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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06AECF it is the complementary color #F95130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06AECF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06AECF shade: #0BAECA, #1CC0DD, #2DD2F0, #3EE4FF and #4FF6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06AECF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06AECF shade: #06AECF, #009CBC, #008AA9, #007896 and #006683

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06AECF shade: #06AECF, #0678CF, #0642CF, #060BCF and #3706CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06AECF shade: #06AECF, #0678CF, #0642CF, #060BCF and #0606CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06AECF shade matches the following richer shades: #06AECF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06AECF shade: #06AECF, #17A3BE, #2997AD, #3A8B9B and #4B808A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06AECF shade: #06CF82, #06CFB8, #06B1CF, #067BCF and #0646CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06AECF shade: #036B7F, #058DA7, #06AECF, #08D0F7 and #30D7F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06AECF shade: #06AECF, #4C06CF and #CF9D06

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06AECF shade: #06AECF, #CF06B1 and #B1CF06

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06AECF shade: #06AECF, #4C06CF, #CF2406 and #89CF06

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06AECF shade: #06AECF, #8906CF, #CF2406 and #4CCF06

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 16 / 0 / 19

HEX #06AECF

RGB 6 174 207

HSL 189.85, 0.94%, 0.42%

LAB 65.61, -25.21, -27.15

 

Complementary color

CMYK 0 / 67 / 81 / 2

HEX #F95130

RGB 249 81 48

HSL 9.85, 0.94%, 0.58%

LAB 58.26, 62.38, 53.58

 

CMYK 95 / 14 / 0 / 21

HEX #0BAECA

RGB 11 174 202

HSL 188.8, 0.9%, 0.42%

LAB 65.44, -26.74, -24.63

 

CMYK 87 / 13 / 0 / 13

HEX #1CC0DD

RGB 28 192 221

HSL 189.02, 0.78%, 0.49%

LAB 71.67, -28.67, -25.5

 

CMYK 81 / 13 / 0 / 6

HEX #2DD2F0

RGB 45 210 240

HSL 189.23, 0.87%, 0.56%

LAB 77.84, -30.24, -26.29

 

CMYK 76 / 11 / 0 / 0

HEX #3EE4FF

RGB 62 228 255

HSL 188.39, 1%, 0.62%

LAB 83.83, -32.72, -25.1

 

CMYK 69 / 4 / 0 / 0

HEX #4FF6FF

RGB 79 246 255

HSL 183.07, 1%, 0.65%

LAB 89.3, -39.16, -16.79

 

CMYK 97 / 16 / 0 / 19

HEX #06AECF

RGB 6 174 207

HSL 189.85, 0.94%, 0.42%

LAB 65.61, -25.21, -27.15

 

CMYK 100 / 17 / 0 / 26

HEX #009CBC

RGB 0 156 188

HSL 190.21, 1%, 0.37%

LAB 59.35, -22.68, -26.18

 

CMYK 100 / 18 / 0 / 34

HEX #008AA9

RGB 0 138 169

HSL 191.01, 1%, 0.33%

LAB 52.99, -19.88, -25.16

 

CMYK 100 / 20 / 0 / 41

HEX #007896

RGB 0 120 150

HSL 192, 1%, 0.29%

LAB 46.49, -16.99, -24.15

 

CMYK 100 / 22 / 0 / 49

HEX #006683

RGB 0 102 131

HSL 193.28, 1%, 0.26%

LAB 39.82, -13.99, -23.14

 

CMYK 97 / 16 / 0 / 19

HEX #06AECF

RGB 6 174 207

HSL 189.85, 0.94%, 0.42%

LAB 65.61, -25.21, -27.15

 

CMYK 97 / 42 / 0 / 19

HEX #0678CF

RGB 6 120 207

HSL 205.97, 0.94%, 0.42%

LAB 49.47, 5.23, -52.49

 

CMYK 97 / 68 / 0 / 19

HEX #0642CF

RGB 6 66 207

HSL 222.09, 0.94%, 0.42%

LAB 34.88, 40.17, -76.2

 

CMYK 97 / 95 / 0 / 19

HEX #060BCF

RGB 6 11 207

HSL 238.51, 0.94%, 0.42%

LAB 26.11, 65.49, -90.78

 

CMYK 73 / 97 / 0 / 19

HEX #3706CF

RGB 55 6 207

HSL 254.63, 0.94%, 0.42%

LAB 27.97, 67.43, -87.61

 

CMYK 97 / 16 / 0 / 19

HEX #06AECF

RGB 6 174 207

HSL 189.85, 0.94%, 0.42%

LAB 65.61, -25.21, -27.15

 

CMYK 97 / 42 / 0 / 19

HEX #0678CF

RGB 6 120 207

HSL 205.97, 0.94%, 0.42%

LAB 49.47, 5.23, -52.49

 

CMYK 97 / 68 / 0 / 19

HEX #0642CF

RGB 6 66 207

HSL 222.09, 0.94%, 0.42%

LAB 34.88, 40.17, -76.2

 

CMYK 97 / 95 / 0 / 19

HEX #060BCF

RGB 6 11 207

HSL 238.51, 0.94%, 0.42%

LAB 26.11, 65.49, -90.78

 

CMYK 97 / 97 / 0 / 19

HEX #0606CF

RGB 6 6 207

HSL 240, 0.94%, 0.42%

LAB 25.78, 66.49, -91.32

 

CMYK 97 / 16 / 0 / 19

HEX #06AECF

RGB 6 174 207

HSL 189.85, 0.94%, 0.42%

LAB 65.61, -25.21, -27.15

 

CMYK 97 / 16 / 0 / 19

HEX #06AECF

RGB 6 174 207

HSL 189.85, 0.94%, 0.42%

LAB 65.61, -25.21, -27.15

 

CMYK 88 / 14 / 0 / 25

HEX #17A3BE

RGB 23 163 190

HSL 189.7, 0.78%, 0.42%

LAB 61.74, -24.65, -23.62

 

CMYK 76 / 13 / 0 / 32

HEX #2997AD

RGB 41 151 173

HSL 190, 0.62%, 0.42%

LAB 57.68, -22.55, -20.22

 

CMYK 63 / 10 / 0 / 39

HEX #3A8B9B

RGB 58 139 155

HSL 189.9, 0.46%, 0.42%

LAB 53.74, -19.48, -15.86

 

CMYK 46 / 7 / 0 / 46

HEX #4B808A

RGB 75 128 138

HSL 189.52, 0.3%, 0.42%

LAB 50.42, -14.83, -10.93

 

CMYK 97 / 0 / 37 / 19

HEX #06CF82

RGB 6 207 130

HSL 157.01, 0.94%, 0.42%

LAB 73.72, -60.44, 26.52

 

CMYK 97 / 0 / 11 / 19

HEX #06CFB8

RGB 6 207 184

HSL 173.13, 0.94%, 0.42%

LAB 74.9, -47.51, -0.6

 

CMYK 97 / 14 / 0 / 19

HEX #06B1CF

RGB 6 177 207

HSL 188.96, 0.94%, 0.42%

LAB 66.51, -26.72, -25.75

 

CMYK 97 / 41 / 0 / 19

HEX #067BCF

RGB 6 123 207

HSL 205.07, 0.94%, 0.42%

LAB 50.35, 3.38, -51.09

 

CMYK 97 / 66 / 0 / 19

HEX #0646CF

RGB 6 70 207

HSL 220.9, 0.94%, 0.42%

LAB 35.84, 37.62, -74.63

 

CMYK 98 / 16 / 0 / 50

HEX #036B7F

RGB 3 107 127

HSL 189.68, 0.95%, 0.25%

LAB 41.32, -18.12, -18.4

 

CMYK 97 / 16 / 0 / 35

HEX #058DA7

RGB 5 141 167

HSL 189.63, 0.94%, 0.34%

LAB 53.89, -21.98, -22.63

 

CMYK 97 / 16 / 0 / 19

HEX #06AECF

RGB 6 174 207

HSL 189.85, 0.94%, 0.42%

LAB 65.61, -25.21, -27.15

 

CMYK 97 / 16 / 0 / 3

HEX #08D0F7

RGB 8 208 247

HSL 189.79, 0.94%, 0.5%

LAB 77.21, -28.81, -31.03

 

CMYK 81 / 13 / 0 / 3

HEX #30D7F8

RGB 48 215 248

HSL 189.9, 0.93%, 0.58%

LAB 79.62, -29.91, -27.83

 

CMYK 97 / 16 / 0 / 19

HEX #06AECF

RGB 6 174 207

HSL 189.85, 0.94%, 0.42%

LAB 65.61, -25.21, -27.15

 

CMYK 63 / 97 / 0 / 19

HEX #4C06CF

RGB 76 6 207

HSL 260.9, 0.94%, 0.42%

LAB 29.84, 68.39, -84.45

 

CMYK 0 / 24 / 97 / 19

HEX #CF9D06

RGB 207 157 6

HSL 45.07, 0.94%, 0.42%

LAB 67.57, 7.55, 70.62

 

CMYK 97 / 16 / 0 / 19

HEX #06AECF

RGB 6 174 207

HSL 189.85, 0.94%, 0.42%

LAB 65.61, -25.21, -27.15

 

CMYK 0 / 97 / 14 / 19

HEX #CF06B1

RGB 207 6 177

HSL 308.96, 0.94%, 0.42%

LAB 47.71, 79.38, -36.9

 

CMYK 14 / 0 / 97 / 19

HEX #B1CF06

RGB 177 207 6

HSL 68.96, 0.94%, 0.42%

LAB 78.45, -30.95, 77.51

 

CMYK 97 / 16 / 0 / 19

HEX #06AECF

RGB 6 174 207

HSL 189.85, 0.94%, 0.42%

LAB 65.61, -25.21, -27.15

 

CMYK 63 / 97 / 0 / 19

HEX #4C06CF

RGB 76 6 207

HSL 260.9, 0.94%, 0.42%

LAB 29.84, 68.39, -84.45

 

CMYK 0 / 83 / 97 / 19

HEX #CF2406

RGB 207 36 6

HSL 8.96, 0.94%, 0.42%

LAB 45, 63.29, 56.31

 

CMYK 34 / 0 / 97 / 19

HEX #89CF06

RGB 137 207 6

HSL 80.9, 0.94%, 0.42%

LAB 76.04, -46.52, 74.6

 

CMYK 97 / 16 / 0 / 19

HEX #06AECF

RGB 6 174 207

HSL 189.85, 0.94%, 0.42%

LAB 65.61, -25.21, -27.15

 

CMYK 34 / 97 / 0 / 19

HEX #8906CF

RGB 137 6 207

HSL 279.1, 0.94%, 0.42%

LAB 37.76, 73.61, -71.11

 

CMYK 0 / 83 / 97 / 19

HEX #CF2406

RGB 207 36 6

HSL 8.96, 0.94%, 0.42%

LAB 45, 63.29, 56.31

 

CMYK 63 / 0 / 97 / 19

HEX #4CCF06

RGB 76 207 6

HSL 99.1, 0.94%, 0.42%

LAB 73.66, -64.72, 71.7

 

Description

Color code: HEX #06AECF | qconv.com Color code: HEX #06AECF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 174 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 174 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 16 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 16% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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