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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06BCF8 it is the complementary color #F94307. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06BCF8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06BCF8 shade: #0BBCF3, #1CCEFF, #2DE0FF, #3EF2FF and #4FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06BCF8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06BCF8 shade: #06BCF8, #00AAE5, #0098D2, #0086BF and #0074AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06BCF8 shade: #06BCF8, #067BF8, #0639F8, #1406F8 and #5506F8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06BCF8 shade: #06BCF8, #067BF8, #0639F8 and #0606F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06BCF8 shade matches the following richer shades: #06BCF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06BCF8 shade: #06BCF8, #1BB2E3, #2FA7CF, #449DBA and #5892A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06BCF8 shade: #06F8AF, #06F8F0, #06C0F8, #067FF8 and #063EF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06BCF8 shade: #047FA8, #059ED0, #06BCF8, #2EC7F9 and #56D2FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06BCF8 shade: #06BCF8, #6F06F8 and #F8D006

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06BCF8 shade: #06BCF8, #F806C0 and #C0F806

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06BCF8 shade: #06BCF8, #6F06F8, #F83E06 and #8FF806

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06BCF8 shade: #06BCF8, #B806F8, #F83E06 and #46F806

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 24 / 0 / 3

HEX #06BCF8

RGB 6 188 248

HSL 194.88, 0.95%, 0.5%

LAB 71.41, -18.37, -40.56

 

Complementary color

CMYK 0 / 73 / 97 / 2

HEX #F94307

RGB 249 67 7

HSL 14.88, 0.95%, 0.5%

LAB 56.26, 66.68, 66.26

 

CMYK 95 / 23 / 0 / 5

HEX #0BBCF3

RGB 11 188 243

HSL 194.22, 0.91%, 0.5%

LAB 71.22, -19.98, -38.14

 

CMYK 89 / 19 / 0 / 0

HEX #1CCEFF

RGB 28 206 255

HSL 192.95, 1%, 0.55%

LAB 77.05, -24.5, -35.54

 

CMYK 82 / 12 / 0 / 0

HEX #2DE0FF

RGB 45 224 255

HSL 188.86, 1%, 0.59%

LAB 82.43, -32.29, -27.25

 

CMYK 76 / 5 / 0 / 0

HEX #3EF2FF

RGB 62 242 255

HSL 184.04, 1%, 0.62%

LAB 87.85, -39.23, -19

 

CMYK 69 / 0 / 0 / 0

HEX #4FFFFF

RGB 79 255 255

HSL 180, 1%, 0.65%

LAB 91.87, -43.2, -12.94

 

CMYK 98 / 24 / 0 / 3

HEX #06BCF8

RGB 6 188 248

HSL 194.88, 0.95%, 0.5%

LAB 71.41, -18.37, -40.56

 

CMYK 100 / 26 / 0 / 10

HEX #00AAE5

RGB 0 170 229

HSL 195.46, 1%, 0.45%

LAB 65.28, -15.63, -39.77

 

CMYK 100 / 28 / 0 / 18

HEX #0098D2

RGB 0 152 210

HSL 196.57, 1%, 0.41%

LAB 59.08, -12.65, -38.96

 

CMYK 100 / 30 / 0 / 25

HEX #0086BF

RGB 0 134 191

HSL 197.91, 1%, 0.37%

LAB 52.74, -9.55, -38.17

HEX #0086BF

CMYK 100 / 33 / 0 / 33

HEX #0074AC

RGB 0 116 172

HSL 199.53, 1%, 0.34%

LAB 46.27, -6.3, -37.41

HEX #0074AC

CMYK 98 / 24 / 0 / 3

HEX #06BCF8

RGB 6 188 248

HSL 194.88, 0.95%, 0.5%

LAB 71.41, -18.37, -40.56

 

CMYK 98 / 50 / 0 / 3

HEX #067BF8

RGB 6 123 248

HSL 210.99, 0.95%, 0.5%

LAB 52.93, 19.36, -69.95

 

CMYK 98 / 77 / 0 / 3

HEX #0639F8

RGB 6 57 248

HSL 227.36, 0.95%, 0.5%

LAB 37.38, 59.6, -95.47

 

CMYK 92 / 98 / 0 / 3

HEX #1406F8

RGB 20 6 248

HSL 243.47, 0.95%, 0.5%

LAB 31.93, 76.73, -104.53

 

CMYK 66 / 98 / 0 / 3

HEX #5506F8

RGB 85 6 248

HSL 259.59, 0.95%, 0.5%

LAB 35.67, 78.37, -98.2

 

CMYK 98 / 24 / 0 / 3

HEX #06BCF8

RGB 6 188 248

HSL 194.88, 0.95%, 0.5%

LAB 71.41, -18.37, -40.56

 

CMYK 98 / 50 / 0 / 3

HEX #067BF8

RGB 6 123 248

HSL 210.99, 0.95%, 0.5%

LAB 52.93, 19.36, -69.95

 

CMYK 98 / 77 / 0 / 3

HEX #0639F8

RGB 6 57 248

HSL 227.36, 0.95%, 0.5%

LAB 37.38, 59.6, -95.47

 

CMYK 98 / 98 / 0 / 3

HEX #0606F8

RGB 6 6 248

HSL 240, 0.95%, 0.5%

LAB 31.68, 76.64, -104.96

 

CMYK 98 / 24 / 0 / 3

HEX #06BCF8

RGB 6 188 248

HSL 194.88, 0.95%, 0.5%

LAB 71.41, -18.37, -40.56

 

CMYK 98 / 24 / 0 / 3

HEX #06BCF8

RGB 6 188 248

HSL 194.88, 0.95%, 0.5%

LAB 71.41, -18.37, -40.56

 

CMYK 88 / 22 / 0 / 11

HEX #1BB2E3

RGB 27 178 227

HSL 194.7, 0.79%, 0.5%

LAB 67.74, -19.62, -34.84

 

CMYK 77 / 19 / 0 / 19

HEX #2FA7CF

RGB 47 167 207

HSL 195, 0.63%, 0.5%

LAB 63.96, -19.01, -29.65

 

CMYK 63 / 16 / 0 / 27

HEX #449DBA

RGB 68 157 186

HSL 194.75, 0.46%, 0.5%

LAB 60.68, -17.59, -22.91

 

CMYK 47 / 12 / 0 / 35

HEX #5892A6

RGB 88 146 166

HSL 195.38, 0.31%, 0.5%

LAB 57.45, -13.43, -16.44

 

CMYK 98 / 0 / 29 / 3

HEX #06F8AF

RGB 6 248 175

HSL 161.9, 0.95%, 0.5%

LAB 87.13, -65.56, 21.54

 

CMYK 98 / 0 / 3 / 3

HEX #06F8F0

RGB 6 248 240

HSL 178.02, 0.95%, 0.5%

LAB 88.67, -49.23, -9.98

 

CMYK 98 / 23 / 0 / 3

HEX #06C0F8

RGB 6 192 248

HSL 193.88, 0.95%, 0.5%

LAB 72.57, -20.45, -38.74

 

CMYK 98 / 49 / 0 / 3

HEX #067FF8

RGB 6 127 248

HSL 210, 0.95%, 0.5%

LAB 54.02, 16.86, -68.18

 

CMYK 98 / 75 / 0 / 3

HEX #063EF8

RGB 6 62 248

HSL 226.12, 0.95%, 0.5%

LAB 38.31, 56.94, -93.92

 

CMYK 98 / 24 / 0 / 34

HEX #047FA8

RGB 4 127 168

HSL 195, 0.95%, 0.34%

LAB 49.53, -14.04, -29.95

 

CMYK 98 / 24 / 0 / 18

HEX #059ED0

RGB 5 158 208

HSL 194.78, 0.95%, 0.42%

LAB 60.82, -16.51, -35.12

 

CMYK 98 / 24 / 0 / 3

HEX #06BCF8

RGB 6 188 248

HSL 194.88, 0.95%, 0.5%

LAB 71.41, -18.37, -40.56

 

CMYK 82 / 20 / 0 / 2

HEX #2EC7F9

RGB 46 199 249

HSL 194.78, 0.94%, 0.58%

LAB 74.99, -21.78, -35.49

 

CMYK 66 / 16 / 0 / 2

HEX #56D2FA

RGB 86 210 250

HSL 194.63, 0.94%, 0.66%

LAB 79.03, -22.4, -29.74

 

CMYK 98 / 24 / 0 / 3

HEX #06BCF8

RGB 6 188 248

HSL 194.88, 0.95%, 0.5%

LAB 71.41, -18.37, -40.56

 

CMYK 55 / 98 / 0 / 3

HEX #6F06F8

RGB 111 6 248

HSL 266.03, 0.95%, 0.5%

LAB 38.35, 79.82, -93.67

 

CMYK 0 / 16 / 98 / 3

HEX #F8D006

RGB 248 208 6

HSL 50.08, 0.95%, 0.5%

LAB 84.53, -1.31, 84.6

 

CMYK 98 / 24 / 0 / 3

HEX #06BCF8

RGB 6 188 248

HSL 194.88, 0.95%, 0.5%

LAB 71.41, -18.37, -40.56

 

CMYK 0 / 98 / 23 / 3

HEX #F806C0

RGB 248 6 192

HSL 313.88, 0.95%, 0.5%

LAB 55.98, 88.72, -32.16

 

CMYK 23 / 0 / 98 / 3

HEX #C0F806

RGB 192 248 6

HSL 73.88, 0.95%, 0.5%

LAB 90.94, -43.44, 87.49

 

CMYK 98 / 24 / 0 / 3

HEX #06BCF8

RGB 6 188 248

HSL 194.88, 0.95%, 0.5%

LAB 71.41, -18.37, -40.56

 

CMYK 55 / 98 / 0 / 3

HEX #6F06F8

RGB 111 6 248

HSL 266.03, 0.95%, 0.5%

LAB 38.35, 79.82, -93.67

 

CMYK 0 / 75 / 98 / 3

HEX #F83E06

RGB 248 62 6

HSL 13.88, 0.95%, 0.5%

LAB 55.5, 67.97, 65.98

 

CMYK 42 / 0 / 98 / 3

HEX #8FF806

RGB 143 248 6

HSL 86.03, 0.95%, 0.5%

LAB 88.44, -60.69, 84.47

 

CMYK 98 / 24 / 0 / 3

HEX #06BCF8

RGB 6 188 248

HSL 194.88, 0.95%, 0.5%

LAB 71.41, -18.37, -40.56

 

CMYK 26 / 98 / 0 / 3

HEX #B806F8

RGB 184 6 248

HSL 284.13, 0.95%, 0.5%

LAB 48.38, 86.83, -76.81

 

CMYK 0 / 75 / 98 / 3

HEX #F83E06

RGB 248 62 6

HSL 13.88, 0.95%, 0.5%

LAB 55.5, 67.97, 65.98

 

CMYK 72 / 0 / 98 / 3

HEX #46F806

RGB 70 248 6

HSL 104.13, 0.95%, 0.5%

LAB 86.23, -78.47, 81.78

 

Description

Color code: HEX #06BCF8 | qconv.com Color code: HEX #06BCF8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 188 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 188 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 24 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 24% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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