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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06503F it is the complementary color #F9AFC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06503F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06503F shade: #0B503A, #1C624D, #2D7460, #3E8673 and #4F9886

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06503F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06503F shade: #06503F, #003E2C, #002C19, #001A06 and #000800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06503F shade: #06503F, #06502B, #065017, #085006 and #1D5006

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06503F shade: #06503F, #064D50, #063950, #062550 and #061150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06503F shade matches the following richer shades: #06503F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06503F shade: #06503F, #0D493B, #144237, #1B3B34 and #223430

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06503F shade: #065017, #06502B, #06503F, #064E50 and #063A50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06503F shade: #000303, #032A21, #06503F, #08775D and #0B9D7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06503F shade: #06503F, #060850 and #502106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06503F shade: #06503F, #3F0650 and #503F06

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06503F shade: #06503F, #060850, #500617 and #504E06

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06503F shade: #06503F, #190650, #500617 and #3C5006

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 21 / 69

HEX #06503F

RGB 6 80 63

HSL 166.22, 0.86%, 0.17%

LAB 29.75, -25.62, 4.13

 

Complementary color

CMYK 0 / 30 / 23 / 2

HEX #F9AFC0

RGB 249 175 192

HSL 346.22, 0.86%, 0.83%

LAB 78.81, 29.36, 2.24

 

CMYK 86 / 0 / 28 / 69

HEX #0B503A

RGB 11 80 58

HSL 160.87, 0.76%, 0.18%

LAB 29.7, -26.45, 7.24

 

CMYK 71 / 0 / 21 / 62

HEX #1C624D

RGB 28 98 77

HSL 162, 0.56%, 0.25%

LAB 36.96, -27.17, 5.73

 

CMYK 61 / 0 / 17 / 55

HEX #2D7460

RGB 45 116 96

HSL 163.1, 0.44%, 0.32%

LAB 44.08, -27.42, 4.47

 

CMYK 54 / 0 / 14 / 47

HEX #3E8673

RGB 62 134 115

HSL 164.17, 0.37%, 0.38%

LAB 51.05, -27.45, 3.39

 

CMYK 48 / 0 / 12 / 40

HEX #4F9886

RGB 79 152 134

HSL 165.21, 0.32%, 0.45%

LAB 57.88, -27.37, 2.43

 

CMYK 93 / 0 / 21 / 69

HEX #06503F

RGB 6 80 63

HSL 166.22, 0.86%, 0.17%

LAB 29.75, -25.62, 4.13

 

CMYK 100 / 0 / 29 / 76

HEX #003E2C

RGB 0 62 44

HSL 162.58, 1%, 0.12%

LAB 22.4, -23.51, 6.01

 

CMYK 100 / 0 / 43 / 83

HEX #002C19

RGB 0 44 25

HSL 154.09, 1%, 0.09%

LAB 14.8, -20.48, 8.29

 

CMYK 100 / 0 / 77 / 90

HEX #001A06

RGB 0 26 6

HSL 133.85, 1%, 0.05%

LAB 6.79, -12.8, 7.47

 

CMYK 100 / 0 / 100 / 97

HEX #000800

RGB 0 8 0

HSL 120, 1%, 0.02%

LAB 1.57, -3.2, 2.29

 

CMYK 93 / 0 / 21 / 69

HEX #06503F

RGB 6 80 63

HSL 166.22, 0.86%, 0.17%

LAB 29.75, -25.62, 4.13

 

CMYK 93 / 0 / 46 / 69

HEX #06502B

RGB 6 80 43

HSL 150, 0.86%, 0.17%

LAB 29.29, -30.78, 16

 

CMYK 93 / 0 / 71 / 69

HEX #065017

RGB 6 80 23

HSL 133.78, 0.86%, 0.17%

LAB 29, -34.24, 26.88

 

CMYK 90 / 0 / 93 / 69

HEX #085006

RGB 8 80 6

HSL 118.38, 0.86%, 0.17%

LAB 28.91, -35.52, 33.75

 

CMYK 64 / 0 / 93 / 69

HEX #1D5006

RGB 29 80 6

HSL 101.35, 0.86%, 0.17%

LAB 29.44, -30.99, 34.43

 

CMYK 93 / 0 / 21 / 69

HEX #06503F

RGB 6 80 63

HSL 166.22, 0.86%, 0.17%

LAB 29.75, -25.62, 4.13

 

CMYK 93 / 4 / 0 / 69

HEX #064D50

RGB 6 77 80

HSL 182.43, 0.86%, 0.17%

LAB 29.22, -18.49, -7.55

 

CMYK 93 / 29 / 0 / 69

HEX #063950

RGB 6 57 80

HSL 198.65, 0.86%, 0.17%

LAB 22.1, -6.47, -18.48

 

CMYK 93 / 54 / 0 / 69

HEX #062550

RGB 6 37 80

HSL 214.86, 0.86%, 0.17%

LAB 15.17, 7.79, -29.49

 

CMYK 93 / 79 / 0 / 69

HEX #061150

RGB 6 17 80

HSL 231.08, 0.86%, 0.17%

LAB 9.15, 22.97, -39.33

 

CMYK 93 / 0 / 21 / 69

HEX #06503F

RGB 6 80 63

HSL 166.22, 0.86%, 0.17%

LAB 29.75, -25.62, 4.13

 

CMYK 93 / 0 / 21 / 69

HEX #06503F

RGB 6 80 63

HSL 166.22, 0.86%, 0.17%

LAB 29.75, -25.62, 4.13

 

CMYK 82 / 0 / 19 / 71

HEX #0D493B

RGB 13 73 59

HSL 166, 0.7%, 0.17%

LAB 27.2, -22.48, 3.07

 

CMYK 70 / 0 / 17 / 74

HEX #144237

RGB 20 66 55

HSL 165.65, 0.53%, 0.17%

LAB 24.71, -18.74, 2.1

 

CMYK 54 / 0 / 12 / 77

HEX #1B3B34

RGB 27 59 52

HSL 166.88, 0.37%, 0.17%

LAB 22.33, -13.89, 0.7

 

CMYK 35 / 0 / 8 / 80

HEX #223430

RGB 34 52 48

HSL 166.67, 0.21%, 0.17%

LAB 20.08, -8.41, 0.17

 

CMYK 93 / 0 / 71 / 69

HEX #065017

RGB 6 80 23

HSL 133.78, 0.86%, 0.17%

LAB 29, -34.24, 26.88

 

CMYK 93 / 0 / 46 / 69

HEX #06502B

RGB 6 80 43

HSL 150, 0.86%, 0.17%

LAB 29.29, -30.78, 16

 

CMYK 93 / 0 / 21 / 69

HEX #06503F

RGB 6 80 63

HSL 166.22, 0.86%, 0.17%

LAB 29.75, -25.62, 4.13

 

CMYK 93 / 2 / 0 / 69

HEX #064E50

RGB 6 78 80

HSL 181.62, 0.86%, 0.17%

LAB 29.58, -19.03, -7.01

 

CMYK 93 / 28 / 0 / 69

HEX #063A50

RGB 6 58 80

HSL 197.84, 0.86%, 0.17%

LAB 22.46, -7.12, -17.92

 

CMYK 100 / 0 / 0 / 99

HEX #000303

RGB 0 3 3

HSL 180, 1%, 0.01%

LAB 0.65, -0.78, -0.28

 

CMYK 93 / 0 / 21 / 84

HEX #032A21

RGB 3 42 33

HSL 166.15, 0.87%, 0.09%

LAB 14.32, -16.22, 2.05

 

CMYK 93 / 0 / 21 / 69

HEX #06503F

RGB 6 80 63

HSL 166.22, 0.86%, 0.17%

LAB 29.75, -25.62, 4.13

 

CMYK 93 / 0 / 22 / 53

HEX #08775D

RGB 8 119 93

HSL 165.95, 0.87%, 0.25%

LAB 44.28, -34.74, 6.46

 

CMYK 93 / 0 / 22 / 38

HEX #0B9D7B

RGB 11 157 123

HSL 166.03, 0.87%, 0.33%

LAB 57.67, -42.79, 8.16

 

CMYK 93 / 0 / 21 / 69

HEX #06503F

RGB 6 80 63

HSL 166.22, 0.86%, 0.17%

LAB 29.75, -25.62, 4.13

 

CMYK 93 / 90 / 0 / 69

HEX #060850

RGB 6 8 80

HSL 238.38, 0.86%, 0.17%

LAB 7.15, 28.62, -42.64

 

CMYK 0 / 59 / 93 / 69

HEX #502106

RGB 80 33 6

HSL 21.89, 0.86%, 0.17%

LAB 19.25, 20.29, 25.91

 

CMYK 93 / 0 / 21 / 69

HEX #06503F

RGB 6 80 63

HSL 166.22, 0.86%, 0.17%

LAB 29.75, -25.62, 4.13

 

CMYK 21 / 93 / 0 / 69

HEX #3F0650

RGB 63 6 80

HSL 286.22, 0.86%, 0.17%

LAB 14.21, 37.13, -30.77

 

CMYK 0 / 21 / 93 / 69

HEX #503F06

RGB 80 63 6

HSL 46.22, 0.86%, 0.17%

LAB 27.5, 1.32, 34.25

 

CMYK 93 / 0 / 21 / 69

HEX #06503F

RGB 6 80 63

HSL 166.22, 0.86%, 0.17%

LAB 29.75, -25.62, 4.13

 

CMYK 93 / 90 / 0 / 69

HEX #060850

RGB 6 8 80

HSL 238.38, 0.86%, 0.17%

LAB 7.15, 28.62, -42.64

 

CMYK 0 / 93 / 71 / 69

HEX #500617

RGB 80 6 23

HSL 346.22, 0.86%, 0.17%

LAB 14.94, 33.43, 11.59

 

CMYK 0 / 2 / 93 / 69

HEX #504E06

RGB 80 78 6

HSL 58.38, 0.86%, 0.17%

LAB 32.19, -7.89, 38.13

 

CMYK 93 / 0 / 21 / 69

HEX #06503F

RGB 6 80 63

HSL 166.22, 0.86%, 0.17%

LAB 29.75, -25.62, 4.13

 

CMYK 69 / 93 / 0 / 69

HEX #190650

RGB 25 6 80

HSL 255.41, 0.86%, 0.17%

LAB 8.27, 31.41, -40.73

 

CMYK 0 / 93 / 71 / 69

HEX #500617

RGB 80 6 23

HSL 346.22, 0.86%, 0.17%

LAB 14.94, 33.43, 11.59

 

CMYK 25 / 0 / 93 / 69

HEX #3C5006

RGB 60 80 6

HSL 76.22, 0.86%, 0.17%

LAB 31.14, -18.82, 36.56

 

Description

Color code: HEX #06503F | qconv.com Color code: HEX #06503F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 80 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 80 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 21 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 21% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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