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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06732D it is the complementary color #F98CD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06732D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06732D shade: #0B7328, #1C853B, #2D974E, #3EA961 and #4FBB74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06732D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06732D shade: #06732D, #00611A, #004F07, #003D00 and #002B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06732D shade: #06742D, #06740F, #1A7406, #377406 and #557406

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06732D shade: #06742D, #06744B, #067468, #066174 and #064474

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06732D shade matches the following richer shades: #06742D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06732D shade: #06742D, #106A30, #196033, #235635 and #2D4C38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06732D shade: #1A7406, #06740F, #06742C, #06744A and #067467

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06732D shade: #01250E, #044D1E, #06742D, #089B3C and #0AC24C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06732D shade: #06732D, #063774 and #74060B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06732D shade: #06732D, #2C0674 and #742C06

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06732D shade: #06732D, #063774, #74064D and #744206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06732D shade: #06732D, #061674, #74064D and #746306

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 61 / 55

HEX #06732D

RGB 6 115 45

HSL 141.47, 0.9%, 0.24%

LAB 41.98, -43.6, 30.61

 

Complementary color

CMYK 0 / 44 / 16 / 2

HEX #F98CD2

RGB 249 140 210

HSL 321.47, 0.9%, 0.76%

LAB 71.93, 50.11, -17.85

 

CMYK 90 / 0 / 65 / 55

HEX #0B7328

RGB 11 115 40

HSL 136.73, 0.83%, 0.25%

LAB 41.98, -43.86, 33.11

 

CMYK 79 / 0 / 56 / 48

HEX #1C853B

RGB 28 133 59

HSL 137.71, 0.65%, 0.32%

LAB 48.68, -45.5, 31.5

 

CMYK 70 / 0 / 48 / 41

HEX #2D974E

RGB 45 151 78

HSL 138.68, 0.54%, 0.38%

LAB 55.32, -46.38, 29.87

 

CMYK 63 / 0 / 43 / 34

HEX #3EA961

RGB 62 169 97

HSL 139.63, 0.46%, 0.45%

LAB 61.88, -46.8, 28.33

 

CMYK 58 / 0 / 38 / 27

HEX #4FBB74

RGB 79 187 116

HSL 140.56, 0.44%, 0.52%

LAB 68.36, -46.95, 26.9

 

CMYK 95 / 0 / 61 / 55

HEX #06732D

RGB 6 115 45

HSL 141.47, 0.9%, 0.24%

LAB 41.98, -43.6, 30.61

 

CMYK 100 / 0 / 73 / 62

HEX #00611A

RGB 0 97 26

HSL 136.08, 1%, 0.19%

LAB 35.25, -40.55, 32.23

 

CMYK 100 / 0 / 91 / 69

HEX #004F07

RGB 0 79 7

HSL 125.32, 1%, 0.15%

LAB 28.4, -36.33, 32.87

 

CMYK 100 / 0 / 100 / 76

HEX #003D00

RGB 0 61 0

HSL 120, 1%, 0.12%

LAB 21.35, -31.03, 28.85

 

CMYK 100 / 0 / 100 / 83

HEX #002B00

RGB 0 43 0

HSL 120, 1%, 0.08%

LAB 13.99, -24.91, 20

 

CMYK 95 / 0 / 61 / 55

HEX #06742D

RGB 6 116 45

HSL 141.27, 0.9%, 0.24%

LAB 42.34, -43.94, 31.03

 

CMYK 95 / 0 / 87 / 55

HEX #06740F

RGB 6 116 15

HSL 124.91, 0.9%, 0.24%

LAB 42.1, -46.94, 43.03

 

CMYK 78 / 0 / 95 / 55

HEX #1A7406

RGB 26 116 6

HSL 109.09, 0.9%, 0.24%

LAB 42.34, -44.89, 45.51

 

CMYK 53 / 0 / 95 / 55

HEX #377406

RGB 55 116 6

HSL 93.27, 0.9%, 0.24%

LAB 43.24, -37.55, 46.62

 

CMYK 27 / 0 / 95 / 55

HEX #557406

RGB 85 116 6

HSL 76.91, 0.9%, 0.24%

LAB 44.85, -26.05, 48.6

 

CMYK 95 / 0 / 61 / 55

HEX #06742D

RGB 6 116 45

HSL 141.27, 0.9%, 0.24%

LAB 42.34, -43.94, 31.03

 

CMYK 95 / 0 / 35 / 55

HEX #06744B

RGB 6 116 75

HSL 157.64, 0.9%, 0.24%

LAB 42.82, -38.22, 15.03

 

CMYK 95 / 0 / 10 / 55

HEX #067468

RGB 6 116 104

HSL 173.45, 0.9%, 0.24%

LAB 43.55, -30.32, -1.18

 

CMYK 95 / 16 / 0 / 55

HEX #066174

RGB 6 97 116

HSL 190.36, 0.9%, 0.24%

LAB 37.57, -16.43, -17.46

 

CMYK 95 / 41 / 0 / 55

HEX #064474

RGB 6 68 116

HSL 206.18, 0.9%, 0.24%

LAB 27.94, 1.57, -32.56

 

CMYK 95 / 0 / 61 / 55

HEX #06742D

RGB 6 116 45

HSL 141.27, 0.9%, 0.24%

LAB 42.34, -43.94, 31.03

 

CMYK 95 / 0 / 61 / 55

HEX #06742D

RGB 6 116 45

HSL 141.27, 0.9%, 0.24%

LAB 42.34, -43.94, 31.03

 

CMYK 85 / 0 / 55 / 58

HEX #106A30

RGB 16 106 48

HSL 141.33, 0.74%, 0.24%

LAB 38.95, -38.88, 25.41

 

CMYK 74 / 0 / 47 / 62

HEX #196033

RGB 25 96 51

HSL 141.97, 0.59%, 0.24%

LAB 35.62, -32.91, 19.55

 

CMYK 59 / 0 / 38 / 66

HEX #235635

RGB 35 86 53

HSL 141.18, 0.42%, 0.24%

LAB 32.41, -25.63, 14.19

 

CMYK 41 / 0 / 26 / 70

HEX #2D4C38

RGB 45 76 56

HSL 141.29, 0.26%, 0.24%

LAB 29.44, -16.61, 8.34

 

CMYK 78 / 0 / 95 / 55

HEX #1A7406

RGB 26 116 6

HSL 109.09, 0.9%, 0.24%

LAB 42.34, -44.89, 45.51

 

CMYK 95 / 0 / 87 / 55

HEX #06740F

RGB 6 116 15

HSL 124.91, 0.9%, 0.24%

LAB 42.1, -46.94, 43.03

 

CMYK 95 / 0 / 62 / 55

HEX #06742C

RGB 6 116 44

HSL 140.73, 0.9%, 0.24%

LAB 42.33, -44.09, 31.52

 

CMYK 95 / 0 / 36 / 55

HEX #06744A

RGB 6 116 74

HSL 157.09, 0.9%, 0.24%

LAB 42.8, -38.45, 15.59

 

CMYK 95 / 0 / 11 / 55

HEX #067467

RGB 6 116 103

HSL 172.91, 0.9%, 0.24%

LAB 43.52, -30.62, -0.62

 

CMYK 97 / 0 / 62 / 85

HEX #01250E

RGB 1 37 14

HSL 141.67, 0.95%, 0.07%

LAB 11.7, -19.56, 11.04

 

CMYK 95 / 0 / 61 / 70

HEX #044D1E

RGB 4 77 30

HSL 141.37, 0.9%, 0.16%

LAB 27.92, -32.38, 21.91

 

CMYK 95 / 0 / 61 / 55

HEX #06742D

RGB 6 116 45

HSL 141.27, 0.9%, 0.24%

LAB 42.34, -43.94, 31.03

 

CMYK 95 / 0 / 61 / 39

HEX #089B3C

RGB 8 155 60

HSL 141.22, 0.9%, 0.32%

LAB 55.91, -54.75, 39.5

 

CMYK 95 / 0 / 61 / 24

HEX #0AC24C

RGB 10 194 76

HSL 141.52, 0.9%, 0.4%

LAB 68.87, -64.91, 47.09

 

CMYK 95 / 0 / 61 / 55

HEX #06732D

RGB 6 115 45

HSL 141.47, 0.9%, 0.24%

LAB 41.98, -43.6, 30.61

 

CMYK 95 / 53 / 0 / 55

HEX #063774

RGB 6 55 116

HSL 213.27, 0.9%, 0.24%

LAB 23.78, 10.68, -39.24

 

CMYK 0 / 95 / 91 / 55

HEX #74060B

RGB 116 6 11

HSL 357.27, 0.9%, 0.24%

LAB 23.23, 43.72, 30.37

 

CMYK 95 / 0 / 61 / 55

HEX #06732D

RGB 6 115 45

HSL 141.47, 0.9%, 0.24%

LAB 41.98, -43.6, 30.61

 

CMYK 62 / 95 / 0 / 55

HEX #2C0674

RGB 44 6 116

HSL 260.73, 0.9%, 0.24%

LAB 15.1, 43.51, -53.38

 

CMYK 0 / 62 / 95 / 55

HEX #742C06

RGB 116 44 6

HSL 20.73, 0.9%, 0.24%

LAB 28.19, 29.89, 37.01

 

CMYK 95 / 0 / 61 / 55

HEX #06732D

RGB 6 115 45

HSL 141.47, 0.9%, 0.24%

LAB 41.98, -43.6, 30.61

 

CMYK 95 / 53 / 0 / 55

HEX #063774

RGB 6 55 116

HSL 213.27, 0.9%, 0.24%

LAB 23.78, 10.68, -39.24

 

CMYK 0 / 95 / 34 / 55

HEX #74064D

RGB 116 6 77

HSL 321.27, 0.9%, 0.24%

LAB 24.89, 48.29, -11.17

 

CMYK 0 / 43 / 95 / 55

HEX #744206

RGB 116 66 6

HSL 32.73, 0.9%, 0.24%

LAB 33.18, 17.43, 40.8

 

CMYK 95 / 0 / 61 / 55

HEX #06732D

RGB 6 115 45

HSL 141.47, 0.9%, 0.24%

LAB 41.98, -43.6, 30.61

 

CMYK 95 / 81 / 0 / 55

HEX #061674

RGB 6 22 116

HSL 231.27, 0.9%, 0.24%

LAB 14.81, 33.78, -53.94

 

CMYK 0 / 95 / 34 / 55

HEX #74064D

RGB 116 6 77

HSL 321.27, 0.9%, 0.24%

LAB 24.89, 48.29, -11.17

 

CMYK 0 / 15 / 95 / 55

HEX #746306

RGB 116 99 6

HSL 50.73, 0.9%, 0.24%

LAB 42.23, -2.29, 47.65

 

Description

Color code: HEX #06732D | qconv.com Color code: HEX #06732D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 115 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 115 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 61 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 61% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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