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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06AC66 it is the complementary color #F95399. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06AC66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06AC66 shade: #0BAC61, #1CBE74, #2DD087, #3EE29A and #4FF4AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06AC66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06AC66 shade: #06AC66, #009A53, #008840, #00762D and #00641A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06AC66 shade: #06AC66, #06AC39, #06AC0C, #2CAC06 and #59AC06

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06AC66 shade: #06AC66, #06AC93, #0698AC, #066BAC and #063FAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06AC66 shade matches the following richer shades: #06AC66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06AC66 shade: #06AC66, #149D63, #238F61, #31805F and #40725D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06AC66 shade: #06AC0B, #06AC38, #06AC64, #06AC90 and #069BAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06AC66 shade: #035C36, #04844E, #06AC66, #07D47D and #0EF694

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06AC66 shade: #06AC66, #062CAC and #AC2106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06AC66 shade: #06AC66, #6406AC and #AC6406

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06AC66 shade: #06AC66, #062CAC, #AC064E and #AC8506

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06AC66 shade: #06AC66, #1106AC, #AC064E and #A1AC06

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 41 / 33

HEX #06AC66

RGB 6 172 102

HSL 154.7, 0.93%, 0.35%

LAB 62.09, -53.62, 25.79

 

Complementary color

CMYK 0 / 67 / 39 / 2

HEX #F95399

RGB 249 83 153

HSL 334.7, 0.93%, 0.65%

LAB 60.45, 68.4, -2.72

 

CMYK 94 / 0 / 44 / 33

HEX #0BAC61

RGB 11 172 97

HSL 152.05, 0.88%, 0.36%

LAB 62.03, -54.36, 28.37

 

CMYK 85 / 0 / 39 / 25

HEX #1CBE74

RGB 28 190 116

HSL 152.59, 0.74%, 0.43%

LAB 68.27, -56.02, 26.59

 

CMYK 78 / 0 / 35 / 18

HEX #2DD087

RGB 45 208 135

HSL 153.13, 0.64%, 0.5%

LAB 74.46, -57.16, 24.96

 

CMYK 73 / 0 / 32 / 11

HEX #3EE29A

RGB 62 226 154

HSL 153.66, 0.74%, 0.56%

LAB 80.6, -57.94, 23.46

 

CMYK 68 / 0 / 29 / 4

HEX #4FF4AD

RGB 79 244 173

HSL 154.18, 0.88%, 0.63%

LAB 86.69, -58.45, 22.09

 

CMYK 97 / 0 / 41 / 33

HEX #06AC66

RGB 6 172 102

HSL 154.7, 0.93%, 0.35%

LAB 62.09, -53.62, 25.79

 

CMYK 100 / 0 / 46 / 40

HEX #009A53

RGB 0 154 83

HSL 152.34, 1%, 0.3%

LAB 55.82, -51.19, 27.75

 

CMYK 100 / 0 / 53 / 47

HEX #008840

RGB 0 136 64

HSL 148.24, 1%, 0.27%

LAB 49.47, -48.3, 29.79

 

CMYK 100 / 0 / 62 / 54

HEX #00762D

RGB 0 118 45

HSL 142.88, 1%, 0.23%

LAB 42.98, -45.13, 31.77

 

CMYK 100 / 0 / 74 / 61

HEX #00641A

RGB 0 100 26

HSL 135.6, 1%, 0.2%

LAB 36.35, -41.54, 33.4

 

CMYK 97 / 0 / 41 / 33

HEX #06AC66

RGB 6 172 102

HSL 154.7, 0.93%, 0.35%

LAB 62.09, -53.62, 25.79

 

CMYK 97 / 0 / 67 / 33

HEX #06AC39

RGB 6 172 57

HSL 138.43, 0.93%, 0.35%

LAB 61.52, -60.56, 47.14

 

CMYK 97 / 0 / 93 / 33

HEX #06AC0C

RGB 6 172 12

HSL 122.17, 0.93%, 0.35%

LAB 61.28, -63.55, 60.36

 

CMYK 74 / 0 / 97 / 33

HEX #2CAC06

RGB 44 172 6

HSL 106.27, 0.93%, 0.35%

LAB 61.7, -59.85, 61.69

 

CMYK 48 / 0 / 97 / 33

HEX #59AC06

RGB 89 172 6

HSL 90, 0.93%, 0.35%

LAB 63.05, -48.85, 63.34

 

CMYK 97 / 0 / 41 / 33

HEX #06AC66

RGB 6 172 102

HSL 154.7, 0.93%, 0.35%

LAB 62.09, -53.62, 25.79

 

CMYK 97 / 0 / 15 / 33

HEX #06AC93

RGB 6 172 147

HSL 170.96, 0.93%, 0.35%

LAB 63.05, -42.88, 2.43

 

CMYK 97 / 12 / 0 / 33

HEX #0698AC

RGB 6 152 172

HSL 187.23, 0.93%, 0.35%

LAB 57.53, -25.89, -19.9

 

CMYK 97 / 38 / 0 / 33

HEX #066BAC

RGB 6 107 172

HSL 203.49, 0.93%, 0.35%

LAB 43.56, -0.55, -41.7

 

CMYK 97 / 63 / 0 / 33

HEX #063FAC

RGB 6 63 172

HSL 219.4, 0.93%, 0.35%

LAB 30.81, 28.61, -62.3

 

CMYK 97 / 0 / 41 / 33

HEX #06AC66

RGB 6 172 102

HSL 154.7, 0.93%, 0.35%

LAB 62.09, -53.62, 25.79

 

CMYK 97 / 0 / 41 / 33

HEX #06AC66

RGB 6 172 102

HSL 154.7, 0.93%, 0.35%

LAB 62.09, -53.62, 25.79

 

CMYK 87 / 0 / 37 / 38

HEX #149D63

RGB 20 157 99

HSL 154.6, 0.77%, 0.35%

LAB 57.23, -47.9, 20.96

 

CMYK 76 / 0 / 32 / 44

HEX #238F61

RGB 35 143 97

HSL 154.44, 0.61%, 0.35%

LAB 52.8, -41.12, 16.1

 

CMYK 62 / 0 / 26 / 50

HEX #31805F

RGB 49 128 95

HSL 154.94, 0.45%, 0.35%

LAB 48.16, -32.49, 10.86

 

CMYK 44 / 0 / 18 / 55

HEX #40725D

RGB 64 114 93

HSL 154.8, 0.28%, 0.35%

LAB 44.11, -22.21, 6.41

 

CMYK 97 / 0 / 94 / 33

HEX #06AC0B

RGB 6 172 11

HSL 121.81, 0.93%, 0.35%

LAB 61.28, -63.57, 60.5

 

CMYK 97 / 0 / 67 / 33

HEX #06AC38

RGB 6 172 56

HSL 138.07, 0.93%, 0.35%

LAB 61.51, -60.67, 47.56

 

CMYK 97 / 0 / 42 / 33

HEX #06AC64

RGB 6 172 100

HSL 153.98, 0.93%, 0.35%

LAB 62.05, -54.02, 26.81

 

CMYK 97 / 0 / 16 / 33

HEX #06AC90

RGB 6 172 144

HSL 169.88, 0.93%, 0.35%

LAB 62.98, -43.7, 3.99

 

CMYK 97 / 10 / 0 / 33

HEX #069BAC

RGB 6 155 172

HSL 186.14, 0.93%, 0.35%

LAB 58.47, -27.4, -18.48

 

CMYK 97 / 0 / 41 / 64

HEX #035C36

RGB 3 92 54

HSL 154.38, 0.94%, 0.19%

LAB 33.86, -33.61, 15.39

 

CMYK 97 / 0 / 41 / 48

HEX #04844E

RGB 4 132 78

HSL 154.69, 0.94%, 0.27%

LAB 48.36, -43.94, 20.75

 

CMYK 97 / 0 / 41 / 33

HEX #06AC66

RGB 6 172 102

HSL 154.7, 0.93%, 0.35%

LAB 62.09, -53.62, 25.79

 

CMYK 97 / 0 / 41 / 17

HEX #07D47D

RGB 7 212 125

HSL 154.54, 0.94%, 0.43%

LAB 75.21, -63.12, 31.08

 

CMYK 94 / 0 / 40 / 4

HEX #0EF694

RGB 14 246 148

HSL 154.66, 0.93%, 0.51%

LAB 86.08, -70.1, 33.79

 

CMYK 97 / 0 / 41 / 33

HEX #06AC66

RGB 6 172 102

HSL 154.7, 0.93%, 0.35%

LAB 62.09, -53.62, 25.79

 

CMYK 97 / 74 / 0 / 33

HEX #062CAC

RGB 6 44 172

HSL 226.27, 0.93%, 0.35%

LAB 26.21, 40.96, -69.88

 

CMYK 0 / 81 / 97 / 33

HEX #AC2106

RGB 172 33 6

HSL 9.76, 0.93%, 0.35%

LAB 37.61, 53.85, 48.54

 

CMYK 97 / 0 / 41 / 33

HEX #06AC66

RGB 6 172 102

HSL 154.7, 0.93%, 0.35%

LAB 62.09, -53.62, 25.79

 

CMYK 42 / 97 / 0 / 33

HEX #6406AC

RGB 100 6 172

HSL 273.98, 0.93%, 0.35%

LAB 28.95, 62.32, -65.12

 

CMYK 0 / 42 / 97 / 33

HEX #AC6406

RGB 172 100 6

HSL 33.98, 0.93%, 0.35%

LAB 49.37, 23.36, 55.95

 

CMYK 97 / 0 / 41 / 33

HEX #06AC66

RGB 6 172 102

HSL 154.7, 0.93%, 0.35%

LAB 62.09, -53.62, 25.79

 

CMYK 97 / 74 / 0 / 33

HEX #062CAC

RGB 6 44 172

HSL 226.27, 0.93%, 0.35%

LAB 26.21, 40.96, -69.88

 

CMYK 0 / 97 / 55 / 33

HEX #AC064E

RGB 172 6 78

HSL 333.98, 0.93%, 0.35%

LAB 36.84, 61.77, 7.13

 

CMYK 0 / 23 / 97 / 33

HEX #AC8506

RGB 172 133 6

HSL 45.9, 0.93%, 0.35%

LAB 57.62, 4.89, 61.77

 

CMYK 97 / 0 / 41 / 33

HEX #06AC66

RGB 6 172 102

HSL 154.7, 0.93%, 0.35%

LAB 62.09, -53.62, 25.79

 

CMYK 90 / 97 / 0 / 33

HEX #1106AC

RGB 17 6 172

HSL 243.98, 0.93%, 0.35%

LAB 20.93, 57.55, -78.65

 

CMYK 0 / 97 / 55 / 33

HEX #AC064E

RGB 172 6 78

HSL 333.98, 0.93%, 0.35%

LAB 36.84, 61.77, 7.13

 

CMYK 6 / 0 / 97 / 33

HEX #A1AC06

RGB 161 172 6

HSL 63.98, 0.93%, 0.35%

LAB 67.35, -20.79, 68.55

 

Description

Color code: HEX #06AC66 | qconv.com Color code: HEX #06AC66 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 172 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 172 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 41 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 41% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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