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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #062C7E it is the complementary color #F9D381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #062C7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #062C7E shade: #0B2C79, #1C3E8C, #2D509F, #3E62B2 and #4F74C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #062C7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #062C7E shade: #062C7E, #001A6B, #000858, #000045 and #000032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #062C7E shade: #052C7E, #050B7E, #20057E, #41057E and #61057E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #062C7E shade: #052C7E, #050B7E and #05057E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #062C7E shade matches the following richer shades: #052C7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #062C7E shade: #052C7E, #103073, #1B3469, #26375E and #303B53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #062C7E shade: #056C7E, #054C7E, #052C7E, #050C7E and #20057E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #062C7E shade: #02102F, #041E57, #052C7E, #0739A6 and #0947CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #062C7E shade: #062C7E, #70057E and #5C7E05

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #062C7E shade: #062C7E, #7E052C and #2C7E05

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #062C7E shade: #062C7E, #70057E, #7E5805 and #147E05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #062C7E shade: #062C7E, #7E0568, #7E5805 and #057E1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 65 / 0 / 51

HEX #062C7E

RGB 6 44 126

HSL 221, 0.91%, 0.26%

LAB 21.38, 22.94, -49.49

 

Complementary color

CMYK 0 / 15 / 48 / 2

HEX #F9D381

RGB 249 211 129

HSL 41, 0.91%, 0.74%

LAB 86.16, 3.13, 45.34

 

CMYK 91 / 64 / 0 / 53

HEX #0B2C79

RGB 11 44 121

HSL 222, 0.83%, 0.26%

LAB 21.03, 21.13, -46.89

 

CMYK 80 / 56 / 0 / 45

HEX #1C3E8C

RGB 28 62 140

HSL 221.79, 0.67%, 0.33%

LAB 28.34, 17.81, -46.87

 

CMYK 72 / 50 / 0 / 38

HEX #2D509F

RGB 45 80 159

HSL 221.58, 0.56%, 0.4%

LAB 35.59, 15.29, -46.68

 

CMYK 65 / 45 / 0 / 30

HEX #3E62B2

RGB 62 98 178

HSL 221.38, 0.48%, 0.47%

LAB 42.72, 13.37, -46.46

 

CMYK 60 / 41 / 0 / 23

HEX #4F74C5

RGB 79 116 197

HSL 221.19, 0.5%, 0.54%

LAB 49.72, 11.87, -46.26

 

CMYK 95 / 65 / 0 / 51

HEX #062C7E

RGB 6 44 126

HSL 221, 0.91%, 0.26%

LAB 21.38, 22.94, -49.49

 

CMYK 100 / 76 / 0 / 58

HEX #001A6B

RGB 0 26 107

HSL 225.42, 1%, 0.21%

LAB 14.4, 27.38, -48.76

 

CMYK 100 / 91 / 0 / 65

HEX #000858

RGB 0 8 88

HSL 234.55, 1%, 0.17%

LAB 7.93, 31.3, -46.83

 

CMYK 100 / 100 / 0 / 73

HEX #000045

RGB 0 0 69

HSL 240, 1%, 0.14%

LAB 3.88, 26.51, -40.35

 

CMYK 100 / 100 / 0 / 80

HEX #000032

RGB 0 0 50

HSL 240, 1%, 0.1%

LAB 2.08, 14.62, -29.45

 

CMYK 96 / 65 / 0 / 51

HEX #052C7E

RGB 5 44 126

HSL 220.66, 0.92%, 0.26%

LAB 21.36, 22.88, -49.53

 

CMYK 96 / 91 / 0 / 51

HEX #050B7E

RGB 5 11 126

HSL 237.02, 0.92%, 0.26%

LAB 14.28, 42.66, -61.25

 

CMYK 75 / 96 / 0 / 51

HEX #20057E

RGB 32 5 126

HSL 253.39, 0.92%, 0.26%

LAB 15.07, 45.81, -59.88

 

CMYK 48 / 96 / 0 / 51

HEX #41057E

RGB 65 5 126

HSL 269.75, 0.92%, 0.26%

LAB 18.97, 48.37, -53.31

 

CMYK 23 / 96 / 0 / 51

HEX #61057E

RGB 97 5 126

HSL 285.62, 0.92%, 0.26%

LAB 24.18, 52.57, -44.56

 

CMYK 96 / 65 / 0 / 51

HEX #052C7E

RGB 5 44 126

HSL 220.66, 0.92%, 0.26%

LAB 21.36, 22.88, -49.53

 

CMYK 96 / 91 / 0 / 51

HEX #050B7E

RGB 5 11 126

HSL 237.02, 0.92%, 0.26%

LAB 14.28, 42.66, -61.25

 

CMYK 96 / 96 / 0 / 51

HEX #05057E

RGB 5 5 126

HSL 240, 0.92%, 0.26%

LAB 13.51, 44.98, -62.52

 

CMYK 96 / 65 / 0 / 51

HEX #052C7E

RGB 5 44 126

HSL 220.66, 0.92%, 0.26%

LAB 21.36, 22.88, -49.53

 

CMYK 96 / 65 / 0 / 51

HEX #052C7E

RGB 5 44 126

HSL 220.66, 0.92%, 0.26%

LAB 21.36, 22.88, -49.53

 

CMYK 86 / 58 / 0 / 55

HEX #103073

RGB 16 48 115

HSL 220.61, 0.76%, 0.26%

LAB 21.81, 16.1, -41.78

 

CMYK 74 / 50 / 0 / 59

HEX #1B3469

RGB 27 52 105

HSL 220.77, 0.59%, 0.26%

LAB 22.68, 10.44, -33.9

 

CMYK 60 / 41 / 0 / 63

HEX #26375E

RGB 38 55 94

HSL 221.79, 0.42%, 0.26%

LAB 23.51, 6.25, -25.39

 

CMYK 42 / 29 / 0 / 67

HEX #303B53

RGB 48 59 83

HSL 221.14, 0.27%, 0.26%

LAB 24.89, 2.51, -15.97

 

CMYK 96 / 14 / 0 / 51

HEX #056C7E

RGB 5 108 126

HSL 188.93, 0.92%, 0.26%

LAB 41.63, -18.92, -17.32

 

CMYK 96 / 40 / 0 / 51

HEX #054C7E

RGB 5 76 126

HSL 204.79, 0.92%, 0.26%

LAB 31.13, 0.4, -33.73

 

CMYK 96 / 65 / 0 / 51

HEX #052C7E

RGB 5 44 126

HSL 220.66, 0.92%, 0.26%

LAB 21.36, 22.88, -49.53

 

CMYK 96 / 90 / 0 / 51

HEX #050C7E

RGB 5 12 126

HSL 236.53, 0.92%, 0.26%

LAB 14.41, 42.26, -61.03

 

CMYK 75 / 96 / 0 / 51

HEX #20057E

RGB 32 5 126

HSL 253.39, 0.92%, 0.26%

LAB 15.07, 45.81, -59.88

 

CMYK 96 / 66 / 0 / 82

HEX #02102F

RGB 2 16 47

HSL 221.33, 0.92%, 0.1%

LAB 5.32, 6.71, -22.03

 

CMYK 95 / 66 / 0 / 66

HEX #041E57

RGB 4 30 87

HSL 221.2, 0.91%, 0.18%

LAB 13.49, 16.14, -36.97

 

CMYK 96 / 65 / 0 / 51

HEX #052C7E

RGB 5 44 126

HSL 220.66, 0.92%, 0.26%

LAB 21.36, 22.88, -49.53

 

CMYK 96 / 66 / 0 / 35

HEX #0739A6

RGB 7 57 166

HSL 221.13, 0.92%, 0.34%

LAB 28.71, 30.31, -62.15

 

CMYK 96 / 65 / 0 / 20

HEX #0947CD

RGB 9 71 205

HSL 221.02, 0.92%, 0.42%

LAB 35.93, 36.3, -73.32

 

CMYK 95 / 65 / 0 / 51

HEX #062C7E

RGB 6 44 126

HSL 221, 0.91%, 0.26%

LAB 21.38, 22.94, -49.49

 

CMYK 11 / 96 / 0 / 51

HEX #70057E

RGB 112 5 126

HSL 293.06, 0.92%, 0.26%

LAB 26.9, 55, -40.02

 

CMYK 27 / 0 / 96 / 51

HEX #5C7E05

RGB 92 126 5

HSL 76.86, 0.92%, 0.26%

LAB 48.52, -27.96, 51.95

 

CMYK 95 / 65 / 0 / 51

HEX #062C7E

RGB 6 44 126

HSL 221, 0.91%, 0.26%

LAB 21.38, 22.94, -49.49

 

CMYK 0 / 96 / 65 / 51

HEX #7E052C

RGB 126 5 44

HSL 340.66, 0.92%, 0.26%

LAB 25.94, 48.07, 13.17

 

CMYK 65 / 0 / 96 / 51

HEX #2C7E05

RGB 44 126 5

HSL 100.66, 0.92%, 0.26%

LAB 46.27, -44.57, 49.18

 

CMYK 95 / 65 / 0 / 51

HEX #062C7E

RGB 6 44 126

HSL 221, 0.91%, 0.26%

LAB 21.38, 22.94, -49.49

 

CMYK 11 / 96 / 0 / 51

HEX #70057E

RGB 112 5 126

HSL 293.06, 0.92%, 0.26%

LAB 26.9, 55, -40.02

 

CMYK 0 / 30 / 96 / 51

HEX #7E5805

RGB 126 88 5

HSL 41.16, 0.92%, 0.26%

LAB 40.29, 9.05, 46.96

 

CMYK 84 / 0 / 96 / 51

HEX #147E05

RGB 20 126 5

HSL 112.56, 0.92%, 0.26%

LAB 45.75, -49.08, 48.54

 

CMYK 95 / 65 / 0 / 51

HEX #062C7E

RGB 6 44 126

HSL 221, 0.91%, 0.26%

LAB 21.38, 22.94, -49.49

 

CMYK 0 / 96 / 17 / 51

HEX #7E0568

RGB 126 5 104

HSL 310.91, 0.92%, 0.26%

LAB 28.23, 54.17, -23.66

 

CMYK 0 / 30 / 96 / 51

HEX #7E5805

RGB 126 88 5

HSL 41.16, 0.92%, 0.26%

LAB 40.29, 9.05, 46.96

 

CMYK 96 / 0 / 78 / 51

HEX #057E1C

RGB 5 126 28

HSL 131.4, 0.92%, 0.26%

LAB 45.69, -49.23, 42.2

 

Description

Color code: HEX #062C7E | qconv.com Color code: HEX #062C7E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 44 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 44 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 65 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 65% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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