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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #068D39 it is the complementary color #F972C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #068D39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #068D39 shade: #0B8D34, #1C9F47, #2DB15A, #3EC36D and #4FD580

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #068D39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #068D39 shade: #068D39, #007B26, #006913, #005700 and #004500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #068D39 shade: #058D39, #058D14, #1B8D05, #408D05 and #658D05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #068D39 shade: #058D39, #058D5E, #058D82, #05748D and #054F8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #068D39 shade matches the following richer shades: #058D39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #068D39 shade: #058D39, #11823C, #1D763F, #296A42 and #355E45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #068D39 shade: #1C8D05, #058D13, #058D37, #058D5C and #058D80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #068D39 shade: #023E19, #046629, #058D39, #07B549 and #09DD59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #068D39 shade: #068D39, #05408D and #8D050A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #068D39 shade: #068D39, #37058D and #8D3705

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #068D39 shade: #068D39, #05408D, #8D055C and #8D5305

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #068D39 shade: #068D39, #05188D, #8D055C and #8D7B05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 60 / 45

HEX #068D39

RGB 6 141 57

HSL 142.67, 0.92%, 0.29%

LAB 51.13, -50.69, 35.37

 

Complementary color

CMYK 0 / 54 / 20 / 2

HEX #F972C6

RGB 249 114 198

HSL 322.67, 0.92%, 0.71%

LAB 66.71, 60.84, -19.06

 

CMYK 92 / 0 / 63 / 45

HEX #0B8D34

RGB 11 141 52

HSL 138.92, 0.86%, 0.3%

LAB 51.12, -51.05, 37.77

 

CMYK 82 / 0 / 55 / 38

HEX #1C9F47

RGB 28 159 71

HSL 139.69, 0.7%, 0.37%

LAB 57.56, -52.91, 36.16

 

CMYK 75 / 0 / 49 / 31

HEX #2DB15A

RGB 45 177 90

HSL 140.45, 0.59%, 0.44%

LAB 63.95, -54.07, 34.53

 

CMYK 68 / 0 / 44 / 24

HEX #3EC36D

RGB 62 195 109

HSL 141.2, 0.53%, 0.5%

LAB 70.29, -54.75, 32.97

 

CMYK 63 / 0 / 40 / 16

HEX #4FD580

RGB 79 213 128

HSL 141.94, 0.61%, 0.57%

LAB 76.56, -55.12, 31.51

 

CMYK 96 / 0 / 60 / 45

HEX #068D39

RGB 6 141 57

HSL 142.67, 0.92%, 0.29%

LAB 51.13, -50.69, 35.37

 

CMYK 100 / 0 / 69 / 52

HEX #007B26

RGB 0 123 38

HSL 138.54, 1%, 0.24%

LAB 44.67, -47.69, 37.01

 

CMYK 100 / 0 / 82 / 59

HEX #006913

RGB 0 105 19

HSL 130.86, 1%, 0.21%

LAB 38.11, -43.8, 37.98

 

CMYK 100 / 0 / 100 / 66

HEX #005700

RGB 0 87 0

HSL 120, 1%, 0.17%

LAB 31.39, -39.37, 38

 

CMYK 100 / 0 / 100 / 73

HEX #004500

RGB 0 69 0

HSL 120, 1%, 0.14%

LAB 24.5, -33.65, 32.1

 

CMYK 96 / 0 / 60 / 45

HEX #058D39

RGB 5 141 57

HSL 142.94, 0.93%, 0.29%

LAB 51.13, -50.76, 35.36

 

CMYK 96 / 0 / 86 / 45

HEX #058D14

RGB 5 141 20

HSL 126.62, 0.93%, 0.29%

LAB 50.84, -54.34, 49.64

 

CMYK 81 / 0 / 96 / 45

HEX #1B8D05

RGB 27 141 5

HSL 110.29, 0.93%, 0.29%

LAB 51.03, -52.84, 52.96

 

CMYK 55 / 0 / 96 / 45

HEX #408D05

RGB 64 141 5

HSL 93.97, 0.93%, 0.29%

LAB 52.01, -44.65, 54.16

 

CMYK 28 / 0 / 96 / 45

HEX #658D05

RGB 101 141 5

HSL 77.65, 0.93%, 0.29%

LAB 53.84, -31.33, 56.4

 

CMYK 96 / 0 / 60 / 45

HEX #058D39

RGB 5 141 57

HSL 142.94, 0.93%, 0.29%

LAB 51.13, -50.76, 35.36

 

CMYK 96 / 0 / 33 / 45

HEX #058D5E

RGB 5 141 94

HSL 159.26, 0.93%, 0.29%

LAB 51.71, -43.8, 16.24

 

CMYK 96 / 0 / 8 / 45

HEX #058D82

RGB 5 141 130

HSL 175.15, 0.93%, 0.29%

LAB 52.61, -34.12, -3.18

 

CMYK 96 / 18 / 0 / 45

HEX #05748D

RGB 5 116 141

HSL 191.03, 0.93%, 0.29%

LAB 44.87, -17.84, -21.33

 

CMYK 96 / 44 / 0 / 45

HEX #054F8D

RGB 5 79 141

HSL 207.35, 0.93%, 0.29%

LAB 33.02, 4.73, -39.96

 

CMYK 96 / 0 / 60 / 45

HEX #058D39

RGB 5 141 57

HSL 142.94, 0.93%, 0.29%

LAB 51.13, -50.76, 35.36

 

CMYK 96 / 0 / 60 / 45

HEX #058D39

RGB 5 141 57

HSL 142.94, 0.93%, 0.29%

LAB 51.13, -50.76, 35.36

 

CMYK 87 / 0 / 54 / 49

HEX #11823C

RGB 17 130 60

HSL 142.83, 0.77%, 0.29%

LAB 47.51, -45.6, 29.5

 

CMYK 75 / 0 / 47 / 54

HEX #1D763F

RGB 29 118 63

HSL 142.92, 0.61%, 0.29%

LAB 43.62, -38.94, 23.03

 

CMYK 61 / 0 / 38 / 58

HEX #296A42

RGB 41 106 66

HSL 143.08, 0.44%, 0.29%

LAB 39.87, -30.72, 16.44

 

CMYK 44 / 0 / 27 / 63

HEX #355E45

RGB 53 94 69

HSL 143.41, 0.28%, 0.29%

LAB 36.35, -20.71, 9.91

 

CMYK 80 / 0 / 96 / 45

HEX #1C8D05

RGB 28 141 5

HSL 109.85, 0.93%, 0.29%

LAB 51.05, -52.7, 52.98

 

CMYK 96 / 0 / 87 / 45

HEX #058D13

RGB 5 141 19

HSL 126.18, 0.93%, 0.29%

LAB 50.84, -54.4, 49.9

 

CMYK 96 / 0 / 61 / 45

HEX #058D37

RGB 5 141 55

HSL 142.06, 0.93%, 0.29%

LAB 51.1, -51.04, 36.31

 

CMYK 96 / 0 / 35 / 45

HEX #058D5C

RGB 5 141 92

HSL 158.38, 0.93%, 0.29%

LAB 51.67, -44.25, 17.32

 

CMYK 96 / 0 / 9 / 45

HEX #058D80

RGB 5 141 128

HSL 174.26, 0.93%, 0.29%

LAB 52.55, -34.72, -2.1

 

CMYK 97 / 0 / 60 / 76

HEX #023E19

RGB 2 62 25

HSL 143, 0.94%, 0.13%

LAB 22.05, -27.75, 17.66

 

CMYK 96 / 0 / 60 / 60

HEX #046629

RGB 4 102 41

HSL 142.65, 0.92%, 0.21%

LAB 37.28, -39.81, 27.11

 

CMYK 96 / 0 / 60 / 45

HEX #058D39

RGB 5 141 57

HSL 142.94, 0.93%, 0.29%

LAB 51.13, -50.76, 35.36

 

CMYK 96 / 0 / 60 / 29

HEX #07B549

RGB 7 181 73

HSL 142.76, 0.93%, 0.37%

LAB 64.62, -61.37, 43.53

 

CMYK 96 / 0 / 60 / 13

HEX #09DD59

RGB 9 221 89

HSL 142.64, 0.92%, 0.45%

LAB 77.57, -71.55, 51.33

 

CMYK 96 / 0 / 60 / 45

HEX #068D39

RGB 6 141 57

HSL 142.67, 0.92%, 0.29%

LAB 51.13, -50.69, 35.37

 

CMYK 96 / 55 / 0 / 45

HEX #05408D

RGB 5 64 141

HSL 213.97, 0.93%, 0.29%

LAB 28.44, 15.04, -47.35

 

CMYK 0 / 96 / 93 / 45

HEX #8D050A

RGB 141 5 10

HSL 357.79, 0.93%, 0.29%

LAB 28.88, 50.88, 38.06

 

CMYK 96 / 0 / 60 / 45

HEX #068D39

RGB 6 141 57

HSL 142.67, 0.92%, 0.29%

LAB 51.13, -50.69, 35.37

 

CMYK 61 / 96 / 0 / 45

HEX #37058D

RGB 55 5 141

HSL 262.06, 0.93%, 0.29%

LAB 19.41, 51.19, -62.09

 

CMYK 0 / 61 / 96 / 45

HEX #8D3705

RGB 141 55 5

HSL 22.06, 0.93%, 0.29%

LAB 34.81, 34.41, 44.2

 

CMYK 96 / 0 / 60 / 45

HEX #068D39

RGB 6 141 57

HSL 142.67, 0.92%, 0.29%

LAB 51.13, -50.69, 35.37

 

CMYK 96 / 55 / 0 / 45

HEX #05408D

RGB 5 64 141

HSL 213.97, 0.93%, 0.29%

LAB 28.44, 15.04, -47.35

 

CMYK 0 / 96 / 35 / 45

HEX #8D055C

RGB 141 5 92

HSL 321.62, 0.93%, 0.29%

LAB 30.75, 55.93, -11.71

 

CMYK 0 / 41 / 96 / 45

HEX #8D5305

RGB 141 83 5

HSL 34.41, 0.93%, 0.29%

LAB 40.99, 19.06, 48.38

 

CMYK 96 / 0 / 60 / 45

HEX #068D39

RGB 6 141 57

HSL 142.67, 0.92%, 0.29%

LAB 51.13, -50.69, 35.37

 

CMYK 96 / 83 / 0 / 45

HEX #05188D

RGB 5 24 141

HSL 231.62, 0.93%, 0.29%

LAB 18.4, 41.49, -63.85

 

CMYK 0 / 96 / 35 / 45

HEX #8D055C

RGB 141 5 92

HSL 321.62, 0.93%, 0.29%

LAB 30.75, 55.93, -11.71

 

CMYK 0 / 13 / 96 / 45

HEX #8D7B05

RGB 141 123 5

HSL 52.06, 0.93%, 0.29%

LAB 51.66, -3.98, 56.11

 

Description

Color code: HEX #068D39 | qconv.com Color code: HEX #068D39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 141 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 141 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 60 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 60% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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