #FA48CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05B735. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05B735 shade: #0AB730, #1BC943, #2CDB56, #3DED69 and #4EFF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05B735. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05B735 shade: #05B735, #00A522, #00930F, #008100 and #006F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05B735 shade: #04B735, #04B704, #35B704, #65B704 and #95B704

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05B735 shade: #04B735, #04B765, #04B795, #04A9B7 and #0479B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05B735 shade matches the following richer shades: #04B735

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05B735 shade: #04B735, #13A83C, #239943, #328A4A and #417A51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05B735 shade: #34B704, #04B704, #04B734, #04B764 and #04B794

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05B735 shade: #02671D, #038F29, #04B735, #05E040 and #16F953

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05B735 shade: #05B735, #0464B7 and #B7041C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05B735 shade: #05B735, #3404B7 and #B73404

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05B735 shade: #05B735, #0464B7, #B70488 and #B75804

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05B735 shade: #05B735, #042EB7, #B70488 and #B78E04

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 71 / 28

HEX #05B735

RGB 5 183 53

HSL 136.18, 0.95%, 0.37%

LAB 65.09, -64.31, 52.58

 

Complementary color

CMYK 0 / 71 / 19 / 2

HEX #FA48CA

RGB 250 72 202

HSL 316.18, 0.95%, 0.63%

LAB 60.98, 78.19, -30.11

 

CMYK 95 / 0 / 74 / 28

HEX #0AB730

RGB 10 183 48

HSL 133.18, 0.9%, 0.38%

LAB 65.08, -64.52, 54.45

 

CMYK 87 / 0 / 67 / 21

HEX #1BC943

RGB 27 201 67

HSL 133.79, 0.76%, 0.45%

LAB 71.15, -67.04, 53.54

 

CMYK 80 / 0 / 61 / 14

HEX #2CDB56

RGB 44 219 86

HSL 134.4, 0.71%, 0.52%

LAB 77.2, -68.85, 52.29

 

CMYK 74 / 0 / 56 / 7

HEX #3DED69

RGB 61 237 105

HSL 135, 0.83%, 0.58%

LAB 83.22, -70.12, 50.91

 

CMYK 69 / 0 / 51 / 0

HEX #4EFF7C

RGB 78 255 124

HSL 135.59, 1%, 0.65%

LAB 89.2, -71, 49.49

 

CMYK 97 / 0 / 71 / 28

HEX #05B735

RGB 5 183 53

HSL 136.18, 0.95%, 0.37%

LAB 65.09, -64.31, 52.58

 

CMYK 100 / 0 / 79 / 35

HEX #00A522

RGB 0 165 34

HSL 132.36, 1%, 0.32%

LAB 59, -60.83, 53.18

 

CMYK 100 / 0 / 90 / 42

HEX #00930F

RGB 0 147 15

HSL 126.12, 1%, 0.29%

LAB 52.84, -56.67, 52.59

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 100 / 0 / 100 / 56

HEX #006F00

RGB 0 111 0

HSL 120, 1%, 0.22%

LAB 40.19, -46.69, 45.06

 

CMYK 98 / 0 / 71 / 28

HEX #04B735

RGB 4 183 53

HSL 136.42, 0.96%, 0.37%

LAB 65.08, -64.36, 52.58

 

CMYK 98 / 0 / 98 / 28

HEX #04B704

RGB 4 183 4

HSL 120, 0.96%, 0.37%

LAB 64.88, -66.9, 64.37

 

CMYK 71 / 0 / 98 / 28

HEX #35B704

RGB 53 183 4

HSL 103.58, 0.96%, 0.37%

LAB 65.46, -61.76, 65.08

 

CMYK 45 / 0 / 98 / 28

HEX #65B704

RGB 101 183 4

HSL 87.49, 0.96%, 0.37%

LAB 67.01, -49.31, 66.96

 

CMYK 19 / 0 / 98 / 28

HEX #95B704

RGB 149 183 4

HSL 71.4, 0.96%, 0.37%

LAB 69.66, -31.26, 70.17

 

CMYK 98 / 0 / 71 / 28

HEX #04B735

RGB 4 183 53

HSL 136.42, 0.96%, 0.37%

LAB 65.08, -64.36, 52.58

 

CMYK 98 / 0 / 45 / 28

HEX #04B765

RGB 4 183 101

HSL 152.51, 0.96%, 0.37%

LAB 65.62, -57.75, 30.92

 

CMYK 98 / 0 / 19 / 28

HEX #04B795

RGB 4 183 149

HSL 168.6, 0.96%, 0.37%

LAB 66.57, -47.01, 6.39

 

CMYK 98 / 8 / 0 / 28

HEX #04A9B7

RGB 4 169 183

HSL 184.69, 0.96%, 0.37%

LAB 63.19, -30.75, -17.49

 

CMYK 98 / 34 / 0 / 28

HEX #0479B7

RGB 4 121 183

HSL 200.78, 0.96%, 0.37%

LAB 48.41, -4.84, -40.41

 

CMYK 98 / 0 / 71 / 28

HEX #04B735

RGB 4 183 53

HSL 136.42, 0.96%, 0.37%

LAB 65.08, -64.36, 52.58

 

CMYK 98 / 0 / 71 / 28

HEX #04B735

RGB 4 183 53

HSL 136.42, 0.96%, 0.37%

LAB 65.08, -64.36, 52.58

 

CMYK 89 / 0 / 64 / 34

HEX #13A83C

RGB 19 168 60

HSL 136.51, 0.8%, 0.37%

LAB 60.31, -58.2, 44.53

 

CMYK 77 / 0 / 56 / 40

HEX #239943

RGB 35 153 67

HSL 136.27, 0.63%, 0.37%

LAB 55.63, -50.49, 35.85

 

CMYK 64 / 0 / 46 / 46

HEX #328A4A

RGB 50 138 74

HSL 136.36, 0.47%, 0.37%

LAB 51.09, -40.9, 26.66

 

CMYK 47 / 0 / 34 / 52

HEX #417A51

RGB 65 122 81

HSL 136.84, 0.3%, 0.37%

LAB 46.49, -28.51, 16.79

 

CMYK 72 / 0 / 98 / 28

HEX #34B704

RGB 52 183 4

HSL 103.91, 0.96%, 0.37%

LAB 65.44, -61.94, 65.05

 

CMYK 98 / 0 / 98 / 28

HEX #04B704

RGB 4 183 4

HSL 120, 0.96%, 0.37%

LAB 64.88, -66.9, 64.37

 

CMYK 98 / 0 / 72 / 28

HEX #04B734

RGB 4 183 52

HSL 136.09, 0.96%, 0.37%

LAB 65.07, -64.45, 52.95

 

CMYK 98 / 0 / 45 / 28

HEX #04B764

RGB 4 183 100

HSL 152.18, 0.96%, 0.37%

LAB 65.6, -57.93, 31.42

 

CMYK 98 / 0 / 19 / 28

HEX #04B794

RGB 4 183 148

HSL 168.27, 0.96%, 0.37%

LAB 66.54, -47.27, 6.9

 

CMYK 98 / 0 / 72 / 60

HEX #02671D

RGB 2 103 29

HSL 136.04, 0.96%, 0.21%

LAB 37.48, -41.99, 33.28

 

CMYK 98 / 0 / 71 / 44

HEX #038F29

RGB 3 143 41

HSL 136.29, 0.96%, 0.29%

LAB 51.64, -53.47, 43.21

 

CMYK 98 / 0 / 71 / 28

HEX #04B735

RGB 4 183 53

HSL 136.42, 0.96%, 0.37%

LAB 65.08, -64.36, 52.58

 

CMYK 98 / 0 / 71 / 12

HEX #05E040

RGB 5 224 64

HSL 136.16, 0.96%, 0.45%

LAB 78.29, -75.17, 62.21

 

CMYK 91 / 0 / 67 / 2

HEX #16F953

RGB 22 249 83

HSL 136.12, 0.95%, 0.53%

LAB 86.28, -79.87, 63.55

 

CMYK 97 / 0 / 71 / 28

HEX #05B735

RGB 5 183 53

HSL 136.18, 0.95%, 0.37%

LAB 65.09, -64.31, 52.58

 

CMYK 98 / 45 / 0 / 28

HEX #0464B7

RGB 4 100 183

HSL 207.82, 0.96%, 0.37%

LAB 42.09, 8.24, -50.49

 

CMYK 0 / 98 / 85 / 28

HEX #B7041C

RGB 183 4 28

HSL 351.96, 0.96%, 0.37%

LAB 38.27, 62.4, 40.51

 

CMYK 97 / 0 / 71 / 28

HEX #05B735

RGB 5 183 53

HSL 136.18, 0.95%, 0.37%

LAB 65.09, -64.31, 52.58

 

CMYK 72 / 98 / 0 / 28

HEX #3404B7

RGB 52 4 183

HSL 256.09, 0.96%, 0.37%

LAB 24.44, 61.8, -79.36

 

CMYK 0 / 72 / 98 / 28

HEX #B73404

RGB 183 52 4

HSL 16.09, 0.96%, 0.37%

LAB 42.05, 50.99, 52.8

 

CMYK 97 / 0 / 71 / 28

HEX #05B735

RGB 5 183 53

HSL 136.18, 0.95%, 0.37%

LAB 65.09, -64.31, 52.58

 

CMYK 98 / 45 / 0 / 28

HEX #0464B7

RGB 4 100 183

HSL 207.82, 0.96%, 0.37%

LAB 42.09, 8.24, -50.49

 

CMYK 0 / 98 / 26 / 28

HEX #B70488

RGB 183 4 136

HSL 315.75, 0.96%, 0.37%

LAB 41.11, 69.95, -22.9

 

CMYK 0 / 52 / 98 / 28

HEX #B75804

RGB 183 88 4

HSL 28.16, 0.96%, 0.37%

LAB 48.33, 34.47, 56.5

 

CMYK 97 / 0 / 71 / 28

HEX #05B735

RGB 5 183 53

HSL 136.18, 0.95%, 0.37%

LAB 65.09, -64.31, 52.58

 

CMYK 98 / 75 / 0 / 28

HEX #042EB7

RGB 4 46 183

HSL 225.92, 0.96%, 0.37%

LAB 27.84, 43.67, -73.76

 

CMYK 0 / 98 / 26 / 28

HEX #B70488

RGB 183 4 136

HSL 315.75, 0.96%, 0.37%

LAB 41.11, 69.95, -22.9

 

CMYK 0 / 22 / 98 / 28

HEX #B78E04

RGB 183 142 4

HSL 46.26, 0.96%, 0.37%

LAB 61.15, 4.92, 65.16

 

Description

Color code: HEX #05B735 | qconv.com Color code: HEX #05B735 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 183 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 183 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 71 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 71% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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