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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05C893 it is the complementary color #FA376C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05C893. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05C893 shade: #0AC88E, #1BDAA1, #2CECB4, #3DFEC7 and #4EFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05C893. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05C893 shade: #05C893, #00B680, #00A46D, #00925A and #008047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05C893 shade: #05C692, #05C65D, #05C629, #14C605 and #49C605

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05C893 shade: #05C692, #05C6C6, #0593C6, #055EC6 and #052AC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05C893 shade matches the following richer shades: #05C692

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05C893 shade: #05C692, #15B68A, #26A583, #36957B and #478474

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05C893 shade: #05C628, #05C65C, #05C68F, #05C6C3 and #0596C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05C893 shade: #037657, #049E74, #05C692, #06EFAF and #25F9BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05C893 shade: #05C893, #0515C6 and #C64205

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05C893 shade: #05C893, #8F05C6 and #C68F05

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05C893 shade: #05C893, #0515C6, #C6053C and #C6B605

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05C893 shade: #05C893, #2F05C6, #C6053C and #9CC605

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 27 / 22

HEX #05C893

RGB 5 200 147

HSL 163.69, 0.95%, 0.4%

LAB 71.86, -54.19, 14.97

 

Complementary color

CMYK 0 / 78 / 57 / 2

HEX #FA376C

RGB 250 55 108

HSL 343.69, 0.95%, 0.6%

LAB 56.23, 73.99, 17.78

 

CMYK 95 / 0 / 29 / 22

HEX #0AC88E

RGB 10 200 142

HSL 161.68, 0.9%, 0.41%

LAB 71.78, -55.18, 17.54

 

CMYK 88 / 0 / 26 / 15

HEX #1BDAA1

RGB 27 218 161

HSL 162.09, 0.78%, 0.48%

LAB 77.84, -56.83, 15.92

 

CMYK 81 / 0 / 24 / 7

HEX #2CECB4

RGB 44 236 180

HSL 162.5, 0.83%, 0.55%

LAB 83.87, -58.08, 14.44

 

CMYK 76 / 0 / 22 / 0

HEX #3DFEC7

RGB 61 254 199

HSL 162.9, 0.99%, 0.62%

LAB 89.86, -59.02, 13.09

 

CMYK 69 / 0 / 15 / 0

HEX #4EFFDA

RGB 78 255 218

HSL 167.46, 1%, 0.65%

LAB 90.87, -52.88, 4.77

 

CMYK 98 / 0 / 27 / 22

HEX #05C893

RGB 5 200 147

HSL 163.69, 0.95%, 0.4%

LAB 71.86, -54.19, 14.97

 

CMYK 100 / 0 / 30 / 29

HEX #00B680

RGB 0 182 128

HSL 162.2, 1%, 0.36%

LAB 65.76, -51.96, 16.74

 

CMYK 100 / 0 / 34 / 36

HEX #00A46D

RGB 0 164 109

HSL 159.88, 1%, 0.32%

LAB 59.58, -49.47, 18.62

 

CMYK 100 / 0 / 38 / 43

HEX #00925A

RGB 0 146 90

HSL 156.99, 1%, 0.29%

LAB 53.27, -46.89, 20.59

 

CMYK 100 / 0 / 45 / 50

HEX #008047

RGB 0 128 71

HSL 153.28, 1%, 0.25%

LAB 46.83, -44.16, 22.65

 

CMYK 97 / 0 / 26 / 22

HEX #05C692

RGB 5 198 146

HSL 163.83, 0.95%, 0.4%

LAB 71.21, -53.66, 14.6

 

CMYK 97 / 0 / 53 / 22

HEX #05C65D

RGB 5 198 93

HSL 147.36, 0.95%, 0.4%

LAB 70.32, -64.01, 40.85

 

CMYK 97 / 0 / 79 / 22

HEX #05C629

RGB 5 198 41

HSL 131.19, 0.95%, 0.4%

LAB 69.88, -69.56, 61.46

 

CMYK 90 / 0 / 97 / 22

HEX #14C605

RGB 20 198 5

HSL 115.34, 0.95%, 0.4%

LAB 69.86, -70.18, 68.34

 

CMYK 63 / 0 / 97 / 22

HEX #49C605

RGB 73 198 5

HSL 98.86, 0.95%, 0.4%

LAB 70.74, -62.46, 69.42

 

CMYK 97 / 0 / 26 / 22

HEX #05C692

RGB 5 198 146

HSL 163.83, 0.95%, 0.4%

LAB 71.21, -53.66, 14.6

 

CMYK 97 / 0 / 0 / 22

HEX #05C6C6

RGB 5 198 198

HSL 180, 0.95%, 0.4%

LAB 72.56, -39.6, -11.65

 

CMYK 97 / 26 / 0 / 22

HEX #0593C6

RGB 5 147 198

HSL 195.85, 0.95%, 0.4%

LAB 57.05, -14.11, -35.38

 

CMYK 97 / 53 / 0 / 22

HEX #055EC6

RGB 5 94 198

HSL 212.33, 0.95%, 0.4%

LAB 41.4, 18.27, -60.33

 

CMYK 97 / 79 / 0 / 22

HEX #052AC6

RGB 5 42 198

HSL 228.5, 0.95%, 0.4%

LAB 28.81, 51.12, -81

 

CMYK 97 / 0 / 26 / 22

HEX #05C692

RGB 5 198 146

HSL 163.83, 0.95%, 0.4%

LAB 71.21, -53.66, 14.6

 

CMYK 97 / 0 / 26 / 22

HEX #05C692

RGB 5 198 146

HSL 163.83, 0.95%, 0.4%

LAB 71.21, -53.66, 14.6

 

CMYK 88 / 0 / 24 / 29

HEX #15B68A

RGB 21 182 138

HSL 163.6, 0.79%, 0.4%

LAB 66.1, -48.63, 11.77

 

CMYK 77 / 0 / 21 / 35

HEX #26A583

RGB 38 165 131

HSL 163.94, 0.63%, 0.4%

LAB 60.75, -41.82, 8.09

 

CMYK 64 / 0 / 17 / 42

HEX #36957B

RGB 54 149 123

HSL 163.58, 0.47%, 0.4%

LAB 55.8, -34.29, 5.58

 

CMYK 46 / 0 / 12 / 48

HEX #478474

RGB 71 132 116

HSL 164.26, 0.3%, 0.4%

LAB 50.81, -23.89, 2.5

 

CMYK 97 / 0 / 80 / 22

HEX #05C628

RGB 5 198 40

HSL 130.88, 0.95%, 0.4%

LAB 69.88, -69.62, 61.75

 

CMYK 97 / 0 / 54 / 22

HEX #05C65C

RGB 5 198 92

HSL 147.05, 0.95%, 0.4%

LAB 70.31, -64.16, 41.31

 

CMYK 97 / 0 / 28 / 22

HEX #05C68F

RGB 5 198 143

HSL 162.9, 0.95%, 0.4%

LAB 71.15, -54.37, 16.13

 

CMYK 97 / 0 / 2 / 22

HEX #05C6C3

RGB 5 198 195

HSL 179.07, 0.95%, 0.4%

LAB 72.47, -40.49, -10.16

 

CMYK 97 / 24 / 0 / 22

HEX #0596C6

RGB 5 150 198

HSL 194.92, 0.95%, 0.4%

LAB 57.96, -15.76, -33.96

 

CMYK 97 / 0 / 26 / 54

HEX #037657

RGB 3 118 87

HSL 163.83, 0.95%, 0.24%

LAB 43.75, -36.27, 9.25

 

CMYK 97 / 0 / 27 / 38

HEX #049E74

RGB 4 158 116

HSL 163.64, 0.95%, 0.32%

LAB 57.79, -45.3, 12.26

 

CMYK 97 / 0 / 26 / 22

HEX #05C692

RGB 5 198 146

HSL 163.83, 0.95%, 0.4%

LAB 71.21, -53.66, 14.6

 

CMYK 97 / 0 / 27 / 6

HEX #06EFAF

RGB 6 239 175

HSL 163.52, 0.95%, 0.48%

LAB 84.42, -62.3, 17.77

 

CMYK 85 / 0 / 23 / 2

HEX #25F9BF

RGB 37 249 191

HSL 163.58, 0.95%, 0.56%

LAB 87.92, -61.03, 14.44

 

CMYK 98 / 0 / 27 / 22

HEX #05C893

RGB 5 200 147

HSL 163.69, 0.95%, 0.4%

LAB 71.86, -54.19, 14.97

 

CMYK 97 / 89 / 0 / 22

HEX #0515C6

RGB 5 21 198

HSL 235.03, 0.95%, 0.4%

LAB 25.7, 60.35, -86.18

 

CMYK 0 / 67 / 97 / 22

HEX #C64205

RGB 198 66 5

HSL 18.96, 0.95%, 0.4%

LAB 46.86, 50.53, 56.65

 

CMYK 98 / 0 / 27 / 22

HEX #05C893

RGB 5 200 147

HSL 163.69, 0.95%, 0.4%

LAB 71.86, -54.19, 14.97

 

CMYK 28 / 97 / 0 / 22

HEX #8F05C6

RGB 143 5 198

HSL 282.9, 0.95%, 0.4%

LAB 37.89, 72.73, -65.62

 

CMYK 0 / 28 / 97 / 22

HEX #C68F05

RGB 198 143 5

HSL 42.9, 0.95%, 0.4%

LAB 63.06, 11.13, 67.12

 

CMYK 98 / 0 / 27 / 22

HEX #05C893

RGB 5 200 147

HSL 163.69, 0.95%, 0.4%

LAB 71.86, -54.19, 14.97

 

CMYK 97 / 89 / 0 / 22

HEX #0515C6

RGB 5 21 198

HSL 235.03, 0.95%, 0.4%

LAB 25.7, 60.35, -86.18

 

CMYK 0 / 97 / 70 / 22

HEX #C6053C

RGB 198 5 60

HSL 342.9, 0.95%, 0.4%

LAB 41.91, 67.12, 26.35

 

CMYK 0 / 8 / 97 / 22

HEX #C6B605

RGB 198 182 5

HSL 55.03, 0.95%, 0.4%

LAB 73.2, -9.66, 74.41

 

CMYK 98 / 0 / 27 / 22

HEX #05C893

RGB 5 200 147

HSL 163.69, 0.95%, 0.4%

LAB 71.86, -54.19, 14.97

 

CMYK 76 / 97 / 0 / 22

HEX #2F05C6

RGB 47 5 198

HSL 253.06, 0.95%, 0.4%

LAB 26.13, 65.13, -85.43

 

CMYK 0 / 97 / 70 / 22

HEX #C6053C

RGB 198 5 60

HSL 342.9, 0.95%, 0.4%

LAB 41.91, 67.12, 26.35

 

CMYK 21 / 0 / 97 / 22

HEX #9CC605

RGB 156 198 5

HSL 73.06, 0.95%, 0.4%

LAB 74.49, -35.33, 73.97

 

Description

Color code: HEX #05C893 | qconv.com Color code: HEX #05C893 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 200 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 200 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 27 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 27% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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